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#doing her lipstick
clarabowlover · 5 months
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Barbara Pepper - Doing Her Lipstick In
Mummy's Boys (1936)
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nataliesscatorccio · 7 months
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YELLOWJACKETS
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screwpinecaprice · 1 year
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What can she use her bright red lipstick for? To cover her boi's face with kiss marks that's what!
Requested by anonymous tipper! Thank you for the tip! 💕
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diver5ion · 1 year
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ofantediluvian · 1 month
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The littlest things give Dove euphoria
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martianbugsbunny · 7 months
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Used this awesome Picrew to do femme!Ineffable Husbands, they're literally so pretty
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anxious-chaos-art · 26 days
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Devices quit murdering the quality of my art challenge
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averlym · 1 year
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may 19 is anne boleyn’s deathday ~holiday anon
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paid the price with the swordsman's swing
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sanchoyoscribbles · 1 month
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a redraw meme! I'm a little mad at myself for not doing this for a few years (I've done a few other redraws in the meantime, but...it wouldve been cool to have a bunch of years in a row! TwT)
2007 was the earliest made on gimp, a touchpad and NO pressure (obvious with the THICK CHUNKY LINES. im 90% sure I did lineart, colored over them, then lined over them again all on 1 layer...) plus the pattern fills gimp had (the stripes and rainbows, plus the repeating space background that needed a desperate scale-up...)
2015 might be the most obviously tmm inspired style wise ( and I think...this character WAS a tmm oc, actually, so this tracks. her name was star hoshiko (yes. star star.) and she was infused with star power instead of an animal. whatever that means. in my defense I was Ten 👍) and was when I was still using sai!!
2016&17 were me trying to sort of push into semi-realism, the smaller eyes, the more realistic skirt in the '16 version and more realistic hair in the '17 version, and also the first ones done in clip studio which is still my mvp program.
2018 was the furthest from the original, me REALLY pushing orangey yellows for some reason (the darker oranges let the yellow glowy parts stand out more was probably my logic at the time?) it's also funny to see that I went back to a more cartoony/anime style between 2017! the eyes got bigger again, the hair more stylized (esp with the shading/highlighting!) yet the clothes got more detailed....
2024- this time around I wanted to try and capture elements of the original design, since it seemed I was drifting further and further away from it... those very bright lemony yellows that scare me to work with sometimes, the original stripes, that BAD dark yellow for the base of the dress... I know a lot of people will prefer the semi-realism of the earlier years but I feel like the very anime style is more FUN. and I feel a lot more confident in my posing, expressions, and I just. focus more on having fun than making her pretty. that being said I did try to add little details from the previous years designs :3 doing redraws is always so nice to reflect on style and improvement!! I totally recommend doing one if you want to, a blank version is here!
also for funsies, heres how gross the flats look. man i HATE that weird base dress shade T_T u can tell I did shift it to be SLIGHTLY warmer, just a bit....the cool-toned shading pushes it back to the lemony again tho, lol
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chill4234 · 5 months
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You know, I’m reblogging a lot of fnaf posts recently (on my alt, @chill4234-reblogs if you didn’t know) but I wouldn’t say I’m actually hyperfixated on it. Rather I’m hyperfixated on In stars and time, it’s a really good indie game but also really long and I don’t want any spoilers.
It’s honestly a weird place to be in, not being able to share my love of the game wholeheartedly because if I do then I risk learning what happens. Until I finish the game you can have these pictures because thinking about them makes me laugh. Why are they drawn like That.
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nanomooselet · 3 months
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Little but Fierce VII
Update: Okay, computer had the fear of me put into it and the pictures have been added.
I confess to some confusion over complaints Legato's significance was reduced in Stampede. We're still not even halfway through the story. The '98 adaptation hinged almost entirely upon Legato, and the manga had him as Vash's greatest ideological opponent. He's the best argument Knives made for wiping out humanity: a human who'd been so cruelly abused he viewed all who failed to help him as complicit and deserving of death.
In my opinion, Legato's had his turn in the spotlight, since with Knives not confined to a lightbulb he can be a direct and present threat in a way he couldn't be before. Now it's time for someone else to play the foil.
Meryl's learned everything she needs to learn and seen all she needs to see. It's time for her final exam. First up, Zazie.
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Only nominally allied with Knives, Zazie occupies the role Meryl herself seeks: observer, witness, knower of the truth, bestower of judgement. They extend the privilege of that role to Meryl - she is a representative for humanity as Zazie speaks for the Worms. Having already discussed Zazie's interest in Meryl at some length, I'll move on, and pause only to note that it testifies how far Meryl's come that Zazie doesn't completely freak her the hell out.
She passes the test: along with being ignorant of the fate of Earth, she believes that humankind can and must change. Luida showed her a means to do so. It may not be enough for Zazie to fully trust humanity, but it's a reason not to fully trust Knives. The conversation will continue.
