all comms done for my bbg @jkgnggj <33333

you carry all that suffering like a gun between your arms.

from: thirteen by @anna-scribbles

art by me :)

start from the beginning // read the november chapter // read the most recent chapter (january)

hey listen. look me in my eyes. have you read thirteen by anna scribbles. i think you need to read thirteen by anna scribbles. i think if you want your life to be forever changed you need to read thirteen by anna scribbles. i think if you are a person who is breathing and alive you need to read thirteen by anna scribbles. thank you

it was if he had wings, with the wind at his back

writes with python ”ugh I wanna write javascript” -> writes with javascript ”ugh I wanna write c++” -> writes with c++ ”I have made a horrible mistake”

Koyuki Higashi and Hiroko Masahara's story of their decision to have a baby together, as a lesbian married couple. They previously chronicled their romance and wedding in Lesbian-teki Kekkon Seikatsu.

happy femslash february, here’s a one volume autobiography from 2016. it goes very in-depth with the emotional and logistical considerations of trying to have children as a same-gender couple in japan

some folks might be familiar with them already—this is actually the couple who contacted tokyo disney resort in 2012 about having a wedding ceremony and were told that one of them would have to wear a suit; after public backlash, the couple was able to have their ceremony while both wearing wedding gowns. they were also the first couple to apply for and receive a partnership certificate for same-gender couples from shibuya. so, pretty public figures when it comes to gay rights in japan. they’re very intentional about the information they’re delivering to The General Public

it’s good context for how couples in japan navigate these issues, and it’s interesting how they talk to other same gender parents from the usa. I think it’s a valuable read for anyone who wants more information about mundane experiences and daily life for lgbtq folks in japan.

anyway, if you want to support marriage equality & gay rights in japan, marriage for all is a good organization to follow and support

She was the only thing I was living for. I’m sorry for your loss, sir, but right now we need to get you airborne. Police will be here any minute. I’m well aware of that. I’m turning myself in.

— SMALLVILLE, “Bizarro” (7.01)

more doodles :)

if i see one more "lol aang should've killed ozai" post somewhere i'm gonna mcfreaking lose it, so here we go

Why Aang Killing Ozai is a Garbage Concept and You Have Prestige TV Brainrot

Whenever people bring aang up in conversations of "protagonists who really should have killed their villains" a la batman i feel like they watched a different show than me. the whole point of his arc is that he is someone who is peaceful and avoidant being forced into the role of a decisive fighter.

He is not a warrior, when the execs tried to ask for aang in battle armor to sell as a toy bryke turned it into a bit. he doesn't like to fight, he wants to do diy extreme sports and pet animals. the airbending technique that he invents is the *air scooter* and the first thing he does with it is turn it into a game with the other monks.

He mastered the bending art that's all about indirect attacks and evasiveness and said "actually I think I could figure out a way to hit less". It would be wildly out of character for him to throw his pacifist culture (which is deeply important to him) out the window to enact "justice" for a war he was never actually a part of.

also, to bring it back to batman, the argument is usually "well the joker gets out of prison and kills again" which, fair. but aang finds a non lethal way to neutralize the threat of ozai. iroh says outright, he could kill ozai himself, no problem but that wouldn't fix things. the solution to a century of murder is not "more murder but it's good this time".

aang was even perfectly set up to kill ozai after unlocking the avatar state again. but he snaps himself out of it because he doesn't want a repeat of the north pole (aka the one time he did kill people and was fucking traumatized by the experience??). don't get me wrong, ozai stinks on fucking ice, but there's something incredible about the final conflict being resolved because aang is able to break away from a thousand lifetimes of righteous fury, look at this man who has done horrible things, who is in the middle of trying to wipe out an entire nation like his grandfather wiped out aang's... and give him mercy.

i think that people are too used to the "you've wronged me and now you will die" grimdark revenge plotlines of morally grey protags so they misunderstand what aang's actual strengths are. because he gets told "hey the entire world is literally on your shoulders, everyone you love is dead, people are dying constantly and a lot of them blame you because you didn't fulfill a job you never asked for that has only made your life worse since you got it" and then somehow not only does he do that absolute shit sandwich of a job before he hits puberty, but he manages to do it while still be kind and loving and optimistic.

tldr; if you're complaining that the 13yo sole survivor of a genocide wasn't more excited to kill a man, you're the problem dude

almost done... 🙏

Judas Tree: unbelief, betrayal.

Purple Hyacinth: my regrets follow you to the grave.

Asphodel: i am sorry, please forgive me.

Decided to just go ahead and uh... show a comparison of every battle redraw I did using your designs?

For all but the last two, the top one is your design and the bottom one is the actual in game design, I included the nm! vs. dtm! Clovers as well since they fit the theme.

