#eden yamamura
Note
Love sick is not the only team that give DRB something for the team anniversary
Akihisa received a CD with songs of "the phantom of the opera" from certain poisoner with the firm of "Natsume Kurome"
The gift for Rintaro is a leather jacket with a note -"hi Rin i...i think you could enjoy this"-Aoba (the poor boy was definitely blushed when he write this)
And Touya's gift is a plushie of Kumamon
But wait... Rintaro has another gift from certain underground musician/real life succubus
....a statue of a middle finger and an an audio
"hate you for your crimes could be hypocrite considering my own brother....but this is my gift to show my despise for you, i not give you something worse just because neesa would be angry with me and his feelings for you never changed"-with all my hate "Ember" Yamamura 😘
Rintaro’s eyebrow twitched at the sight of the golden middle finger. Who the fuck did this brat think he was? Sending him this fucking shit to him? Motherfuckr was lucky Rintaro couldn't burn him to ashes, but the next best thing was in front of him. Grabbing the “gift,” Rintaro headed to the backyard. Time to see how much it would take to melt it down.
20 Minutes Later…
“What's Rin-chan doing?”
“Judging by the maniacal laughter, I assume he's burning something.”
“Oh so what he normally does then?”
“Exactly but he seems to be far angrier than usual. I wonder what pissed him off this time.”
“He keeps saying something about a 'damned blond'?”
“Not our problem, Touya. I just hope he doesn't burn the backyard again. The grass just grew back from last time.”
#hypnosis microphone#hypnosis mic#hypmic#hypmic oc#hypnosis mic oc#katsushika division#death row block#akihisa mashiro#rintaro himura#touya kisaragi#aoba yamamura#kunio chōten#natsume kurome#eden yamamura#asks#kumamoto division#death row block 1st anniversary
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Was almost midnight when elliot hearded an knock at the door and opened it
"hi!elliot Kun"-said Eden Yamamura to his classmate,the blonde looked dazzling with the extensiónns at his hair,makeup and a female outfit with his new necklace
Noticing elliot's look on him the underground musician giggled-"i know that's late but i have a perfomance with my band in a underground club here and...besides"-he gaved the animal lover a shopp bag
"merry christmas, i'm your secret santa c'mon open it"-he said and elliot opened the bag revealing
A band shirt and a tiger necklace
"i don't know if do you like music but i was shopping with my siblings and when i saw this two things i thought on you"-
Eden explain,hearded a voice saying his name and looking at his band partners-"i need to go now,merry christmas elliot Kun"
After said that Eden kissed elliot's cheeks and face several times smiling seeing the marks of his purple lipstick at the animal lover
Elliot was still staring at the t-shirt in confusion as Eden leaned closer. Before he could place his lips near the shy boy's face, someone unexpected popped up, surprising the both of them.
"Hey, big bro! Whose at the door?" Yorii said, appearing out of nowhere. Looking at the person outside, Yorii's eyes grew big before he smiled.
"Ember! I haven't seen you since we met in the studio a few months back! How have you been?"
Yorii grasped the larger man around the neck, pulling him away from his older brother, who was staring at the both of them, confused. Figuring they knew each other due to their musical careers, Elliot decided to give them some privacy. He gave a bow and a quiet 'thank you' to Eden before he rushed off to his room.
Looking at his gifts again, he wondered exactly when he was going to wear them. I mean, he should wear them, right? The person went out of their way to gift them to him. Looking at the tiger necklace, Elliot slipped it around his neck, letting the metal cool his neck. He wasn't really big on jewelry, but... he strangely liked the feeling of having it around his neck. It was odd...
#hypmic#hypmic oc#hypnosis mic#hypnosis mic oc#hypnosis microphone#setagaya division#enigma#elliot shimizu#yorii sakuma#eden yamamura#christmas 2023#secret santa#hypmic christmas 2023
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Before and After H age (Trickstar ver)
Nellie Yukimura (before)
Nellie Yukimura (after)
Eden Yamamura (before)
Eden Yamamura (after)
Kaede Iwasawa (before)
Kaede Iwasawa (after)
#hamamatsu division#hypmic#hypnosis mic#hypnosis mic oc#trickstar#hypnosis microphones#nellie yukimura#eden yamamura#kaede iwasawa#picrew#before and after
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Happy Halloween, everybody! Make sure to be safe this evening as you go around getting tricks or treats! As a special treat for this very spooky day, here’s a Halloween performance from three deranged enigmatic siblings
"remeber me why we are doing this?,Eden, Kururi"
"because it's funny Nii-san!"
"she have reason,maybe those men intereseting on you are see us right now Neesa"
"SHUT UP EDEN!"
"Hahaha nii san you're blushed!"
"*sigh* i guess you two have reason now we ends with it or both will by my side "he who shake by wrath"
"alright alright,please our dear public enjoys this!"
"yeah,be prepared to get into under our spell"
"the story of three siblings marked by the love and madness"
imitation black, Rose,under our spell,kussou mesorogiwi
youtube
youtube
youtube
youtube
#hypmic#hypnosis mic#hypnosis mic oc#hypmic oc#hypnosis microphone#kumamoto division#strange magic#aoba yamamura#kururi Yamamura#Eden Yamamura#hamamatsu division#halloween event 2023#halloween event
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anither gift was send to kureha Koizumi,buy this gift isn't wrapped or decorated
The gift is a CD of the dark rock band, black veil brides
"happy birthday"-ember
In Hamamatsu
Sitting on his bed and with his headphones playing a song Eden Yamamura was sitted on his bed writing something on a red notebook
He looked at the new write lyrics,that notebook was only for things like poems and draws and sometimes a song like right now
"why i gifted her somethin?"-the underground musician wander and frows -"why i can't hate her?"
For more he wanted, Eden can't hate kureha,in the little class art they had but that not evoid the envy he felt for her
Every time he hearded Elliot talk about her, blushing and shy Eden tried to not cry due to his sadness
He only want a thing... That elliot sees him like with the same look at kureha
He want elliot in love for him,like Eden is in love for Elliot
But why he can't hate her?a eden only wished a thing...
"...please elliot Kun,only for once don't look at kureha and look and me...in the same way You see her"-Eden whispered and a tear fall on the paper
Kureha blinked, surprise on her features as she looked at the CD album front to back before shrugging and taking it with her to her room, even though she could just listen to the album on her phone, she does have a radio where she could play CDs, old fashioned, she knows but she didn’t care, it was nice sometimes though she wondered who exactly this ‘Ember’ person was.
