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charlietheepicwriter7 · 5 months

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One of Jonathan Crane's last patients before he began his experiments with fear gas was a young boy, barely out of his toddler years, who'd wake up every night screaming from intense nightmares.

Jonathan could still recognize that boy over a decade later as the boy was wheeled into Arkham Asylum, strapped to a gurney. Danny Fenton shot him a tired grin. "Hey, Doc! You mind if we start holding sessions again? I got a lot more tangible fears I need to work through this time."

#dc x dp #dp x dc #dcxdp #dpxdc #dc crossover #dp crossover #c: jonathan crane #c: danny fenton #arkham asylum #everyone and their mother can tell that danny isn't criminally insane enough to be at arkham #but danny managed to fake it enough to get sent there instead of blackgate #bc the GIW are on his behind and you can't disappear someone from arkham #escape? easily #but break in and disappear a whole person?#unless you're insane work there or batman breaking in is a nightmare #and headcount is too often; he'd be noticed as gone in 4 hours tops #plus his old psychologist is there and if he DOES disappear batman will at least investigate #jonathan is bluescreening right now; has so much time really passed?#jon's going to have a midlife crisis now

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theminecraftbee · 7 months

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i'm not like, the biggest ethogirl (not that i don't like him, i do, i just don't watch him much). but like. you know when i watch him play decked out and he goes inside shaking and shivering like a chihuahua and then exits the dungeon with the most flawless execution of anyone i've ever seen, then goes TANGO THAT WAS HORRIBLE I NEED A REFUND THAT WAS SO BAD WHY DID YOU DO THAT TO ME as he rockets ahead of the competition i'm like. you know what i get it,

#he's so funny he's so scared the whole time #he's like 'it's so over' half his run #and then he escapes easily and without any incident

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sleepyconfusedpotato · 6 months

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Makarov in "The Lobby"

Just a sketch before I sleep! Took this opportunity to study Julian Kostov's face and I think I'm getting the hang of it 👌

---

Am I highkey seeing Makarov as another Vampire in Halloween AU? 👀 Imagine Makarov being a much stronger vampire than Price because he's been consuming human blood non-stop without remorse. And now in order to defeat Mak, Price has to break his oath and start consuming human blood again 👁️👁️.

Here's some timelapse and hope you love it! *(੭*ˊᵕˋ)੭*ଘ

Tip Jar ✨

#vampire!mak easily overpowering and controlling the 141 boys. including vampire!Price himself 👀#“What is this? I thought you're the same being as me? But you're just a shell.”#except Gaz because he's literally bloodless. But Gaz managed to distract Mak and bought time for the Price Ghost and Soap to escape.#But now that Gaz is imprisoned and tortured by Mak. Price has to start becoming strong again in order to defeat Mak.#but that would mean he has to break his oath of never consuming any human blood ever again👁️👁️#would legit be a fucking good au #call of duty #call of duty modern warfare #cod mw #cod #call of duty modern warfare 3 #call of duty modern warfare III #call of duty modern warfare 2023 #vladimir makarov #makarov #makarov cod #sleepyconfusedpotato art #call of duty fanart

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devotion-disorder · 4 months

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*BANGING POTS AND PANS TOGETHER* APPARENTLY VREL SAID HARPER'S FAVOURITE POSITION IS THE STAND AND CARRY!!!!!!!!!!!11111111!!!!!!!11!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

HARPER'S FAVOURITE POSITION IS LIFTING UP THEIR PARTNER AND FUCKING THEM (WHILE FACING EACH OTHER) DO YOU HEAR ME!!!!!!!!!!!!!!!!!!!!!!!!!! IM GOING FAWKKING INSANEEEEE WAUUUUUUUGHGHGHGHHHHHHHHHHHHHHHHHHHHH

#degrees of lewdity #harper the doctor #harperfucker hours #AAUGHUGHGGHGH...........#i love you dol community on twitter #doing gods work compiling all of vrel's answers #of course harpers favourite position is one where their partner can't escape easily #and forces their partner to cling onto them #and super physically intimate #and easy access for kissing............................#im unwell #head in hands

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thelakesuite · 10 months

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Updated Content Warning Guides for Rusty Lake

Criteria based on doesthedogdie.com. Some elements excluded due to their omnipresence, namely the corrupted souls. Meters are subjective to myself, but hopefully still somewhat helpful. 'Drug mention' includes alcohol and tobacco, but not caffeine (i.e. coffee). Cube Escape releases except Paradox are also free on mobile devices. Check the notes for anything I may have missed.

