Flatiron - Evening, Edward Steichen, 1904-05
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Edward Steichen - Marion Morehouse (Vogue 1927)
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Marlene Dietrich by Edward Steichen, US Vogue, May 1935
Marlene Dietrich, the incomparable, wears Travis Banton dresses - one of lavender chiffon with a ruff of violets and above-the-elbow gloves of lavender lace, one of black tulle in billowing flounces. Her jewels are from Trabert and Hoeffer.
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Edward Steichen, Moonlight on the Narrows, 1905, oil on canvas, 25 x 21 in. The Lunder Collection, 2013.268
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Edward Steichen
Delphinium
1920's
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Actress Ilka Chase, Vogue, November 1933 - by Edward Steichen (1879 - 1973), American
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Edward Steichen (American, 1879–1973)
The Flatiron - Evening, 1905
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Moonlight, Woodstock - Herman Dudley Murphy
Moonlit Landscape - Edward Steichen
Museum of Fine Arts Boston
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Edward Steichen - Three Sailors, 1944
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Night Landscape, Edward Steichen, circa 1905
Oil on canvas
24 ¾ x 20 ¾ in. (62.9 x 52.7 cm)
Whitney Museum of American Art, New York City, NY, USA
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“DANA STEICHEN’S HANDS”
EDWARD STEICHEN // 1923
[palladium print | 9 1/2 × 7 1/4"]
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Colette, 1935. Edward Steichen.
Selenium toned silver gelatin print. Steichen worked for Vanity Fair at the time and it was a big year for Colette (Sidonie-Gabrielle Colette) with the publication of “Gigi”.
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Edward Steichen - Marion Morehouse Wearing a Dress by Chanel (Vogue 1926)
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"I remember a conversation I had with Marlene Dietrich some time ago. “I envy Garbo,” she said. “Mystery is a woman’s greatest charm. I wish I could be mysterious like her. I don’t want people to know everything about me! Garbo never gives any interviews. I wish I could do the same.”
-Movie Classic magazine, Feb. 1937, an article by the writer Leon Surmelian
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Edward J Steichen, Road into the Valley-Moonrise, 1904
more
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Edward Steichen
Touch is Love, 1934
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