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#dennis hoey
blistering-typhoons · 4 months
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so i actually made it- the comp of lestrade getting absolutely roasted by both persons and narrative alike and it took quite some time to make xD
i also had to rewatch the spider woman for this so ugh -_-
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tanambogo2113 · 1 year
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Frankenstein meets the Wolfman 1943
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Bela Lugosi was offered the role of Frankenstein less than a year after the release of Dracula in 1931. Unfortunately, Lugosi got into an argument with the makeup artist over what the monster should look like. Ultimately, Lugosi turned down the role that went Boris Karloff. If Lugosi had accepted the role, he would have had two blockbusters within a year. In 1943, Lugosi accepted the role of the monster strictly for money. The movie went on to be a commercial success. Universal was not happy with Lugosi's performance and cut down his role significantly.
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gurumog · 2 years
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Frankenstein Meets the Wolf Man (1943) Universal Pictures Company, Inc. Dir. Roy William Neill
David Clyde as Llanwelly Police Sergeant Dennis Hoey as Police Inspector Owen
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badmovieihave · 11 months
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Bad movie I have Lon Chaney Jr. The Wolf Man: The Legacy Collection It has The Wolf Man 1941 , Frankenstein Meets the Wolf Man 1943 , The She Wolf of London 1946 and Werewolf of London 1935
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letterboxd-loggd · 1 year
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She-Wolf of London (The Curse of the Allenbys) (1946) Jean Yarbrough
February 6th 2023
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kwebtv · 2 months
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From the Golden Age of Television
Reward! One Million - DuMont - October 23, 1951
A presentation of "Cosmopolitan Theatre" Season 1 Episode 4
Drama (set during World War II in France)
Running Time: 60 minutes
Produced by Sherman Marks
Directed by David Pressman
Stars:
Beatrice Straight  as Maria
Dennis Hoey as M. Abbe
John Newland as Col. Scharf
Herbert Rudley as Count Gervaise
Michael Howard as Saron
Joseph Anthony as Dr. Duport
Maurice Shrog as Marcel
Gilbert Green as Lt. Metzger
Sara Floyd as Agnes
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esonetwork · 8 months
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'A Study In Crimson' Book Review By Ron Fortier
New Post has been published on https://esonetwork.com/a-study-in-crimson-book-review-by-ron-fortier/
'A Study In Crimson' Book Review By Ron Fortier
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A STUDY IN CRIMSON Sherlock Holmes 1942 By Robert J. Harris Pegasus Crime 303 pgs
Like author Robert J. Harris, our first introduction to the Great Detective, Sherlock Holmes, was from the Universal movies featuring Basil Rathbone as Holmes and Nigel Bruce as Dr. Watson. Having been born after World War II, one of the millions of Baby Boomers, we would discover these black and white films on television years after they had been produced and shown in theaters around the globe. We were instantly taken with Holmes cool and calculating powers of observations and Watson’s courageous loyalty, despite his often trepidations as to the perils they were led into. In those days, this young boy had no clue as to who Sir Arthur Conan Doyle was. That would come later in our high school classes dealing with the history of English Literature.
What we would only marvel at many years later was how successful the scriptwriters at Universal had been in transferring Holmes and Watson to the 20th Century. It was a smooth and flawless transition and though some Doyle purists may have had their issues, most Holmes enthusiasts relished these entries.
Now along comes writer Robert J. Harris, another fan of those films, with the marvelous idea of writing brand new mysteries set in those familiar years. With “A Study in Crimson,” we are once again in war-torn London, as England bravely fends off the German Blitz fervently hoping that the United States will eventually enter the conflict. When the bodies of two murdered young women are discovered, each having been physically mutilated, Inspector Lestrade calls on Holmes for assistance. At the site of each murder, the words Crimson Jack are found painted in black clearly referring to the most brutal serious killer of all time, Jack the Ripper. Whereas it is unlikely Jack has returned from the grave, what the murders suggest is that a new friend has arrived on the scene and is mimicking the original monster.
