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#dorothy brady
nesperus · 8 months
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DADATHA CHRISTIE!!
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the leading ladies of dad then there were none! because i really like 1930s women's fashion (even if i take creative liberties with it). thank you to @happi-tree for helping me with the color and patterns even if i DEFINITELY took the most liberties with that, especially in regards to dorothy's outfit. but like. listen. listen. dot. polka dots. i saw some cute pink dresses while looking online. i haaad to. i did directly take barb's outfit colors from a picture happi showed me though :]
barbara and dot are my favorites, for the record. i love all of the characters from this mini-series tbh, but barb and dot are special hehehe <3
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balladofthe101st · 1 month
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letterboxd-loggd · 2 years
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Gold Diggers of 1935 (1935) Busby Berkeley
September 6th 2022
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of-fear-and-love · 2 months
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Outfits from Undertow (1949)
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anotherothernight · 3 months
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AON the Rose family
yes this is very self-indulgent I don't like canon Vanwan and I must separate my wife as far as possible from that creature <3
Now you're probably wondering....
"Miles why the fuck does Vanessa have so much family?!"
Well you see.... *RUNS OUT OF THE WINDOW*
ok the real reason is that I made Micah (a pre existing character of mine) related to her dfkgjkldh
I'm only gonna talk about Vanwan... the rest of the characters here have wayyyy too much story and most ppl probably won't care (if you feel otherwise please message me I would love to ramble about them)
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Vanessa was born to Alice
Alice and her ex wife had separated before she was born- bcuz you see Alice found out she was trans and her ex wife HATED that
Alice had somehow gained the primary custody of Vanessa
She would later meet mr Carter Rose... handsome man
They fall in love and get married (Carter actually formally adopts Vanessa)
Vanessa's favorite people in the world is her grandparents and since they run a butchery.... Vanessa has a weird inclination to sharp objects
She is... weird and kinda unhinged but she's harmless
At 25 Vanessa works as a beta tester for Fazbear Virtual Experience and William latches onto her
Then at 26 she begins working for the Pizza Plex... and whatever happens in my version of security breach happens
Also she meets Adrienne Brady while working for the Pizza Plex dfjkghfjkl there's not a lot to say about Adrienne she's there 'cuz she's important for a different story (and also she's Vanessa's girlfriend)
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neweramuseum · 3 months
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NEM CLOUDS 126 - James Clarke selection
FEATURED WORKS BY: Philomena Brady, Kristina Weston, Jale Yuce, Adrienne Parks, Jim Lindsey, Leon Williams, Tim Creamer and Dorothy Green Alcorn.
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yestergaze · 9 months
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In September of 1943, the Hollywood Bond Cavalcade arrived at the first destination of their cross-country bond selling trip. Pictured here on the National Mall in Washington, D.C. are Harpo Marx, Fred Astaire, Lucille Ball, Betty Hutton, Mickey Rooney, Judy Garland, James Cagney, Greer Garson, Kay Kyser, and Kathryn Grayson; plus starlets nicknamed "Bondbardears", Ruth Brady, Margaret Stewart, Doris Merrick, Rosemary Laplanche, Dorothy Merritt, and Muriel Goodspeed.
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kemetic-dreams · 10 months
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Carol Diann Johnson was born in the Bronx, New York City, on July 17, 1935, to John Johnson, a subway conductor, and Mabel (Faulk), a nurse. While Carroll was still an infant, the family moved to Harlem, where she grew up except for a brief period in which her parents had left her with an aunt in North Carolina. She attended Music and Art High School, and was a classmate of Billy Dee Williams. In many interviews about her childhood, Carroll recalls her parents' support, and their enrolling her in dance, singing, and modeling classes. By the time Carroll was 15, she was modeling for Ebony. "She also began entering television contests, including Arthur Godfrey's Talent Scouts, under the name Diahann Carroll." After graduating from high school, she attended New York University, where she majored in sociology, "but she left before graduating to pursue a show-business career, promising her family that if the career did not materialize after two years, she would return to college.
