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monsterblogging · 2 months

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"I know JK Rowing is a terrible person but her books are so good-"

You sure about that?

I mean, just for a start, have you taken a good look at her fantasy creatures lately? A whole bunch of them are straight-up based on malicious and dehumanizing stereotypes about actual people.

Remember the werewolves? And being a werewolf was made into a kind of metaphor for having AIDS?

And you know how AIDS was first associated with gay men? And how conservatives back in the day were claiming gay men were preying on children in order to convert them to gayness?

Remember how Fenrir Greyback preyed on children in particular? Yeah, she put that subtext in there. She was an adult in the 90's. She knew damn well what she was doing.

Remember the house elves? Remember how most of them loved to serve and needed to have a home and a master or else they just wouldn't know what to do with themselves?

Did you know that's literally what slavers in the American South said about the Black people they kept enslaved? Go look up the happy slave myth.

Do I even need to get into the goblins and the antisemitic tropes they're based on? No, folkloric goblins were not gold-hoarding bankers waiting for their chance to stab humanity in the back.

"But the characters are so good!"

Are you kidding me?

Most of her characters are pretty one-dimensional, including Harry. Her idea of making a morally complicated character is giving a tragic past to a bully. Numerous characters are little more than stereotypes. (Looking at Fleur right now.) Literally anybody, including you, can easily make dozens of characters just as good, if not better. (It doesn't exactly take a lot of character designing skill to go, "hey, actually, having a sad backstory doesn't make it okay to bully children" or "hey, maybe I should not base a character on the first stereotype that pops into my head.")

"But the rest of the worldbuilding!"

Sorry, but her worldbuilding is just as basic as her characters. Magical castles and secret passages are stock tropes. Magical people who keep their true nature secret from humanity is the premise of pretty much every White Wolf TTRPG. Most of her fantasy creatures are just common European fairy tale and folklore creatures with shitty stereotypes projected onto them.

I'm not saying "basic worldbuilding bad." I'm saying, you could do just as good, if not better, with minimal effort.

Also there's her magical bioessentialism, where only Harry's abusive blood relatives could provide him with supernatural protection from Voldemort. Rowling thus effectively declared that non-biological family isn't quite real family, and that abusive biofamily can give you some essential thing that a loving, supportive family that isn't related to you just can't.

The Hogwarts houses are one of the most insidious elements of her worldbuilding. The idea of being sorted gives you a little dopamine hit because wow now you have a li'l niche where you belong!

But the actual function of the houses and sorting system and the House Cup is teaching children to see each other as rivals, and ensure that the most toxic views of the upper class get passed on to every new batch of kids sorted into Slytherin.

Hogwarts effectively prepares children for a dystopia where magic serves to distract its citizens from how nightmarishly awful it is. Economic inequality is so bad that people like Arthur and Molly Weasley can barely afford to put their kids through school, casual sadism is just an accepted norm in everyday society, and non-humans are second class citizens. Rowling sorta acts like she thinks this is a bad thing with certain lines she gave to Dumbledore, but in the end, her special boy protagonist becomes an auror; IE, a defender of the status quo. So.

If you've never seen it, Lily Simpson's video goes into even more detail on how the worldbuilding of Harry Potter is actually incredibly fucked up, and how it betrays small-minded attitudes on Rowling's part. There's no separating the art from this artist, because Rowling's rotten values pour out of nearly every page.

youtube

Yes, there are many things in Harry Potter that evoke feelings and inspire people, but there's absolutely nothing in it that this series has a monopoly on. You can find those same experiences in much, much better media.

#harry potter #jk rowling #Youtube

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inkskinned · 1 year

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for a while i lived in an old house; the kind u.s americans don't often get to live in - living in a really old house here is super expensive. i found out right before i moved out that the house was actually so old that it features in a poem by emily dickinson.

i liked that there were footprints in front of the sink, worn into the hardwood. there were handprints on some of the handrails. we'd find secret marks from other tenants, little hints someone else had lived and died there. and yeah, there was a lot wrong with the house. there are a lot of DIY skills you learn when you are a grad student that cannot afford to pay someone else to do-it-for-ya. i shared the house with 8 others. the house always had this noise to it. sometimes that noise was really fucking awful.

in the mornings though, the sun would slant in thick amber skiens through the windows, and i'd be the first one up. i'd shuffle around, get showered in this tub that was trying to exit through the floor, get my clothes on. i would usually creep around in the kitchen until it was time to start waking everyone else up - some of them required multiple rounds of polite hey man we gotta go knocks. and it felt... outside of time. a loud kind of quiet.

the ghosts of the house always felt like they were humming in a melody just out of reach. i know people say that the witching hour happens in the dark, but i always felt like it occurred somewhere around 6:45 in the morning. like - for literal centuries, somebody stood here and did the dishes. for literal centuries, somebody else has been looking out the window to this tree in our garden. for literal centuries, people have been stubbing their toes and cracking their backs and complaining about the weather. something about that was so... strangely lovely.

i have to be honest. i'm not a history aficionado. i know, i know; it's tragic of me. i usually respond to "this thing is super old" by being like, wow! cool! and moving on. but this house was the first time i felt like the past was standing there. like it was breathing. like someone else was drying their hands with me. playing chess on the sofa. adding honey to their tea.

i grew up in an old town. like, literally, a few miles off of walden pond (as in of the walden). (also, relatedly, don't swim in walden, it's so unbelievably dirty). but my family didn't have "old house" kind of money. we had a barely-standing house from the 70's. history existed kind of... parallel to me. you had to go somewhere to be in history. your school would pack you up on a bus and take you to some "ye olden times" place and you'd see how they used to make glass or whatever, and then you'd go home to your LEDs. most museums were small and closed before 5. you knew history was, like, somewhere, but the only thing that was open was the mcdonalds and the mall.

i remember one of my seventh grade history teachers telling us - some day you'll see how long we've been human for and that thing has been puzzling me. i know the scientific number, technically.

the house had these little scars of use. my floors didn't actually touch the walls; i had to fill them with a stopgap to stop the wind. other people had shoved rags and pieces of newspaper. i know i've lost rings and earring backs down some of the floorboards. i think the raccoons that lived in our basement probably have collected a small fortune over the years. i complain out loud to myself about how awful the stairs are (uneven, steep, evil, turning, hard to get down while holding anything) and know - someone else has said this exact same thing.

when i was packing up to leave and doing a final deep cleaning, i found a note carved in the furthest corner in the narrow cave of my closet. a child's scrawled name, a faded paint handprint, the scrangly numbers: 1857.

we've been human for a long time. way back before we can remember.

