#dracula 1931 (spanish version)
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Lupita Tovar as Eva Seward in the Spanish language version of “Dracula” (1931). It was shot concurrent with the Lugosi film and (IMHO) is the superior version.
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Drácula (1931) | dir. George Melford
#carlos villarías#pablo álvarez rubio#lupita tovar#eduardo arozamena#dracula 1931 (spanish version)#spanish dracula#dracula#renfield#eva seward#dr. van helsing#george melford#classic horror#universal horror#screencaps#my post
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poll ttournmanet of which portrayal of renfield would win in a fight
renfield portrayals i have seen btw:
dracula 1931 (d. frye)
dracula 1931 spanish (p. rubio)
bram stokers dracula (t. waits)
gotta include the og here too
there was that guy in nosferatu but idk his name
renfield (n. hoult) i guess 🙄 (havent seen it just know it)
nvm i think the hoult one would win bc he literally foghts people so instead it should be which has the most swagger in which case he would lose bc i dont like him
#original nonsense#personal#we are watching the spanish version of 1931 dracula i really like the guy playing dracula 👍#wait why is this movie so much longer than the english version? like a whole 30 minutes longer?!#watches a dracula adaptation maybe renfield wont die in this one 🥺#'im staying behind to deliver on my promise to renfield' aw. thank u
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the world if they let bela lugosi bite people on screen
#dracula 1931#i should watch the spanish version. i heard its got more scares.#i wonder if the biting is there
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Pre-Code Hollywood Actresses. Lupita Tovar
Guadalupe Natalia Tovar (Matias Romero, Oaxaca, July 27, 1910 – Los Angeles, California, November 12, 2016), known as Lupita Tovar, was a Mexican American nationalized actress. Among Lupita's most important works as an actress, they stand out her participation in the films; Dracula (1931), which was the Spanish version of the original film and Santa (1932), considered as the first soundtrack in Mexico.
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The Universal Classic Monsters Collection will be released on 4K Ultra HD (with Digital) in digibook packaging on October 3 via Universal. Designed by Tristan Eaton, the eight-disc set is limited to 5,500.
It includes 1931's Dracula, 1931’s Frankenstein, 1932’s The Mummy, 1933’s The Invisible Man, 1935’s The Bride of Frankenstein, 1941’s The Wolf Man, 1943’s Phantom of the Opera, and 1954’s Creature from the Black Lagoon.
All eight films are presented in 4K with HDR10. The Spanish version of Dracula is also included. Special features are listed below, where you can also see more of the packaging.
Dracula is directed by Tod Browning (Freaks) and written by Garrett Fort (Frankenstein), based on Bram Stoker’s 1897 novel. Bela Lugosi, David Manners, Helen Chandler, Dwight Frye, and Edward Van Sloan star.
Dracula special features:
Alternate score version by Philip Glass
Dracula (1931) Spanish version directed by George Melford
The Road to Dracula
Lugosi: The Dark Prince
Dracula: The Restoration
Dracula Archives
Monster Tracks
Trailer gallery
Transylvanian vampire Count Dracula bends a naive real estate agent to his will, then takes up residence at a London estate where he sleeps in his coffin by day and searches for potential victims by night.
Frankenstein is directed by James Whale (The Indivisible Man) and written by Garrett Fort (Dracula) and Francis Edward Faragoh (Little Caesar), based on Mary Shelley’s 1818 novel. Colin Clive, Mae Clarke, John Boles, and Boris Karloff star.
Frankenstein special features:
Audio commentary by film historian Rudy Behlmer
Audio commentary by historian Sir Christopher Frayling
The Frankenstein Files: How Hollywood Made A Monster
Karloff: The Gentle Monster
Universal Horror
Frankenstein Archives
Boo!: A Short Film
100 Years of Universal: Restoring the Classics
Monster Tracks
Trailer gallery
Dr. Frankenstein dares to tamper with life and death by creating a human monster out of lifeless body parts.
The Mummy is directed by Karl Freund (Dracula) and written by John L. Balderston (Dracula). Boris Karloff, Zita Johann, David Manners, Edward Van Sloan, and Arthur Byron star.