Carroll's big break came at the age of 18, when she appeared as a contestant on the DuMont Television Network program, Chance of a Lifetime, hosted by Dennis James. On the show, which aired January 8, 1954, she took the $1,000 top prize for a rendition of the Jerome Kern/Oscar Hammerstein song, "Why Was I Born?" She went on to win the following four weeks. Engagements at Manhattan's Café Society and Latin Quarter, nightclubs soon followed.
Carroll's film debut was a supporting role in Carmen Jones (1954), as a friend to the sultry lead character played by Dorothy Dandridge. That same year, she was nominated for a Tony Award for Best Featured Actress in a Musical for her role in the Broadway musical, House of Flowers. A few years later, she played Clara in the film version of George Gershwin's Porgy and Bess (1959), but her character's singing parts were dubbed by opera singer Loulie Jean Norman. The following year, Carroll made a guest appearance in the series Peter Gunn, in the episode "Sing a Song of Murder" (1960). In the next two years, she starred with Sidney Poitier, Paul Newman, and Joanne Woodward in the film Paris Blues (1961) and won the 1962 Tony Award for Best Actress in a Musical (the first time for a Black woman) for portraying Barbara Woodruff in the Samuel A. Taylor and Richard Rodgers musical No Strings. Twelve years later, she was nominated for an Academy Award for Best Actress for her starring role alongside James Earl Jones in the film Claudine (1974), which part had been written specifically for actress Diana Sands (who had made guest appearances on Julia as Carroll's cousin Sara), but shortly before filming was to begin, Sands learned she was terminally ill with cancer. Sands attempted to carry on with the role, but as filming began, she became too ill to continue and recommended her friend Carroll take over the role. Sands died in September 1973, before the film's release in April 1974.
Carroll is known for her titular role in the television series Julia (1968-71), which made her the first African-American actress to star in her own television series who did not play a domestic worker. That role won her the Golden Globe Award for Best TV Star – Female for its first year, and a nomination for an Primetime Emmy Award in 1969. Some of Carroll's earlier work also included appearances on shows hosted by Johnny Carson, Judy Garland, Merv Griffin, Jack Paar, and Ed Sullivan, and on The Hollywood Palace variety show. In 1984, Carroll joined the nighttime soap opera Dynasty at the end of its fourth season as the mixed-race jet set diva Dominique Deveraux, Blake Carrington's half-sister. Her high-profile role on Dynasty also reunited her with her schoolmate Billy Dee Williams, who briefly played her onscreen husband Brady Lloyd. Carroll remained on the show and made several appearances on its short-lived spin-off, The Colbys until she departed at the end of the seventh season in 1987. In 1989, she began the recurring role of Marion Gilbert in A Different World, for which she received her third Emmy nomination that same year.
In 1991, Carroll portrayed Eleanor Potter, the doting, concerned, and protective wife of Jimmy Potter (portrayed by Chuck Patterson), in the musical drama film The Five Heartbeats (1991), also featuring actor and musician Robert Townsend and Michael Wright. She reunited with Billy Dee Williams again in 1995, portraying his character's wife Mrs. Greyson in Lonesome Dove: The Series. The following year, Carroll starred as the self-loving and deluded silent movie star Norma Desmond in the Canadian production of Andrew Lloyd Webber's musical version of the film Sunset Boulevard. In 2001, Carroll made her animation debut in The Legend of Tarzan, in which she voiced Queen La, ruler of the ancient city of Opar.
In 2006, Carroll appeared in several episodes the television medical drama Grey's Anatomy as Jane Burke, the demanding mother of Dr. Preston Burke. From 2008 to 2014, she appeared on USA Network's series White Collar in the recurring role of June, the savvy widow who rents out her guest room to Neal Caffrey. In 2010, Carroll was featured in UniGlobe Entertainment's breast cancer docudrama titled 1 a Minute and appeared as Nana in two Lifetime movie adaptations of Patricia Cornwell’s novels: At Risk and The Front.