#idk if it's still tradition but the kids at the local school next to walden when I went there #used to have a tradition where u had to pee in walden pond before u graduated or otherwise you'd fail one of your classes #as someone who did not do this im happy to report i did fail a class so maybe they had a point #they've torn the school down tho so who knows #i hope this makes sense #i think we've been human longer than we've been writing #ps this land was taken over by hostile combatants and colonialized . let us not forget that part of the reason #our 'history' is so short. is that we have systematically slaughtered the people who had history here before

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fardf150 · 2 years

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the thing about sitcoms is that many of them rely on a certain amount of genuinely sweet and emotional arcs/episodes, yet a lot of the actually good ones are funny because most or all of the cast are just godawful people

#unfortunately when things that are supposed to be mostly dramatic try tp be funny you normally get mcu-esque tonal inconsistencies #now thats not to say these cant be well #it's just that most people who try fail miserably and cant rlly see what makes their show appealing in the first place #idk what the point of this is just. i hate hate hate it when they try to make you feel for the shitheads but like #instead of giving them some kind of character development or an arc where they see how shitty they are and work to fix it #theyre just like 'actually theyre secretly sad' or 'their brother died years ago see' or 'something bad is happening to them now dont you #feel for them'#and like yeah all thats sad but if theyre shitty like. why do i care #use that bad thing thats happening to them as something to make them see that life doesnt last forever and they dont want to die regretful #because they were an ass for the bulk of their life #or make them see that just because shitty things have happened to them or they feel sad doesnt mean they get to be a shithead #yk?#if you want drama make you characters compelling so i have a reason to care!!!#good drama requires effort and dynamic characters #most comedic characters really arent that versatile. they either need to have added depth or to just stick to what they were made for #though i will say a lot of actual dramas also fail to make their characters multi-dimensional enough for any of it to work #like your characters dont all have to be likeable to use them for compelling drama but i do feel that if theyre all terribke assholes like.#most of your audience isnt going to feel for them and is just going to find them and their struggles annoying #idk where im going with this i just hate most american tv writers bc they dont know how to write characters i dont want to punch #fred.txt

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intheholler · 24 days

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the appalachian murder ballad <3 one of the most interesting elements of americana and american folk, imo!

my wife recently gave me A Look when i had one playing in the car and she was like, "why do all of these old folk songs talk about killing people lmao" and i realized i wanted to Talk About It at length.

nerd shit under the cut, and it's long. y'all been warned

so, as y'all probably know, a lot of appalachian folk music grew its roots in scottish folk (and then was heavily influenced by Black folks once it arrived here, but that's a post for another time).

they existed, as most folk music does, to deliver a narrative--to pass on a story orally, especially in communities where literacy was not widespread. their whole purpose was to get the news out there about current events, and everyone loves a good murder mystery!

as an aside, i saw someone liken the murder ballad to a ye olde true crime podcast and tbh, yeah lol.

the "original" murder ballads started back across the pond as news stories printed on broadsheets and penned in such a way that it was easy to put to melody.

they were meant to be passed on and keep the people informed about the goings-on in town. i imagine that because these songs were left up to their original orators to get them going, this would be why we have sooo many variations of old folk songs.

naturally then, almost always, they were based on real events, either sung from an outside perspective, from the killer's perspective and in some cases, from the victim's. of course, like most things from days of yore, they reek of social dogshit. the particular flavor of dogshit of the OG murder ballad was misogyny.

so, the murder ballad came over when the english and scots-irish settlers did. in fact, a lot of the current murder ballads are still telling stories from centuries ago, and, as is the way of folk, getting rewritten and given new names and melodies and evolving into the modern recordings we hear today.

305 such scottish and english ballads were noted and collected into what is famously known as the Child Ballads collected by a professor named francis james child in the 19th century. they have been reshaped and covered and recorded a million and one times, as is the folk way.

while newer ones continued to largely fit the formula of retelling real events and murder trials (such as one of my favorite ones, little sadie, about a murderer getting chased through the carolinas to have justice handed down), they also evolved into sometimes fictional, (often unfortunately misogynistic) cautionary tales.

perhaps the most famous examples of these are omie wise and pretty polly where the woman's death almost feels justified as if it's her fault (big shocker).

but i digress. in this way, the evolution of the murder ballad came to serve a similar purpose as the spooky legends of appalachia did/do now.

(why do we have those urban legends and oral traditions warning yall out of the woods? to keep babies from gettin lost n dying in them. i know it's a fun tiktok trend rn to tell tale of spooky scary woods like there's really more haints out here than there are anywhere else, but that's a rant for another time too ain't it)

so, the aforementioned little sadie (also known as "bad lee brown" in some cases) was first recorded in the 1920s. i'm also plugging my favorite female-vocaist cover of it there because it's superior when a woman does it, sorry.

it is a pretty straightforward murder ballad in its content--in the original version, the guy kills a woman, a stranger or his girlfriend sometimes depending on who is covering it.

but instead of it being a cautionary 'be careful and don't get pregnant or it's your fault' tale like omie wise and pretty polly, the guy doesn't get away with it, and he's not portrayed as sympathetic like the murderer is in so many ballads.

a few decades after, women started saying fuck you and writing their own murder ballads.

in the 40s, the femme fatale trope was in full swing with women flipping the script and killing their male lovers for slights against them instead.

men began to enter the "find out" phase in these songs and paid up for being abusive partners. women regained their agency and humanity by actually giving themselves an active voice instead of just being essentially 'fridged in the ballads of old.

her majesty dolly parton even covered plenty of old ballads herself but then went on to write the bridge, telling the pregnant-woman-in-the-murder-ballad's side of things for once. love her.

as a listener, i realized that i personally prefer these modern covers of appalachian murder ballads sung by women-led acts like dolly and gillian welch and even the super-recent crooked still especially, because there is a sense of reclamation, subverting its roots by giving it a woman's voice instead.

meaning that, like a lot else from the problematic past, the appalachian murder ballad is something to be enjoyed with critical ears. violence against women is an evergreen issue, of course, and you're going to encounter a lot of that in this branch of historical music.

but with folk songs, and especially the murder ballad, being such a foundational element of appalachian history and culture and fitting squarely into the appalachian gothic, i still find them important and so, so interesting

i do feel it's worth mentioning that there are "tamer" ones. with traditional and modern murder ballads alike, some of them are just for "fun," like a murder mystery novel is enjoyable to read; not all have a message or retell a historical trial.