The Mummy special features:
Audio commentary by film historian Paul M. Jensen
Audio commentary by Rick Baker, Scott Essman, Steve Haberman, Bob Burns, and Brent Armstrong
Mummy Dearest: A Horror Tradition Unearthed
He Who Made Monsters: The Life and Art of Jack Pierce
Unraveling the Legacy of The Mummy
The Mummy Archives
100 Years of Universal: The Carl Laemmle Era
Trailer gallery
An Egyptian mummy searches Cairo for the girl he believes is his long-lost princess.
The Invisible Man is directed by James Whale (Frankenstein) and written by R.C. Sherriff (Goodbye, Mr. Chips), based on H.G. Wells’ 1897 novel. Gloria Stuart, Claude Rains, William Harrigan, Dudley Digges, and Una O'Connor star.
The Invisible Man special features:
Audio commentary by film historian Rudy Behlmer
Now You See Him: The Invisible Man Revealed
Production Photographs
100 Years of Universal: Unforgettable Characters
Trailer gallery
A scientist finds a way of becoming invisible, but in doing so, he becomes murderously insane.
The Bride of Frankenstein is directed by James Whale (Frankenstein) and written by William Hurlbut. Boris Karloff, Colin Clive, Valerie Hobson, and Elsa Lanchester star.
The Bride of Frankenstein special features:
Audio commentary by film historian Scott MacQueen
She’s Alive! Creating The Bride of Frankenstein
The Bride Of Frankenstein Archive
100 Years of Universal: Restoring the Classics
Trailer gallery
Dr. Frankenstein, goaded by an even madder scientist, builds his monster a mate.
The Wolf Man is directed by George Waggner (Operation Pacific) and written by Curt Siodmak (I Walked with a Zombie). Claude Rains, Warren William, Ralph Bellamy, Patric Knowles, Bela Lugosi, and Lon Chaney Jr. star.
The Wolf Man special features:
Audio commentary by film historian Tom Weaver
Monster by Moonlight
The Wolf Man: From Ancient Curse to Modern Myth
Pure in Heart: The Life and Legacy of Lon Chaney Jr.
He Who Made Monsters: The Life and Art of Jack Pierce
The Wolf Man Archives
100 Years of Universal: The Lot
Trailer gallery
Larry Talbot returns to his father's castle in Wales and meets a beautiful woman. One fateful night, Talbot escorts her to a local carnival where they meet a mysterious gypsy fortune teller.
Phantom of the Opera is directed by Arthur Lubin and written by Eric Taylor (The Ghost of Frankenstein) and Samuel Hoffenstein (Dr. Jekyll and Mr. Hyde). Claude Rains, Nelson Eddy, Susanna Foster, and Edgar Barrier star.
Phantom of the Opera special features:
Audio commentary by film historian Scott MacQueen
The Opera Ghost: A Phantom Unmasked
Production Photographs
100 Years of Universal: The Lot
Theatrical trailer
An acid-scarred composer rises from the Paris sewers to boost his favorite opera understudy’s career.
Creature from the Black Lagoon is directed by Jack Arnold (The Incredible Shrinking Man) and written by Harry Essex and Arthur A. Ross. Richard Carlson, Julia Adams, Richard Denning, Antonio Moreno, Nestor Paiva, and Whit Bissell star.
Creature from the Black Lagoon special features:
Audio commentary by film historian Tom Weaver
Back to the Black Lagoon
Production Photographs
100 Years of Universal: The Lot
Trailer gallery
A group of scientists try to capture a prehistoric creature luring in the depths of the Amazonian jungle and bring it back to civilization for study.
Pre-order Universal Classic Monsters Collection.
#universal monsters#dracula#frankenstein#the mummy#creature from the black lagoon#the wolf man#bride of frankenstein#phantom of the opera#the invisible man#horror#classic horror#dvd#gift#the bride of frankenstein#tristan eaton#wolf man
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"Dracula was made as part of Hollywood studios' attempts to make films for foreign-language audiences. By 1930, Universal had focused primarily on developing Spanish-language films for the foreign market. Filming began on October 10, 1930 where it was shot on the same sets as Tod Browning's production of Dracula. Director Melford watched the footage of the same day and applied what he saw to film his own version."
