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tellywoodtrash · 2 years

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channa mereya 18 - 20.10.22 lbs

18.10.22

adi finds ginni standing in dhaaba glaring at that payal

and is like babe u ok?

she's like I tolddddddd you someone set it on fire and this payal is proof

once again, that could have been left by anyone sis

anyway he's like do whatever you need to I love and support u

good this is the only energy we need from men

supportive huggies

lmao chotu singh aa gya to cockblock

and adi huffs and puffs at him like a cranky dragon and chases him off

taayiji doing dramey about needing AC and god stfu bitch

supreet smoothing over sitch and honestly, this woman needs to be paid for the amount of emotional labour she's doing for this shitty fam

ginni sees Sam and is glaring and moving to her

demon dad ki phatt rhi lol and he's like chalo chalo rasm shuru karo

rasm rasm blah blah

ring exchange ho gya

adi happily sighing at his ring lmao what a simp I love him so much

ginni dgaf about romance at such a moment tho, max relatable girl

sees Sam going into a room

where she sets up some camera ringlight shit for vlogging? idk

full fam is dancing

Goldie sees the payal and is like oh this is sam's we been looking for it

lmaooooooo oh boy ginni ke head mein kill bill sirens

seedha went to kitchen and picked up kerosene ka dabba

remembered dhaaba jal-ing, adi risking his life in the fire

and stormed into room where Sam is

STARTED THROWING THE KEROSENE AROUND

kheench ke one thappad

and asjfjdjsshsh haath marod diya

sometimes violence is the answer 😌😌😌

ginni is screaming truth bombs

damn she throwing Sam around like a ragdoll

Hulk smash her ginni, hum tere saath hain

Sam asking for proof and ginni is like bitchhhhhhhhhh

she's like first you should know how it feels to be on fire

continues throwing kerosene all around

Sam screaming for help but everyone's too busy dancing

ginni like why you screaming for them when you did the mistake alone

and imma burn with you coz I made mistake of letting you do this

maachis is out!!!!!!!!!!!

screaming tell the truth or imma burn this shit down

Sam doing pls I'm preggo naatak

but ginni is like lol fuck youuuu

God I love her

maachis jala di

Sam finally admitted

she's like I wanted to burn you and your fam and that damn dhaaba

alllllll cozza you my life is ruineddddd

blah blah

no matter how many times you make that dhaaba

I'll burn it down

nice go-getter spirit Sam

ginni lit maachis and threw it

it wasn't kerosene lol

blue paani tha shayad

fam like where ginni and adi has no clue but is covering for her

saying mujhe bataakar gayi thi #justdesithings

ginni came and told everyone truth

everything moves too damn quick in this show

lmao the demon dad like arre yaaaar itni jaldi baazi har gye

adi like chalo let's call the cops

gulaabo ji like fuck the cops this is my daughter's wedding I'm not letting em ruin this l fix Sam myself, you two stop ruining this wedding day pls

MUMMY JI PLS, KUCH TOH PRIORITIES RAKHO SHAADI KE UPAR

ginni is like how the fuck i supp to celebrate shaadi when that bloody arson bitch is right here

let me call the damn cops pls

and tells adi to call cops

Goldie still defending

my god how good is this chick's 🐱game

ke itnaaaa deewana hua hai tu

like even taayiji is team ginni on this matter

so you know shit is outta handddd

ginni says pls bhai banke vyaah mein shareek baad mein hona

jis baap ki wajah se duniya mein aaya hai uska toh hoke dikha

Teri meri ragon mein ek khoon hai, toh tera khoon kyun nahi kholta

coz he's a useless fuckin dheent

19.10.22

police did come. but coz Sam called. and put domestic abuse charges on ginni

ginni getting arrested instead lol

adi going into Hulk smash mode

full fam having to hold him back

ginni gave kasam and stopped him

poor babie boy he's more devastated than she is

police about to take her

when ginni remembered Sam was vlogging

adi took sam's phone from her

gave to ginni

ofc it's been deleted, and sam smirksssssssssss

adi millenial jo hai is like, she deleted from gallery, not from the other places

retrieved the video in a sec lmao

chalo jiiiiiiiiiiii

police yelled at Sam and left

and boy oh boy

adi is like agli baar ginni ya uski fam ke paas dikhaayi di

toh kerosene asli hoga

aur aag main lagaaonga

aise hi nahi kaha tha maine isko Star Bharat ka Vincenzo

he likes burning shit since first ep

ginni threw her out

Goldie running behind

fuckin goldie

mom is like ouff laanat and said fuck you aaj se teri maa tere liye marr gyi

i don't think he cares, mummyji

ginni growling at Sam some more about how NEXT TIME she'll go to jail

the fuck

why is there gonna be a NEXT TIME

y'all are dumb af

anyway closed the door

adi is like enough is enough I don't want more problems

i'm marrying my girl tomorrow so help me god

dad is like oh no shit but................