(for instance, i'd even argue ultra-modern, popular americana songs like hell's comin' with me is a contemporary americana murder ballad--being sung by a male vocalist and having evolved from being at the expense of a woman to instead being directed at a harmful and corrupt church. that kind of thing)

in short: it continues to evolve, and i continue to eat that shit up.

anyway, to leave off, lemme share with yall my personal favorite murder ballad which fits squarely into murder mystery/horror novel territory imo.

it's the 10th child ballad and was originally known as "the twa sisters." it's been covered to hell n back and named and renamed.

but! if you listen to any flavor of americana, chances are high you already know it; popular names are "the dreadful wind and rain" and sometimes just "wind and rain."

in it, a jealous older sister pushes her other sister into a river (or stream, or sea, depending on who's covering it) over a dumbass man. the little sister's body floats away and a fiddle maker come upon her and took parts of her body to make a fiddle of his own. the only song the new fiddle plays is the tale about how it came to be, and it is the same song you have been listening to until then.

how's that for genuinely spooky-scary appalachia, y'all?

#appalachia #appalachian murder ballads #murder ballads #appalachian music #appalachian culture #appalachian history #appalachian #appalachian folklore #appalachian gothic #tw violence against women #cw violence against women #cw murder #tw murder #folk music #folk #txt

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sanzaibian · 2 months

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I'm loving the stories! I'm heading to Mexico in a few weeks with work, but hoping to immerse myself in the culture a bit. Can you help me out?

You find yourself in front of your local Spanish-language association. You thought that taking a few classes in Spanish would help you recover some of the long forgotten classes you took in high school… though in all honesty, it won’t likely do much. You’re quite old, now, so it means that your brain cannot learn new languages as easily as it used to...

As you enter, you see the Mexican flag front and center, along with flags of many other Latin American countries, as well as that of Spain. You walk up to the receptionist, and she tells you, directly in Spanish :

“¡Bienvenidos! ¿Cuál es el motivo de usted venida? (Welcome ! What is the reason you came here ?) - Er…” You try to conjure some of the very old memories, and only manage a “Hola !” Before going back to English. “I’m sorry, I don’t really know Spanish… I’m here to take classes, in fact.”

The receptionist nods, and thinks a bit before taking out a timetable.

“Okay, well, you see, I have a... beginner’s course of Spanish in a few hours… It’s not perfect because they already started in January, but I think you can still catch up if you work hard enough.” She says, with a perfect American accent. She is visibly bilingual. - Oh, in a few hours ?”

You are quite interested, considering that you did want some beginner-level courses, but in a few hours… That’s too short to just go back home and come back later, but that’s also too long to just stay here and wait without getting bored !

The receptionist notices your embarrassment.

“You know, we are also a place where Spanish learners and native speakers can hang out. If you want, you can go to the hangout room while waiting ?” She offers sympathetically. - Well yeah, I could do that.” You nod. It may be geared towards more hard-core learners, but you can always try to immerse yourself…

You go to the room she waves you to. It isn’t loud, but there’s quite a lot of people in it, all speaking Spanish. You go and find somewhere to sit, when, on your way, someone hails you.

“¡Hola! ¿Cómo te llamas? (Hello ! (...) ?)”

Your long-buried memories start churning, as you recognize the second sentence as meaning something like “What’s your name ?”. You think a while, and then, flash of brilliance.

“Me llamo Charlie.” You answer, giving out your name in the most American of accents.

Your conversation partner smiles, and speaks quite slowly to let you understand what he means.

“¿Cuántos años tiene?” You understand the sentence to mean ‘How old are you ?’ - Er… Soy… cuarenta y dos… años ?” You try, but he shakes his head. - No, ¡es ‘Tengo ventidós’ o ‘Tengo ventidós años’!”

You blush of embarrassment as he corrects you. Yes, you now remember that to mean “I am x years old” you say “Tengo x (años)”… you even remember the worksheets from way back when… Huh, it seems like it was less far of a memory than you thought.

“Lo siento…” You excuse yourself with sentence that came back strangely fast. - ¡Jajaja!” He laughs. “¡No te preocupes! ¡Hablar español es difícil! (Don’t worry ! Speaking Spanish is difficult !)”

You are surprised how easy it is to understand him. Visibly, you had more memories than you expected ! Then, that guy continues.

“¿De dónde es? (Where are you from ?) - Soy de… Mexico… Nuevo Mexico. (I’m from… Mexico… New Mexico.)”

You almost stumbled on yourself. There seems to be something wrong with that statement. You know you’re American, but something seems wrong…

“Ah, de... ¿Nuevo México? Pero tu acento no suena asi… (Ah, from… New Mexico ? But your accent doesn’t seem like it comes from there...) - Si, es verdad… (Yes, it’s true...)” You’re about to tell him that it’s because you’re American, but then you say : “La gente dice que tengo un acento de la Ciudad de Mexico. Sabes, Mexihco Hueyaltepetl. (People say that I have an accent from Mexico City. You know, Mexihco Hueyaltepetl (?).)”

Wait, why do people say that ? You never went to Mexico City ! Okay, yes, you did go there for the holidays, after all, your father lives there… Wait, your parents aren’t separated !

You get more and more confused as multiple versions of your history start competing with each other.

“¡Ah, tenía razón! Puedo verlo en tu cara que eres… eh… ¿mexiqueño? (Ah, I was right ! I can see by your face that you are… er… from Mexico City ?) - ¡Jajaja!” You laugh. “¡No se dice ‘mexiqueño’! ¡Se dice capitalino, o chilango si estás familiarizado! (You don’t say “Mexiqueño” ! You say “Capitalino”, or “Chilango” if you’re familiar !)” You don’t quite know where this knowledge comes from. It seems like something only locals would know… - Perdón, soy chileno, no lo sabía… (Sorry, I’m Chilean, I didn’t know...)”

You smile at him. Of course, he couldn’t know that, you’re familiar with these terms because you’re a Chilango through and through ! Born in the city, lived in the city ! Yet you furrow your brows, as something still feels off.