Dracula [also known as 'Spanish Dracula'] (1931) Directed By: George Melford
#Dracula 1931#george melford#literature#Bram Stoker#filmgifs#classicfilmblr#classicfilmsource#userfish#userpavlova#userkraina#underbetelgeuse#tuserheidi#classichorrorblog#horroredit#userrobin#userxoames#moviegifs#ours#by natty
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Lupita Tovar, the star of Universal's 1931 Spanish-language adaption of "Dracula," was one of the movie's many elements that made it superior to the Tod Browning version.
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Renfield (2023)
If those who would most enjoy Renfield go into it with low expectations, they’ll find an imperfect film that (mostly) caters to their tastes. This movie has such a great premise and such a good cast. If only the screenplay and story were better. I liked it more than I didn’t but while watching, I kept wondering “I should love this… why don’t I?”
Like in the novel by Bram Stoker, R. M. Renfield (Nicholas Hoult) is transformed into Dracula’s familiar when he meets the Count (Nicholas Cage) in the early 20th century. Unlike in the novel, Dracula and Renfield survive and defeat Van Helsing, along with every subsequent would-be vampire slayer they encounter. In modern day, Renfield has grown tired of the abuse Dracula throws his way. While searching for fresh victims for his master, Renfield crosses paths with Teddy Lobo (Ben Schwartz), the son of the notoritious Lobo crime family. The bloody aftermath catches the attention of police officer Rebecca Quincy (Awkwafina), who holds a grudge against the Lobos and is looking for an ally against them.
Even without doing any research, I could’ve told you from his performance alone, that Nicolas Cage is a massive fan of 1931’s Dracula. It’s pretty clear Robert Kirkman (who pitched the story but did not write the screenplay) and director Chris McKay are too. The film begins by showing us new versions of the most well-known scenes from the 1931 film, with the sets either recreated with immaculate attention to detail or the new actors digitally added in. For anyone who loves the Universal Monsters, it’s a delight to see new performers re-interpret the material. Remember the first time you saw the Spanish version of “Dracula”? It’s that exciting. Cage, in particular, is such a good fill-in for Bela Lugosi. Hoult doesn’t quite look like Dwight Frye and may not bring the same intensity to the role, but he turns out to be a wholly different kind of servant to this prince of darkness anyway, so it won’t bother you at all.
After the dynamite intro, we dig into the story. It’s a fun idea to show Renfield, now 90 years into his servitude, getting fed up with his situation. There are some good laughs as Dracula physically and emotionally abuses Renfield while he slowly builds the courage he needs to face this vampire he could never hope to defeat on his own. This Count doesn’t insta-die when exposed to sunlight, is super strong, immortal, able to fly, can transform into a swarm of bats, hypnotize people, turn into mist and recover from practically any injury given enough time and blood.
The problem with Renfield is that we don’t explore the vampire-familiar dynamic enough. The Lobos and Officer Quincy plot, with Renfield stuck in the middle, eats up about 60% of the film. While the scenes of Quincy and Renfield teaming up against a bunch of Lobos goons means there’s plenty of comedic gore, that's not what you came to see. Then, when we finally get back to Dracula, he announces he’s going to take over the world! With Renfield gaining superhuman strength and agility whenever he eats bugs, this horror-comedy (and I use the word horror in theory here, as none of this picture is even remotely frightening) starts to feel an awful lot like a superhero film. A superhero film that isn’t taking itself seriously but come on. I came here for a vampire movie with a fun anti-romance twist. Give me that!
Since I mentioned the gore, I want to praise the special effects. There are many shots of people get their arms torn off or getting ripped apart, gutted or dispatched in other hideous ways. In any other movie, you might ask “wait, how did they even manage to stand upright if they were that easy to turn to shreds?”. Here, it’s all part of the fun. The most impressive SFX are in the scenes showing Dracula in various states of injury. Be it a scorched skeleton that can talk or a gooey blood sucker with half his skull showing and all sorts of bits barely hanging on, it’s all mega gross and well done. I’m pretty sure most actors hate having to sit in chairs while tons of makeup are applied to them, but I’d wager that after seeing the results, Cage was like “oh yeah, I’m totally willing to do with 4-5 more times.”
