PSA to printed zine makers
As a 37 year old who's been running a sole proprietorship for the last 10+ years, I just want everyone who is planning to run a fandom project that involves accepting money for printing & shipping costs to know that you're actually running a small business and you need to plan for taxes. It doesn't matter if you don't make any profit: that is business income and the IRS will see it as such if you get audited.
If you only take enough money in to cover the cost of printing & shipping then you can write that off as a business expense and probably not pay taxes on it, But in order for that to fly you actually have to do business accounting, especially if you're doing it at scale. Like, you can probably skate by without reporting a $500 project; I absolutely would not fucking risk it with a $5000 project.
Back when I was producing shows there were years when I was where I made $20k in ticket sales only to turn around and immediately pay $18k to my performers. I only made $2k for myself, but I had to report the entire $20k, because it was ALL INCOME. (I only paid taxes on the $2000, because that's how writing off expenses works!)
Yeah this is boring grownup shit and I'm getting my boring grownup fingers all over your fun fandom, but boring grownups doing boring grownup things are the reason fandom spaces exist at all (paying for servers is deeply boring), and I'm way more fun than an audit
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Apologies but you were at the top of my Tumblr feed and I have been instructed to randomly tell someone online a painful truth.
Here goes.
Closing your posts to comments is an inherently hostile act.
Again; sorry. Nothing personal. We all serve the random number gods in our own fashion.
Mndrew, I recognise your profile pic, I've seen you around, I know you're a chill community member and active participant and stuff, so I want to be clear that this isn't like a dig on you or anything, it's just a response to the thesis statement: "Closing your posts to comments is an inherently hostile act".
I don't know how many of you know this, but a while back, while I was still at university, I spent around a year? Maybe 2? dealing with an obsessive online stalker.
They made it very difficult to spend time anywhere online, but they especially weaponised Tumblr (I think they realised it was a less public account of mine where I could seek respite). I would wake up in the morning to find they had sent me hundreds, on one occasion close to a thousand, messages. The messages would range from threats of self harm or against me to seemingly nonsense phrases designed to just remind me that they were still there. The tumblr notification sound still spikes my anxiety.
You can't block someone like that. First of all, they would and do simply make more accounts (I just checked - I still have 30+ accounts of his blocked over here). Secondly, this kind of behaviour leaves you in a trap; If you interact with them, they know they have access. If you block them, they know that you saw their message... so they know they have access.
During this period, I had the good fortune of being able to ask Grace Helbig, of all people, whether she had any advice. She got so furious on my behalf I still tear up a little when I think about it, but *she* told me a painful truth that day: As much as you might like to, as much as most people know how to behave appropriately, you cannot leave yourself open to every line of communication your audience might want.
If you look around at my socials you'll probably start to notice a trend. You can't comment on my instagram posts unless you're a follower. You can't DM me unless I follow you on Twitter. Places where I can't control those settings, I simply do not ever open my inbox. In fact, it was really only a short time ago that I turned tumblr messages back on, after a loooong hard think. In many cases this is something that actively hurts my engagement, but it's a choice I've made to draw a line on where and when and how people can access me.
All of that said, you don't need to be an internet personality with digital stalker trauma to draw your lines. Closing your posts to comments is not inherently hostile, it can be an act of self-care, self-preservation. No one is entitled to be able to access you in every way they want to.
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Charlie Cox experience at Philly Fan Expo 2023
So LET”S TALK ABOUT ME MEETING CHARLIE. I’m actually going to make two posts - this one just about my experiences with Charlie, because they were incredibly meaningful and deserve their own post, and then another one about the rest of the con!
I’m going to talk about Charlie first, because of how amazing the experience was, one of the best I’ve had, especially at the autograph table. I’ve done photos, gotten autographs and such before from other celebs - from niche voice actors I loved to people like David Tennant - but this felt Really Really Big. Obviously, I was nervous as all hell because holy shit Charlie Cox, my favorite actor whose work altered the course of my life. I won’t lie - I’d been practicing what to say to him in case I freaked out, but I’m happy to say that everyone who reassured me it would go great, because he was so, so genuine and kind, were right.