supreet says don't worry about it, it'll be done

supreet honestly you're too nice to these fuckers

only ginni and akash deserve your good heart here

sam roaming the streets

and demon dad is here to gloat and break alliance

Sam still glowering and saying I'll get herrrrr

dad saying you do this right and I'll give you one crore

Ghar pe sangeet happening

akash wants to make paper planes

adi tells him go to storeroom there's old books there go make from them

Sam has snuck in to do bakheda ouff annoying

dad standing in corner and plotting

adi asks what's up any problem

blah blah small talk

offers adi a drink

adi says no I don't drink anymore, jabse ginni……

she enters all decked up looking pretty

and man is lost 😍🥰🤩😍🥰😍🥰😍🥰🤩😍😍😍

doing ishaara ki she looks 🤩👌🏽👌🏽👌🏽❤️‍🔥❤️‍🔥❤️‍🔥💯💯💯

20.10.22

akash found papaji ki diary in storeroom

started tearing pages and making his planes

this why you don't just leave kids unsupervised

neeche sangeet mein adi back to his chichori harkatein

ginni like yeh koi jagaah hai chedne ki

he's like ok then come lets go to the jagaah which is for chedna

chacha ji came to ask kuch chahiye toh nahi

adi pointing at ginni and saying jo chahiye tha mil gaya

ugh I wanna slap him for how adorable he is 👋🏼👋🏼👋🏼👋🏼👋🏼

chachaji left

romance shuru nahi cousins are here

"kuch khaoge aap log?"

"Haan khayenge na; haddi waala kabab."

lmao man got no chill

Sam is here in sardarji disguise to fuck shit up

OK BUT WHERE IS GOLDIE DURING ALL THIS

na family ke paas hai

na simran ke paas hai

itna sab hone ke baad bhi ainvayi awaara kahin ghoom rha hai

Sam spiked ginni ka drink

lotsa lame adi flirting cheesyass i can't watch its too cringe

anyway it made ginni laugh, so good

honesty time

soft heart eyes

"i promise main hamesha tumhe apni jaan se bhi badhkar rakhoonga"

👌👀👌👀👌👀👌👀👌👀 good shit go౦ԁ sHit👌 thats ✔ some good👌👌shit right👌👌there👌👌👌 right✔there ✔✔if i do saү so my self 💯 i say so 💯 thats what im talking about right there right there (chorus: ʳᶦᵍʰᵗ ᵗʰᵉʳᵉ) mMMMMᎷМ💯 👌👌 👌НO0ОଠOOOOOОଠଠOoooᵒᵒᵒᵒᵒᵒᵒᵒᵒ👌 👌👌 👌 💯 👌 👀 👀 👀 👌👌Good shit

lol achcha moment ban rha tha both of them gaaaazing into each other's eyes lovingly

and akash ka paper plane hit him in the head

ginni about to get her spiked drink

but dhol waale aa gye and distracted

daarji is back

oh boy naach gaana fwding

demon dad is pissed that now diary has to be hidden from ginni AND daarji lol

anyway daarji blessing kids and adi like you came back quick for our wedding??!?!?!

daarji says there's one more reasonnnnnnn

asked for gurleen's hubby

taayiji somehow covering up

God y'all are all doing gurleen so dirty, fuck I'm livid on her behalf

more naach gaana blah blah idc

Sam and demon dad convene in kona and she's back at trying to get ginni to drink the spiked drink

daarji thinking about his secret repentance mission

oh I think he wants to tell ginni the truth

oh shit demon dad got one of the paper planes

and saw it's from that diary

akash told him store room mein se liya paper

adi asks for something to drink for ginni

Sam making her movesssssss

ginni noticed waiter is shady af

mooch nikal rhi thi side se

ginni followed her and recognised

she pushed ginni and ran away

adi ginni chasing behind

split up to find her

meanwhile dad got diary

and is about to burn it

went to throw it in fire

aaaaaaaaaaaaaand daarji stopped him

saved the diary

and said its only ginni ka right to even touch this book

ki what did you think, if you burn it truth will never come out? sach kabhi nahi chupta blah blah

daarji laying the guilt on thiccccc

saying he's gonna tell the truth to ginni before the wedding

dad trying to convince daarji, that they did it all for the family and the business

ok toh jo bhi paap kiya tha dono ne milke kiya tha

daarji is like nope I wanna do paschataaaap

precap: ambar burns the diary anyway

ginni comes running

#channa mereya #cm lbs #episode liveblogs

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ringtonenews1 · 2 years

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lyricsloverfan · 4 years

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Jab Hum Padheya Karte The Lyrics - Parmish Verma | 2020