In the end, I’m going to rate Renfield right down the middle. More than once, I was loving it. I felt like this movie had been made specifically for me. Far too often, however, it let me down. I know it probably doesn’t make any sense, but it’s a disappointment that I’m nonetheless glad I saw and have some affection for. (September 10, 2023)
#Renfield#movies#films#movie reviews#film reviews#Chris McKay#Ryan Ridley#Robert Kirkman#Nicholas Hoult#Nicolas Cage#Awkwafina#Ben Schwartz#Shoreh Aghdashloo#Brandon Scott Jones#Adrian Martinez#2023 movies#2023 filsm#Dracula
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leaf im trying of expand my horror film history knowledge and also just out of curiosity please i need to know your favorite vampire films. the campiest ones, the essentials. the so bad it's good ones. give me the juice
YIPPEEEEE okay so. i have made it my life goal to watch every movie on the vampire films wikipedia, im not yet there, but i will give you all the favorites of the ones ive watched so far
first off, LOST BOYS!!!!! (1987) my favorite movie of all time, i could watch it every day for forever, the style, the vibes, the soundtrack, everything is so perfect. amazing execution of a horror comedy, about familial love and the feelings of alienation in youth (so many queer undertones), this is a movie for fags
for essential films, i gotta say nosferatu (1922), dracula (1931), [also check out the spanish version of dracula (1931) if you can get a hold of it, it comes with the dracula dvd if you have it at your local library], horror of dracula (1958), blood and roses (1960), the vampire lovers (1970), and the blood splattered bride (1972). three early dracula adaptations, and three carmilla ones. these, esp the dracula ones, lay the groundwork for vampire movies.
for some comedy and camp, check out what we do in the shadows (2014), vamps (2012), love at first bite (1979), dracula:dead and loving it (1995) <-thats where the blood gif i reblogged is from, dracula ad 1972 (1972), buffy the vampire slayer (1992) <-i prefer the show but the movie has its charm, so bad its good, was a fun watch, and jesus christ vampire hunter (2001)
idk what to title these last ones but i love them, the hunger (1983) <- also if u can find a copy of the book it was an amazing read!!, interview with the vampire (1994) <- also check out the new show if u feel like it, its even better than the movie to me, blade (1998), let the right one in (2008), only lovers left alive (2013), and a girl walks home alone at night (2014)
i'll keep u updated as i watch more <3
also if u havent read the vampyre by dr polidori, carmilla by sheridan le fanu, or dracula by bram stoker id def recommend them, those are the big three in vampire lit history. also the vampire a new history by nick groom is a wonderful book about the history of the vampire myth
#okay that was a lot lol#i loooooooove vampires#anyway. yeah#let me know if any titles jump out at u and i can tell u more abt them if u want#i love u so so much thank u for asking about vampire movies <333
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The Spanish Dracula (1931) is on TV but they don't have subtitles and I don't remember much Spanish so I'm just kind a guessing the dialogue based on watching the original/American version so frequently (in the extra scenes well I'll just fucking deal with it I guess)
#unfortunately my dumb ass chose to study german instead#well that was helpful for nosferatu and the german musical pro-shoot at least
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dast-pilled tinfoil hat speculation about last voyage of the demeter below:
(written when my adhd meds have worn off a fair amount so like reader beware)
alright, I’m cobbling together few different adaptations/timelines of dracula here so bear with me
obviously we’re not doing this movie strictly by the book (pun v much intended). we’re taking the log entries from the novel and running with it (which is. just how Adaptation Theory works, I know. but hang on.)
the introduction of new characters/fleshing out of people who were just barely named in the novel got me thinking about how in the lugosi/villarías simultaneous films in 1931, which were in turn based off the 1924 hamilton deane stage play (revised by balderson in ‘27 but w/e), renfield is present on the demeter. he is part of the journey as drac is picking off the crew one by one, instead of just waiting and growing more agitated at whitby, and it’s highly implied in the 30s films that it’s this trip that sent him fully over the edge into the manic state we see him in for the rest of the film.
this big reveal at the end of the journey, his discovery as the lone survivor of the ship by a horrified crowd, is a moment that was heavily referenced (beautifully, I would argue) in the recent nicholas hoult film, in which I think he knocked his dwight frye impression out of the fucking park.
(top: frye in 1931, bottom: hoult in 2023. again I say: goddamn!!!)