In 2013, Carroll was present on stage at the 65th Primetime Emmy Awards to briefly speak about being the first African-American nominated for a Primetime Emmy Award. She was quoted as saying about Kerry Washington, nominated for Scandal, "She better get this award."
Carroll was a founding member of the Celebrity Action Council, a volunteer group of celebrity women who served the women's outreach of the Los Angeles Mission, working with women in rehabilitation from problems with alcohol, drugs, or prostitution. She helped to form the group along with other female television personalities including Mary Frann, Linda Gray, Donna Mills, and Joan Van Ark.
Carroll was diagnosed with breast cancer in 1997. She said the diagnosis "stunned" her, because there was no family history of breast cancer, and she had always led a healthy lifestyle. She underwent nine weeks of radiation therapy and had been clear for years after the diagnosis. She frequently spoke of the need for early detection and prevention of the disease. She died from cancer at her home in West Hollywood, California, on October 4, 2019, at the age of 84. Carroll also had dementia at the time of her death, though actor Marc Copage, who played her character's son on Julia, said that she did not appear to show serious signs of cognitive decline as late as 2017. A memorial service was held in November 24, 2019, at the Helen Hayes Theater in New York City.
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bestmusicalworldcup · 7 months
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The new Broadway revival of The Wiz is now selling tickets. It is currently running a pre-Broadway national tour, and will begin previews March 29th, with opening day set for April 17th.
This production is directed by Schele Williams, who is also directing The Notebook, another musical opening next year on Broadway. Amber Ruffin has also revised the book.
The Broadway cast includes Nichelle Lewis as Dorothy, Deborah Cox as Glinda, Wayne Brady as The Wiz (Alan Mingo Jr. plays The Wiz in most of the tour), Melody A. Betts as Aunt Em/Evillene, Kyle Ramar Freeman as the Lion, Phillip Johnson Richardson as the Tinman, and Avery Wilson as the Scarecrow.
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einsteinsugly · 11 months
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I'm a sucker for Brooke/Kelso's angst.
Hurtful prompts; “Was I just another fling?” please.
December 1979 Chicago, Illinois 1:00 pm
"Was I just another fling? Another notch to add onto your belt?"
Her defiant cries echo throughout the shoebox apartment, making Kelso wince. He hates hearing her in pain, as he attempts to bring her close.
Only to be firmly rebuffed, as Kelso pathetically pouts. "You know, I moved to Chicago for you. And Betsy, but also you."
"You could've gotten a respectable job, Michael. Instead of working at the Playboy Mansion and bringing some Malibu Barbie to my apartment!"
Kelso huffs and puffs, nearly bringing the shoebox apartment down. "I just brought Marcia here to make you jealous."
"Well...it worked, you moron." He sees her pain, as tears glitter in her eyes. "I don't know why, but I love you."
"I love you, too." She barely flinches, as Kelso gulps, but promptly continues. "You were the hottest Valedictorian, ever. There was one that looked like Jan Brady with a huge overbite, and one that looked like Dorothy Hamill with glasses..."
But Brooke is far from amused, her arms firmly crossed. Like a mother reprimanding a child. "And that's a bad thing because?"
"You look like Jaclyn Smith, and you're super smart." Her motherly gaze fails to fade, as Kelso notably fumbles, falling back into his old ways. "I've dated a Kate Jackson, a Farrah Fawcett, and a Cheryl Ladd, and I've banged lots of Shelley Hacks..."
She's quick to cut him off, loudly clearing her throat. "Not helping."
"You've got beauty and brains," He attempts to explain, "Like, I'm Jaclyn Smith, but I'm a moron, so you can help me out."
Brooke smirks, with an aura of fading brutality. "You can start by not bringing Malibu Barbies to my apartment."
He attempts to bring her close, once again, and she surprisingly reciprocates. A warm smile inevitably creeps onto her lips, as Kelso basks in the sunshine.
The clouds fade away, and he attempts to make a mental note. "See, that's good advice."