Thank you for the gift!
#hypmic oc#hypnosis mic oc#hypnosis mic#hypmic#hypnosis microphone#kureha koizumi#eden yamamura#gift#happy birthday kureha 2023#merry christmas 2023
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Aranai's Thoughts on Hamamatsu Division
Nellie Yukimura
"I don't know much about this guy, aside from what everyone else knows. He's a journalist that makes his own newspaper. Other than that, what little I know of him is only due to the fact that he's friends with Boss-Lady. ...Although seeing the look in his eyes whenever the two of them are together, I think it's obvious he wants to be more than just friends. Ha, I wish him 'good luck' in that case. Because if he knows anything about her, he's certainly going to need it."
Eden Yamamura
"This guy may be the only one I know on this team. And that's only cause he attends high school with me, though he's in his fresh year. We haven't talked at all to each other, though we've seen each other in passing. Apparently, he's some sort of underground musician, so he's pretty popular. Aside from that, this guy has the same last name as that librarian from Kumamoto. I guess that means they're siblings? They certainly don't look or act alike..."
Kaede Iwasawa
"I don't know this guy, but one thing I do know is that he's apparently dating that 'bunny bastard' from Yokohama, which automatically makes me not like him. Anyone who has anything to do with that corrupt piece of shit cop in a good manner goes straight on my shit list. And he'd better watch himself around Boss-Lady. If she finds out he's with that guy, she may just arrest him on principle."
Trickstar
"I take it these guys are the opposition to the Kumamoto guys, huh? Kinda weird how there are so many siblings on opposing teams in this tournament. I didn't realize siblings fighting with one another was a requirement to get on a division team. But whatever, it's got nothing to do with me. I've no problem with these guys aside from that Kaede fellow. As long as he's involved with that 'bunny bastard', I want nothing to do with him. And if I find out he's working for that guy, we're gonna have us a serious problem..."
#hypmic#hypmic oc#hypnosis mic oc#hypnosis mic#hypnosis microphone#aranai norikoru#hamamatsu division#trickstar#nellie yukimura#eden yamamura#kaede iwasawa
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Tomi's Thoughts on Hamamatsu Division
Nellie Yukimura
"I've heard of this fellow. He works as a journalist for some obscure newspaper. No doubt it's probably filled with useless dribble that peasants would find interesting. Other than that, I know nothing else about this peon. From what Hino found out, he apparently is working alongside that lawyer woman from Ueno for something. Ugh, that's just great..."
Eden Yamamura
"Hmm... this young man has the same surname as the librarian that my younger brother is part of. So, I take it this is his younger brother? Hmm... looks like both of us have troublesome younger siblings to look after. ...But at least my younger brother, at the very least, knows a modicum of self-respect and decorum. Just a shame he doesn't utilize it..."
Kaede Iwasawa
"He may be the only one from this team that I am familiar with. However, that's due more so because of his parents. Both of them were, perhaps, the greatest opera singers that Aoyama had seen in a very long while. That's why it was such a shock to hear that they, along with this man's entire family, was slaughtered by some strange individuals. I've currently had Hino looking into any and all information on suspicious people entering Aoyama, but so far, nothing has come up, which is frustrating."
"One thing that I have to say that is worrying about this young man is the fact that he is dating that corrupt cop from Yokohama. I worry if his parents knew about his relationship with that cop. If they didn't, then shame on him for disparaging their memory like this by being with someone like that filthy cop."
Trickstar
"Ugh, even this team name sounds common. 'Trickstar'? Bleh. Besides that, I wonder if this team was created to counteract the Kumamoto team. Ha. It'll be interesting to see what will happen if they clash. My brother had better be careful not to lose. If anyone but me takes him out of the tournament, I'm going to be thoroughly disappointed."
#hypmic#hypnosis mic#hypnosis microphone#hypmic oc#hypnosis mic oc#tomi chōten#hamamatsu division#trickstar#nellie yukimura#eden yamamura#kaede iwasawa
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Kaiji and Nagisa looked at the "gift" with the card
One was a headphones crown with a card with "to Jinx"- write on it
And the other was three bookmarks with another card
In the card was write
"the headphones are for You, happy birthday Jinx,and the bookmarks are for Izana,i know he's in love for my brother Aoba and i saw them before...Izana is more than a bit... possesive (and yandere) with him but honestly it don't mind me"-Eden "Ember" Yamamura
Kaiji giggled remember how he discovered whois Izana's darling and Nagisa looked a bit confused
"Izana is in love? He have a...."darling" too?"
“Hold the fuck up, since when did Izana find a darling?! I didn’t think he leaves that library he loves so much!” Nagisa loudly exclaimed, staring at the card in shock as Kaiji snickered, admiring the headphones. “Oh yeah, apparently Aoba from Kumamoto stole big bro Iza’s heart. You should’ve seen how he was when he came to the library, he looked kinda how you look whenever Ryōhei comes over.”
Nagisa bristled, his face flushing deeply. “The fuck are you talking about?! I don’t look at Ryōhei! I don’t look at anyone!” He yelled and Kaiji rolled his eyes, clearing not believing it.
“Bullshit, you eye him like a fucking hawk whenever we visit Ren and the others, I don’t know why you’re hesitating, you like him and from what Ren tells mek he clearly likes you so why don’t you just ask him ou-“
“BECAUSE I DON’T WANT TO BE LIKE THEM!!”
Kaiji stared wide eyed at Nagisa who stared back in horror at what he just said, his hands shaking at his sides.
“Nagisa…what do you me-“
“I’ll be back later.”
Quickly, walking to the door and putting on his shoes, Nagisa went out the door as fast as he could despite Kaiji’s protests. “Hey wait! Nagisa!”
Thank you for the gift!