The photo op happened first (and thank you to everyone on tumblr guiding me where to go, cause I was LOST about where that was happening), and that went fast. By that point in the con hall, I’d already ditched my Jessica Jones jacket and gloves cause holy shit it’s hot and I am a creature of snow and ice, and my hair was a mess, but honestly I didn’t care, cause there he is. You don’t get long, but he made the most of it and he was SO sweet. Ya’ll, he asked my name, said my name as he shook my hand, and called me ‘my dear’ in that beautiful voice.
I was literally on the moon, but it was time for the big question:
Will he hold the red thread from TRT?
So in a quiet, nervous, soft author voice, I asked, ‘would you be ok with holding this end of the thread?’
HE FUCKING DID.
HE HELD IT.
HE HELD. THE. RED. THREAD.
I’m fairly certain he doesn’t know about the fic at this point - he wasn’t sure where to hold it until I told him, but he loved that it lit up! AND THEN HE PUT HIS ARM AROUND ME AND I GOT TO PUT MY ARM AROUND HIM BACK.
I’m fairly certain I’m dead in the photo. My soul had left my body. I had ascended. I saw Jesus and he looked like Charlie. I had achieved fic author heights never imagined. My brain filled with enough serotonin and dopamine to sink a ship. I didn’t care that I was hot and sweaty or that my hair was messy or that my cosplay didn’t work out like I’d planned. I had been blessed.
also look at that forearm holy shit
I floated outta that gd room ya’ll. I’m pretty sure @wonderlandmind4 did the same. WE FROLICKED OUT OF THAT HALL LIKE
But things got even better at the autograph table, and I had one of the most touching experiences ever.
not me tearing up thinking about it.
That line was long, but I kept getting glimpses of him and I could already tell he was enjoying interacting with people, and he was making sure everyone got their bit of time with him instead of letting anyone rush people through. He was so happy looking, laughing and grinning, high fives and fist bumps for kids, chatting with fans. Which made me feel a little more confident.
I know some people wondered if I’d tell him about TRT, and I’d already decided I wasn’t going to. Instead, I really, really wanted just a second to tell him what his work as Daredevil had meant for me, as someone who became disabled around the same time Matt did as a kid, and who related to... a lot of what Matt went through in the show. I’d practiced it over and over again, and there was only a fifty percent chance I wouldn’t start crying while telling him, and I wasn’t even sure I’d have time to tell him depending on how much time we had.
He made time.
I got up to him with my art print holy shit he’s even more beautiful in person and his eyes are STUNNING. He said hi, and asked my name so he could personalize the autograph if I wanted (DUH, YES PLEASE), and he apologized about the line after we shook hands. I jokingly told him it was fine since I’d driven hours to get here. A little time in line wasn’t a bother. He even loved one of the buttons on my lanyard - the button of Matt wearing a heart crown specifically! And as he was writing, I knew this was my chance to tell him. He was still signing, so I just decided to go for it in case I ran out of time.
“I just wanted to tell you,” I said quietly, “as someone who became disabled as a kid around the same age as Matt did—”
And then he did something I didn’t expect, something I’d rarely seen anyone do, famous or not, and something I’d never had an actor or artist do for me.
He immediately set down the pen, leaned in close over the table, and made direct eye contact, while giving me the most genuine, gentle, encouraging smile I’d ever seen.
In that moment, I knew everything in him was listening, that he cared about what I was about to say and recognized that this was important to me, and that he’d closed the distance to make this conversation just... us. It felt personal in a way I’ve never experienced at a con or signing.
Just like that, I wasn’t afraid to tell him what I’d wanted to.