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COMPLEX CHARACTERS
Opening today:
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Freud's Last Session--The "session" in question is fictional, or at best nervily speculative--a meeting of the titular psychoanalytic pioneer with the Christian apologist C. S. Lewis. It's September of 1939; England has just declared war on Hitler's Germany, and Freud, who has fled Austria for England with his obsessively devoted daughter Anna, is in the agonizing homestretch of terminal mouth cancer. Irked by Lewis' parody of him in The Pilgrim's Regress (1933), Freud has invited the young Oxford don to his house in London for a civil but contentious chat.
Freud is played by Anthony Hopkins; Lewis is played by Matthew Goode. The direction is by Matthew Brown from a script he co-wrote with the American playwright Mark St. Germain, based on St. Germain's play (which I saw well-produced by Arizona Theatre Company in 2013). The play is a two-hander, but this handsomely-produced movie expands on it with scenes involving Anna (Liv Lisa Fries) and her partner Dorothy Burlingham (Jodi Balfour), flashbacks to Freud's childhood traumas and to Lewis' PTSD from the trenches in the earlier war, his eyebrow-raising cohabitation with Janie Moore (Orla Brady), etc.
But the juice in the film is still in the theatrical sparring between the two leads, especially Hopkins as the chuckling, cheerfully furious Freud. He's as lovably cantankerous here as he was as Pope Benedict in 2019's The Two Popes. For his part, Goode is smart enough not to make Lewis saintly or jolly; he gives him an edge of defensive aloofness alongside a deep decency.
It's hard to say which, if either, of the two men's viewpoints St. Germain and Brown are most in symapthy with. Many of us are likely to feel ourselves somewhere between Freud's staunch and bitter rationalism and Lewis' somehow rather half-hearted pose of orthodoxy. But the point of the film seems to be that what underlies both is, at least partly, existential terror, of a sort to which intelligent, intensely imaginative people like these two are particularly subject. Neither strict nonbelief nor strict belief seems to offer much deliverance.
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Mean Girls--"It's a cautionary tale..." So the Greek chorus characters Janis and Damian sing to us at the beginning of this musical remake of the well-loved 2004 teen comedy, pared down from the 2018 Broadway version. This may be the secret of Mean Girls, in each iteration: it really is a moral tale with a cautionary point, and the heroine really does go to the dark side.
As you'll recall, Cady Heron (Angourie Rice) is a smart kid who grew up in campsites in Africa; her mother (Jenna Fischer) is a researcher. When she lands at a suburban American high school for junior year, the divisions in cafeteria clique and caste strike her as similar to those in the animal kingdom. She gets sucked into spending lunches with "The Plastics," a circle of glamorous sycophants led by uber-mean girl Regina George (Renée Rapp). Cady agrees, initially, at the urging of artsy girl Janis (Auli'i Cravalho) and big gay Damian (Jaquel Spivey) to serve as a double agent in a revenge plot against Regina. But gradually, of course, the plastic begins to take over for real. 
Or maybe the secret is just that the film, scripted, like the original, by Tina Fey (freely adapting a book by Rosalind Wiseman), is funny and sweet, but not so sweet that it forgets to be, you know, mean. Or maybe it's that most of the songs, by Nell Benjamin and Jeff Richmond, are delightful, and buoyantly staged by directors Samantha Jayne and Arturo Perez, Jr.
Overall, these actors don't have the vibrancy or distinctive personalities of the original film's cast, but they make up for this with terrific musical performing. Rapp brings such a baleful moan to "Meet the Plastics" that she really is a little scary, and Rice shades herself from guileless to conniving very believably. A few vets are around; Fey and Tim Meadows reprise their roles from the first film, and Busy Phillips and Jon Hamm contribute funny bits. The standouts, however, are Cravalho as Janis and Spivey as Damian, both equipped with gorgeous voices and the ability to act while they're belting.
Fey's generous-hearted--and sensible--take on popularity and self-esteem has provided a solid and unsentimental piece of role modeling for teens (and the teens that endure within most adults) for twenty years now. Maybe this movie will extend it for another twenty.