#hypmic#hypmic oc#hypnosis mic#hypnosis mic oc#hypnosis microphone#kaiji sano#nagisa sano#eden yamamura#kumamoto division#happy birthday kaiji 2023#gift
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Kai Killian looked the two gifts that arrived at his household for his birthday
The first gift was a colorful lamp with the form of a wolf from someone he met often, another radio personality Ruka Shiina
"happy birthday to you sir big bad wolf! dad helped me a bit but it's completely homemade, happy birthday again!"- "Regulus"
The second gift is a briefcase that when opened reveals a portable mixer from one of Zakari's friend, the musician succubus Eden Yamamura
"happy birthday Mr vinlyee, honestly i didn't knew what gift you for this day, but after remember one of my talks with Zakacchi i decided for a portable mixer, enjoys your day, and say Zakacchi I said him hello"- "Ember", Succubus
Kai gave a small grin as he looked at the wolf lamp. He had always had a thing for wolves, so receiving a gift that had the concept of a wolf was a good thing for him. He had also heard much about this new radio personality that people had been talking about of late. Ruka Shiina. Kai didn't know much about them, but upon hearing rumors that they were entering the D.R.B., Kai made a note to learn more about them.
That was for a later date, however. Looking at the mixer that "Ember" had given him, the DJ knew just what he was going to do next: take this, along with the wolf lamp, into his music studio and try it out. Not giving it a second thought, he headed there, eager to hear the tunes and sounds that this unique piece of equipment was going to make.
#hypmic#hypmic oc#hypnosis mic#hypnosis mic oc#hypnosis microphone#private party#roppongi division#kai quinlan#ruka shiina#eden yamamura#happy birthday kai 2024
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Kanra looked at the gift Kaoru saw in the Kuromiya's household door
Inside of the box was expensive ring with a pink gemstone
Was a gift from her classmate Eden
"happy birthday kanra-chan. I wished give this personally but i have a "date" right now"-Ember
“No I refuse,” Kaoru hissed, snatching the ring out of Kanra's hand. “It was one thing for that damned siren to send you something, but I'll be damned if I let that succubus try and corrupt my baby sister.”
Cracking her neck, Kaoru reached for her sledgehammer once again determined to kill any boy that came too close to her precious little sister.
“Not again! Kaoru, stop threatening my classmates!” Kanra shouted, running after the lavender haired hacker once again, trying to stop her from killing someone she knew.
#hypnosis microphone#hypnosis mic#hypmic#hypmic oc#hypnosis mic oc#akemi kanra#shinozaki kaoru#eden yamamura#kumamoto division#happy birthday kanra 2024
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Alexis's Thoughts on Hamamatsu Division
Nellie Yukimura
"Nellie-san. Possibly the only Japanese person I know who can call themselves a journalist. For one thing, he owns his own publishing house and publishes his own newspaper, which is shocking since not many people read newsprint much these days. I actually worked with him on a separate project when he hired me to take some pictures. It was a bit weird seeing my own work on paper, but... it wasn't bad. Nellie-san was polite enough. He had his eccentricities, but no more than anyone else. I look forward to working with him again."
Eden Yamamura
"When Nellie-san told me that this young man was his son, I was a bit surprised, but not very. From what I've researched, adoption is something that is fairly common in Asian countries, especially in Japan. On the person, himself, from what I know, he works as an underground idol, whatever that is. He seems 'okay', but I feel something... sinister about him. It's just a feeling, but... my instincts have rarely ever been wrong before..."
Kaede Iwasawa
"I think I may have seen this young man several times. Both in Diêu's jewelry shop, and in the building where Ivelisse does her yoga lessons. He's the only one from the team I don't know much about since I've never really talked or associated with him before. Truthfully, upon seeing his picture, I worry that he must have been through something traumatic, if his eyes and the scars on his face are any sort of indication."
Trickstar
"This team is certainly... peculiar. I don't know much about their reasoning for entering the D.R.B., save for Nellie-san saying that he hopes to use this tournament to find more stories to write about. I wish him the best, but I hope his curiosity doesn't get him and his compatriots hurt."
#hypmic#hypmic oc#hypnosis mic#hypnosis mic oc#hypnosis microphone#arakawa division#sounds of silence#alexis ward#hamamatsu division#trickstar#nellie yukimura#eden yamamura#kaede iwasawa
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Anika received a gift from one of the most new teams
Nellie's gift was a pocket watch necklace
"happy birthday Anika-San"-Verne
Eden's gift is a book of hypnotherapy
"happy birthday Kiyozaki San,i don't knew what gift you but my brother helped me with it,i hope you enjoy this"-Eden
And the last gift is a rose bouquet decorated with gold butterflies
"happy birthday,Anika,and thank you for the hypnotherapy,it helped me very much"-Kaede
Anika stared at her new necklace around her neck curiously through the camera on her phone, almost studying it.
Hmm… it’s really pretty…
She never was one for jewelry, but after putting this on, she wondered if maybe she should start wearing them more often.
She shut off her phone and eyed the other two presents she had received.
“Well, this is certainly… a choice of presents…” Anika murmured. To think I’d get a book on hypnosis… when I went to school for it… I’ll still give it a read, I kinda want to know others’ thoughts on regression hypnosis.
She picked up the bouquet and smiled.
Well… I’m glad my hypnosis could be of use for others.
#hypnosis mic#hypnosis mic oc#hypmic#hypmic oc#hypnosis mic arb#hypmic arb#akihabara division#pixel syndicate#anika kiyozaki#hamamatsu division#nellie yukimura#eden yamamura#kaede iwasawa
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Yorii's Thoughts on Hamamatsu Division
Nellie Yukimura
"This guy... I think he's a... what do you call... a publisher? Yeah, I think that's it. He writes for his own newspaper or something. Bleh, boring stuff, in my opinion. Who reads newspapers anymore? If you want some news, just go onto the Internet and type in 'news' in the search engine! You'll find out everything that's going on in the world. Easy as, 1, 2, 3!"
Eden Yamamura
"Eden, or 'Ember' as he calls himself. Yeah, I know him, unfortunately. We're both employed by the same record label, but... I can't count the number of times he's been chewed out by either his producers or the head of our label. The music he makes... it's interesting, but it's so... 'bleh!' Like dude, you've got a lot of talent. So why are your topics so mundane and unoriginal? You need to take a page out of my book. Mix it up a little, or at least stop singing about stuff nobody cares about!"
"Besides that, I also don't like how close this guy is getting to my big brother, Elliot! Newsflash pal: my bro's already got someone he likes, and it isn't you! So back off!"