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Second, Dr. Conrad.
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He's a foil more for Roberto. The extreme end of the cynical mindset that Roberto tends to espouse - that cruelty is only to be expected on a world this cruel and cannot be changed. But where Roberto advises remaining uninvolved, Dr. Conrad finds it justification for cruelty in turn.
This test, too, Meryl passes; Roberto, inspired by her determination and conviction, successfully overcomes his own cynicism and mistrust, as well as over a century of accrued rationalisations, and manages to shake Conrad's faith, his judgement cutting him to the quick. It's a relatively subdued form of defeat, but, well, neither of these men are going to be engaging in high-powered gun fights. And so we move on to the final test...
Ah, she'll do nicely.
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Yes, I understand dislike for the alteration to Elendira's backstory in Stampede (albeit I do wonder whether it relates to whatever Nightow had in mind for her in Maximum, even if I can't explain what makes me think it does. Just that I do). Otherwise I wouldn't have written what I did speculating how she'll develop beyond it. However, just as with Milly's absence and Roberto's presence, I think I see the way she serves Meryl's development into the woman she becomes.
Just as Vash will have to face and defeat his shadow in his brother before he can truly claim his identity, Meryl must face her own in Elendira. Small, femme, viewed as a child (to her annoyance) but a physically developed adult, accompanied everywhere by an older teacher who assumes responsibility for her. And a lot of the other implications and symbolism surrounding El are... I believe the technical term is "yikes".
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It's easy to tell that in Meryl, Vash sees Rem - dark-haired, compassionate, strong sense of responsibility. She isn't Rem, because no one can be (arguably Rem herself couldn't live up to what she became to him, which is not her fault). But in Meryl Rem's spirit survives, just as in the rest of humanity; the living reason he follows his ideals, and a reason to live.
What may be a little harder to realise is that Knives is also inspired by a feminine figure elevated near to sainthood in his eyes. But it isn't Rem he believes himself inspired by, except in the sense that he loathes her.
It's Tesla. Where Vash is determined to take on the responsibility that his mother entrusted to him, Knives wants the power both to take vengeance for and to protect his sister.
It's important that he never actually knew Tesla, nor is she capable of conveying her wishes to him, just like the dependent Plants. He only assumes she must have been helpless and weak before human brutality, just as Vash is weak, and his brethren. So it's up to Knives, the big brother, to remove that weakness - he is, after all, their representative. Their blade.
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And thus he allowed the creation of Elendira. Not exactly a human, but not entirely a Plant. Childishly vindictive, impulsively violent, filled with a deep loathing of humanity, needing nothing and no one - just like Knives himself wishes to be, and thus what Knives wants to believe would be true of Tesla. She would surely approve of all he's done for her. And she's absolutely loyal to him, and rejects Vash. Knives is her lord. She is proud to serve only him.
Here we have someone who refuses Meryl's judgement of her, the assumption of superiority it carries. Who are you to pity me? She also doesn't care to be disciplined by her teacher. Dr. Conrad tells her to stop and she shouts that he be silent and continues advancing.
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On top of that… there's a sense of creepy, creepy suggestiveness around El. When she bursts out of the tank, she's nude, and unconcerned with being so. She is no less a threat in this state than she would be clothed. It reminds me of Knives during Fifth Moon in the original manga. Along with the way she behaved in other scenes, like when speaking with Rollo; she, uh, licks the tip of her finger. I'm not imagining the lasciviousness in that gesture, am I?
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Meryl's demonstrated that she's intimidated by this aspect of adulthood. That Elendira looks so young just makes it more disturbing. (And I deeply respect that Orange didn't go for titillating, which anime has a bad habit of doing with similar characters. Elendira isn't there to excite us. She's terrifying. It's like ep 11 being SA but stripped of anything resembling sex, leaving only the victim's terror, suffering and despair.)
This is something Meryl can't face on her own. She needs one more example of teamwork… and Roberto, ever-willing to teach, manages to anticipate and protect her long enough to see one arrive.
Big brother comes to the rescue of little sister.
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Wolfwood defeats Elendira because he knows better than to hesitate. He knows that one cannot judge by appearances - he's the younger of the two! Elendira was around before Rollo; Wolfwood came after him. But physically he's older, and stronger, and willing to exert that strength to defeat her. And Elendira's got the same weakness as Knives - her confidence can't withstand even a single attempt to hit back. She falls apart like a little kid, wailing as in much surprise and outrage as in pain. Did you just shoot me?!
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Meryl suffers a much more devastating blow when she realises Roberto is dying. But she survives it. And Roberto proves one final time why he was the best teacher for her. Because he doesn't blame her. He could easily have left the same scar in her that Knives left in Vash - you cannot judge, because this is all your fault.