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bookgeekgrrl · 1 year
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My media this week (8-14 Jan 2023)
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📚 STUFF I READ 📚
🥰Neverwhere (London Below #1) (Neil Gaiman, author & narrator) - listened to the (very excellent) BBC audio drama of this a few years ago but it'd probably been 20 years since I actually read it. doing a mini book club with a bff!
🥰 This symmetry is not without meaning (aesc, pearl_o) - (pt 4 of TLBT series) 63K, cherik age difference AU, just another great story of them working out their relationship (plus some very good sex)
🥰 Flight Risk (Ayes, itskleo) - steddie rock star/bodyguard AU, fun characterizations, really enjoyed!
🥰 'Lucky Lives' Omegaverse (Tsuki) - 210K, original fic, 4-part series, interconnected dystopian omegaverse romances - very likeable characters with some great worldbuilding details; I would happily read more stories in this universe. I read this in like 2 days. Sometimes the heart wants what it wants!!!
💖💖 +208K of shorter fic so shout out to these I really loved 💖💖
The Code (randomizer) - Galaxy Quest: 3.5K - Yuletide 2022; a love letter/meta message to fandom in general
NYC Health Code, Article 161.19 (monicawoe) - Venom, MCU: Venom meets All Caps, 5.2K - allCaps meet Venom and more importantly, VENOM'S CHICKENS
I Got You Babe (monicawoe) - Venom, 3.5K - how Venom got its Sonny & Chery
you can take the heart from your chest to use as a compass when you are lost (fragilecapric0rn) - Stranger Things: Steddie, 29K - craigslist missed connections AU with all the found family at thanksgiving in a cabin
a slow morning (wearing_tearing) - Stranger Things: Steddie, 325 - basically a 325 word ode to Steve Harrington's chest hair and I AM HERE FOR IT
Pursued by Bear (Zenaidamacrouras1) - MCU: shrinkyclinks, 19K - shrinkyclinks, UFC & Shakespeare convention fic with lots of quotes and queer theory! (yes, inspired by that tweet)
📺 STUFF I WATCHED 📺
Uncoupled - s1, e3-8
Knives Out (with commentary)
Big Eden
🎧 PODCASTS 🎧
ICYMI Plus - The Untalented Mr. Ripley
Desert Island Discs - Cate Blanchett, actor
Off Menu - Ep 120: Miriam Margolyes
Off Menu - Ep 76: Claudia Winkleman
Happy Sad Confused - Ke Huy Quan
The Atlas Obscura Podcast - Chicago Bridge Houses
Switched on Pop - Too Fast? We’re Curious: The sped-up remix phenomenon
Happy Sad Confused - Neil Gaiman, Vol. II
Shedunnit Book Club - The Advertising Adventures of Dorothy L. Sayers
Vibe Check - The House of Cards Is Gonna Crumble
ICYMI Plus - Who Is Alix Earle And Why Are People Mad at Her?
The Atlas Obscura Podcast - The Mail Rail
99% Invisible #520 - Mini-Stories: Volume 16
Weather Geeks - Lightning In Lake-Effect Snow
Films To Be Buried With with Brett Goldstein - Fern Brady
Into It - Harry & 'M3GAN' (Plus: What's Taylor Garron Into?)