Kaede Iwasawa
"Ugh, Mr. Zombie. This guy is even more of a bore than Eden! Why? Because, while his music is a hell of a lot better than Eden's, his personality and his way of doing things are so boring! He's got an amazing singing voice! Not better than mine obviously, but still good! Plus, all the music he makes, he produces and releases himself! Not many musicians these days can do that. But get this: this guy has no ambition! He claims that he sings not for crowds or adoration, but to 'express' himself. He doesn't even accept money for his songs!"
"You can express yourself and still get paid for it, pal! I understand you're an 'independent musician' and all, but you are totally wasting your potential! I'm sorry, but its the truth!"
Trickstar
"Ugh, my siblings can say what they want, but this team is totally boring, with a capital 'B'! I mean, you've got a boring writer who writes newspapers, you've got a boring musician who sings about boring stuff, and you've got another musician who's a complete bore because he doesn't want the money or fame that comes with being a singer. ...Which is boring! Ugh, if we face this guys, I don't even know if it'll be worth the time. The battle may be just like them: boring!"
#hypmic#hypmic oc#hypnosis mic#hypnosis mic oc#hypnosis microphone#yorii sakuma#enigma#setagaya division#hamamatsu division#trickstar#nellie yukimura#eden yamamura#kaede iwasawa
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"it's cold,not the weather, my heart"
Age 0
Is born to Ukina Yamamura and Soto Kiryuu
Ukina left him in a orphanage
Age 2
Have an accident that make him burn scars on his upper arms
It's adopted by Aoi Yamamura and Ryukyu Shirone after they found he's Ukina's son
Meet his older siblings Aoba and Kururi
Although both of them initially feel discomfort with Eden because he looks like their mother them accepte him quickly
Age 7
Meets and befriends Makoto Okumura at elementary school
Becomes intereseted on Music after Makoto shows him his guitar
Meets and befriends Nellie Yukimura
Starts to be insecure after learn he looks like his mother Ukina, because she hurted his siblings and left him in a orphanage
Age 9
Aoi is muredered by people from aoyama
Eden accompany Aoba and Kururi on they revenge and the see how both of them bombed a building and kill the responsibles
Age 10
Starts to fall in love for Makoto
Develope a "self-love" point of view after tell Makoto his insecurities and he tell him how beautiful he is
Ryukyu tell him about the supernatural and his experiments of mix magic to give people supernatural criatures abilities
Wanting be useful for his siblings Eden ask Ryukyu if he can be part of the experiment,after much dialogue Ryukyu accept
After the experiment Eden ask which criature he is but Ryukyu tell he needs wait for see
age 12
Wanting express himself Eden starts to wear female and male clothes, hair extenssions and makeup
Makoto introduce him with some friends and talks them about start a band
All them accept and starts the band "BLACK ROSE" that do perfomances at streets
Eden confess Makoto his feelings and to his delight Makoto feel the same
Eden and Makoto starts a relationship
Makoto gift him his old guitar and Eden starts to play
Age 13
Starts to feel an aument in his physical and sexual attraction and notices how people seems to be attracted by him
He ask Ryukyu about it and he say that his supernatural abilities woke up
Read about the sexual devils and find he have features and abilities of succubus and that he needs feed of physical (sexual) human energy
Eden doubt but tell Makoto,he believe him and accept help him to Eden's joy
Kunio tell him and Kururi that Aoba tried to commit suicide and both confront him
Aoba tell them about his relationship with Rintaro Himura and his miscarriage
Eden accompany Aoba and see him provoke the masive bombings and arsons event know as "the blue hell"
He joins him and Kururi at his crimes but only to accompany
Age 14
BLACK ROSE starts to perform at underground music halls and live-houses but they refuses to be employed by a any record label, considering them "limited and with very much standards"
Sees Makoto kissing a girl and both arguing for it
In that argument Eden ask Makoto if he would to die for him
After not see Makoto for a few days Eden go to his home and find him hanged by suicide
Eden is traumatized and blame himself, his band support him
To try to overcome the situation Eden starts to test his abilities on his perfomances
When he do it found he can desinhibes people and exuding feromones who aument the attraction of people by him
Without Makoto to help him Eden's "hungry" and need for human energy aument and get out of control
Use his succubus abilities on his underground perfomances and night walking to attract people to him and feed of they sexual and physical energy
Reveals his nature to his siblings and both of them accept him, Eden accompany them at they crimes as Saika and Bluefire
Starts to be know as "the succubus" who have sex or seduce his victims before left them masive hurts or kill them by drain their energy
Meets and befriends Kaede Iwasawa
Is oficially adopted by Nellie Yukimura and moves with him to Hamamatsu
Notices nellie's mental illnes and take care of him during his episodes
Meet and had a crush on Elliot Shimizu of setagaya
Age 15-present
Realized his feelings for Elliot are unrequited and get sad
In one of his beach perfomances meet Kyo Sakuma of Naha and Eden get surprised because his abilities don't work on him
Found his older brother Aoba joined to the division rap battle and Eden get worry
In one of his hunts as "the succubus" seduced and drain a woman who had three hypnosis microphone with the intention of form a Chuokhu team at Hamamatsu for his fury
Bring the microphone to his adoptive father Nellie
Becomes the 2rd member of Hamamatsu's division team Trickstar alongside Nellie Yukimura and Kaede Iwasawa
Schedule
21:00 p.m 1:00 a.m-perfoming at an underground livehouse/music hall
1:00 a.m 4:00 a.m- out as "The Succubus"
4:00 a.m 4:10-returns home
4:20 a.m 4:25-removes makeup
4:25 a.m 7:00 a.m-asleep
7:00 a.m 7:30 a.m-wakes up and get ready for day (get dress, does makeup and check his school supplies)
7:30 a.m 7:45 a.m- makes and eat breakfast
7:45 a.m 8:00 a.m-take a train at school
8:00 a.m 8:30 a.m-listen music or songwritting at the music room
8:30 a.m 9:00 a.m-reading at the library before class
9:00 a.m 12:00 p.m-class
12:00 p.m 13:00 p.m-lunch
13:00 p.m 15:00 p.m-class
15:00 p.m 17:30 p.m-rehearsals with BLACK ROSE or rollerskating throught the divisions
17:30 p.m 18:00 p.m-rollerskate at home
18:00 p.m 18:30 p.m-talks with Nellie about their day
18:30 p.m 19:00 p.m-does homework
19:00 p.m 19:20 p.m-dinner with Nellie and Kaede
19:20 p.m 20:00 p.m-takes a bath and does body care
20:00 p.m 20:25 p.m-choose his outfit and does makeup
20:25 p.m 20:50 p.m-go to a underground livehouse/music hall
20:50 p.m 21:00-get ready to perform
21:00 p.m 1:00-perfoming at the underground livehouse/music hall
Character hashtags
Regular hashtags
#hidden succubus
#turn the music up!
