A lot of fans said he’s better looking and taller in person, is it true? Also what was his perfume like?
Okay Lando is definitely a bit taller in person. Maybe I'm just short (I know I am), but like he just seems taller irl than he does on the screen bc I've seen him a bajillion times but when he was right there in front of me, I was like "holy shit why is he this tall???" It's not that he's super tall, it's just that I didn't expect him to be that tall. He had to fucking bend down to sign my shirt, which was like, yeah okay I really am too short.
As for the better looking part, I mean he always looks good so idk what to say to that. Imo he looks pretty much the same irl as on screen (amazing). And his scent, I don't really think he had any cologne or perfume on? Maybe there were just too many people around me, but I didn't really smell anything on him, so I guess the answer is just clean lol
But he was like super patient too despite all of us there, like I know he didn't get to everyone (he couldn't with how many people there), but he went kinda slow down the group, so most people in the first or second row had a good shot of getting something signed or getting a picture, which was so nice of him.
Someone actually brought stroopwafles though 😭 when he first came out, he was talking with his engineers, but someone shouted "LANDO WE HAVE STROOPWAFLES" and THEN he looked up and started grinning 😂 and he went to that person's side of the line first LMFAO
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there’s a word for it. a name. for the people who take care of corpses before a funeral. hanzawa masato doesn’t remember it right now, though, because right now he’s up in the midnight hours, lying flat on the couch in the living room. too warm. he doesn’t care to remember it, the name.
it’s way, way too warm.
dying used to be simpler than this. there was no pavement, there were no buildings, there were no faceless people.
cold, though. there was cold.
the water wasn’t really flowing, too shallow, he was slowing it down, but his blood was. staining the ice.
it was gross.
he couldn’t stretch out his legs, couldn’t reach his arms out over his head. his fingers were cold and useless and deadened, and slow. the air he was struggling to breathe was pushing in and flowing out of his lungs through the puncture wound in his chest. so slow.
he’s been there before. he’s here now.
sitting stiff in the water, soaked to the bone, dying in isolation. bleeding out, masato thinks he’s alive. suffocating, he’s convinced he won’t be for much longer.
he’s not sure he’s anywhere.
dying used to be so easy.
instead of waiting until he couldn’t stand to look at himself anymore, kneeling until his head went under and waiting it out, probably getting swept away by the current until he crashed downstream—he wouldn’t know, he never lived to see that part—instead of that—
he’s wading around a little lost. he’s bleeding. the ghosts only look at him when they know it’ll sting worst, long shadows cast over the water, malformed specters dancing in mockery of him. he thinks his feet are getting a little worse than sliced up by jagged hateful rocks out of sight. that’s depressingly the least of his worries. it’s being impaled by the moon in a loop of time that fucking hates him. but he’s already bleeding. he’s a little surprised that he’s still got blood to bleed.
instead of releasing what could have become a burden, it’s him standing, helplessly, in the river, night after night after night. because it’s nighttime now. it keeps being nighttime.
it’s the kind of thing you’d almost expect to be a relief.
“hanzawa senpai.”
masato turns his head, creaky like a wooden doll. “…tashiro-kun.”
kimono-clad, he offers a hand. “you’re not face first in muck this time.”
masato doesn’t take it. a sharp smile curves his cheeks, not insincere. “thank you. ‘this time?”
tashiro smiles sheepishly down at him. squints. “did you die?”
“do I look dead?”
it’s hard to see from the water, but masato knows that tashiro’s shifted his eyes. saw it in the back of his mind, recorded on crackly film. he says, instead of answering, “I’ve got bandages.”
masato wishes he had something to rest his elbows on, to brace himself on. it doesn’t feel right playing his games standing upright, his hands in his sleeves instead of holding his head on his shoulders. “ta-shi-ro-kuuun, what do you think I need those for?” masato knows what.
tashiro replies anyway, drily from up on uneven paving, “hanzawa senpai, you’re bleeding. you need blood. to survive.”
“tashiro-kun, did I die?”
things are splintering a little. crackly film.
a web of cracks splitting tashiro’s composure, his voice shaking, “why did you?”
that wasn’t what masato asked.
—
“hanzawa senpai.”
“…”
“senpai.”
“…tashiro-kun.”
“you’re not face first in muck this time.”
the smile’s carving itself in, muscle memory. masato’s not going to ask what he meant by this time. “thank you.”
“did you die?”
“do I look dead?”
in the old school projector film behind his eyelids, the flickering doesn’t feel out of place. “I’ve got bandages.”
“ta-shi-ro-kuuun, what do you think I need those for?” masato’s always known what.
“hanzawa senpai, you’re bleeding. you need blood. to survive.”
“tashiro-kun, did I die?”
the shadows cast by a lantern hidden just behind tashiro make his shoulders look broad. masato swallows down a laugh, but he’s not sure what’s funny. “don’t be shallow, senpai, looks aren’t everything.”
the laugh comes out anyway. he manages, “I feel dead, forget the looks.”