The Atlas Obscura Podcast - Berkeley South Asian Radical History Walking Tour
Renegades: Born in the USA - Race in the United States
Of Mice And Men And Monsters - Ch. 0: Prologue
Of Mice And Men And Monsters - Ch. 1: Frankenstein - Part 1
Off Menu - Ep 92: Sue Perkins
Renegades: Born in the USA - American Music
Renegades: Born in the USA - Traveling the U.S. & Finding Home
You Must Remember This - Porno Chic and The Brief Heyday of X Ratings (Erotic 80s Part 1)
It's Been a Minute - What's worse than heat damage? Hair discrimination
Off Menu - Ep 109: Nicola Coughlan
ICYMI Plus - RuPaul’s Drag Race Has Finally Logged On
Hit Parade Plus - Thinking About Tomorrow Edition
You Must Remember This - 1979: Bo Derek and 10 (Erotic 80s Part 2)
🎶 MUSIC 🎶
If I Were A Carpenter [Various artists] {1994}
The Duran Duran Tribute Album [Various artists] {1997}
Duran Duran [Duran Duran] {1981}
Rio [Duran Duran] {1982}
Seven And The Ragged Tiger [Duran Duran] {1983}
Notorious [Duran Duran] {1986}
Big Thing [Duran Duran] {1988}
Liberty [Duran Duran] {1990}
Duran Duran (The Wedding Album) [Duran Duran] {1993}
Thank You [Duran Duran] {1995}
Medazzaland [Duran Duran] {1997}
Pop Trash [Duran Duran] {2000}
Astronaut [Duran Duran] {2004}
Red Carpet Massacre [Duran Duran] {2007}
All You Need Is Now [Duran Duran] {2011}
Paper Gods [Duran Duran] {2015}
FUTURE PAST [Duran Duran] {2021}
A3
Doo Wop
The Roots of Rock & Roll
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byneddiedingo · 1 year
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Fred Astaire, Ginger Rogers, and Erik Rhodes in The Gay Divorcee (Mark Sandrich, 1934)
Cast: Fred Astaire, Ginger Rogers, Alice Brady, Edward Everett Horton, Erik Rhodes, Eric Blore, Lillian Miles, Charles Coleman, William Austin, Betty Grable. Screenplay: George Marion Jr., Dorothy Yost, Edward Kaufman, based on a musical play by Dwight Taylor. Cinematography: David Abel. Art direction: Carroll Clark, Van Nest Polglase. Film editing: William Hamilton. Music: Max Steiner (score), Mack Gordon and Harry Revel, Con Conrad and Herb Magidson, Cole Porter (songs). 
Obviously, The Gay Divorcee wouldn't pass muster as the title for a heterosexual romantic comedy today, but the film's producers had to jump a few hurdles even in 1934, when the Hays Office censors were about to yield to the much stricter Production Code. The title of the Broadway musical on which the movie was based was Gay Divorce, and Catholic censors were strictly opposed to the idea that divorce could be anything other than a sin. However, assuming that she'd done her penance, a divorcee could be gay (in the older sense), just as Franz Lehár's old operetta asserted that a widow could be merry. This was the first teaming of Fred Astaire with Ginger Rogers in which they were the stars: They had been supporting players in their previous film, Flying Down to Rio (Thornton Freeland and George Nicholls Jr., 1933), but their dance numbers had caused such a sensation that RKO was eager to craft a musical around them. Pandro S. Berman, head of production at the studio, purchased the rights to Gay Divorce, in which Astaire had been the star on Broadway, and put a team of writers (including an uncredited Robert Benchley) to work revising the musical's book by Dwight Taylor. The Broadway version had a score by Cole Porter, but all but one of his songs were jettisoned for the film. That song was the best, however: "Night and Day," which gave the stars their first great fall-in-love pas de deux. The screenplay takes the farcical premise of the play: Mimi Glossop (Rogers), seeks a divorce from her husband, and since they're in England, where the only justification for divorce is adultery, she, with the help of her Aunt Hortense (Alice Brady) and the lawyer Egbert Fitzgerald (Edward Everett Horton), arranges to be caught in a hotel room with a professional co-respondent, Rodolfo Tonetti (Erik Rhodes, who had played the role on Broadway). Meanwhile, however, she has fallen in love with Guy Holden (Astaire), an American she has just met -- and, of course, met cute. Through a sequence of screwball accidents, she winds up thinking that he's the co-respondent, and is disgusted that he should have such a sordid job. Eventually, everything is sorted out with the help of a hotel waiter (Eric Blore, also from the Broadway cast). In the middle of everything, there's a 20-minute-long production number centered on the film's big song, "The Continental," for which composer Con Conrad and lyricist Herb Magidson won the first Oscar ever given for a song written for a movie. The Gay Divorcee would rank with the best Astaire-Rogers films if it had a better score. Aside from "Night and Day," the rest are mostly forgettable novelty numbers, like "Let's K-nock K-nees," which is performed by a then-unknown Betty Grable with Horton and a gang of chorus members. 