#protective younger brother
Trauma hashtags
#you would to die for me?
#carbon copy of that bitch
#draining your energy
Other info
Hobby:Ballet
Weakness:constant lust
Trauma:"my words killed the love of my life"
Twitter:@GoldenSuccubus
Drinks:sometimes
Smokes:no
Special skill:"i'm not only a singer,i can makeup like a pro"
Intro quote:"oya? C'mon don't be shy cutie...just forget all ya worries and give me a kiss trust me you will no regret it fufu"
Trauma quote:"I'm so sorry...i never had to said that words and now you. are..*crying*please forgive me Makoto"
#hypmic#hypnosis mic#hypnosis mic oc#hypnosis microphones#hamamatsu division#trickstar#eden yamamura#paradox live#trauma#timeline
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Didn't wanna clog up your post, and these sources are more about relationships of time with space/place, but here's some stuff that I've encountered:
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“Temporal sovereignty”. Contemporary US/Australian claims over time-keeping. Reclaiming agency by operating on Indigenous/alternative time schedules. The importance of the “time revolution” in the Victorian era to Euro-American understandings of geology and deep past, precipitating nineteenth-century conquest of time. Mid-twentieth century understanding of “deep time” and its co-option by the Australian state. "Deep time dreaming".
Laura Rademaker. “60,000 Years is not forever: ‘time revolutions’ and Indigenous pasts.” Postcolonial Studies. September 2021.
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How "time is a form of enclosure". Checkpoints, "baroque processes to apply for permits to travel", fences, incapacity to change residences, and other "debilitating infrastructures" work to "turn able bodies into a range of disabled bodies" by "stretching time". This is a "slow death" and a simultaneous "slowing down of life" because "it takes so long to get anywhere" and "movement is suffocated". Thus "time itself is held hostage". This "suspended state" of anxiety and endless wait-times "wreaks multigenerational psychological and physical havoc". "Checkpoints ensure one is never sure of reaching work on time. Fear of not getting to work then adds to the labor of getting to work [...]. Bodies in line at checkpoints [...] [experience] the fractalizing of the emotive, cognitive, physiological capacities" through a "constant state of uncertainty". "The cordoning of time through space contributes to an overall 'lack of jurisdiction over the functions of one's own senses' [...] endemic to the operation of colonial rule". This "extraction of time" produces a "depleted" and tired person "beholden to the logistics" of administrative apparatuses, community suffers and "communing is thrawted".
Jabir K. Puar. "Spatial debilities: Slow Life and Carceral Capitalism [...]." South Atlantic Quarterly 120. April 2021.
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The "apocalyptic temporality" that presumes extinction. Indigenous Polynesian/Pacific perceptions and ways of being "destabilize the colonial present" and also "transfigure the past" by "contesting linear and teleological Western time". Indigenous "ontologies of cyclical temporality or inhabitation of heterogenous time". How United States and Europe colonized Oceania for weapons testing and conquest of tropical Edens while rendering local Indigenous people "ungrievable" and "without future". "Pacific time is a layering of oral and somatic memory". Instead of accepting an apocalyptic future or doomsday or nightmare, assert the possibility of a livable future, in spite of "Western temporal closures".
Rebecca Oh. “Making Time: Pacific Futures in Kiribati’s Migration with Dignity, Kathy Jetnil-Kijiner’s Iep Jaltok, and Keri Hume’s Stonefish.” MFS Modern Fiction Studies. Winter 2020.
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Colonial "space-time homogenization". The experience of "homogenous, empty time". Orientalist "time lag" and the naturalization of a supposed East-West hemispheric divide. Late Victorian imperial conceptions of temporality. The British establishment of the Greenwich meridian and International Date Line. The influence of British imperial seafaring and cartography on the establishment of time and on European/US feelings towards the Pacific Ocean. How the origin of English science fiction literature, space travel aspirations, and time travel narratives coincided with the Yellow Peril and xenophobia targeting East Asia.
Timothy J. Yamamura. "Fictions of Science, American Orientalism, and the Alien/Asian of Percival Lowell". Dis-Orienting Planets: Racial Representation of Asia in Science Fiction. 2017.
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Imprisonment as time-control. Here “the question of the past the present and the future indeed time itself looms” especially around the prisoner. “The law renders punishment in units of time”, taking away a the right to a future. There are alternative worlds, many of them, which have been practiced and brought into being, which colonization tried to obscure. There is “a whole anthropology of people without future embedded in the assumptions that justify mass imprisonment as poverty management”. "The prison’s logic exterminates time as we know it”. In prison, bodies have been alienated from time and history ... the punishment seems endless ... to “achieve a measure of agency and possibility it is necessary to redeem time”, to refuse the doom, fated to a life of abandonment.
Avery Gordon. “Some Thoughts on Haunting and Futurity.” borderlands. 2011.
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Bursting the Limits of Time: The Reconstruction of Geohistory in the Age of Revolution (Martin J.S. Rudwick, 2010) explores how the advent of European sciences like geology, preceding the "time revolution" when Europeans experienced revelations about the scale of "deep time", happened alongside and after the Haitian Revolution and other abolitionist movements. French, German, and British naturalists translated the explosion of "new" scientific knowledge from the colonies, so that the metropolitan European audience became a market for historical and scientific "narratives" about how "nature" and time functioned.
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Prartik Chakrabarti's writing on time, temporality, and "the deep past" as British imperial concepts built in conversation with colonial encounters with South Asia. (British Empire reaching such heights in the middle of the nineteenth century at the same time that the newly professionalized sciences of geology were providing revelations about the previously unknown vast scale of "deep time". New colonial anthropology/ethnology also presumed to connect this "primitive" past with "primitive" people.)
See Chakrabarti's "Gondwana and the Politics of Deep Past". Past & Present. 2019.