“I can’t. I won’t.”
masato takes his turn to squint. they weren’t taking turns. it doesn’t matter. he doesn’t know if he still feels like laughing. he knows for sure that he can’t think of anything to say.
it’s just as well. tashiro isn’t having the same problem. “I think you should just, I don’t know. care about yourself more.”
masato swallows. his lips press into a chagrined line. “I don’t not care,” he says.
tashiro looks right through him. his eyes are like headlights.
he doesn’t actually need to say it, and masato can tell that he almost doesn’t, but maybe tashiro thought he needed to hear it out loud, feel it taking up space. maybe he was right.
“your caring sucks, senpai. it killed you.”
masato doesn’t want to follow that thread. “how many times have you been here, tashiro-kun?”
tashiro doesn’t buy into it. his demeanor is at once solemn and jarringly pleading, “senpai, won’t you live for once?”
masato means to say it like a joke, because it is one, but by accident the words, “how could I begin to deny you,” are dropping off his tongue, he doesn’t even know why, he doesn’t know why he said that, and no amount of exaggerated irreverence can hide from tashiro—eyes like cleavers, more like—the characters slipping into the water.
the ripples aren’t all that big, but they’re big enough.
like when your head aches, or the gash in your chest is losing you too much blood, or the water is tugging itself a little too close to that gash to be comfortable. something like that. something like that. it’s enough.
he doesn’t think he’s making any sense. it’s just too warm.
“maa-kun,” his older brother’s crooning, pushing his damp bangs off his forehead with cold fingers, “I think you’re sick.”
masato blinks away what he hopes is sweat. “gross.”
“not gross, worrying. sit up please.”
“I’ll throw up.”
“you won’t.”
“you’re right, I won’t.”
he’s getting fussed over in the middle of the night, on the couch that he’s sweating all over, and he’s watching a fan across the room spin and it’s nauseating and he stops looking at it. he’s getting fussed over in the middle of the night, by his older brother, because his mom’s out of town visiting her sister. he’s getting fussed over in the middle of the night, feeling a little out of his body. feeling a little—not at all—a lot like a little kid again. feeling sick, and pathetic.
he goes into the bathroom, wobbly and upset and over-warm, and he throws up.
—
reality’s tearing itself up, his dreams are eating it up, he’s falling apart and melting at the seams, he sits in almost-too-cold water until he thinks he’s gonna throw up again.
put him on ice, already, the sooner the funeral the sooner he can get some fucking rest.
his older brother’s sitting against the door frame, slipping in and out of consciousness. he murmurs, reaching forward to pet his hair, “‘s it too cold?”
masato doesn’t think it’s sweat. “it’s okay.”
—
it wouldn’t have been a very good joke, even if it’d come out right.
masato thinks he just choked around, “I want to. I want to.”
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Nightmare of Nightmares
a tiny Roommates/Cellmates AU fic to take a break from writing Prime Meridian and bc im thinking abt them. takes place mmmm definitely within a few months of the events of Shared Living Space. Cell is just starting to become a more-or-less 'common' fixture in Felps' apartment, staying for as long as two days at a time before heading out again. he spends a majority of his time out doing...whatever it is he does when he's not at Felps' apartment. it's not uncommon for Felps to see Cell show up at odd hours with a new bruise or bandage wrapped somewhere, and sometimes Cell walks in with a grin that's just a bit too wide, even for him. Felps tries not to think about it too much.
(TWs: nothing really? there's some vague descriptions of violence that aren't that graphic save for like one well-detailed threat. it's brief tho. and references/allusions to cannibalism because obviously.)
It's the middle of the day on a lazy Sunday, and Cell has been tossing and turning on the couch for the past several minutes. He’s not typically a restless sleeper—quite the opposite, actually—so it’s strange for Felps to see him shifting around, restlessly tilting his head side to side.
Felps figures he must be dreaming, or something like it. What does someone like Cell dream about, anyway? Probably eating Felps, or putting Felps' head on a pike. Or eating Felps and putting his head on a pike. Or just murdering people in general. He must get a real kick out of that. Felps shrugs it off and continues working, reclined in the armchair and sorting through his email. Whatever Cell is dreaming about will pass eventually.
And then he whines.
Felps pauses and blinks for several seconds, processing that yes, there was a noise, yes, it was a whine, and yes it most certainly came from Cell. Felps glances up from his laptop again to look at the known murderer sleeping his couch. He's still shifting around, perhaps a little more animatedly than before. He settles for a moment, and Felps can see his eyelids twitching. Another half-whine, half-groan wheedles out of his throat. His lips move, barely parted, but whatever Cell might've said is much too soft for Felps to hear, if he said anything at all.
A few seconds pass. Then, Cell's face briefly twists, his lips moving again; and though it's still hard to decipher, Felps isn't certain that it's actual words that he's speaking. His chest heaves a few times, he makes another small noise, and he murmurs something again—no. Those...sound like they could be words. Garbled, but words nonetheless. Not Portuguese, though. It might be another language. (Cell speaks some English, doesn't he?) Or maybe it is just gibberish, Felps really can't tell; but whatever it is, it sounds urgent. Very urgent. And Cell is starting to breathe harder.