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eimaremia · 23 days
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Crossover Relationships
between characters from different FE games~ Pink indicates romance. Purple italic indicates a potential for romance.
Heroes x Shadows of Valentia
Alfonse & Leon
Heroes x The Binding Blade
Roy & Sharena
Heroes x Path of Radiance / Radiant Dawn
Mist & Sharena
Heroes x Awakening
Alfonse & Chrom
Alfonse & Lissa
Brady & Sharena
Robin & Sharena
Sharena & Lissa
Heroes x Fates
Alfonse & Niles
Alfonse & Nina
Alfonse & Takumi
Elise & Sharena
Forrest & Sharena
Leo & Bruno
Niles & Bruno
Orochi & Sharena
Sharena & Niles (siblings-in-law)
Sharena & Velouria
Selkie & Sharena
Heroes x Three Houses
Caspar & Sharena
Ingrid & Sharena
Marianne & Bruno
Mirabilis & Linhardt
Heroes x Engage
Fogado & Sharena
Hortensia & Sharena
Mirabilis & Amber
Mirabilis & Chloé
Mirabilis & Merrin
Mirabilis & Panette
Pandreo & Bruno
Panette & Bruno
Sharena & Amber
Sharena & Rosado
Shadow Dragon and the Blade of Light / Mystery of the Emblem x Awakening
Marth & Chrom
Marth & Lucina
Chrom & Caeda
Lucina & Caeda
Shadows of Valentia x Awakening
Nina & Leon
The Binding Blade x Awakening
Libra & Saul
The Binding Blade x Three Houses
Ingrid & Dorothy
Saul & Sylvain
The Binding Blade x Engage
Diamant & Lilina
Diamant & Roy
Dorothy & Pandreo
Saul & Pandreo
The Blazing Blade x The Sacred Stones
Ephraim & Hector
Lyn & Eirika
The Blazing Blade x Path of Radiance / Radiant Dawn
Ike & Hector
Hector & Soren
The Blazing Blade x Awakening
Robin & Lyn
Hector & Chrom
Ninian & Inigo
The Blazing Blade x Fates
Leo & Hector
Lyn & Takumi
Ninian & Laslow
Nina & Lyn
The Blazing Blade x Three Houses
Caspar & Hector
Felix & Eliwood
Felix & Hector
Felix & Lyn
The Blazing Blade x Engage
Fogado & Lyn
Lyn & Alcryst
Ninian & Merrin
Ninian & Pandreo
The Sacred Stones x Path of Radiance / Radiant Dawn
Ike & Ephraim
The Sacred Stones x Awakening
Lyon & Robin
The Sacred Stones x Fates
Lyon & Takumi
Niles & Eirika
The Sacred Stones x Three Houses
L'Arachel & Sylvain
Lyon & Hilda
Lyon & Linhardt
The Sacred Stones x Engage
Alcryst & Eirika
Chloé & Eirika
Chloé & Ephraim
Chloé & L'Arachel
Hortensia & Eirika
Louis & Eirika
Pandreo & Eirika
Path of Radiance / Radiant Dawn x Awakening
Brady & Boyd
Henry & Ranulf
Henry & Soren
Mist & Lissa
Path of Radiance / Radiant Dawn x Fates
Elise & Mist
Ike & Nina
Ike & Takumi
Lethe & Selkie
Lethe & Velouria
Nina & Soren
Selkie & Ranulf
Velouria & Ranulf
Path of Radiance / Radiant Dawn x Three Houses
Ingrid & Titania
Lethe & Ingrid
Lysithea & Soren
Path of Radiance / Radiant Dawn x Engage
Fogado & Elincia
Fogado & Soren
Hortensia & Soren
Ike & Amber
Ike & Fogado
Ike & Rosado
Ike & Timerra
Lethe & Merrin
Louis & Soren
Ranulf & Merrin
Timerra & Soren
Awakening x Fates
Brady & Laslow
Brady & Nina
Brady & Selena
Elise & Lissa (daughter and mother-in-law)