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We must witness and consider "multiple space-times" to understand how "unfree labour" of plantations was "foundational" to contemporary work, movement, subjugation, health, etc. We must "trace the geneaology of contemporary sovereign institutions of terror, discipline and segregation" [workplaces, imperial/colonial nations, factories, mines, etc.] back in time to plantations. How "the [plantation] estate hierarchy survives in post-plantation" times and places, with the plantation "being a major blueprint of socialization into [contemporary] work". The plantation was "a laboratory for [...] migration regulation in subsequent epochs" that practiced methods of racializing and criminalizing.
Irene Peano, Marta Macedo, and Colette Le Petitcorps. "Introduction: Viewing Plantations at the Intersection of Political Ecologies and Multiple Space-Times". Global Plantations in the Modern World: Sovereignties, Ecologies, Afterlives. 2023.
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“Slow life” and the relationship between “settler colonialism, carceral capitalism, and the modulation of ... registers of time,” including “historical time, the stealing of time through the expansion of labor time, ... and the cordoning off of space through time”. For example, as in occupied zones or at border checkpoints, “the cordoning off of space through time” includes physical architecture like fences and customs, obstacles that impede movement and rhythm, so that “nothing ever happens on time” and there is “a stretching of time”. All the wasted time spent in line, showing papers, waiting for confirmation, etc. “is not a by-product of surveillance, it is the point of surveillance”. Such that “uncertainty becomes a primary affective orientation ... flesh as felt” with a racializing effect“. "This is a biopolitics conditioned through pure capacitation and its metrics”:
Jasbir Puar. In: “Mass Debilitation and Algorithmic Governance” by Ezekiel Dixon-Roman and Jasbir Puar. e-flux Journal Issue #123. December 2021.
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"Starfish time". Indigenous Australian/Aboriginal perceptions of time and "attending to more-than-human agencies of time". Acknowledging the timescales of entire ecosystems, as part of multispecies relationships, a "transcorporeal collaboration". Cyclical time vs linear time. Contrasting timescales experienced by insects that only live a few days and creatures that live for decades. "Starfish may seem to be still" but they slowly move; "larval time" and "the time it takes for eggs to develop and hatch"'. The "immensity of the alterity is literally incomprehensible"; "we can't know what these beings know" but we "should seek respect and be aware of how our lives are entangled".
Bawaka Country including, S. Wright, S. Suchet-Pearson, K. Lloyd, L. Burarrwanga, R. Ganambarr, M. Ganambarr-Stubbs, B. Ganambarr, D. Maymuru. “Gathering of the Clouds: Attending to Indigenous understandings of time and climate through songspirals.” Geoforum. January 2020.
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The use of calendars, dates, clocks, and industrial/corporate temporality as fundamental to the rise of plantations and financialization in United States/Europe, with a case study of the modern Colombian/Latin American state. Observance of certain dates and strict adherence to specific calendars support "mythologized deeds and heroic retellings" of colonization and industrialization. “The evolution and internalization of disciplined concepts of time” were intimately tied to the rise of wage labor in industrializing England and later during the global ascendancy of work and industrialized plantation monoculture, but the persistence of alternative time should “serve as a reminder that futures and the demarcation of epochs are never as simple as a neatly organized calendar”.
Timothy Lorek. “Keeping Time with Colombian Plantation Calendars.” Edge Effects. April 2020.
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Indigenous people of Alaska and the US control over time management. For the past 50 years, Yupiak people have been subject to US government’s “investment in a certain way of being in time” which “standardized the clock” and disrupted human relationships with salmon. This US management model “anonymized care” and made “a way of attending to the life and death of others that strips life of the social and ecological bonds that imbue it” with resilience and meaning, which “ignores not only the temporality of Yupiaq peoples relations with fish, but also the human relations that human-fish relations make possible”. This disregards “the continuity of salmon lives but also the duration of Yupiat lifeworlds ... life is doubly negated” ... “futures depend on an orientation to salmon in the present”.
William Voinot-Baron. “Inescapable Temporalities: Chinook Salmon and the Non-Sovereignty of Co-Management in Southwest Alaska.” July 2019.
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"Idling" and "being idle" as a form of reclaiming agency and life. Case studies of fugitive Blackness in Caribbean plantation societies. “Disruptive waiting”. “The maroon’s relationship to time challenges [both] the totalizing time of the modern state, but also the [...] narratives to negotiate struggle in the [...] present" in "antagonistic relationship with colonial power". Defying the “European narrative of modernity”. Refusing to be productive.
Amanda Lagji. “Marooned time: disruptive waiting and idleness in Carpentier and Coetzee.” Safundi: The Journal of South African and American Studies. March 2018.
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Indigenous futures. "It is important to remember that some futures never went anywhere" and "yet they survive. These are futures suppressed and cancelled by colonial power." These are "parallel futures". "Colonial power must control the past so as to deny the emergence of" an alternative future; "colonial power creates a future in advance so that no others will take its place". Poor, racialized, Black, Indigenous people manifest alternative futures.
Pedro Neves Marques. "Parallel Futures: One or Many Dystopias?" e-flux. April 2019.
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The "legacy of slavery and the labor of the unfree shape and are part of the environment we inhabit". The "idea of the plantation is migratory" and it lives on "as the persistent blueprint of our contemporary spatial troubles", so we must seek out "secretive histories" that no longer "rehearse lifelessness".
Katherine McKittrick. “Plantation Futures.” Small Axe. 2013.
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“The temporal dispossession” of Congolese people. There is an “impossibility” of “predictable time” because temporal dispossession “disrupts the possibility of building a future”. Livelihoods/income is driven by market and price fluctuations in United States and Europe tech industries, so “there is an inescapable day-to-day sense of uncertainty”. As Mbembe says, “in Africa, the spread of terror ... blows apart temporal frames”.
James H. Smith. ‘Tantalus in the Digital Age: Coltan ore, temporal dispossession, and “movement” in the Eastern Democratic Republic of the Congo.’ American Ethnologist Volume 38 Issue 1. February 2011.
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“Slow death”. Chronic illness not just as a byproduct of colonialism/dispossession, but also as part of its aim, a weapon that debilitates people, who become exhausted. Dooming poor and racialized people to lives “without future” through debility, “a condition of being worn out”. Relationship of illness, lack of healthcare, and debt as functionally incapacitating, a form of death sentence. A “zone of temporality” unfolding unlike abrupt/sudden traumatic events and becoming an inescapable condition.