EDITS: Suicide is major in Roots, but as you can see I ran out of space.

Note that paid releases are skewed higher than free ones because they simply have more going on (e.g. only one or two individual levels of Rusty Lake: Roots are as bloody as Cube Escape: Birthday, but the 30+ levels combined are bloodier.) Also, you didn't hear it from me, but Hotel and Roots are both free via Bluemaxima's Flashpoint as last I checked.

#rusty lake #cube escape #see don't these ones look nicer?#i think i've covered everything this time but i could've easily forgotten something. especially in tpw. eugh.

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nelkcats · 10 months

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Hide and Seek

When his family decided to play hide and seek, Danny always participated. He was an expert; after months of running away, coupled with the fact that he had invisibility, the game was very easy, the halfa had always been the best.

So when his family decided to team up to hide from Gotham and their heroes Danny did it too. He could see Officer Gordon searching for the "dangerous" couple and Batman tracking the "meta" but they would never find them. They were too good at the game.

Oracle would despair at their blurry, seeing corrupted images as they led the rest of the vigilantes in a circling search because it was fun.

Of course, they were so distracted paying attention to them that they forgot the other bats. No wonder Red Hood asked for payment after founding them in Crime Alley a few days later (Danny wondered if the vigilante would be willing to play with him, it was strange that he didn't accuse them)

#dpxdc #All the Fentons are escaping #The goverment is looking for them #they destroyed the portal and escaped Amity #when the goverment offered a bounty on their heads #They began to play hide and seek #Danny like the game #dp x dc #dc x dp #Jason found them easily #but they were a happy family #not the dangerous couple and the world ending treat that the government was talking about #He decided to gave them the benefit of the doubt #The Fenton are hiding from the GIW in Gotham #Red Hood is protecting them for now out of curiosity #Of course he didn't tell his family

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mzminola · 5 months

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This is not a perfect analogy but I am making it anyway to try to convey what being online has been like for me lately.

Seeing people say "Oh, Jews are fine, I just hate zionists!" is like seeing "Oh, women are fine, I just hate feminists!"

Zionism and feminism are both very broad socio-political movements that have changed focus over time, that ostensibly have some very basic core tenets but you really need to ask the specific person you're talking to how they personally define it to be sure.

Both have been subject to legitimate criticism, and hostile reactionary bullshit. Had waves, sub-movements, splinters, people with damn near opposite views sharing the term and people with seemingly identical views rejecting it.

You can give working, broad definitions like these:

Feminism is the belief that all people should be treated equally regardless of gender, with a focus on women's rights due to systemic oppression.

Zionism is the belief that all peoples have the right to self determination and safety, with a focus on Jewish people finding it in Israel.

You can also give different definitions! Many people give different definitions! Many people also hold these beliefs but use different names for them for various reasons.

There are self-described zionists who are jingoistic, racist, etc, and who attribute those attitudes to their zionism. Just as there are feminists who are misandrist, bio-essentialist, transphobic, homophobic, and so on, who attribute those attitudes to their feminism.

There are also incredibly selfless, compassionate activists working for positive change in the world who consider themselves zionists and feminists.

It has been very jarring to see people, who I respect, uncritically reblogging posts or headlines that use "zionists" as a stand in for "bad people", just as jarring as it would be to see them sharing things that use "feminists" that way. Especially when those posts contain easily debunked conspiracy theories that I know you'd have seen right through if the OP said "Jews" but because they said "zionists" you swallowed it whole.

I am not asking anyone to stop sharing important information, petitions, news articles, resources, and so on. I am asking you to slow down and stop spreading inflammatory language that paints a broad socio-political movement for Jewish self-determination as inherently bad. The same way I would ask you not to spread inflammatory language that paints gender equality & women's liberation as inherently bad.

If the information is important, please look for other, more neutrally worded posts. Or verify the links yourself and make a fresh post! There is no situation online in which the only way to share information must be to spread such language.