Somehow, you’re convinced that you’re American, even though it seems to be a more and more distant fact. Well, when you look down and see those tan arms, you know that you aren’t, like, a total gringo, you’re at least part Latino…

“¿Cómo es la vida allá? (How is life there ?)” The Chilean guy asks you, a torrent of memories coming back (?) to you. - ¡Es complicado de describir! Pero México es muy dinámico, ¡entonces siempre es interesante! (It’s difficult to describe ! But Mexico is very dynamic, so it’s always interesting !)” You think back to how frantic life is over there… and how much you love that. “Especialmente comparado con aquí, parece que esta citudad está muerta… ¡En México siempre hay un xochitzin con el que te puedes topar! (Especially when compared to here, this city seems dead… In Mexico, there’s always an xochitzin (?) you can run into !)”

As the Chilean nods, you keep getting quite confused. You know you’re from Mexico City, you know you’re American, yet somehow there is like… a piece of the puzzle missing. You keep on thinking strange words like “Mexihco Hueyaltepetl” or “ihni”, and you know it’s not Spanish, nor English – not that you would know too much of that language.

You continue thinking as your body starts feeling strange, as you feel it shifting. You put your hand on your forehead and sense your wrinkles relaxing. You feel quite queasy…

“¿Estás bien? (Are you alright ?) - Me siento un poco mareada… (I feel a bit dizzy…) - Sólo tienes que ir al baño. ¿Quieres que te ayude? (Just go to the toilets. You want me to help ?) - No, estará bien. Tlazohcamati. (No, it’s gonna be alright. (???)) - Okay… eh... ¿Eres indígenas? (Okay… er… Are you a Native American ?)”

You don’t answer the Chilean, only giving him a small wave to thank him. You find your way to the toilets, still queasy, and look at yourself.

You’ve got your usual short black hair, your nascent beard that doesn’t want to come along, your brownish tint, as well as your light muscles. Nothing looks out of place, yet something seems wrong.

Is it the fact that you are so youthful ? You know you’re quite twinky. Is it the fact that your skin looks weird ? You know that it’s clearer than the other’s because your mother is gringo.

You feel even more queasy, as you feel your entire body tensing. Memories come back of your time in the gym, but also of the time with all your xochitzmeh (bros)… Yes, you now remember how you’re the son of an American linguist and a Nahua man. How you grew up speaking Nahuatl along with the other kids from around Mexico City. How you started going to the gym to prove that gays aren’t cuiltemeh (sissies/fags). How you now cringe to that line of thought, yet continue doing it to attract guys.

As the pieces of your life go back together, your queasiness dissipates, and you feel better. You drink a bit of water, and then you go back to the hangout room. As you go in there, the Chilean hails you once again.

“¡Charlie! ¿Esta mejor? (Charlie ! Doing better ?)”

Laughable, “Charlie” is only the nickname your grandparents use when you’re at their house… Why does that guy even know it ?

“¡Mi nombre no es Charlie, es Carlos! ¡Carlos Zopiyactle! (My name isn’t Charlie, it’s Carlos ! Carlos Zopiyactle !)” You say in a very matter-of-fact fashion. - Lo siento, pensé que te llamabas Charlie… (Sorry, I thought that you were named Charlie...) - No es nada. (It’s nothing.)” You answer with a very Mexican accent, aspirating your ‘s’. “Pero, tengo que irme ahora. ¡Adiós! (However, I need to go now. Goodbye !) - ¡Adiós, Carlos! (Goodbye, Carlos !)”

You leave the room, go past the receptionist who smiles at you a bit weirdly, and make your way back to your grandparent’s home. You don’t really like going there, because you’re not very good in English, but eh. Pleasing your mom is a good enough reason.

Suddenly, you hear a very familiar-sounding sound from your phone. You open it, seeing a notification, smile, and answer it before calling your mother.

“¡Cualli teotlaltzintli! ¡Amo niyaz tlacualpan! (Good evening ! I’m not going to be there for dinner !) - Pff… ¡Aic timotlamahzehua nanmonahuac! (Pff… You never come eat with us !) - Nomati, pero tengo cosas que hacer. (I know, but I have things to do.)” You say, switching back a bit to Spanish. - ¿Zannima tihual mocuepaz? (You will come back soon ?) - Quema. Nantli, nimitz nequi. (Yes. Mom, I love you.) - Ohuihqui nimitz nequi. (I love you too.)”

You finish the call and smile. She doesn’t have to know that you’re missing the family dinners to be pounded. Those jocks on Grindr don’t know what your pseudonym “Moiztactlaca” means, but it sounds foreign, and they love it.

Soon, you’re going back home to Mexico City, but it doesn’t mean that you can’t take advantage of all the hot guys here in the meantime !

#male transformation #male tf #twink tf #twunk tf #twinkification #twunkification #age reduction #latino tf #mexican tf #nahua tf #mental change #reality change #transformation #tf story #ask

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bellalove69420 · 3 months

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My main struggles with the percy jackson fandom, but its an ADHD rant, that ended up being wayyyy longer than i meant it too.

I can't wait for them to do a heroes of olympus show (I hope so), and most of these leo girls are so surprised when he isn't this super hot, conventionally attractive guy, because in the book he isn't supposed to be conventionally attractive. He's supposed to be kinda ugly, that's one of the reasons he's so jealous of Jason.

It's one of the things that frustrates me most about the percy jackson fandom, is some of the erasure that goes on, in lots of characters. I mean so many. Not only Leo, but also Nico, Piper, Hazel, and Frank. People think of these characters in such ways that are so base level.

There are probably many others, that is just off the top of my head. Now there is things that are understandable, like how Hazel is just a cutie pie, but even then, I feel like people erase how truly powerful she is.

Also, minus nico, this happens mostly to the characters that are people of color, and I'm white, so I don't want to speak to much on something I don't understand. But it is something that happens very much, is that people see these characters as what they are on a base level, but not on a deeper level. Whether that is Piper and how she is barely brought up to be Native American anymore, and Rick Riordan hasn't done this, but I feel like this fandom has majorly white washed her. This has also happened with Frank, who, yes, in the book he does say many times "I'm from Canada, I'm not really Chinese" but thay doesn't mean as a fandom we erase that from him entirely.

This also happens with LGBTQ+ characters, I STILL find people writing nico di angelo x FEMALE readers. Which is unexeptable and not okay. That man has been out as gay for 10 YEARS, and people are erasing that as such a huge part of his character. What is wrong with u, there is a whole chapter that made me SOB as a 13 year old, that you people are not going to take away from me. Especially from someone who was outed.