I tried to include them all on one giant image, but it. Was not loading. If possible I MAY try and send it through a reblog, but it will just be all nine of those side by side so it may be hard to see.

Out of all of these, I'd say that the one with your Star design is my favorite because he looks so much more vibrant and somehow cool despite being the most pathetic man in existence (affectionate)

Also, don't know if it'll show as what they're all called if you tried to download them, but each one is the name of their theme, with the only exception being Geno Dalv since it was taken by Pacifist Dalv, so instead it has a play on words that I'm very proud of

I think I remember seeing you hint at a possible Feisty Four ref sheet, so if that is true then I will remake the ones I have for them as well

YEAHAHHH THESE ALL LOOK AWESOME!! i didnt realize how different they would look next to each other!!

i made stars outfit way more complicated than it was bc. i love complicated designs filled with details. he may look cool but please know he trips over his own spurs constantly AHJDKS

BUT THESE WERE SO FUN TO SEE COME IN AND THEY ALL LOOK REALLY GOOD!!!

To Worship a War Goddess in the Modern Era

This devotional writing is dedicated to the Great Queens, Na Morrígna, She who has called me to service. Inspired by a nightmare, this writing is offered to uphold an exchange. May these words aid not in teaching others how to think, but in learning to listen.

One thing since being called by the Morrigan that I’ve had difficulty resolving is the Morrigan’s being a war goddess in the age of the military industrial complex, where wars, especially on the part of the US and other imperialist nations, are fought not for sovereignty or “defense,” like so many USAmericans are raised to believe. Authors on the Morrigan agree war has changed since the days of her worship among the Celts, but none I’ve found talk about what it means to worship her in the face of wars fought for unjust causes and for profit, or the fact that veterans are made forgotten victims instead of honored warriors, or in watching the genocide of the Palestinian people, among other ongoing injustices worldwide. I worry that sovereignty for the Morrigan is equated with imperialism, colonialism, and white supremacy, especially given some personal history interacting with devotees who themselves hold such values. Surely, with just how sick the land and its people are thanks to poverty, climate change, etc., the current “sovereigns” in power do not have the Morrigan’s blessing?

I admit I do not have all the answers or all the vocabulary to speak as strongly as I feel on this topic. As only an Acolyte still forging my relationship with the Morrigan, I am in the process of learning what worship of a war goddess in the modern age looks like. The Morrigan and her care have changed since ancient times, and they should. Her being able to do so speaks to the power of what she represents and the needs of the communities who call on her. Her complexity only grows in the modern age, especially in the face of global economies and imperialism, and as her worship is taken beyond the bounds of her homelands. Thus, I am left wondering how to consider or work with her warlike aspects.

In folklore, the Morrigan is often an antagonist, appears to fight for the “wrong” side, and starts wars out of nowhere. Authors like Courtney Weber (2019) and Stephanie Woodfield (2021) mention that we do not know for what purpose she started wars in ancient times, but both urge that the concepts of war and violence are complex not just to the Morrigan but to humanity. The Morrigan, by her very nature and actions across even her seemingly mortal lifetimes, is a goddess in the grey areas who rejects false binaries between life and death or war and peace. She teaches us not to believe in things blindly or warns us against simple stances on complex subjects. Jewish Witch, devotee of the Morrigan, and staunch anti-Zionist Asa West (2014) says, “The Morrígan implores us not to glorify war or reject all armed conflict on principle, but rather to understand and work through humankind’s propensity towards violence.” I think to deny violence on principal, and especially to uncritically shame its use by others, is a shortsighted stance. I firmly believe in the necessity of violence to end violence. I believe that victims of state-sanctioned violence have a right to defend themselves. I believe that nonviolence has its place (this is the purpose of magick, after all, as well as the Morrigan’s and the Celts’ battle cries, so that enemies may be deterred from battle), but it cannot be the only way to peace when the tools and means to defend oneself are available and help ensure one’s right to life. In these ways, I feel that I understand the Morrigan better. She is not a goddess of war and violence to glorify it, but because it is a facet of our reality. If there are any gods to rule over war, I would want her to be one who understands all its facets, complexities, necessities, goals, and consequences, who mourns as well as celebrates, who seeks peace as its ultimate means, and knows that none of it is so simply defined or easily attained.

