Anthony Fineran (B 1981), Carala Dara, 2023

I lost you in the night, Julien. I should have left you alone. I shouldn't have kissed you or caressed your face.

Jeanne Moreau as Florence Carala in Elevator to the Gallows (1958) dir. Louis Malle

Comm: Carla Radamassive

A comm for TempestLord2000 of Carala Radames from Resident Evil as a blueberry

J/C - the Idols of Beacon

--==(Table of Contents) ==--

(Chapter Seven - Coco makes a choice)

It took Coco and Pyrra a solid twenty minutes to coax Joan and Carla out of their respective bedrooms. Well coax isn't the right word.More like coerce with the threat of a scroll call to Professor Goodwitch, but the desired result was achieved. Joan and Carla stood there before Pyrrha and Coco, heads down and acting very skittish. Pyrha for the life of her really couldn't understand why. She had run into shy fans before, as well as overbearing and obnoxious ones, even a couple that ended up turning into stalkers… but she had never, ever run into people who were actually acting terrified of her. Well that's not true, but those who had been afraid of her were her opponents. "So It seems as though you two know me, why don't you introduce yourselves, so I can know you?" Pyrrha asked. "W… wh… why… a… ar… are… y… yo…you… h… he….here?" Joan Stammered out, as her mind focused on Pyrrha instantly figuring out who she was… and being disgusted with her. "What was that? I didn't quite catch that?" "Wh…. why…." "She asked why you are here?" Carala stepped in swallowing her own fear of being outed over spending hours waiting for Joan to ask a simple question. "Oh, Professor Goodwitch asked if I would consider assessing your physical performance, before she seeks out a professional trainer." Pyrrha answered. "So what did you do?" Coco asked with a chuckle. "Nothing. Professor Goodwitch just asked, if I would help her out, and I had nothing else to do today so I thought why not." Pyrrha turned her attention from Coco back to the two girls. "So can I have your names?" "Joan… Joan A" "Carla… Carla W." "There that wasn't so hard was it?" Pyrrha smiled, trying to project warmth and comfort, even though she felt like the two young women before her would make a break for it at the first chance given. "Are you going to be joining us Coco?" "No, not this time…" Coco focused on Joan, "Though I think I'll hang out and watch." Pyrrha could have sworn she heard Joan whimper. "Well no time like the present to get started. Off to the training facilities." During the ten minutes it took to walk from Joan and Carla accommodations to Beacon's training facilities, impressed on Pyrrha that Joan and Carla were definitely not Huntress material. They were so jumpy and on edge, walking with their heads bowed and shoulders hunched. If Pyrrha didn't know any better she would swear the pair were terrified of being noticed by everyone. Once at the facilities, with Coco taking a seat on the nearby benches, Pyrrha addressed her 'students'. "So, this is just to get idea of your general fitness level, so don't push yourselves, and only complete what you can do comfortably." Pyrrha aimed her softest smile at the pair. "Okay?" They only responded by nodding their heads, causing Pyrrha to inwardly sigh. She randomly thought at that moment about Jaune, and how much easier it would be to do this with his support. Jaune just had a way of connecting with people. "So let's start with a light jog. Nothing to strenuous, nice steady pace. We'll go for five laps." Again the pair just nodded, which caused Pyrrha once again inwardly sigh. "Okay, let's get started." Coco sat back, leaning against the wall as she watched Pyrrha do her best to motivate her charges. Just from thier body language, Coco knew, and she was pretty sure Pyrrha was also aware of how scared both Joan and Carla were. Coco didn't know, or understand why. Pyrrha was being a sweet-heart to them. Encouraging and guiding them through the laps. Coco's mind stopped worrying about such things as the trio passed by her on their first lap. Coco just wanted to swoon, to melt to the floor. and hope that Joan would rush over to check on her... no... no she didn't.

What she really wanted was to wrap her arms around that little blond angel's waist, crush their lips together and then escort her into the shower where they could get clean while being a little dirty... then of course take her out for ice-cream and coffee.