But he doesn't. He tells her this isn't her fault. He tells her she can choose. He tells her to follow her heart. Choose your own path and walk it with confidence. And he gives her the weapon that becomes her name, along with the name itself.
Meryl Stryfe.
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She's the only one she has left to rely on now. And she's ready.
Part I
Part II
Part III
Part IV
Part V
Part VI
Part VIII
Part IX
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carnis-insanis · 11 months
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theyre neat
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The thing about Peggy is, she doesn’t even like Steve? 
She patronises him. She sexually assaults him. She stalks him. She shows him compassion only for as long as it looks like her efforts to attach him will be successful, but the instant it looks like her efforts have failed she violently attacks him and sneers at his dreams.
(How could she be so vicious and so dismissive so easily, if she actually liked him? Shouldn’t she be heartbroken? It’s not the wounded relationship that matters to her; it’s the wounded pride. Steve could’ve dropped down dead, at that moment, and she wouldn’t miss a wink of sleep.) 
She dines out off having slightly known Steve, despite never dating him, and yet is enraged when people point it out. 
(Why is the ass-covering patronage of every other powerful man in her life acceptable, except his?)
She refuses to acknowledge any of his loved ones (shouldn’t they be beloved by her, too?) because she is so desperate to establish herself as the only legitimate connection to him. And yet she colludes with his sworn enemies, across multiple universes, and even lies about it (omits to tell him) to his face, when his life is in danger because of it. 
(How could someone do this, if they actually liked him?) 
Peggy thinks she is ‘not like the other girls’ who throw themselves at Steve, just because while she is throwing herself at him she also talks to him like he is a child (because that’s how she talks to all men.) 
She thinks she is actually better than Steve, since he is a man, and she thinks all men are essentially terrible and that this is feminism. She must be better, even though she acts just like the worst of men, because a thing only counts as bad if a man is doing it (eg. sexual assault) and only counts as good if Peggy is doing it (eg. if actual-feminist Daniel Souza dares to speak up for women in the workplace, she will tell him to shut up. Likewise, her turning a gun on Steve is #Girlbossing but Red Skull and Alexander Pierce doing it is Evil.)  
This is why, despite Steve being an internationally famous decorated war hero, a film-star and a heartthrob and the world’s only supersoldier, while Peggy is an unfulfilled unimportant desk jockey... she still turns up to announce that she will one day allow Steve to dance with her, as if she is doing him a favour. 
It’s because she sees Steve as essentially the same as before serum -- that is, pathetic (in need of help to get female attention.) Still pathetic, in her eyes. 
But since to everyone else Steve has become a prize, she has to take Steve down a peg by reminding him of their little secret -- that despite how great he may seem, she is superior to him -- and she really believes it’s true! 
(This belief is baseless. What If accidentally confirmed that she can only match Steve’s accomplishments if she is given serum... so she is not his equal without serum, let alone his superior, despite being born with considerable advantages over him.) 
And this treatment of Steve as pathetic, before and after serum, we’re supposed to see as her ‘appreciating him’ for who he really is inside. 
But her treatment of Steve is only un-starry-eyed (or so she likes to think) and businesslike because Steve is a man, and she thinks all men are inferior to her. He isn’t special. 
(Just as, she is the only woman in the First Avenger, and their big connection is supposed to be over the allegedly-similar discrimination levelled against women as against disabled men... but this is experienced by all women, so saying she’s ‘The’ woman for Steve amounts to saying that she only qualifies for the job because she’s female, and for no other reason.) 
The fact is, while Steve pays lip service to the idea of wanting a woman, he never actually acts like he wants a woman. 
And does Peggy even want a man? 
She comes across as someone who has remained single because her view of herself is so inflated and her view of men is so dim that they can never match up. 
It’s like she’s got a reluctant mental shopping list of ‘insanely lofty traits a man would need to have to finally be worthy of Her Majesty,’ and she only awkwardly goes about trying to get Steve at all because she has realised that this famous neatly-pressed hunk Captain America has managed to tick all of the boxes, somehow. He’s a trophy she feels she ought to have, but isn’t really bothered about having.
(But then she gets repeatedly annoyed whenever that pesky little ‘Steve Rogers’ twerp keeps getting in the way of her fantasy, wanting to do the right thing instead of just doing what she tells him, and has to be violently attacked to keep him in line.) 
She doesn’t actually like Steve.
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burstfoot · 5 months
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Susie's had enough of Haze flustering her... no better time than her birthday for Haze's turn to be embarrassed!
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tvitr · 5 months
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Oh boy, Grusha finally got an appearance in the anime! I wonder what-
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... Oh.
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speedruntechnically · 20 hours
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Number one activity in life is annoying a cat. Picking up this little beast and rubbing their tummy and kissing their little head and going “oh who’s a little baby who’s a good little baby kitty you are you are” and they simply have to endure it. Millennia of evolution to make to become an apex predator and all they can do is try to wiggle away and look at you like :<
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