Jasbir K. Puar. The Right to Maim: Debility, Capacity, Disability. 2017.
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The extension of poverty, landlessness, homeless, and imprisonment. "To be unable to transcend the horror of such a world order is what hell means", and "without a glimpse of an elsewhere or otherwise, we are living in hell". The utopian is not only or merely a “fantasy of” and for “the future collectivity” but can be claimed and built and lived here, now. There is "no guarantee" of “coming millenniums or historically inevitable socialisms”, no guarantee that “the time is right” one day if we wait just long enough. Instead: "can a past that the present has not yet caught up with be summoned to haunt the present as an alternative?" The "utopian margins", an alternate world crossing time and place, an "imaginative space and temporality to trace the remains of what "was almost or not quite, of the future yet to come", living as if it were the present. Colonialism tried to crush the many headed hydra of the revolutionary Atlantic, those who challenged the making of the modern world system.
Avery F. Gordon. As interviewed by Brenna Bhandar and Rafeef Ziadah. “Revolutionary Feminisms: Avery F. Gordon.” As transcribed and published online in the Blog section of Verso Books. 2 September 2020. And: Avery Gordon. “Some thoughts on the Utopian.” 2016.
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The US/European "city is the site of regulatory regimes" that try to impose a definitive narrative about history, progress, and possible futures. But it cannot achieve "a wholly Apollonian, seamlessly regulated realm" because the land "continues to be haunted by the neglected, the disposed of, the repressed". The "commodification" of landscapes "circulates an imaginary geography" mediated through advertisements, labels, soap operas, television, etc. which celebrate "sanctioned narratives and institutionalized rhetoric". A "wild zone" of informal spaces, debris. "Ruins are places where the things, people, and "other memories can be articulated". There is "a spectral residue" that "haunts dominant ways of seeing and being". "Alternative stories might be assembled", so that we can respect the people banished to abandonment, the periphery, and reclaim agency.
Tim Edensor. “The ghosts of industrial ruins: ordering and disordering memory in excessive space.” Environment and Planning D: Society and Space volume 23. 2005.
Also, how "master narratives of history as progress decompose" when faced with "a continuously remembered past" when "the ghosts of this past rear up in the ruin" to expose "the debris of unprecedented material destruction" of colonialism/empire-building. These "hauntings rupture linear temporality" and recall those people beaten down as "the trash of history". It is "essential to see the things and the people [...] banished to the periphery [...]."
Tim Edensor. "Haunting in the ruins: matter and immateriality". Space and Culture Issue 11. 2002.
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"Many kinds of time" of bacteria, fungi, algae, humans, and "Western colonialism meet on the gravestones". Some creatures, like lichen, are very long-lived and "these temporal feats alert us that modernity is not the only kind of time, and that our metronomic synchrony is not the only time that matters". The "long duree evolutionary rapprochements to the quick boom and bust of investment capital" where "minor forms of space and time merge with great ones". Extinction is "a breakdown of coordinations with reverberating effects". Ghosts remind us that we live in an impossible present, a time of rupture. "Deep histories tumble in unruly graves that are bulldozed into gardens of Progress". "Endings come with the death of a leaf, the death of a city, the death of a friendship".
Elaine Gan, Anna Tsing, Heather Swanson, and Nils Burbandt. “Introduction: Haunted Landscapes of the Anthropocene.” Arts of Living on a Damaged Planet: Ghosts and Monsters of the Anthropocene. 2017.
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Everywhen: Australia and the Language of Deep History. (Edited by Ann McGrath, Laura Rademaker, and Jakelin Troy. 2023.)
Chapters include: "Bugarrigarra Nyurdany, Because of the Dreaming: A Discussion of Time and Place in Yawuru Cosmology" (Sarah Yu et al.); "Songs and the Deep Present" (Linda Barwick); "Yirriyengburnama-langwa mamawura-langwa: Talking about Time in Anindilyakwa (James Bednall); "Across 'Koori Time' and Space (John Maynard)
#im sorry i guess i accidentally deleted this post so here it is again#colonial#imperial#temporality#abolition
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Hypmic OC Halloween Party 2023 🎃 ~Part I
Once the night of 31rd October has already come to the town, who knows? Something extra supernatural is bound to happen!
Disclaimer: Please note that these are not the actual titles to the songs, I just made them up of course. All these songs obviously belong to their respective artists,
And the OCs mentioned belong to their respective creators as well!
To be honest, at first I attempted to make the cast match with their headcanon VCs but considered giving it up at some point because if I did that, some names would be brought up too often *side-glancing at Yuuya, Saigo, and Yorii*
Surprisingly, almost every song happens to have their own English subtitles available, so open them up if you’d like to know something. I’ll leave more details in your imagination then (¬‿¬)
If you feel tempted to do the fanarts, please feel free to do it XD
So, now. Isn’t it time to let the Feast begins?
3,
[All lights in the stadium suddenly flickered on and off uncontrollably]
2,
[One by one, every light in the stadium has eventually been turned off]
1,
[Now, everything around was soon engulfed in the complete darkness]
.
.
.
#1 Answer The Call (Offer Your Soul)
Kureha “Eclipse” Koizumi
Sumire “Diabla” Shinomiya
Asuka “TREA$URE” Koizumi
Lyall “Corvus” Shiba
Kaoru “Arachne” Shinozaki
Kotono “Shiki” Ohara
Tasuku “Katame” Kawanoe
Eden “Ember” Yamamura
Kaori “Black Orchid” Narizuka
youtube
Real title: Dakini
Covered by O.B.N.N (AeGJoongG, YangDoki, RaA, EASYDOG, Gogyeol, DALNODO, Seelight, EDEN, ZENRUA) | Original by twinkle, UtaP ft. Kagamine Rin
In the midst of the night, two pairs of red lights roam in darkness…
#2 Werehumans
Kanra “D. Vil” Akemi
Yorii “Sireen” Sakuma
youtube
Real title: Kaibutsu (Monster)
Covered by Amatsuki x 96neko | Original by YOASOBI
Dear pioneers, raise up your flags!
The land that no one has yet to know before…
Declare we’re now the ones in charge!