Song Description

Song Title: Jab Hum Padheya Karte The Artist: Parmish Verma Lyrics: Jimmy Kotkapura Music: Desi Crew Music Label: Golden Music

Jab Hum Padheya Karte The Lyrics - Parmish Verma

Desi Crew.. Jab hum padheya karte the Modon pe khadeya karte the Jab hum padheya karte the Modon pe khadeya karte the Aate jaate logon ki Nazron mein chadheya karte the Aate jaate logon ki Nazron mein chadheya karte the Ho jab hum padheya karte the Modon pe khadeya karte the Aate jaate logon ki Nazron mein chadheya karte the Ho itne vi nai mahde the Lukk lukk ke vekhan laa layi si Ho saari class di topper Main pichhe baithan laa layi si Hoye Ho itne vi nai mahde the Lukk lukk ke vekhan laa layi si Ho saari class di topper Main pichhe baithan laa layi si Woh har kaamon mein muhre thi Hum har kaamon mein body the Woh sabak muka ke beh jaati Hum pencil kadheya karte the Ho jab hum padheya karte the Modon pe khadeya karte the Aate jaate logon ki Nazron mein chadheya karte the Ho jab hum padheya karte the Modon pe khadeya karte the Woh bahli hatti katti thi Ekko ghante mein patti thi Ho bas ek patti ki maar thi woh Bus adde pe hatti thi Woh bahli hatti katti thi Ekko ghante mein patti thi Ho bas ek patti ki maar thi woh Bus adde pe hatti thi Ho mainu layi woh park wale Khuh ke peechhe aati thi Goldi Satta Jimmy Laadi Muft mein saddeya karte the Ho jab hum padheya karte the Modon pe khadeya karte the Aate jaate logon ki Nazron mein chadheya karte the Ho jab hum padheya karte the Modon pe khadeya karte the Ho chhoti chhoti baaton par Ik chah jaisa chadh jaata tha Ek chaakni mein hi kamla Dil feeling phad jaata tha Waah waah waah waah waah waah waah Chhoti chhoti baaton par Ik chah jaisa chadh jaata tha Ek chaakni mein hi kamla Dil feeling phad jaata tha Sabka sachcha pyar thi woh Lakh bhulaya bhulldi nai Tadke tadke jihde layi Paale mein thareya karte the Ho jab hum padheya karte the Modon pe khadeya karte the Aate jaate logon ki Nazron mein chadheya karte the Ho jab hum padheya karte the Modon pe khadeya karte the Thanks For Visit our Website…!!! If you find any Written Mistake in Jab Hum Padheya Karte The Lyrics Parmish Verma, please Let us in Comment Watch Full Video Jab Hum Padya Karte The Song By Parmish Verma https://youtu.be/ud3KS0hbcVY Read the full article

#JabHumPadheyaKarteTheLyrics #JabHumPadheyaKarteTheLyricsParmishVerma #JabHumPadheyaKarteThesong #JabHumPadheyaKarteThesongParmishVerma #ParmishVerma

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lyricsocean · 4 years

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Parmish Verma’s latest Punjabi song ‘Jab Hum Padheya Karte The’ with amusing Punjabi lyrics is out now. Desi Crew direct music for the brand-new track released from Speed Records (YouTube.)

PARMISH VERMA | JAB HUM PADHEYA KARTE THE SONG LYRICS

Jab Hum Padheya Kartey The, Morhon Pe Khadeya Karte The, Aate Jaate Logon Ki Nazron Mein Chadheya Karte The, Aatey Jaatey Logon Ki Nazron Mein Chadheya Karte The,

Oh Jab Hum Padheya Kartey The, Modon Pe Khadeya Kartey The, Aate Jaate Logon Ki Nazron Mein Chadeya Karte The.