#antisemitism #being critical of zionism is not automatically antisemitic #just as criticizing the feminist movement is not inherently misogynistic #but the way a LOT of people have been talking lately...it has been indistinguishable #please slow down #being Jewish in America #and online #I have so many filters and yet I cannot escape this even in fandom spaces #''Jews control the media'' repackaged as ''zionists'' or ''the Israeli government'' has been the one I've seen the most #but there's been some outright blood libel too #and of course the usual banking bullshit #when you accept a term like this as synonymous with ''bad people'' you swallow the lies more easily! you swallow the exaggerations!#you fact check less! you reblog from psyops and bigots who've found keywords!#and it doesn't have to be this way #please stop making it be this way #editing tags to add #zionism #I think I left it off originally to stay out of the tracked tags

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john-macnamara · 21 days

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I have decided to take a break from tumblr. I’ll be back after people forget about the things I said. We had a good run. Peace.

#{I ain’t leaving any time soon yall can’t escape me that easily}#hatchetfield rp #hatchetblr

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ghostyolive · 8 months

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Thinking about how much I love Aoi Kurashiki as a character again tonight. He was one of the biggest highlights of 999 partially because the game absolutely jerks you around with how you’re supposed to feel about him. Like you meet him as the brash and abrasive young guy who is constantly willing to fight anybody and everybody and is arrogant enough to care about his shoes getting bloodstained… And then as the game goes on, you realize him as somebody intelligent who’s working to survive in a dire situation… And then in the axe ending it’s implied that he was the one who murdered Light, so it keeps you wondering and looking in the next playthrough… And then you go through door 6 and realize that he isn’t too bad of a dude as he is constantly helping Akane when she repeatedly faints and refuses to take the gun… And then the safe ending implies that he’s Zero and you start to wonder at his motive… And then in the true ending you see him point a gun at Akane and force her through door 9, saying that he doesn’t care about her and implying that he isn’t the mastermind if he *has* to go through the door… And then you realize that he’s lying and is the mastermind who has reprogrammed the game to make it so him and Akane are always together… And then you hear Seven talk about saving kids from the first Nonary games and start to realize that Santa *is* Aoi and realize that maybe he still does have a good reason for remaking the game… And then you see him escape the 9th room and set everybody to incinerate, so he has to be a bad guy… And then you get to the root of him and realize that he’s just some traumatized fucking kid with no parents who was kidnapped by a bunch of scientists and is stuck in a branch of time where his sister is simultaneously alive and dead, and trapping all of these people is the only way that he could ever live life without the guilt of being an older brother who couldn’t save his sister

#guys please go play 999. it has easily been my favorite game that I’ve played this summer (if you can just roll with the silliness)#9 hours 9 persons 9 doors #aoi kurashiki #999 spoilers #zero escape

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hephaestuscrew · 18 days

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“This has both our names on it”: Viewing Fleet and Clara’s relationship in Victoriocity through a queerplatonic lens

TL;DR: By Season 3 of Victoriocity, Fleet and Clara have developed a committed emotional partnership that certainly moves beyond the purely professional. Whilst very much operating as a duo, they can be interpreted as often rejecting or subverting romance-coded elements in their relationship, instead embracing a unique dynamic that can be read as resonating with the concept of a queerplatonic relationship (QPR).

Buckle up because this is over 2,500 words long! If you'd rather read it as a document, you can access it here: Fleet & Clara QPR Google Doc

Disclaimer: I'm not making any claims about creator intent, nor about how anyone else ought to interpret Fleet and Clara's dynamic. It's also worth acknowledging that queerplatonic relationships are inherently defined by the people in them and any attempt to apply such terminology to a story set in 1887 is obviously anachronistic (although whether that should matter when said story also contains a cyborg Queen Victoria is up for debate).

With that said, if we define a QPR as a committed personal partnership which is not entirely captured by the typical expectations of either friendship or romance but may contain some elements typically associated with either (other definitions of QPRs are available), I enjoy viewing Fleet and Clara's relationship through a QPR lens, and I want to talk about some of the reasons why I think this reading works.

***Spoilers for all three seasons of Victoriocity and the novel High Vaultage***

Detective duos

Even before we actually get into Fleet and Clara's particular bond, detective / crime-solving duos as a general concept have QPR energy to me (which probably predisposed me to this interpretation). It's the Holmes-and-Watson legacy. It's the use of the word 'partner' in a non-romantic context (‘associate’ or ‘companion’ can also serve a similar purpose). It's the intense trust and reliance on each other. It's the sense of being a recognisable pair, always appearing together, known as a duo, with skills and attributes that complement each other.