“And as someone who related to... a lot of what Matt went through, his struggles in the show, and especially the dark parts of season 3,” I said, more confidently now, “I wanted you to know that all the work you put in, the way you played it, the way you played Matt and treated it seriously, seeing that helped me process and heal from a lot of my own trauma and pain over what I’ve gone through with my illnesses. What you did was important and it really helped me. So I wanted you to know that, how much that meant to me, and to say thank you.”
The whole time I spoke to him, he kept direct eye contact, and didn’t look away once. He didn’t get antsy, or look like he wanted me to hurry up (which I’d have understood, cause damn, these are long days for him). He listened, fully engaged and leaning in, his eyes warm and soft and kind but incredibly serious. I’m not sure how often he’s been told something like this—a lot, I expect; his portrayal was just that good, and I know it was important to a lot of fans—but what I was trying to tell him clearly meant something to him. I felt heard, seen, and understood.
Charlie really does care about his fans. It isn’t an act. I’m sure of it now.
“Thank you, truly,” he said, just as quietly but with that honest smile, eye crinkles and all, and seeing it in person, that close up, I swear the room felt ten times brighter. “Thank you for coming to tell me that. It means a lot, the idea that something I did meant so much and that it could help you. I’m so grateful that you were able to come visit and tell me.”
We shook hands after that. He wished me a good day and I told him thank you again, and that was that. The interaction only lasted maybe a minute, but it meant the absolute world to me, as did what he’s done as Daredevil. And now he knows that.
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i don't believe i've ever seen the clip of ray apologizing to mikey for the perfectionism while writing thing, would you happen to know what interview it's from? <3
yeah sure! it was tom bryant, who'd known the band a long time, interviewing them in 2011 for a ten-year retrospective (rebloggable here). they talked about tough times in the band's history, especially how they all lost their minds in the paramour - gerard and ray in particular got deeply obsessive about the album. even then, based on every interview i've seen, that was the height of the interpersonal tension between the four of them over the whole ten years. and they all openly acknowledged it and apologised and moved on...literally the least messy emo band ever 😭
this is the relevant part but the whole interview's a good read:
then tom bryant went into more detail on it in one of the tougher sections of not the life it seems to read:
and then talks about the immediate aftermath, which led to flw, which saved the album:
bryant's biography is definitely a little sensationalised or biased at times but honestly not as much as it could easily have been imo, and i like that he pointed out how brave of ray it was to make that apology so plainly. that was definitely one of the things that really drew me to ray early on - you can beat yourself up or put yourself down in a self-deprecating way over your flaws and mistakes or you can acknowledge them and consciously decide not to repeat them. and the second one isn't an easy thing to do so it's something i respect so much about him :')
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I DO NOT think Netflix's live action ATLA was created or changed with any distaste for the source material or INTENTIONAL sexism
YES there were a fair few poor decisions made and YES some female characters were diluted while some male characters were sanitized (to all the detriment of all of them)
I honestly think that the people who made this show, particularly the actors, love the original series but didn't just want to make an exact replica (which I can appreciate)
unfortunately, it appears that well meaning changes were not fully thought through, or if they were, clearly certain parts of the source material were underestimated in their significance or misunderstood in their meaning
Katara's character was mild and very disappointing, but Kiawentiio Tarbell is a good actress! don't let poor directing choices fool you
if any of the actors (especially the younger or newer actors) disagreed with any character changes, they couldn't do much or anything about it (and obviously they couldn't bad-mouth the show in interviews)
also, I can sympathize with wanting to make characters more likeable, especially when people have had 20 years to complain about stuff like Katara being self-righteous, Aang being flighty, S1 Zuko being bratty, and Sokka being less complex/interesting
but by not understanding that the inclusion of unattractive character flaws is thought out, intentional, and crucial to bringing these characters to life...
you fundamentally misunderstand the characters, and subsequently (in such a character-driven story) the whole gosh darn point of the show
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