Ho Itne Bhi Nai Maade The, Luk-Luk Ke Vekhan Laa Layi Si, Ho Sari Class Di Topper, Main Piche Baithan La Layi Si, (Oye! Hoye! Main Keha Nazar Hi Leyata)

Ho Itne Bhi Nai Maade The, Luk-Luk Ke Wekhan Laa Layi Si, Saari Class Di Topper, Main Piche Baithan La Layi Si,

Wo Har Kaamon Me Moore Thi, Hum Har Kaamon Mein Faadi Thi, Wo Sabak Muka Ke Beh Jaati, Hum Pencil Ghadeya Karte The,

Jab Hum Padheya Kartey The, Modon Pe Khadeya Kartey The, Aate Jaate Logon Ki Nazron Mein Chadeya Karte The,

Oh Jab Hum Padheya Kartey The, Modon Pe Khadeya Kartey The, Aate Jaate Logon Ki Nazron Mein Chad

Woh Baali Hatti-Katti Thi, Iko Ghainte Mein Patti Thi, Ho Bas Ek Petty Ki Maar Thi Woh, Bas Adde Pe Hatti Thi (Wah! Wah! Wah!)

Ho Baali Hatti-Katti Thi, Iko Ghainte Mein Patti Thi, Ho Bas Ek Petty Ki Maar Thi Woh, Bas Addey Pe Hatti Thi

Ho Mainu Milan Layi Oh Park Wale, Khuh Ke Peeche Aati Thi, Goldy, Satta, Jimmy, Laddi, Muft Mein Sarheya Karte The,

Oh Jab Hum Parheya Karte They, Morhon Pe Kharheya Karte They, Aatey Jaatey Logon Ki Nazron Mein Charheya Karthe They, O Jab Hum Parheya Karte They, Morhon Pe Kharheya Karte They.

Oh Choti-Choti Baaton Par, Ik Cha Jaisa Chadh Jata Tha, Ek Jhakni Mein Hi Kamla, Dil Feeling Fadh Jata Tha, (Wah! Wah! Wah!)

Chhoti-Chhoti Baaton Par, Ik Cha Jaisa Chadh Jaata Tha, Ek Jhakni Mein Hi Kamla, Dil Feeling Fadh Jaata Tha, Sabka Sacha Pyar Thi Woh, Lakh Bhulayaan Bhuldi Nai,

Tadke-Tadke Jihde Layi, Paale Mein Thareya Karte The.

Oh Jab Hum Padheya Kartey The, Modon Pe Khadeya Kartey The, Aate Jaate Logon Ki Nazron Mein Chadeya Karte The.

Oh Jab Hum Padheya Kartey The, Modon Pe Khadeya Kartey The.

The post Jab Hum Padheya Karte The Lyrics – Parmish Verma appeared first on Lyrics Ocean.

#Lyrics #LyricsOcean

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lyricsstopus · 4 years

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JAB HUM PADHEYA KARTE THE LYRICS

“Jab Hum Padheya Karte The” (जब हम पढ़ेया करते थे lyrics in Hindi) lyrics is the latest Punjabi song by singer Parmish Verma. The music for the song is given by Desi Crew while the lyrics of the song “Jab Hum Padheya Karte The” is penned by Jimmy Kotkapura. The music is released under the music label Speed Records.

Jab Hum Padheya Karte The Lyrics Details

Song: Jab Hum Padheya Karte The

Singer: Parmish Verma

Music: Desi Crew

Lyrics: Jimmy Kotkapura

Label: Speed Records

Jab Hum Padheya Karte The Lyrics in English

Jab Hum Padheya Karte The Modon Pe Khadeya Karte The Jab Hum Padheya Karte The Modon Pe Khadeya Karte The

Aate Jaate Logon Ki Nazron Mein Chadheya Karte The Aate Jaate Logon Ki Nazron Mein Chadheya Karte The

Ho Jab Hum Padheya Karte The Modon Pe Khadeya Karte The Aate Jaate Logon Ki Nazron Mein Chadheya Karte The

Ho Itne Vi Nai Mahde The Lukk Lukk Ke Vekhan Laa Layi Si Ho Saari Class Di Topper Main Pichhe Baithan Laa Layi Si Hoye

Ho Itne Vi Nai Mahde The Lukk Lukk Ke Vekhan Laa Layi Si Ho Saari Class Di Topper Main Pichhe Baithan Laa Layi Si

Woh Har Kaamon Mein Muhre Thi Hum Har Kaamon Mein Body The Woh Sabak Muka Ke Beh Jaati Hum Pencil Kadheya Karte The