So how does the Morrigan fit into modern concepts of war, if we recognize violence as a both a reality and a necessity? To that end, I think it is important to look at the ways war has changed in modern times. To USAmericans and other global imperialist nations, wars are rarely if ever fought locally. Our views of war have become physically distanced as a result of deploying our people overseas, selling weapons to arm other peoples for us, and by employing technologies like drones for environmental terrorism. All this makes obliviousness to and normalization of war easier, contributing to willful ignorance to those impacted by the machinations of individuals who perpetuate and profit from it. As a result of the military industrial complex, I think the purposes of war get lost and even corrupted. I fear oversimplifying this discussion, but I find it important to at least describe how a world economy based on war not only distances us from the realities of war, but makes it easier to forget the different types of, ways that, and reasons for which wars have been and can be fought. Given how often the concept of sovereignty is debated in the Morrigan’s community, perhaps the concept of war requires it, too, because I refuse to believe in a god who would condone the actions of, incite the kinds of violence perpetrated by, or fight for a “side” like those of Israel and United States over the years.

In the modern age, I think the Morrigan incites the internal wars, too, both within the individual and within a country’s political climate through protests, demonstrations, political movements, and the like. These, too, are wars, where violence occurs and where it has shown to be necessary, though not the only armaments for change and peace. Wars for justice in the modern era are ones that have brought us concepts such as Restorative Justice, which seek not only to put an end to things like retributive justice and the concept of a carceral state, but improve the lives of even perpetrators of violence and harm. Woodfield (2021) says of the Morrigan that this is the true cost of peace:

“I could hear the Morrigan in my mind, saying, ‘The true price of invoking peace is that you bless even your enemies, so that all might be whole again.’ Because how you end a battle is sometimes far more important than how you began it in the first place. Or how you fought it […] [A]ll people will remember is how it ended. […] Peace really isn’t peaceful. It’s earned only when you are willing to fight for it.” (p. 67)

Peace doesn’t mean people aren’t held accountable—that’s among the ideas that Restorative Justice seeks to uphold. Peace means ensuring all involved parties learn, grow, and heal from the experience.

And it is why that I believe the Morrigan revels in these grey areas of the definitions of and purposes for war. All authors agree the Morrigan is a peace-bringer as much as she is a war-maker. Those who analyze her mythologies will tell you she wages the wars she does specifically to bring about the kind peace she ushers at the end of the Battles of Moytura. Perhaps the true reasons of the wars mentioned in the mythologies are lost to time or have been romanticized for the purposes of a good story, but there are still lessons to be learned there, I think, for the Morrigan’s faithful.

I am personally drawn to the myth of Macha Mong Ruad, who, in defeating Dithorba’s sons, did not kill them, but charged them with constructing her fort, Emain Macha. Rather than killing those men, she reintegrated them into society, she gave them work, and she presumably treated them well so that they could complete that work. I see that work being a form of justice as they took part in the construction of safety and peace against which they had originally rallied out of selfishness and disrespect for Macha’s sovereignty and gender identity. I imagine they most definitely were outcasts among Macha’s people henceforth. Her people even question why she spared the men in the first place. Shame is a necessary for accountability to take place, and it is sadly something perpetrators of violence and injustice avoid or refuse to let themselves feel, because oppressors can only ever imagine the violence they commit being done unto them. Macha’s decision was an important one for her to make so that not only was peace maintained and her power demonstrated, but also so Dithorba’s sons could be given time to learn the lessons of their transgressions and experience all facets of accountability, including shame.

Peace is a war, too, as we try to heal and restore others to health and happiness, give even our enemies the space not just to learn from and internalize the lessons we have sought to teach them through war, but now ensure that they thrive because of it. Revenge on and eradication of our enemies is what we have been taught war is in the modern era, but I prefer to entertain the notion that that is not what it should be. I would love to reach an era where international wars are fought differently, where machines of violence are eradicated, and where the struggle is spent learning to empathize, learning to negotiate, and learning to wish wellness upon even the people who have hurt us. Revenge and retaliation distract us from and become easy ways out of the harder, healthier work. Thus, we must work to get there, which in this day and age means making use of the tools available to us in order to secure not only our survival and victories, but our abilities to thrive afterwards.

I like to think the Morrigan knows all this, too, and this is what she wants. If she didn’t before, then maybe she knows now as her worshippers have found her across all corners of the globe and as she has grown and changed with them. I think it is important to remember that faith and spirituality are ecologies: there are things gods can do that mortals cannot, and there are things mortals can do that gods cannot, so they rely on one another. I think that ecology includes the negotiations for change and growth, if we are all living and continually changing aspects of nature. Change is good, change is expected. It is a war goddess like the Morrigan, whose changes are near constant, I would trust with the domain of war. May we all, in the face of war both just and unjust, learn to grow, change, and heal together just as fervently as we fight.

manifested a tattoo appointment from my favorite artist in the whole world & now im getting my shoulder absolutely blasted in two weeks lmaoooooo

Hey look! It's Just Dani from the hit podcast Rolling with Difficulty 🔥

(she's super cool)

♱