Romantic assumptions

Moving on to Fleet and Clara specifically, one aspect of their relationship that can be read through a QPR lens is how they are often in situations where other people believe or imply that there is a romantic relationship between them. Sometimes this is a deliberate strategy of theirs, and sometimes it’s imposed upon them by others. But I’d argue that there’s never a point where they both simultaneously seem entirely comfortable with that romantic narrative for their relationship. Usually one of them will actively deny the assumption or react negatively to the implication:

When Mrs Hampshire interprets Clara and Fleet as a couple experiencing “young love”, Clara might be happy to adopt this as an effective cover story, but Fleet seems unsettled and keen for them not to be perceived this way: “No. No. You’ve misunderstood, we are not, that is to say I am…” (S1E2)

When Warden Hughes assumes Fleet is the new Warden and Clara is the new Warden’s wife, Clara says “I am certainly not”, with emphasis on the ‘certainly’. (S2E2)

Fleet definitely doesn’t sound enthused when he realises Clara has gone for a married couple as their cover story at the Grand Salcombe: “I am sure I’ll regret asking, but by any chance am I [Mr. Theasby?]” (S2E2)

When Titus Byrne tells the pair “I take it you're happy sharing [a room]”, Clara responds with a horrified “What?” (S3E4) (Obviously sleeping in the same room isn’t inherently romantic, but it is often perceived that way.)

Of course, fake dating and external assumptions of romance are very common tropes in romantic will-they-won't-they dynamics, and these moments could definitely be interpreted that way for Fleet and Clara. But I prefer to read these instances as reflecting a different kind of closeness between these two characters. They have a sense of emotional partnership that allows a marriage cover story to seem plausible to others and that other people sometimes automatically assume to be romantic (obviously with some period-typical heteronormativity at play). But to me, it doesn't seem like either of them are fully comfortable with their relationship being perceived in a directly romantic way. Perhaps they are a couple in a different sense…

Proposal via door plate

The way that Fleet asks Clara to be his business partner has always seemed to me like a platonic version of when people find personal ways to surprise their romantic partner with a proposal:

CLARA: You bought me a door plate for your office? [...] This has both our names on it. FLEET: What do you think? CLARA: I like it. (S2E7)

Fleet could have just asked Clara outright, without going to the trouble of buying a sign that would have been useless if she’d said no. If it was purely a professional business proposition with no emotional meaning behind it, I think he would have just asked verbally. But instead, he gifts her a sign with their two names paired together: Fleet-Entwhistle Investigations. There's something so intimate about that to me: about Fleet asking Clara whether she would like to be a duo with him in a more formally-defined but still non-romantic way; about him choosing to present this offer in the form of a gift; about the way he presents her with their two names joined together etched into metal and asks what she thinks; about the significance that this gesture attaches to their partnership; about him having enough trust that she'll say yes that the effort and vulnerability of presenting her with that sign seem worth it for him. And the gesture means an awful lot to Clara:

She thought about the door plaque he’d had engraved with both their names on it as his way of inviting her to be his business partner – typical Fleet, refusing to tell her so much as his favourite breakfast food and then to go and do something like that. It was the nicest thing anyone had ever done for her. (High Vaultage, p187).

Anniversaries

In the special episode ‘Murder in the Pharaoh's Tomb', Clara says “And you know what else is a big occasion Fleet? It's our one-month anniversary.” She wants to celebrate the anniversary of Fleet-Entwhistle Investigations. Their partnership holds a significance for her that means key dates associated with it are worth remembering and remarking upon.

When Clara first mentions their anniversary, Fleet nearly chokes on his drink, which seems like an instinctive reaction to the usually romantic connotations of an anniversary (see my point above about Fleet not being comfortable with their dynamic being perceived as romantic). But when Clara clarifies what she means, Fleet seems much more cheerful about the notion of their anniversary: “Ah, so it has.”

“Miss Clara Entwhistle, my partner”

I get extremely strong QPR vibes from this moment, when Fleet introduces Clara to the sailors at Grave End:

FLEET: This is Miss Clara Entwhistle, my partner - in business, my business partner. CLARA: I'm also his friend, but he doesn't like to say it. (S3 E3)

Fleet and Clara are partners, but not in the way the average person might assume from that word, which Fleet realises mid-sentence here. This is another instance of Fleet reacting negatively to the idea that their relationship might be interpreted romantically (see above). And yet, 'partner' (rather than, say, ‘colleague’) is the word that comes naturally to him in this moment to describe who Clara is to him. He then frantically emphasises the professional element of their relationship so as to avoid the romantic implication, but Clara is keen to proudly assert that there is a personal, emotional aspect to their dynamic too. They are first-and-foremost partners, and they are friends, and they do not want to be seen in a romantic light - this post basically writes itself...