Henry & Elise (father and daughter-in-law)
Henry & Nyx (father and daughter-in-law)
Henry & Odin (father and son, default)
Henry & Selkie
Henry & Velouria
Leo & Owain
Libra & Camilla
Libra & Forrest
Libra & Laslow
Libra & Nyx
Lucina & Laslow
Lucina & Laslow (sister and brother)
Niles & Owain
Nina & Inigo
Odin & Lissa
Odin & Lucina
Awakening x Three Houses
Brady & Bernadetta
Dorothea & Inigo
Felix & Lon’qu
Henry & Bernadetta
Inigo & Hilda
Inigo & Sylvain
Libra & Dimitri
Libra & Seteth
Libra & Sylvain
Robin & Linhardt
Awakening x Engage
Brady & Fogado
Brady & Pandreo
Brady & Panette
Chrom & Pandreo
Diamant & Lucina
Fogado & Chrom
Fogado & Inigo
Goldmary & Inigo
Goldmary & Severa
Henry & Ivy
Henry & Panette
Hortensia & Lissa
Inigo & Rosado
Ivy & Lucina
Libra & Pandreo
Libra & Rosado
Libra & Yunaka
Louis & Chrom
Louis & Lissa
Louis & Lucina
Maribelle & Pandreo
Owain & Amber
Panette & Lon’qu
Panette & Maribelle
Robin & Pandreo
Timerra & Inigo
Fates x Three Houses
Dorothea & Laslow
Dorothea & Forrest
Felix & Takumi
Forrest & Hilda
Laslow & Hilda
Laslow & Sylvain
Leo & Dimitri
Leo & Lysithea
Marianne & Kaze
Marianne & Kiragi
Nina & Sylvain
Nyx & Linhardt
Nyx & Lysithea
Nyx & Seteth
Orochi & Sylvain
Fates x Engage
Alcryst & Takumi
Camilla & Yunaka
Chloé & Nina
Diamant & Ryouma
Elise & Rosado
Fogado & Laslow
Fogado & Nina
Forrest & Rosado
Forrest & Timerra
Goldmary & Laslow
Goldmary & Forrest
Hortensia & Elise
Hortensia & Forrest
Ivy & Niles
Lapis & Kiragi
Laslow & Rosado
Leo & Alcryst
Leo & Ivy
Leo & Yunaka
Louis & Forrest
Louis & Nina
Nina & Rosado
Nyx & Yunaka
Odin & Amber
Panette & Niles
Selkie & Merrin
Timerra & Laslow
Velouria & Merrin
Three Houses x Engage
Annette & Timerra
Bernadetta & Alcryst
Byleth & Pandreo
Diamant & Dorothea
Diamant & Linhardt
Dorothea & Merrin
Dorothea & Timerra
Dorothea & Pandreo
Felix & Timerra
Felix & Yunaka
Goldmary & Sylvain
Ingrid & Merrin
Ingrid & Chloé
Jade & Bernadetta
Jade & Nina
Jade & Sylvain
Lapis & Dimitri
Marianne & Alcryst
Marianne & Amber
Marianne & Chloé
Marianne & Merrin
Marianne & Pandreo
Marianne & Rosado
Pandreo & Seteth
Timerra & Linhardt
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mr-divabetic · 2 months
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The Wiz on Broadway!! I loved it! I would listen to the original Broadway cast recording repeatedly. But I never knew Luther Vandross wrote “A Brand New Day.” This production has incredible sets and a fast-moving pace. Some costumes, the Tin Man, the Yellow Brick Road, and Dorothy, were amazing! Too many overalls and jumpsuits are never a good thing, and velour MC Hammer harem pants with tie-dye are never a good choice.
I adore Deborah Cox. Wayne Brady is great, too. It would be impossible to surpass Stephanie Mills, but the star did a lovely job in her role.
Last night, we celebrated the cast and his talents and artistry.
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