Also, there are so many fanfictions I read where I feel like everyone's ADHD is just gone, like not there at all. What happened to that? That's such a huge part of how people discovered they were demigods. That's coming from someone who struggles from ADHD, also, if you don't know how to write it, do research, Google is free, and easy to use, and there is many good resources for ADHD research.

So, yeah, as a whole for such a wildly inclusive book series, that I love so much, I feel like this fandom needs to work on the erasure of minorities, as a whole.

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bringmemyrocks · 6 months

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I will gladly say free Palestine from the river to the sea. I do not support orgs like J Street and even IfNotNow makes me uncomfortable (literally discomfort. Not saying they're bad people. Not everything is a condemnation.)

I am not here to do PR for JVP and other antizionist orgs that do fundraising thru partnerships, but:

a) JVP is like BLM with how little the chapters that actually do things are connected to national. Some figurehead who has no control over local chapters and who local leadership don't even know should not discredit an entire network of orgs that have been doing good work for a long time. They may not be rad enough for you but they are not Zionist. If they were they'd be under the ALLMEP/JStreet umbrella with Roots and Standing Together and they very much are not.

I also can't believe this needs stating, but JVP absolutely goes to non-JVP/non-Jewish-led actions. They go to far more Palestinian-led demonstrations than they attend ones they start. They do it all the time and have since they started. I never thought to address the "JVP doesn't join coalitions" point because it's so absurd.

b) Fundraising for Palestinian orgs overseas/Palestinian solidarity orgs in general is not as straightforward as raising funds for your local food bank; there are miles of red tape and fundraising thru partner orgs is just the only option sometimes (many very good Palestinian orgs do this). Even some Israeli orgs need to do this for tax reasons (American Friends of PeaceNow, Friends of Roots, etc.)

c) if you want to go hardcore #notonormalization that's your right but please please go in with open eyes, esp if you're LGBT or an ally. It's not "left of JVP/SJP"; it's its own ecosystem and very right-wing in a lot of ways.

d) In many cities, JVP is the only Palestinian solidarity org that allows membership for people who are not students, Arabs, or Muslims. In my large city, the only other org remotely like that is PSL and that's an org with a huge barrier to entry (lots of time, money for dues, required to align with PSL's beliefs). JVP's membership fees are sliding scale, around $18/yr.

e) "JVP tokenizes Jews!" "JVP doesn't have any Jews in it" please stop swallowing Zionist propaganda; there is no truth in these statements. Just because allies are allowed to support by being members does not mean it's not a Jewish org.

f) JVP is Compromised bc Jonathan Greenblatt said he has plants in there! Yeah, your local SJP chapter probably has cops in it too. Accept that most decently impactful activist spaces may have skeevy people who slipped past your vetting process. Also JVP is very public-focused; they are not super underground. Anyone can go to a public meeting, so Jonathan Greenblatt hasn't achieved much.

Editing to add: No org is perfect, including your/my favorite one. This post never implied that. Criticize away, but please don't lie (eg "JVP is Zionist") and don't assume that social media tells the entire story.

Last edit: check my antinormalization tag for more info on this issue.

#i #i can answer more later but I promise it's not as black and white as ppl are saying #jvp #antinormalization #anti normalization

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transmutationisms · 9 months

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Hi Caden don’t know if you listen to Ethel Cain but was wondering what u think abt her subverting the Americana aesthetic since I think she’s often compared to Lana, at least online. I do think she’s doing something different & to me more compelling than Lana, but I don’t really know how to articulate it.

yep i like ethel cain. i agree she and lana are doing very different things. like, i said before that lana uses american nationalism because she's playing off the fact that it makes/has an erotic appeal, and she places herself as the object of desire in that paradigm—tell me i'm your national anthem, etc. my read on ethel is that she's interested in the rural americana 'trad' aesthetic from a very different angle, where she's trying to connect the homestead and american rural social structures to the perpetuation of violence. there's some overlap here in the sense that lana is definitely also interested in sexual violence and sexuality-as-violence, but in her work the violent or abusive man is generally a specific figure who's aberrant from the norm, and a lot of the artistic interest for lana comes (i think) from her interrogating what it is about this man that's appealing to her and how she sees herself through his eyes. with ethel, on the other hand, she portrays violence as coming through the infrastructure of normal and normative social structures, like the family and the church, with abuse understood to be a feature of these and not a bug. family, church, etc are in turn understood to be part of the infrastructure of american rural communities, casting the critique she's making through the ethel character onto this entire social apparatus (& there is some implication here of how this is all a part of westward colonial settlement—which is a potentially fruitful direction to go in, the idea of expansion into the 'frontier' as a narrative of, or narrative prerequisite to, violence).

so for example this is partly why, for ethel, incest specifically is a mode of sexuality & violence that she continually uses and interrogates: she's invoking it as an intensification of the 'normal functioning' of the family, which means the whole family structure gets pretty ruthlessly questioned through the character of ethel and the violence she faces. she invokes the trad aesthetic and the idyllic family homestead, then shows you the brutality that creates and is created by them. for lana, the family is not a concern in this way and is not something she's questioning or challenging the way ethel does (the daddy/girl thing in lana's work is p far removed from even a pseudo-incestuous reading most of the time, even in her lolita references). there's a similar distinction with how ethel examines protestant theology and practice with the explicit goal of pointing out inherently violent aspects of it, whereas for lana, invoking god or christian imagery is generally more on the level of playing off the way that american nationalism resembles and uses rituals of religious worship. lana takes political phenomena like the appeal of nationalism, and expresses them through the erotic configuration of these relationships with older, dominant men. with ethel it's more that she looks at social structures and practices signified by the rural americana aesthetic, and pokes and prods at these structures until the violence inherent to them is glaringly obvious to listeners through the ethel character's story. it's a way of problematising these institutions and practices, not letting them hide in plain sight by presenting themselves as benevolent.

so yeah i can understand why people might want to compare these two artists, but i think they're actually doing very different things. i would probably not say either of them 'subverts' americana or signifiers of nationalism, which is not a criticism, i just think that concept is often poorly defined and less frequently applicable to art than people sometimes think lol. ethel uses her character's story to deconstruct and question the american aesthetics and institutions her work invokes; lana translates these aesthetics and institutions into explicitly erotic discourses and dissects them through the allegorical figures of the people and relationships in her songs. (this is not to discount the importance of erotics in ethel's work as well obvi but this post is already long :P)

#ethel cain #lana

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angsthology · 5 months

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Pay Attention to Things That Most People Ignore ☆ LS2

logan sargeant is most definitely not most people. it was time he started learning how

characters/pairings; daughter of poseidon!reader, chiron, mr. d, son of apollo!logan, theo (oc), son of athena!oscar.

warnings; monsters, typical pjo-type violence, logan is hopeless but that’s okay! some chb innacurracy sorry i havent read the books in a while, err very rushed writing im sorry, LAWD this is a mess i tell u 😭 perhaps i hate it — 3k words.

a/n; is the title... an all-american bitch lyric? yes. why? im not good and titles and i went to that song in instinct... for no reason. also this was based on a request — though i do admit its a little bit different as i would (hopefully) be making a part 2 hehe. by now im realizing how this title prob has nothin to do with the story

Over the years, she’s come to accept her life. Did it hurt when it felt like her entire life ended? Of course. Does it still hurt when she turns on the television to see them basically rubbing it on her face? —Whatever.