Coco couldn't figure it out. She normally went after more asserive women. Women like her, but there was just something about Joan that just drew her in, and Coco had a feeling it was more than just her delectable figure.

As they went past for a second lap, Coco took her eyes off Joan, and gazed at Carla. Carla was just as much a looker as Joan, but instead of that pure innocent girl next door type of vibe Joan oozed. Carla, if she climbed out of her shell would radiate boss-bitch easily. In fact both of them should be so much more confident in themselves.

"So what if you had no fashion sense, or lacked basic make-up knowledge." Coco muttered to herself. "You are both knock-outs... babes that should be showing off, not hiding. I'm going to fix that."

Pyrrha was impressed at how well both Carla and Joan were keeping pace. It was alight job, but she had assumed the pair would have been struggling after four laps, but a sideways glance showed her both were doing fine.

"You two are doing great! Let's do three more laps, but pick the pace up a bit!"

When the trio kicked it into second gear, Coco nearly fainted. The things the motion of Joan's body, were doing to her, made Coco promise to the brothers and any other ethereal beings listening... she was going to sully that blond angel. Coco Adel was going to become a one woman, woman, all because of Joan A... and she was oddly happy about that.

Joan shivered, which caused her to stumble, and then crash into the floor. Pyrrha and Carla instantly stopped and rushed back to check on her.

"Are you okay?" Pyrrha asked.

"I'm fine." Joan mumbled in response as she rolled over and sat up.

"Do you think you can continue? Or do you feel you need a short rest?" Pyrrha inquired, obvious concern in her tone and one her face.

"Joan are you okay?" Coco called out from her spot on the benches. "Do... do you NEED me to carry you over to the benches?"

"No... no... that's okay!"

"Go take a rest Joan." Pyrrha smiled as she spoke, not realizing the fear she was causing to rise up inside Joan. "No need to push yourself. go have a seat next to Coco. You've done well."

The Covenant of Water by Abraham Verghese

The Covenant of water is a captivating and poignant novel it explores the themes of Family Faith and fate through the lens of a malayali Christian family living in Kerala India. The novel spans over 7 decades from 1900 to 1977 and follows the lives of three generations of the peram bill family who are afflicted by a mysterious condition that causes them to drown in water.

The novel begins with the arranged marriage of a 12-year-old girl big aachi to a 40-year-old widower who owns a large estate in carala. She soon learns that her husband's family is cursed by the condition and that her stepson JoJo is the latest victim she vows to protect her own children baby mole and philippos from the same fate but finds it difficult to balance her fears with her husband's wishes. She also struggles to adapt to the changing times as India undergos colonial rule Independence and social upheaval.

The novel then shifts to the perspectives of Baby Mol and Philipose who grow up in different worlds. Baby Mol marries a British officer and moves to England where she faces racism, loneliness, and betrayal. While Philipose becomes a doctor and stays in India where he Witnesses the horrors of war, famine and disease. He also falls in love with a woman who shares his condition, but their relationship is fraught with secrets and tragedy both siblings are haunted by their family's past and their own choices and seek redemption in different ways.

The novel ends with a surprising twist that reveals the origin and meaning of the condition and how how it connects the parambil family to a larger history and destiny. The novel is Rich with historical and cultural details as well as vivid descriptions of Kerala’s landscape and people. Verg’s Prose is lyrical and engaging and his characters are complex and sympathetic.

The Covenant of water is a powerful and moving story that explores the bonds of blood and water and the resilience of the human spirit.