Ho Jab Hum Padheya Karte The Modon Pe Khadeya Karte The Aate Jaate Logon Ki Nazron Mein Chadheya Karte The

Ho Jab Hum Padheya Karte The Modon Pe Khadeya Karte The

Woh Bahli Hatti Katti Thi Ekko Ghante Mein Patti Thi Ho Bas Ek Patti Ki Maar Thi Woh Bus Adde Pe Hatti Thi

Ho Mainu Layi Woh Park Wale Khuh Ke Peechhe Aati Thi Goldi Satta Jimmy Laadi Muft Mein Saddeya Karte The

Ho Jab Hum Padheya Karte The Modon Pe Khadeya Karte The Aate Jaate Logon Ki Nazron Mein Chadheya Karte The

Ho Jab Hum Padheya Karte The Modon Pe Khadeya Karte The

Ho Chhoti Chhoti Baaton Par Ik Chah Jaisa Chadh Jaata Tha Ek Chaakni Mein Hi Kamla Dil Feeling Phad Jaata Tha

Waah Waah Waah Waah Waah Waah Waah

Chhoti Chhoti Baaton Par Ik Chah Jaisa Chadh Jaata Tha Ek Chaakni Mein Hi Kamla Dil Feeling Phad Jaata Tha

Sabka Sachcha Pyar Thi Woh Lakh Bhulaya Bhulldi Nai Tadke Tadke Jihde Layi Paale Mein Thareya Karte The

Ho Jab Hum Padheya Karte The Modon Pe Khadeya Karte The Aate Jaate Logon Ki Nazron Mein Chadheya Karte The

Ho Jab Hum Padheya Karte The Modon Pe Khadeya Karte The

जब हम पढ़ेया करते थे lyrics in Hindi

जब हम पढ़ेया करते थे मोड़ों पे खड़ेया करते थे जब हम पढ़ेया करते थे मोड़ों पे खड़ेया करते थे

आते जाते लोगों की नज़रों में चढ़ेया करते थे आते जाते लोगों की नज़रों में चढ़ेया करते थे

हो जब हम पढ़ेया करते थे मोड़ों पे खड़ेया करते थे आते जाते लोगों की नज़रों में चढ़ेया करते थे

हो इतने वि नई माहड़े थे लुक्क लुक्क के वेखन ला लई सी हो सारी क्लास दी टोपर मैं पीछे बैठण ला लई सी

होये

वोह हर कामों में मुहरे थी हम हर कामों में फाड़ी थे वोह सबक मुका के बह जाती हम पेंसिल कढ़ेया करते थे

हो जब हम पढ़ेया करते थे मोड़ों पे खड़ेया करते थे

वोह बाहली हट्टी कट्टी थी एक्को घंटे में पट्टी थी हो बस एक पट्टी की मार थी वोह बस अड्डे पे हट्टी थी

वोह बाहली हट्टी कट्टी थी एक्को घंटे में पट्टी थी हो बस एक पेटी की मार थी वोह बस अड्डे पे हट्टी थी

हो मैनु लाई वोह पार्क वाले खूह के पीछे आती थी गोल्डी सत्ता जिम्मी लाडी मुफ्त में सड़ेया करते थे

हो जब हम पढ़ेया करते थे मोड़ों पे खड़ेया करते थे

हो छोटी छोटी बातों पर इक चाह जैसा चढ़ जाता था इक चाकणी में ही कमला दिल फीलिंग फड़ जाता था

वाह वाह वाह वाह वाह वाह वाह

छोटी छोटी बातों पर इक चाह जैसा चढ़ जाता था इक चाकणी में ही कमला दिल फीलिंग फड़ जाता था

सबका सच्चा प्यार थी वोह लख भुलाया भुलदी नई तड़के तड़के जीहदे लई पाले में ठरेया करते थे

हो जब हम पढ़ेया करते थे मोड़ों पे खड़ेया करते थे

Jab Hum Padheya Karte The Video Song

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Jab Hum Padheya Karte The Lyrics

Also Read: Pyaar Tenu Karda Gabru Lyrics | Shubh Mangal Zyada Saavdhan 2020 Channa Mereya Song Lyrics | Ae Dil Hai Mushkil | Ranbir & Anushka Moh Moh Ke Dhaage Lyrics – Dum Laga Ke Haisha | Papon

The post JAB HUM PADHEYA KARTE THE LYRICS appeared first on LyricsStop.