(not pictured: pablo álvarez rubio, who played renfield in the spanish language drácula filmed on the same sets during the same period but only at night IIRC bc Studio Racism to put it v bluntly, and who I honestly think was almost more horrifying in his manic laugh moment than frye.)
but so the thing I’m getting at, here, is there is room for a little… creative wiggle room, in just who turns out to be onboard this boat in this upcoming movie.
so I watched the trailer today while I was sitting around waiting for the new insidious (which imho was good if you like the franchise but that’s another post), and as someone who was already stoked for this movie and then got More Stoked when dast was cast, I found something kind of… interesting.
he’s really not featured in it a lot.
I mean I didn’t have a stopwatch out or anything, but in the most recent trailer, we maybe get a couple quick closeups of his face looking Alarmed/Concerned. but comparatively, we do get more footage of other crew members getting menaced/hunted/stalked/mauled.
so I was like “okay, maybe this is like the boogeyman, where he did a lot of press for it and then [spoiler].” so I went and checked imdb just to see what was up:
…he’s fourth billed.
so clemens is obvi the protagonist, anna seems to have a lot of lore to talk about in the trailer so she might be around as a key member, and then obviously the captain bc he’s our main point of view in the novel through his logs, IIRC. and there isn’t anyone else in the cast blatantly named “renfield.”
this does raise the question of “why is renfield using an alias and disguising himself as a deckhand to travel with drac” but then again, if I came onboard a ship and was openly associated with mysterious giant boxes of earth as cargo, and then something began fucking picking people off one by one when it got peckish, people would probably figure out there’s something fairly fishy about me and my giant fucking Dirty Boxes p quick. and in the ‘30s versions, the chapter was really presented as more a montage with some voiceover IIRC, only revealing renfield in the hold at the very end.
so what is dast doing in that particular spot if he’s just playing Some Guy? and why is he billed higher than dracula himself, javier botet? (whom I must add I adore from many things, and is one of my favorite Creature Guys next to the man himself, doug!)
(he’s like - eighth or ninth I think? and I get that he’s not billed v high bc we want to keep his onscreen presence fairly minimal to be properly scary, but in a film that’s ostensibly about dracula, it does make me wonder about the significance of the other characters listed before him.)
now look, I could be totally wrong on this - dast is also fourth billed in the boogeyman on imdb, and if you’ve seen it - well, You Know. but still! I don’t think this is totally impossible here!
bc he’s also been plugging an interview he did with botet in this month’s upcoming issue of Fangoria, which has LVoD as its cover
(I haven’t got my copy yet so I can’t confirm what all’s in there)
and one with horrorhound to boot:
so like! Idk! I could just really really want this to be the case, and the movie marketing team knows dast has a reasonably sized fanbase they can use to plug the movie to (me being a perfect case in point).
but I’m just saying… it’s not impossible we might get a second or third act plot twist that ends with dast having his own hysterical laughter closeup at the bottom of the deck stairs, yknow??
(god, that would be so rad. as a fellow horror nerd I would legit be so excited for him to get to have his own version of one of Thee Big Moments in film history.)
anyway, if anyone’s read anything somewhere that shoots this down, please feel free to lmk so I can adjust my expectations accordingly. I think I’m going to go back through the original chapter and see if there’s a Wojchek I happened to totally forgor (and not the historic bear I already associate with the name).
do with this what you will, maybe I’m totally delulu but I did at least want to bring up the possibility bc if I’m right that would just be the coolest shit in the world, imho.
also watch the old 30s movies if you can find them — they usually have cheap dvds of them at walmart during spooky season, in my experience, or try your local library. the lugosi version is iconic, but the villarías never got the recognition it deserved imho.
#last voyage of the demeter#david dastmalchian#renfield#dracula#dracula 1931#dracula daily spoilers#(bc this technically applies???)#in which I nerd out about dracula adaptations bc that is A Huge Scholarly Interest
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Did you know that there are two Dracula movies from 1931?
It's actually two versions of one movie!
From what I can see (I didn't do a lot of research, sorry), Universal Pictures produced an American(February) and a Spanish(March) version of the same film. They differ in almost everything the direction, actors and cinematography, the only thing they have in common is how they change the plot of the books and that's how I realized it was actually the same movie. (I was dumb for 20 minutes seeing the similarities, close release date and similar storyline to finally realize it's the same studio).
There are situations where they used the same scenes to probably save money.
They recorded them on the same set.
And Renfield from the beginning of the movie, I think they dressed in the same clothes.