“Her ridiculous detective.”

When Clara fears for her life at the display of the Lanterns, the narration tells us:

“she thought of her brother, her sister, her parents... Her ridiculous detective.” (High Vaultage, p172)

The fact that Clara thinks of Fleet in this moment of fear clearly indicates his importance to her, but I think the phrasing of this quote is particularly interesting. The narration lists Clara's immediate family: two of whom are dead (her sister and father), one of whom is publically mourning Clara's life choices (her mother), and only one of whom we have any real evidence of her having a positive relationship with (her brother). And then, separated from these complicated familial relationships by an ellipsis, the narration tells Clara also thinks of Fleet, “her ridiculous detective”.

Parents and siblings are familial relationships that tend to come with established expectations, in which the use of a possessive pronoun (i.e. her brother) to indicate the relationship is a norm. ‘Detective’ does not fall into this category; unlike ‘brother’, ‘sister’, ‘parent’, ‘friend’, ‘partner’ etc., ‘detective’ is not a word that inherently implies a relationship or that we'd usually expect to see preceded by a possessive pronoun. The idea of ‘her detective’ therefore stands out, giving the sense that there is a unique relationship being indicated here. The way in which Fleet is ‘hers’ is something that Clara has chosen for herself, something that they have shaped together. Who they are to each other can't necessarily be fully expressed using standard phrases that traditionally describe relationships between people. But Fleet is Clara's detective, of which she only has one, and who she'll think of in the midst of “the screaming of the heavens at the end of the world”.

Fleet is also the only one in this list of Clara's loved ones who gets an adjective - her love for him has detail. And while “ridiculous” might often be perceived as negative (it's certainly not a classic romantic endearment), it seems to me like there's such fondness in it in this context: the recognition of and affection for eccentricities, the idea that his importance to her is not (purely) based on his professional strengths but on Fleet as a whole - perhaps at times ridiculous - person.

“Settled”

When Clara and Fleet talk about Clara's mother’s expectations for her, they have this exchange:

"She's still living in hope that one day I'll settle down." "You're not settled?" asked Fleet. "I am." (High Vaultage, p259)

By ‘settle down’, Clara's mother of course means ‘marry’, ideally into “at least a minor baronetcy”. But Clara already considers herself "settled", just not in a way her mother would understand or appreciate. She's not looking to "settle down" into a lifestyle other than her current one. She is settled in a situation where Fleet is certainly her closest personal connection in London (and perhaps anywhere), and where the two of them work closely together, operate as a duo, and then go back to their separate homes. And this partnership with Fleet is a comfortable set-up that feels right for Clara exactly as it is, rather than being a precursor to, or a distraction from, the marriage ambitions that her mother wants for her.

I think this exchange also contains an implicit sense of the commitment between the two of them. Fleet wants to check that Clara is ‘settled’ in her current situation, of which working closely - and platonically - with Fleet is obviously a major element; Clara confirms she is. There's a subtle indication of their shared intention to be in this for the long haul.

As a sidenote, Fleet and Clara’s implicit assumption that their partnership is a long-term one can manifest itself in joking contexts as well as serious ones. Look at this exchange from S3E5:

FLEET: We're not bandits, we're just going to flag it down. CLARA: We'd be terrific bandits! FLEET: Let's just see how our current line of work goes.

I think it’s notable that, in this joking speculation, both Fleet and Clara use ‘we’ and ‘our’. The joke could have been phrased just as effectively if they were imagining only Clara becoming a bandit. But the suggestion is that, if either of them was a bandit, they’d be bandits together. Even if they changed their lives entirely, they'd still approach life together.

Inseparable

Fleet and Clara have become a nearly inseparable duo in a way which is noticed by others. For example, after Clara and Fleet fall out in High Vaultage, Fleet meets with Keller, who says:

"You're here with me instead of barrelling across town with her, so I'm just assuming there is some thickheaded puffinry for which you need to apologise to Miss Entwhistle" (p335)

Keller, hardly the most emotionally perceptive man in Even Greater London, automatically infers from the fact that Fleet is on his own that he has had a falling out with Clara, rather than that they just happen to be in different places. When all is well, Keller expects to see the two of them together, whether or not they are in a position to be actively working a case.