#Song Lyrics #Collection of lyrics for English #lyrics for Hindi #lyrics for Punjabi & Tamil Songs

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lazyupdates · 6 years

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Ask any director who he’s been influenced by and Vijay Anand’s name will feature notably in that list. Because the filmmaker was not just a textbook of cinema. He was an entire curriculum. Not limited by any genre or stymied by his own sensibilities he could flit through comedy, thriller, drama, musical and even masala fare with ease. His directorial excellence was as much about his deft camera work as it was about his nuanced characters. Waheeda Rehman in Guide, despite playing an adulteress, went on to become an iconic symbol of rebellion. Vyjayanthimala went notches further as a dancer after she kept pace with his trailing camera in Jewel Thief. Shammi Kapoor became India’s answer to Elvis Presley as he matched Anand’s vision of a rockstar in Teesri Manzil. So did Mumtaz drape her sexuality in homely cotton sarees to give her best performance in Tere Mere Sapne…

Anand’s songs too outlived his times, most being the pride of satellite TV. Love awakening against a rising sun in Tere mere sapne ab ek rang hai. Dreams lettered in Pal pal dil ke paas… Love scaling heights in Dil ka bhanwar… Vijay Anand’s creative picturisations took the story forward. “My camera listens to the song and moves with it,” he once said. Long shots, lush backdrops and sharp intercutting brought out the poetry in the prose.

Yet Anand’s life was not confined to the boundaries of fame. He was essentially a seeker, his quest leading him to somewhere finding the ultimate answers with guru UG Krishnamurthy. It was also this philosophical side that helped him tide an ebbing career and health. For someone who could almost predict the period of his death, the shenanigans of fate were no threats. Today, Anand’s genius lives on in the cinematic jargon. In fact, Sriram Raghavan’s Johnny Gaddar, a noir thriller, paid a subtle tribute to the master in a scene where his blockbuster Johny Mera Naam played… Memories of an unforgettable man and an extraordinary filmmaker in the words of wife Sushma Anand… THE MAKER Goldie’s (Vijay Anand’s pet name) childhood was spent in Gurdaspur in Punjab. A fair child with blonde curls, he was naughty. Hence, his father called him ‘Goldilocks’. With time, locks nikalgaye, ‘Goldie’ rehgaya! Goldie lost his mother when he was seven. He, along with his two older sisters (they were a family of nine siblings), came to live with Chetan saab (Anand, filmmaker) and Uma bhabhi (Anand) at their ‘shack’ in Juhu. Chetan saab was older to Dev saab (Anand, actor/filmmaker) by 10 years, who in turn was older to Goldie by 10. Uma bhabhi was like a mother to Goldie and had a great influence on him. She urged him to write, given his sharp imagination. Goldie often said, “I owe everything to Bhabhi.”

While Goldie was studying in St Xaviers College in Mumbai, he directed several plays, including the play Rehearsal. It was a takeoff on Hamlet and the catch phrase ‘to be or not to be’. Just out of college, Goldie wrote the script of Navketan’s Taxi Driver (1954), with Uma bhabhi, which Chetan saab directed. He had also written the script of Nau Do Gyarah (1957) and wanted to direct it but didn’t have the courage to tell Dev saab about it. Once when Dev saab was going to Mahableshwar, he asked Goldie for the script to read it on the way. Goldie refused saying he’d narrate it himself. He hopped in the car and narrated the story through the journey. On reaching Mahableshwar, Dev saab called his office and said, “Navektan’s next production will be directed by Vijay Anand. Make an announcement!” From then Goldie’s career as a director took off.

Kala Bazaar (1960) was one film where all the three brothers worked together. Dev saab produced it. Goldie wrote and directed it. Chetan saab acted in it. During his college days, Goldie would see tickets being sold in black at theatres including Metro, Liberty and Empire… That gave birth to this concept. He even included real shots of the premiere of Mehboob Khan’s Mother India with actors including Dilip Kumar, Nargis Geeta Dutt, Guru Dutt, Raaj Kumar and Rajendra Kumar.

Amarjeet, who was a publicist and Goldie’s friend, lived in Chetan saab’s shack with Goldie. Once, Goldie fell sick. Amarjeet nursed him with affection. He’d serve him soup, press his legs, check the temperature… Goldie promised him a directorial assignment. Goldie wrote a detailed script of Hum Dono (1961, had Dev Anand in a double role) with everything marked…. entry, exit, camera placement… so that Amarjeet wouldn’t face difficulty while directing. But yet Amarjeet couldn’t do it. Finally, Goldie directed the film but gave Amarjeet the credit that he’d promised him.