#3 Neverland Kakumei
Kosuke “Lumière” Furuhata
Lana “Facade” Alarie
Aranai “Ride or Die” Norikoru
Tomi “High Class” Chōten
Azusa “Onna-musha” Furukawa
Yuki “Ice King” Kuraokami
Ryūnosuke “Fist N Fury” Sekiguchi
Ace “MC Patriot” Douglas
Yudai “KILLA W” Toya
Asato “AR Master” Rikiya
Anika “Rush Hour” Kiyozaki
Yuuya “ARROW” Kanata
Kotan “Kamuy” Anchikar
Aoba “Guinevere” Yamamura
youtube
Real title: World Domination
Original by Hikifes team 2019 (mafumafu, soraru, luz, un:c, araki, nqrse, syounen T, amatsuki, urata, tonari no sakata, shima, senra, eve, sou)
a.k.a. My favs all stars XD
——[ Interval: Fan Meeting Session ]——
Howdy~
And sorry for the wait, my dear mortals♡
Hasn’t anybody told you not to follow voices in the night?
#5 See me? See me? (Succubus ’s Lullaby)
Aika “VeeXn” Yumi
[For goodness’s sake, the extent of her show this time was only limited to singing and dancing… Thus, the minors can enjoy it too]
youtube
Real title: Wiggle Wiggle
Original by Raon
…Promise me one thing?
Don’t ever let yourself be drawn into this dreamy sweet trap, ‘Kay?
#4 Zombiz Fantasy ♥︎
Shuu “Men-H” Edogawa
Kaiji “Jinx” Sano
Touya “MC Darling” Kisaragi
youtube
Real title: Kokotsu ni Yamu (Ecstatic Breakdown)
Original by alfakyun ft. takayan
Welp, sorry for the unmatched number of voice casts
Exhausted yet?
…No? That’s great!
Why don’t we spice things up a bit before meeting the shuffle teams in the second half!
#6 Lull X Roar
Yuuya “ARROW” Kanata
Yorii “Sireen” Sakuma
youtube
Real title: Hell is mine
Original by araki x luz
Yorii did say in his interview that maybe they could work together so why not? I even pray for their voice claims (Amatsuki & Araki) to actually collab one day
🎃 Behind the scenes Pt.1
Even though there are other divisions and some participants which may not be mentioned above, they’re all invited and have their own parts in this event as well. For examples;
Himari Asami, Hiroshi Sakura, and Suzuran Minazuki (who was on the request of her non-blood-related cousin) were in charge of designing and making costumes with the assistance of three fashion interns; Aimi Miyazaki, Alice Shiroka, and Umi Kobayashi.
Akira Arai, Natsume Kurome, Kururi Yamamura and Queen Card’s team were noted to took part in making props. By the way, Kureha Koizumi was anticipated to participate in this as well but she unexpectedly showed up in the opening show —much to everyone’s surprise.
Reiaki Suzubayashi and Emiko Akaibara showed to work together on helping the cast prepare themselves before entering the stage.
Chiyuri Seiguni was tasked to be the main operator of most special effects on stage via the brief from the real technician, Raiden Otoha since this one had to take his part in the 7th show.
Aiko Mayeda was the D.J. and he got the party started! The 86 band and other musical units associated with other division members were also joined in to provide music for some songs.
Most choreography throughout the shows were designed and coached by Yeong Hajoon, Haruto Morikawa, and Kaede Iwasawa.
The representative of Snowflake Sentinel News, Yoichi Shujo; and the head of a certain publishing-house, Nellie Yukimura were assigned to deliver the details of this event. Please expect more live reports and some tidbits behind the scenes from them.
The foods and drinks in this event were all supplied by the alliance between Luis Kōkyū, Rashaad Young, Harumatsuya shop, and Rikiya farm.
The main sponsors of the previous event are Sigma Inc., Toi Pharmaceutical, and E.L. Medical Co. Therefore, this time it’s the turn of Wonder⇓anD Sound Systems, Arakawa Tech Industries, and the concert venue was organized by the entertainment agency “Kairiku Production” with the cooperation of Queen Card’s league.
For some reason, a certain division was banned from participating —to be specific, it’s Ginza Division. However, Eiji Noguchi and his family were secretly invited because his children wanted to come.
At first Fusao Ise and Queen card were honored to be the MCs (or the hosts) of this event but because the latter had to ‘prepare’ for her own part in the 11th show, Reika Aichi was surprisingly nominated to take over this role once again alongside Fusao.
At the beginning, all the cast were seen wearing some kind of masquerade mask before their first show started.
Though not every division was present in the 3rd show, there were flags with symbols of each team ever participated in the D.R.B. showing on stage.
For whatever reason, Aranai Norikoru was the one who delivered the line “Toki wo (Shout)!” before the chorus “Kakumei wa matte (The revolution has succeeded)!” was sung by all divisions. Well, someone in the cast seemed visibly displeased with how this turned out.
Despite the 6th show being performed by Yuuya Kanata and Yorii Sakuma, the one who advised them on the lyrics was their senior musician, Ren Nakashima, and the music provider for this show was none other than the 86 Band
Before two boys of the 6th show left the stage, the camera caught both Yuuya and Yorii high-fiving Ren who was up for the next show…
▶︎ TO BE CONTINUE IN PT. 2…
Amazing OCs mentioned above are from:
@saitama-division @shinagawa-division @enoshima-division @niigata-division @edogawa-division @sendaidivision @fukuokadivision1 @hamamatsu-divison @toshima-division @setagaya-division @kawasaki-division @kyoto-division @uenodivision @aoyama-division @taito-division @sapporo-division @naha-division @okinawa-division @toyama-division @akihabara-division03 @naradivision @hakodate-division @kumamoto-division @minato-division01 @suginami-division @kobedivision @katsushika-division @miyazaki-division @harajukudivision @urayasu-division @nakanodivision @odaibadivision @chiyoda-divison @minato-division03 @chiyoda-division2 @takatsuki-division @megurodivision @koto-division @ginza-division @shizuokadivision
P.S. Apologizing if I missed out some divisions or have made anyone sound OOC —I'm trying lmao.
Oh, and there were part 2 of course! Maybe other OCs might join in the cast there~~
...Happy Halloween & hoping y’all enjoy it :)
#hypmic oc#hypnosis microphone oc#not only nara division#halloween event 2023#hypmic halloween 2023#hypmic halloween#SecretZ Night Out#Imma trying concert style#made-up album#probably can't tag all divisions here... there's a lot of them#well we're at the part 1 so look forward to the part 2 shall we?#Youtube
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