No estoy ciego

No estoy ciegoPuedo ver lo que todas las mujeres venTu caraLa tristeza en tus ojos De pureza irresistibleY la sonrisa que lo derriteEl misterioso lugar de donde vienes y te vasSé lo que está pasando cuando tú pasasNunca volverá a suceder En cualquier momento ni en ningún lugarDe todos los países en los que he estadoEn mi vida solitariaCada vez que me mira soy creado otra vez Y me pregunto por…

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Miles Davis ‎– Ascenseur Pour L'échafaud | Valentine Records | LPS 169961

A1 Generique 2:53 A2 L’assassinat De Carala 2:14 A3 Sur L’autoroute 2:23 A4 Julien Dans L’ascenseur 2:11 A5 Florence Sur Les Champs-Élysees 2:55 A6 Diner Au Motel 4:01 A7 Evasion De Julien 0:57 A8 Visite Du Vigile 2:08 A9 Au Bar Du Petit Bac 2:57 A10 Chez Le Photographe Du Motel 4:00 B1 On Green Dolphin Street 9:54 B2 Fran-Dance 5:54 B3 Stella By Starlight 4:49

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96 camino

me siento con la sensaciónmanera de expresarlame encuentro atorado en accióncon la cara estresada. relajo los hombros para percibir mejorel gozo que corre por mis caucesen el centro un vacío.aplico el consejo, alargo el espacio. escucho los carros pasar fuera de mi ventana,extraigo la tristeza que transita mi carala plasmo sobre el papel y se convierteen un río lleno de cristales brillosos de…

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Uthomael

A trained, successful and dangerous assassin choosing a life of peace among mortals, and taking a succubus of all creatures as his wife. Uthomael is certainly not the average angel in Creation's great tapestry, which was evident from the moment he had chosen the Archangel of Justice as his mentor instead of Valor as the usual choice. Ending up falling in love with the succubus Carala during a mission where they worked together to take down a demon general, was just the crowning achievement of his abnormal decision making. Eventually he and Carala would settle down in the town of Lut Bahada in Aranoch, once they grew tired of the Eternal Conflict and having to keep their relationship a secret. Assuming human disguises, today they run a small inn called the Burosa Shelter, while actively taking part in the city council. Although classified as "Renegades", both Uthomael and Carala rushed to partake in the defense of the High Heavens when Diablo invaded, as much as they were able to. A year later, they have managed to weave a spell of both angelic and demonic magic that ended up completely hiding Lut Bahada from the sight of the Reapers rampaging all over Sanctuary, although neither of them could tell where those monsters came from.

Fate eventually led Uthomael's former mentor, Tyrael and the child angel Quiet into their inn where Utho and Carala did their best to help them along their journey to the East. Whatever else is in store for them in the future, Uthomael and Carala are ready to take it on and protect their beloved hometown.

2023.12.05.

Maurice Ronet in Elevator to the Gallows (Louis Malle, 1958) Cast: Jeanne Moreau, Maurice Ronet, Georges Poujouly, Yori Bertin, Jean Wall, Iván Petrovich, Elga Andersen, Lino Ventura. Screenplay: Roger Nimier, Louis Malle, based on a novel by Noël Calef. Cinematography: Henri Decaë. Art direction: Jean Mandaroux, Rino Mondellini. Film editing: Léonide Azar. Music: Miles Davis. Crime doesn't pay, we're often told, and if any movie seemed designed to make that point it's Louis Malle's first non-documentary feature, Elevator to the Gallows, which is about two intersecting crimes that both go wrong. The first is the plot by Julien Tavernier (Maurice Ronet) to kill his boss, Simon Carala, whose wife, Florence (Jeanne Moreau), is Julien's mistress. Things begin to go wrong when Julien's car is stolen during the carefully plotted murder and Julien finds himself trapped overnight in an elevator. Then the car thief, Louis (Georges Poujouly), and his girlfriend, Véronique (Yori Bertin), go for a joy ride, during which Florence spots the car with Véronique in it and thinks Julien has abandoned her. Meanwhile, the joyriders find Julien's identification in the car they have stolen and check in under his name in a motel on the outskirts of Paris. They wind up partying with a German couple, taking pictures of the group that Véronique leaves for developing. But Louis murders the German couple when he tries to steal their Mercedes so he can abandon Julien's car. Oh, murder will out, too. Moreau was already well known in France as a stage actress, but her performance in Elevator to the Gallows made her a movie star, especially after Malle cast her in his next film, The Lovers (1958). The engaging twists of the film are given a melancholy cast by Miles Davis's evocative score.

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