Going back earlier in their partnership, Keller makes a similar assumption about Fleet and Clara being inseparable in S2E6. When Clara shouts her name amidst Keller's anti-Vidoc booby traps, Keller asks "Entwhistle? Which means… Fleet?" Again, there's this idea that if one of them is there, the other is likely to be there too - they come as a pair. (It's worth noting that this scene takes place less than two weeks after they first met.)

“Like a friend might?”

At the end of S3E7, Fleet suggests that he and Clara go to the theatre together. It would have been easy for this invitation to have been explicitly framed as a romantic proposition, or even for the nature of the offer to have been left more ambiguous. But Clara says "Archibald Fleet, are you inviting me to a social activity? Like a friend might?" The use of the word 'friend' directly labels this as a platonic interaction. And it's with that platonic lens on it that Clara is extremely excited to spend non-work-related social time with Fleet.

“Maybe it'll just be my good luck charm.”

CLARA: My grandmother's ring, I don't suppose you managed to hold on to it? [...] FLEET: Oh, it's been crushed.. I'm sorry Clara [...] CLARA: No, you keep it. FLEET: What? No... CLARA: Keep it. Maybe it'll remind you not to run towards trains. FLEET: Maybe. Maybe it'll just be my good luck charm.

In S3E7, Clara gives Fleet a ring, which - as a gift from one person to another - is traditionally a symbol of a particular, legally recognised, kind of personal commitment. But when Clara tells Fleet to keep the damaged ring, down in the Underground tunnels after the destruction of the beast and Fleet's latest brush with death, it is quite a different situation to a wedding or a proposal. A married man would traditionally wear his wedding ring on his finger for all to see, but Fleet won't ever wear this ring like that. The ring itself has been bent into a different shape between the wheels of their misadventures, subverting the usual associations of a ring given from one person to another. (In a heteronormative world, those associations are particularly strong when the two people in question are a woman and a man.)

That ring is not an engagement ring, but it is Clara’s grandmother's ring, an inheritance from the blood family she never really felt she belonged in, now given to the man who might be a very different kind of family for her in London. That ring - with which Clara saved Fleet's life - is a symbol of their bond. And it therefore serves as a reminder for Fleet “not to run towards trains" and as a “good luck charm”. I like to think he'll carry that ring with him, perhaps in his jacket pocket - a little piece of his partner, kept close to his ticking heart…

Thank you for reading all of this!

If you’ve read all of this, I'm assuming you also enjoy the concept of Fleet and Clara as a QPR (unless you're really a glutton for punishment) and that makes me very happy! This was long because there's so much to say about them… And I wrote all of the above without even getting into: the potential to headcanon Fleet and/or Clara as aspec (which I don't think is necessary for QPR headcanons, but which is also fun); Clara's baggage around and discomfort with marriage in general; the speed with which Fleet and Clara become a ride-or-die duo; and the many other demonstrations of care, understanding, trust, respect, and affection between them that didn't feel as directly QPR-coded to me but are nonetheless wonderful. Please do feel free to share your own thoughts!

#victoriocity #clara entwhistle #inspector fleet #archibald fleet #high vaultage #I'm not really trying to persuade anyone who doesn't already vibe with Fleet & Clara QPR as a concept #I just enjoy digging into that interpretation #I don't have any lived experience of QPRs myself #I'm just an aro who occasionally yearns #which tbf is probably the demographic most likely to obsessively interpret fictional duos as QPRs #I tried to avoid straying into anything like ‘they are too important to each other to be *just* friends’#when writing this #because I deeply dislike that outlook #That's not what I'm getting at here #Friends can be that important to each other without being in a QPR #I just think Fleet and Clara are important to each other in a particular way that can easily be read as a QPR or QPR-adjacent #Ngl for me personally I was very happy that there was no explicitly romantic Fleet and Clara moments #in S3 or High Vaultage #I’m sure I would still love their dynamic if they did explicitly take it down that route #I’m sure it would be done well #But the fact that Fleet and Clara are platonic (or at least ambiguous) means a lot to me personally #A related thought to that bit on romantic assumptions is that under amatonormativity #even the denial of romance/attraction is so often treated as evidence for it #which can mean that there's no way to escape that implication #so that's another reason why I enjoy taking characters at their word #when they express discomfort over a dynamic being interpreted as romantic #I finished writing this on Wednesday and I've been so impatient about waiting until S3 is fully out to post it lol

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