Nutan was one of Goldie’s favourite actresses and suited perfectly in the comedy Tere Ghar Ke Saamne (1963). Dil ka bhanwar had a beautifully filmed song. It was shot in the Qutub Minar to get the feel of Delhi. The duo (Dev-Nutan) climbs up as friends but when they come down, they’re lovers. The song Ek ghar banaaonga had camera tricks – Nutan is seen in the glass of whiskey. Guide (1965) was Navketan’s first film in colour. Based on RK Narayan’s novel The Guide, Tad Danielewski was directing the English version for writer Pearl S Buck. Chetan saab was to shoot the same scenes for the Hindi version He found it frustrating. So when he got a financier for Haqeeqat (1964) he quit. Goldie accepted it on the condition that he’d rewrite the script as a subject like blatant adultery would not be accepted by Indian audiences. Guide became a classic because it excelled in photography (Fali Mistry), acting (Dev Anand-Waheeda Rehman), music (SD Burman), editing (Vijay Anand and Babu Shiekh)… The song Tere Mere Sapne was shot in the early light in Udapiur. It was an emotional mood where Dev saab builds hope in a dejected Waheeda Rehman. Aaj phir jeene ki tamanna hai was filmed in the Chittorgarh Fort in Rajasthan. Her playing with the straw showed her light-heartedness. When she throws the matki singing dil woh chala it spoke of shedding the past and new beginnings. The finest compliment for Goldie came from RK Narayan who said, “The film is more beautiful than my book.” Goldie went on to direct the spy thriller Jewel Thief (1967). For the legendary Hothon pe aisi baat filmed on Vyjayanthimala, three to four cameras were put up including a trolley camera. Later, Dev saab was to do Nasir Hussain’s thriller Teesri Manzil (1966). When he couldn’t, Shammi Kapoor was roped in. Initially, Shammiji came at his own time. But he realised that this man comes at 9 am with a ready script and his cameras are placed beforehand. He too began coming on time. Shammiji and Goldie struck a great rapport. Aaja aaja and Oh haseena zulfonwali will always be remembered for their energy, Shammiji playing a musician in the film. O mere sona re is my favourite because through the song Goldie played interestingly with Shammiji’s briefcase. Later, Johny Mera Naam (1970), an entertainer, further proved Goldie’s versatility. In Pal bhar ke liye… Goldie played with the windows, where the persistent lover (Dev saab) finally woos the heroine (Hema Malini).

A film that remained close to Goldie’s heart was Tere Mere Sapne (1971, based on AJ Cronin’s The Citadel). He was hurt that the ‘sensitive’ film was not a commercial success. It was the story of human relationships amidst materialism. Goldie met doctors to understand the authentic body language for his doctor protagonist (Dev Anand). The songs were unique too. Mumtaz sings Radha ne maala japi when she accepts the hero’s marriage proposal. Hey maine kasam li was filmed on Dev saab and Mumtaz on a bicycle. Jeevan ki bagiya was shot in close-ups and established their intimacy. But the less heard Mera antar ek mandir, a song, which hinted at conceiving a baby, was Goldie favourite. Goldie liked Nutan and Waheeda for their expressive eyes. He found Nanda to be a fine artiste as much as he liked Asha Parekh for her naughtiness. But in Mumtaz, he saw a great dancer and actress. Basically, he liked simplicity in a woman.

My favourite in Blackmail (1973) is Mile mile do badan. It’s the first time that the couple (Dharmendra-Raakhee) have come together. They’re hiding among the wood pile in the jungle even as dogs are sent to hunt them. The danger and intimacy makes the song beautiful. Pal pal dil ke saath is romantic because of the dreamy picturistaion. He directed some more films like Chhupa Rustom (1973), Ram Balram (1980) and Rajput (1982) but didn’t meet with much success. He also happened to act Kora Kagaz(1974) and Main Tulsi Tere Aangan ki (1978), which were huge hits. Goldie was proud of his later films Hum Rahe Na Hum (1984), a relationship saga that featured him with Rehana Sultan and Shabana Azmi and Jaana Na Dil Se Door with newcomers. Sadly, he couldn’t release them and that left him dejected. He’d say, “Perhaps, my time is over.”