In theory, she probably could’ve gotten away with it had she not been a daughter of one of the big three—thanks a lot, dad. —but it was proven one too many times that it was not safe for her or any of the other kids. If it didn’t put anyone else’s life at risk, she would’ve disobeyed her mother, she really would (she was a child, she really hasn’t grasped the full concept of what other people would feel).

But, you know, oh well.

It’s sixteen years later and she still has that lingering grudge in the back of her head as the screen plays another Grand Prix — another Grand Prix she could’ve probably been a part of.

She tried, she really tried so hard to forget about it, to let go of it, but again, it was proven to be way too hard to let go of something she had an actual chance of, an actual good chance.

Though it might be hard to let go, she couldn’t really complain much about the life she actually had now.

Sure, it gets pretty lonely sometimes being a forbidden child, there weren’t exactly much of them (that are known and living at camp). But she had everyone else, despite practically being an only child at camp, to her everyone else there were her little siblings—of course, that probably has something to do with the fact that she was the oldest camper and the one who has been there longest.

When she heard a set of the all-too-familiar clops her heart dropped from its current fast-paced beating.

She quickly closed your laptop shut, cringing when you heard how loud of a sound it had made. That was it. She didn’t even try hiding her disappointment in herself. She slowly emerged from under the blanket with her lips tightly-wound shut, bracing herself with whatever the Centaur will have to say, her mind playing a quick telepathic farewell to her laptop.

“Hello, Y/N.”

She sighed, “Chiron.”

“Where and how?”

She swallowed the pre-existing nerves in her throat, “Mr. D.”

He hummed in response, so she continued.

“A pack of Heineken and two bottles of Jack Daniels.”

“Hm, good picks.” She responded lowly under her breath with a small ‘yeah’ as Chiron walked closer to the head of her bed near the bed-side table—his hooves making clopping noises each step.

The silence was taking too long to her liking so she just went to get it over with, “So, you’re gonna take it away from me?” she paused, then mumbling under her breath for herself, “—it’s probably another Red Bull win, anyway.”

Apparently, it was loud enough for the Centaur to hear, making him chuckle.

Surprisingly, he didn’t mention anything else about the laptop, “Who do you support?”

Hearing the question quickly made her look up from her fidgeting hands to see the smile on his face, she screwed her brows in confusion as she continues to look at Chiron for—something. Then, realizing that he was still waiting for an answer, she shook her head.

“Uhm—well, uh—”

“You think that Lando will ever get a win?”

That seemed to loosen her up, “Ugh, Gods, I hope. I’m getting exhausted over here—you know, sometimes I really wish I could ask the Oracle about it.”

He chuckled then which made her crack a smile.

When it died down, Chiron looked at her smiling face. He couldn’t help but frown a little, he knew how she felt about racing, he knew how she still feels about it.

“Y/N.”

She looks up at him, “Yeah?”

“So, I am aware that your birthday is nearing…”

“I mean… why wouldn’t you be? I’m here all-year-round.”

Chiron cleared his throat at her interruption, giving her a look.

“Sorry.”

He acknowledged and continued, “I am also aware that it lines up with a certain event…”

She raised an eyebrow it that, almost guessing what that said ‘event’ was.

“So,” he stopped, initially had her thinking he was just pausing but when he left out the door of her cabin she raised her hands as if saying ‘what gives?’

Seconds passed and it seemed like Chiron wasn’t going to come back any time soon so instead she stumbled off of her bed to quickly catch up to the Centaur that was headed to a building—the girl almost caught up to him, almost following him into the building but he was already back out in a good few seconds, stopping her right in front of the set of stairs, raising both her hands in question once more, “You just left. ‘So’, what?”

“I have it arranged that you will be attending the Miami Grand Prix.” He smiled as he handed her a lanyard.

She swore her eyes looked like it could’ve popped out of their sockets in a matter of seconds. She couldn’t believe what she was holding; a paddock pass. She couldn’t believe Chiron had done this for her considering how careful of a man (well, half-man) he is especially with her being a forbidden child. This was about to turn into the best birthday yet.

When she looked up to the smiling Chiron, her mouth still hung open in shock but her arms immediately wrapped around the man’s body in a bone-crushing hug.

She didn’t know how many ‘thank you’s that spilled out of her mouth but next thing she knew he was hugging her back with a chuckle escaping his lips.

After a few more ‘thank you’s from her, she pulled away smiling at him, “I thought you’d rather keep me here forever, why now?”

He cleared his throat, “Well, you are turning twenty-one, not many of you reach that kind of age—don’t tell them I said that—so I’d like to make it a bit more special.”

Still smiling, she looked at the paddock pass in her hand again, “You don’t know how much I appreciate this, Chi. Thank you, again.”

Being there felt… odd… unnatural.

She always thought if she were ever walking through the paddocks she would be walking as a driver.

What was even more odd was she felt her senses tingling, like she was being watched.

It was a bustling crowded place with many more interesting people compared to her, so it was weird to her that she felt like she was being watched of all people.

But alas, she brushed it off. It didn’t feel like anything bad—if it were, she would know—so she’s just going to have to save that thought for later.

She had to remind herself why she’s here; daydream in real-time of what could’ve been.

Yeah, she weren’t really keen on letting that go.

That is, until she was into her head she failed to notice the person—and group of people that came with said person—she was running into.

Before she knew it, a strong arm was holding her back with too much force for her liking, the action itself almost kicking in her self defense instinct until the person she did bump into pushed the hand away.

He was now talking to her, she assumed, but she was too focused on the person who had pushed her away.