From the opening chapter, Harris brilliantly lays out his tale and it was impossible for this reviewer not to see Rathbone and Bruce, along with Dennis Hoey, and Lestrade, in our imagination. This considerably heightened our enjoyment of the book. Bravo to Harris for recapturing that cinema magic while at the same time giving us a gem of a mystery. He plays fair, the clues are all there for the most diligent reader to discern and maybe, just maybe, solve the case before the Great Detective. All in all, a truly marvelous experience and we hope there are more of these 1942 mysteries in the works.
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fourorfivemovements · 3 years
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Films Watched in 2021:
42. The House of Fear (1945) - Dir. Roy William Neill
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doppleganger-rental · 3 years
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Nigel Bruce and Dennis Hoey from Sherlock Holmes and the Secret Weapon (1943)
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gatutor · 3 years
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Dennis Hoey-Adele Jergens "Aladino y la lámpara maravillosa" (A thousand and one nights) 1945, de Alfred E. Green.
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flammentanz · 4 years
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The "resurrection" of Sherlock Holmes in "The Spider Woman"
Basil Rathbone: Sherlock Holmes Nigel Bruce: Dr. John H. Watson Dennis Hoey: Inspector Lestrade
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frankenpagie · 4 years
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10.7.20
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screamscenepodcast · 4 years
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The end of an era! Universal ends its '40s horror run with SHE-WOLF OF LONDON (1946, Yarbrough) starring June Lockhart, Don Porter, and Sara Haden.
Why is it blamed for the end of the genre? Why does Universal stop making horror after this? And what does British industrialist J Arthur Rank have to do with anything? Listen to find out!
Context setting 00:00; Synopsis 16:43; Discussion 25:59; Ranking 44:07
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mariocki · 5 years
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Frankenstein Meets The Wolf Man (1943)
"You promised the people to rid Vasaria of his monstrous creation. I want to be sure that nothing, nothing whatsoever, can sway you. It is in your hands to undo the crimes my father and grandfather committed. We must clear the name of Frankenstein!"
#frankenstein meets the wolf man#1943#universal monster cycle#frankensteinathon#films i done watched#lon chaney jr#bela lugosi#ilona massey#patric knowles#lionel atwill#maria ouspenskaya#dwight frye#dennis hoey#don barclay#harry stubbs#rex evans#doris lloyd#horror film#roy william neill#curt siodmak#the last true entry in the frankenstein cycle ie. the last to feature a true frankenstein relative and to build on the mythology of previou#films. subsequently the monster appeared in cameo parts in the various team up films that followed (this set the trend by bringing together#the monster and the wolf man). truthfully this is still more of a wolf man film than it is a frankenstein one. mostly that's down to behind#the scenes interference. as shot this followed directly from ghost of frankenstein with the monster rendered blind and now having the brain#of bela lugosi's ygor (thus the rather odd choice of having the not exactly robust legosi play the creature). however at some point the#decision was made to remove all of lugosi's dialogue as the monster and with it went the explanation of the blindness. if you pay attention#its still very clear in his performance but that vital bit of exposition does hurt the film a little. as for the focus on the wolf man im#not complaining. chaney's wolf man might be my favourite universal monster. certainly he's the most sympathetic and chaney was#really a fine actor under all that makeup. atwill returns (hurrah!) but isn't nearly so fun here (boo!). a fun but patchy entry#that suffers from the studio interference which only confuses the backstory. oh also some of this is set in cardiff.
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letterboxd-loggd · 4 years
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Ruthless (1948) Edgar G. Ulmer
May 2nd 2020
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moviesandmania · 3 years
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THE SPIDER WOMAN (1943) Reviews and overview of Sherlock Holmes thriller
THE SPIDER WOMAN (1943) Reviews and overview of Sherlock Holmes thriller
‘Mistress of murder!’ The Spider Woman is a 1943 American mystery thriller film about Sherlock Holmes investigating a series of so-called “pyjama suicides”. The super sleuth soon knows the female villain behind the mysterious deaths is as cunning as his arch-enemy Moriarty and as venomous as a real spider. Produced and directed by Roy William Neill from a screenplay written by Bertram Millhauser…
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