THE MAN Goldie and I got married in 1978 during the shoot of Ram Balram. We cared for each other to the extent that we wanted to get married. He liked my simplicity. I understood his temperament. He rarely lost his cool. I was the one who’d lose my temper. I was crazier. I’d deliberately do things to annoy him. Sometimes, he manaoed (cajoled) me, sometimes I manoed him. Yes, women did throw themselves at him. But I never felt jealous or insecure. Rather, I’d tease him, “Main dekh rahi hoon! Maze karo! Enjoy yourself.” He rarely complimented me but when he did it made me happy. He liked me in sarees and sometimes picked up sarees and pieces of jewellery for me.

We loved to travel. Our best holiday was in Hampstead in London just after our marriage. There were theatres across the road. We shopped a lot. Once when we were in Europe, he quietly slipped out. “Yeh lene gaya tha,” he said later showing me a sweater he had bought for me.

He had a passion for ballroom dancing, waltz and fox trot. As a youngster, he’d travel from Chetan saab’s shack to a school in Colaba to learn waltz. He did a dance with Bindu in Chupa Rustom. The song Joh main hota ek toota tara was filmed on the bonnet of a car. He also loved shirts. He’d pick a dozen at a time. He was fond of watches and cologne and had grown fond of horses when he was working with Kalyanji Anandji.

Chetan saab’s shot division was superb. But Chetan saab changed things on the set, he was spontaneous. While Goldie went fully prepared. That’s why actors understood they couldn’t fool with him. They understood he meant business.

Goldie liked Guru Dutt’s realism, Raj Kapoor’s glamour and the existentialism in the works of Satyajit Ray. Meghe Dhaka Tara (1960) by Ritwik Ghatak was his favourite. But as a filmmaker he didn’t want to make realistic movies. He’d say, “This is a media for entertainment!” Goldie was not fond of drinks and nursed a peg throughout the evening. Rather, he was interested in spirituality and astronomy. He had read all religious books – the Gita, the Bible, the Upanishads, the Koran… He became a disciple of Osho Rajneesh but reached a dead end when he couldn’t find answers. Then he met UG Krishnamurthy (spiritual guru) in whom he found solace. UG once said, “If anyone, anywhere has understood me, it’s Goldie.” Instead of revolting, he accepted life as it came. He was against pretence. He never missed his past glory. He’d say it was a closed chapter. He didn’t want to write his biography. He believed, “Joh hoga so hogaya. My work will speak for itself.”

Towards the end he had developed a heart problem. Vaibhav had assisted him in Jaana Na Hum Se Door and then went off to attend a filmmaking course at the Lee Strasburg Institute in New York. Vaibhav returned in January 2004. Goldie passed away in February 2004. In fact, having some knowledge of astrology Goldie had predicted that February 2004 was a bad month for him. His only regret was that he couldn’t do much for our son Vaibhav, who’s inherited his sensibilities. After he passed away you do tend to get isolated. But it’s fine. I’ve taken to singing – something I was always interested in. And in my circle of friends I often sing Tere mere sapne ab ek rang hai…

YOU MUST KNOW…

Taxi Driver was inspired by Hollywood’s noir movement

Nau Do Gyarah was an urban thriller/road film with elements borrowed from Frank Capra’s It Happened One Night (1934).

Vijay Anand filmed Aaja panchi akela hai in a constricted space (a room and a toilet!) in Nau Do Gyarah. The film’s other hits were Hum hain rahi pyar ke and Aankhon mein kya ji.

Rhim jhim ke tarane (Kala Bazar) is remembered for Dev Anand and Waheeda Rehman under an umbrella!

In Tere Ghar Ke Saamne, Anand used camera tricks where Dev Anand imagines Nutan inside his drink! Then Dev’s aide puts an ice cube into the glass causing Nutan to shiver!

Hum Dono with Sahir Ludhianvi’s lyrics and Jaidev’s music gave the immortal gems Allah tero naam and Abhi na jaao choddh kar.

Aaj phir jeene ki tamanna hai (Guide) had Waheeda dancing along the ledge of the temple while Tere mere sapne was canned in just three shots.

RD Burman’s rock n roll inspired score in Teesri Manzil gave Shammi Kapoor his rockstar image.

Jewel Thief’s Hothon pe aisi baat had Vyjayanthimala gliding through an entire stanza in one take.

Johny Mera Naam had Hema Malini riding on a cable T-bar on Dev Aand’s lap

The great music and picturisation of Anand’s films can largely be credited to composer SD Burman, lyricist Shailendra and cinematographer Fali Mistry who translated his vision.

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