Huh. Felps starts to consider trying to wake him up before he shoots that thought down immediately. Why even bother? And he knows for a fact that Cell sleeps with a weapon under his arm—Felps can see it now, a small blade revealed in all of his tossing—and Felps doesn't want to wind up on the wrong end of it if Cell wakes up swinging.
Still, Felps' email has become an afterthought at this point. Felps watches, almost amazed, as Cell continues to toss more violently than before, breathing harder to the point of gasping, voice high and reaching and cracking and begging—
A shout. Cell's eyes fly open as he shoots up and yep there goes the knife arcing through open air. He's got a hand braced on the side of the couch as he bares his teeth at some middle distance, panting like he's just sprinted several miles. There's a thin sheen of sweat clinging to his face. Cell is sporting a furious expression so tense and wild that Felps—if he didn't know any better—would say pitches over to the other end of the curve and lands somewhere in the realm of terrified.
Cell, the murderer, the cannibal, the nightmare of so many people's dreams, just woke up screaming from a nightmare. It's almost novel, but Felps supposes that Cell is still just a human. And humans, people, get nightmares. Basic psychology. Though, it's hard to imagine Cell to be really, truly afraid of anything in particular aside from, possibly, getting caught by the police and being hauled back to Alcatraz. (Once in Alcatraz, he would end up spending quite the stint in solitary—one of the only things they found that could actually get Cell to behave, if only for a little while.)
A beat passes. Cell's eyes dart frantically, but it doesn't look like he's really seeing anything. He's still gasping. His legs have kicked away the towel Felps makes him put his feet on when he's sleeping, instead digging the heels of his boots into the cushions and pushing himself back against the arm of the couch, knife still in hand.
Felps hasn't exactly woken up fighting before, but he's had his fair share of nightmares. He knows how disorienting they can be. Best not to have the guy with the weapon and the horribly violent impulses forget where he is. Felps clears his throat. "Hey Cell."
Cell snaps his head towards Felps. He blinks several times. He stars at Felps, and he looks around the room...
...And his breathing starts to slow. And his shoulders start to slump. And the fury-terror starts to melt away. And the hand brandishing his knife drops into his lap.
And Cell is quiet. No threats, no growl. He just stares at the floor and drags a hand down his sweat-soaked face and breathes—something like relief. It's eerie, coming from Cell, and Felps, frankly, doesn't know what to make of it.
"So," Felps says. "The Monster of Alcatraz gets nightmares, huh?"
A beat. Then, Cell scoffs at him. "Inspiration," he snarls, voice dripping with venom despite his breathlessness and sleepy croak. "For when I carve out your guts and drag your entrails across the floor, Felps."
Felps raises an eyebrow. "You know, you could just tell me you want to be left alone."
"Fuck off."
"See, there we go." Felps closes his laptop and glances at the clock on the wall: just past twelve. "Eh, actually, before I do that—are you planning on staying for lunch?"
Cell makes a vague noise. He runs his free hand through his messy hair and scrubs one of his eyes with the heel of his palm. He sighs heavily, like a half-aborted yawn.
"...Yeah," he eventually decides.
"Did you bring me anything?"
Felps knows he did. Felps won't make him anything if he doesn't pitch in somehow—one of their new 'rules'—and Cell's backpack is looking a little more full than usual. In lieu of an answer, Cell picks up his bag from where it's slumped against the foot of couch and drags it into his lap, rummaging through it. Felps, meanwhile, stands, dumps his laptop on the armchair, stretches, and grabs the TV remote. A moment later, Cell produces a small paper bag and holds it out to Felps.
Felps crosses the living room and peeks inside: tomatoes and lettuce, in decent enough condition. Felps has certainly used worse. He could add in some of his carrots, chop them up, put some dressing over it and make it a salad. Rice and some seasoned meat (chicken—no red meat allowed when Cell is present) to go with it could be nice.
"This works." Felps grabs the bag. Cell lets him have it, and Felps tosses him the remote. "Your pick. And either fix the towel or boots off the couch."
Cell huffs, but he swings his legs around without protest, boots on the floor. As he flicks through channels, Felps brings the produce into the kitchen and opens up the fridge. He pushes aside his own tomatoes and lettuce to get to the carrots.
Sometime later, Felps finishes putting together lunch and brings a couple plates into the living room. There, he finds Cell curled up on his side, fast asleep yet again—no tossing or turning this time, though. Just sleeping.
Felps rolls his eyes with a sigh. He puts the extra portion down on the coffee table, lowers the volume on the TV just a bit, heads back into the kitchen, and returns with a cover for the plate.
(A nightmare having a nightmare. What could Cell be so scared of?)
(Well, whatever it is, Felps hopes he never has to meet it.)
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