Something about him felt… off. He was what she would count as freakishly huge for a normal human being, her eyes couldn’t help but recalculate the large man over and over until eventually the person that has been trying to get her attention snaps her out of it.

“Sorry, that’s Theo, he’s like that. I swear he doesn’t mean any harm.”

The scowl she hadn’t realized that made it’s way to her face slowly dropped as she slowly move her gaze to the person that was talking to her.

When their eyes met, she swore she saw a flash of something pass by his expression.

“Yeah,” she finally let go of this ‘Theo’ person and found her words, “Sorry I bumped into you.”

“That’s fine.” There was a brief silence across them until he cleared his throat, “I’m Logan, by the way.”

“Yeah, I know. You drive for Williams.” She replied flatly.

He cleared his throat again, scanning her for the shortest moment, “Do I know you?”

She looked to his eyes again with a small squint. “Most likely not. Good luck, bye.”

Before he could say anything else she was already speed-walking away. And for some odd reason, Logan found himself watching her walk away before getting pulled away himself just in the same time as the girl turned around to give a watchful eye.

It was getting annoying. This was supposed to be a weekend to enjoy but she could not help but feel that uneasiness creeping up on her. Over the years she had somewhat mastered the ability—well more the ability mastering her—of sensing bad things, whether that was events or creatures alike.

So, to simply put that together, that’s how she found herself sneaking around the Williams garage. Not hospitality, garage.

From years of quests here and there, many hours of weapons training, and not to mention capture the flag schemings with other campers, she had mastered the skill of being sneaky. It really did work well in her favor.

What she didn’t expect was to be completely entranced the moment she got into the busy garage; it was the first time she was seeing a real life-size F1 car in real-time.

Everything was so enchanting to her, it felt like she was reliving her childhood dreams all over again. When she had gone through with her plan, she didn’t really register the fact that she was going to go face to face with an actual working Formula One garage.

She really tried to stay focused on the task at hand but it really was in her blood to be unfocused.

“Hey!”

Somehow, just somehow, she had heard his voice over the loud noises around her and just somehow, she knew he was addressing her.

Immediately, she tried to hide or duck behind something—anything just so she didn’t have to face him.

Before she knew it a hand was gripping her upper arm and pulling her somewhere quieter and she was met with green eyes that looked at her with suspicion.

“Are you like a fan or something?”

She was taken aback by his words.

“…what?”

“Are you following me?”

“What—no. I mean not you specifically—why did I say that.” she whispered the last part to herself. If she was being honest, she hasn’t really been brushing up her skills in socializing with anyone else that weren’t the campers.

“What do you mean?”

“Nothing! I—”

Their conversation—if you could’ve called it that anyway—was interrupted by the same man she had been suspecting from earlier.

“There you are.” It was the first time she was hearing his voice and just by that she already knew that they were going to be in big trouble. His voice was low and unnerving, saying the words as if he’s been searching for them not for worried purposes rather unfortunate ones.

Logan didn’t seem to have the same feeling as her as he looked more relieved among other things to see the man. “Theo!” he greeted while throwing his hands in the air, “What’s up, man?”

Fortunately for Logan, Theo wasn’t exactly paying attention to him instead looking at the girl in front of him instead.

When he noticed he tried to interfere, “Oh, no, don’t worry about her, she’s not harmful.” He then realized he didn’t exactly know this girl so he looked at her with questioning eyes, “You aren’t, right?”

Except her focus didn’t waver from the big man that looked at her with a stare that tried to kill.

Logan, still clueless, looked between the two back and forth in confusion until Theo said something that really caught his attention.

“Daughter of Poseidon.” Theo growled.

Logan’s head couldn’t snap towards her faster.

“Shit.” She mumbled under her breath.

Before they knew it, she had grabbed a hold of his hand and running away with it, Logan still very much in shock at this new information he attained.

Through empty places and crowded ones, the girl forgot that the man she had ahold of weren’t just anyone but a very real and hard-to-miss Formula One driver. Sure, he was a rookie but a driver nonetheless.

But she couldn’t care less about the attention she was gaining; she was far too busy running for her life than think about cameras and the public.

“What the hell was he talking about? Poseidon?!” she didn’t answer his panicked question so he continued instead, “Are you a half-blood too?”

The ‘too’ in his question was what finally caught her attention but still, she didn’t answer him, only cursing herself for not noticing one when she saw one.

Just when she thought they had lost them, the monster once disguised as Theo was standing there at the end of the opening, she and Logan had slipped in.

Next thing she knew she was fumbling around trying to fight off the apparent Giant that was Theo.

“What the hell are you doing there, mind a little help over here?” she yelled over at Logan who was pretty much… useless in the corner.

He continued to panic, looking for anything he could use to get the Giant off of her.

Suddenly, while she was struggling to get the Giant’s grip off of her, the force stopped as a cloud of mist poofed where the monster was once before. She quickly scrambled herself up and was met with a figure in McLaren clothing holding a gold-dust colored weapon pointing at her.

“Oscar Piastri?!”

He didn’t answer her, dagger still pointing at her direction, “Who are you?”

Putting her hands out in defense she explained herself, “I respect that.” she commented, “I’m Y/N L/N, I am the daughter of Poseidon,” then she cautiously pointed at the Australian, “I’m assuming you’re a half-blood too.” she nodded at him, “Who do you belong to?”

Oscar then slowly lowered his weapon, his trust building by the minute, “Athena.”

Then both of them turn to Logan simultaneously.

“No!” he got defensive immediately, “I want to know what just happened!” he pointed accusingly.

All of a sudden, it just finally hit Oscar, “Poseidon?!”

The sea god’s daughter made a face and ignored the Australian, “What do you mean what just happened? Typical demigod stuff!”

The look on his face made her double-take, “You… do have occasional encounters with monsters here and there… right?”

When Logan’s expression doesn’t change, she turns to Oscar.

“I have this for a reason.” He said slowly, showing her the dagger. “—and, well, if I’m being honest, that has never happened before.”

“Shit.” she shakes her head in disappointment then pulling out her phone, “I need to make a phone call.”

She left the two men by themselves and went ahead as the line rings a couple of times before getting an answer.

After a brief conversation—that will continue later for details—the girl locked her phone and walked towards the two drivers.

“You’re coming with me this summer. It will not be up for debate and don’t worry about your… duties, I have it covered.”

Logan was quick to stop her explanations, “Wait—what—no! At least explain what the hell that phone call was about. You can’t just drop all that on us and expect us to be okay with it.

