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#concrete art
concretepie · 5 months
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So i read steel ball run…
I will never be okay
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garadinervi · 9 months
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Camille Graeser, Komposition II (Surrealistische Komposition II), 1937 [eac. Espace de l'Art Concret – Centre d’art contemporain, Mouans-Sartoux. © Camille Graeser Stiftung, Graeser-Studio, Zürich / Adagp, Paris]
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jareckiworld · 1 year
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Hermelindo Fiaminghi (1920-2004) — Long Play  [enamel paint on Eucatex hardboard, 1956]
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miamaimania · 1 month
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Wolf Vostell's Tribute to a Shattered Era − The Fall of the Berlin Wall, No.23 (1990)
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tasiaadams18art · 4 months
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Disney Encanto Plaster Scene Activity Is A Great Art Set.
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fixy8ed4xys · 4 months
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my photo 📷
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urbanangelz · 9 months
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The Fog that Never Goes Away 🪦
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msmysticfail · 5 months
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brutal
all rights reserved
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4eternal-life · 1 year
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Henryk Stazewski  (Polish, 1894–1988)
NR 5,  1973
acrylic / fibreboard, 60 x 60 cm
© Agra-Art 
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concretepie · 3 months
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Jawnee
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orenstern · 11 months
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Concrete Abstract
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garadinervi · 9 months
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Camille Graeser, Untitled, (coloured crayon on grey cardboard), 1919 [© Camille Graeser Stiftung, Graeser-Studio, Zürich. Photo: © Adagp, Paris]
Exhibition: Camille Graeser. Devenir un artiste concret, eac. Espace de l'Art Concret – Centre d’art contemporain, Mouans-Sartoux, March 12 – June 12, 2022 General scientific curator: Vera Hausdorff, curator at the Camille Graeser Stiftung, Graeser-Studio, Zürich Associate curator: Alexandra Deslys and Claire Spada
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jareckiworld · 8 months
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Willi Baumeister (1889-1955) Mit Lineamenten VII [oil on wood, 1938]
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esmereldalogos · 1 year
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spoiledbygod · 1 year
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Ron Arad’s iconic ‘Concrete Stereo’ is a must-see at London’s Victoria and Albert Museum
First created in 1983, Arad’s Concrete Stereo is an iconic example of post-industrial aesthetics. Approximately ten stereos were produced of which five are today retained in major international museum collections. With the realisation of electronics that were so small, they no longer dictated the form of their housing, the production of home audio equipment became feasible, particularly as the parts could be bought as readymade elements. Arad chose concrete as the medium for this apocalyptic hi-fi, as a way of underlining its architectural character or to achieve a science-fiction look, read the rest at...
https://www.decodedmagazine.com/ron-arads-iconic-concrete-stereo-is-a-must-see-at-londons-victoria-and-albert-museum/
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bbybrownbat · 1 year
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Ugu Bigyan Potter's Garden is located in the town of Tiaong in the province of Quezon, about 100 kilometers southeast of Manila.
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