And in both movies there's this weird scene with the woman and Renfield. Can anyone tell me what it's about? Did he eat her???
The Spanish version is a bit longer (about 30 minutes difference) and had additional scenes filmed in Spain.
The question is, why? The Spanish version is "a little" worse (my opinion) . Why make a second version only for the Spanish-speaking audience when you could dub the original or add subtitles?
The answer is interesting, apparently unlike silent films, in those days it was not easy to sell to the audience a film not in their language. According to wikipedia, this was supposedly a common practice. Why only the Spanish version? It's obvious, there are many countries where this language is spoken.
We don't have an answer in the end if they got it back, when I looked for the box office results of the Spanish version I couldn't find any.
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Hey what are some cool old films you reccomend? You seem tohave a few
[CRACKS MY KNUCKLES] hi ::-) here are some relatively old films that i like, and a bit of commentary 👍 you (might) know me, i like drama and horror movies so expect that.
right off tha bat The Cabinet of Dr Caligari [1919 or 1920???] and Metropolis [1921] are classics and required viewing. okay.
The Adventures of Pinocchio [1911]- i know what I just said about horror movies but this one made me laugh a lot because its so absurd so it gets a spot on here. Warning for racism about native americans around the middle point i think.
Different from the Others [1919]- A (now incomplete) German drama about a gay couple struggling through adversity. Probably the first pro-gay film, theres so much heart in this movie, its amazing to be able to watch (most of) it more than 100 years after its premier..!!
M [1931]- German crime movie about the search for a local serial killer. Sometimes slow but also intriguing... The use of a character having a musical leitmotif is really neat!
Dràcula [1931]- There are two Universal Dracula movies: The classic english one with Lugosi, and a spanish one filmed on the same sets but with different actors. I think i liked the spanish version more and its a fun slice of movie history to see their differences ::-)
Rope [1948]- Also a crime drama but the plot hinges on whether or not the main characters get caught. Watched this several times, i just love the tension, the homosexuality, also farley granger (who plays philip) is so pretty ::-)
The Fly [1958]- Creature feature about a guy whose experiments in teleportation go wrong. its fun to contrast this against the 1986 movie bc theyre so utterly different in execution, but the same in their core. both are fun if u enjoy watching a guy lose his humanity.
Eyes without a Face [1960]- French horror movie about a woman who is horribly scarred in an accident, and how her father deals with it. Sort of more on the mellow side for horror?
Carnival of Souls [1962]- Horror movie abt a woman who moves away to a city in Utah for a job as an organist. Deliciously atmospheric and psychological!!!<3 mary henry, more liek... marry me...
i like watching classics but one thing i have noticed is that often times classic movies are not great. they can be pretty hit or miss. but it is totally up to you to decide what hits and what misses.
#POINTS AT YOU REALLY LOUDLY thanks for the message <3 i facking love movies#original nonsense#personal#q&a#PLS IGNORE IM ANSWERING THJS AT. 2 AM !!!!!!#I LOVE movies but i might come back to this post if i rememver any that im pressed to mention. idk#i don't rewatch movies often at all so a lot of stuff i like i just remember that i watched it and liked it#and then i barely remember the movie itself lol.#okay goodnight.
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Thoughts on Fritz from "Frankenstein" (1931)? I know everyone has a crush on Dwight Frye as Renfield in "Dracula" (1931), myself included, but I admit, Fritz ain't bad either!
It took me a while to get around to watching Dracula even after reading it. SHAME. Even though I like Gothic literature and vampire media in general. If you haven’t seen it already, I recommend checking out the Spanish language version Drácula that was also released in 1931.
Also, Universal Monsters: A Legacy of Horror. I read it earlier this year and I still need to finish watching the rest of the Universal Monsterverse.
Anyway, Fritz is kinda cute. And doesn’t eat live bugs. Even though he was super mean to the Monster. If I were there, I’d let him torment ME. 🤪 I have scoliosis so we could commiserate over our curved spines lol.
#anon#ask#Fritz#Frankenstein#Frankenstein 1931#minors do not interact#entomophagy#Dwight Frye#Renfield#Dracula 1931#Drácula 1931#Universal Monsters#Universal Classic Monsters#Universal Monsters: A Legacy of Horror#kyphosis#scoliosis
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Lupita Tovar- star of the Spanish language version of DRACULA (1931)
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