She rolls her eyes, “I’ll explain later, right now, you two have a job to do.” They didn’t object to that, the three of them walking out the pretty-hidden space the Giant had decided to corner them before.

Oscar stopped just outside, “I can take care of myself if anything else decide to come out and attack me, you should probably go with him. And uh, I actually need to talk to you,” he pointed at her, “—later. Not exactly letting you off the hook that easily.”

She didn’t complain.

The two walked in silence, every once in a while getting stopped for a picture and such, until Logan speaks up.

“Apollo.”

She turned to him, eyebrow raised.

“My dad.”

“Oh.” She paused then comments, “Fitting.”

He didn’t know what it was in her voice, it didn’t sound exactly like a compliment but he wasn’t sure if it was an insult.

Whatever, he shrugged it off.

After that, they both went into their own train of thoughts.

Without noticing, they both sucked in a breath in unison.

“I’m sorry for—”

“I think you should—”

The two quickly stepped back from whatever it was they were going to say, heat rushing up their necks. They kept walking on the awkward silence that fell upon them until Logan re-focused his attention and remembering what she had said—well, what she almost said earlier.

“Wait—‘sorry’? What were you apologizing for?” he turned to her who was now ducking away from his eyes, her own focus stayed on her fidgeting hands.

She made a noise before finally finding her words, “It’s just—this always happens, you know. I’m a forbidden kid, I attract the worst kind of trouble there is for half-bloods. And earlier; I had brought it to you and Oscar.” he was going to say something to ease her guilt but she beat him to it, “I’m just glad that monster didn’t hurt any of you.” She threw her hands in the air, “I mean, it’s qualifying day for Gods sake! —maybe I shouldn’t go to the race tomorrow.” She mumbled the last part to herself, though not quietly enough that the driver didn’t hear.

Logan was taken aback by her statement, giving him an opening on his almost-offer.

“What—no! Why not?” he asked.

“Look, it’s bad enough that there’s two demigods in one place; adding a forbidden kid in the mix won’t really make it any better. I still want everyone to have a safe race. Who knows what kind of other monsters I could attract.”

From every point of view Logan could gather, it was simply a fact that this girl knows about their world far more than he did, far more than Oscar did, so he couldn’t really be the voice of judgement in whatever she had to say. But… he wanted her to stay.

It calmed him down for some reason, knowing someone shares the same—if not, worse—fate as you.

So, he tried to find a reason, a good reason to make her stay. Of course, he wasn’t a pro at this half-blood thing so he offered something that he was familiar with. He gave her a more… human reason.

“I think you should stay.” He blurted.

“Logan—”

“Dude—is it alright if I called you that?”

“Uh, go nuts.”

“You deserve to have some fun, watch a race! I’ll even have you as an official Williams guest!”

She hummed with a smile creeping up.

“And if you’re worried about trouble, that’s fine. We can always handle trouble! We are all trouble-bound any way, better face them now than later! Plus, I think it’d be good if you could teach us the basics early.”

She felt the warmth spread through her chest. It’s been a while since she felt someone so welcoming that wasn’t anyone within Camp Half-blood. It was nice. He was nice. Almost made her forget that she was in the place she was meant to be in.

Her heart felt wholesome, but didn’t make it show, her mouth couldn’t stop the comment from escaping her mouth instead.

“You really want me to stay, huh?”

#logan sargeant #logan sargeant x reader #logan sargeant x you #ls2 #ls2 x reader #formula one x reader #formula 1 x reader #formula 1 #formula one #williams racing #f1 x reader #f1 imagine #f1 fanfic #f1 fic #f1

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qqueenofhades · 1 year

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Man, the Russia/Ukraine war has led to a lot of terrible takes from far leftists. I have a mutual from Brazil, a self identified socialist, who is convinced that Ukraine is full of nazis. While they don't support Russia, they questioned why they have to be "pro-Ukraine" or "pro-Russia". They call Ukraine a "nazi hole" but call Russia merely "fascist". Am I wrong in thinking that they've been influenced by Russian propaganda? I know Ukraine does have a nazi/far right problem, but so does the US? And most European countries? idk they strongly hate the US/US government too, and it seems to create some kind of brainrot. at least they don't blindly support China or Russia like tankies do (nor identify with them), but it's still frustrating to take a neutral position on a pretty black and white situation.

I don't want to confront them 1) cause I'm not the type to argue over serious things like this and this may break our long friendship and 2) I'm not super educated on the nazi situation in Ukraine.

Anyway thank you for letting me rant in your inbox.

Yes, Russia has specifically focused its propaganda efforts on Latin America, Africa, and other regions that HAVE suffered from Western/European/American imperialism and are thus predisposed to take the worst view of them/believe that this situation is their fault somehow. This is similar to what the USSR did in newly postcolonial Africa in the 1960s and 1970s, positing themselves as offering the shared hand of communist brotherhood from Western oppressors. Because of more recent events like the invasion of Iraq, which was fully as unjustified as the invasion of Ukraine, Russian propagandists and their eager tankie/leftist foot soldiers have also got a lot of mileage out of "whataboutism." This is likewise an old Soviet propaganda technique designed to deflect any criticism of the actual situation by disingenuously asking "what about this other one!!!"

Likewise, the idea that Ukraine has a "Nazi problem" is itself propaganda. In the last election, far-right/Nazi-identified parties won barely 2% of the vote and AFAIK, no seats at all in the Verkhovna Rada (Ukrainian parliament). This is far lower than the nearly half of the USA voting for the far-right/Nazi-sympathetic Republican Party, and as noted, the far right elements in the UK and Europe. The idea that Ukraine is "full of Nazis" (with a Jewish president who just celebrated iftar with the Ukrainian Muslims/Crimean Tatars during Ramadan and instituted observance of Muslim holidays nationwide, very Nazi of him) is a line used by Russian propagandists to "justify" their attack and appeal to national memories of the Great Patriotic War (World War II) and the struggle against the Nazis, which is the central cultural grievance/memory in modern Russia. The Putin regime has referred to anyone they don't like, but especially the Ukrainians, as "Nazis" for a long time now, so it's supposedly their holy duty to kill them/commit ethnic cleansing/forcibly reunite the "fraternal" people of "Little Russia," as Ukraine has been called since the 17th century, with "Great Russia." And yeah, no.

Because the West and Europe has been pretty solidly on Ukraine's side, Russia has therefore cultivated countries like China, India, Brazil, etc, who have all suffered from Western interference and are looking to move into the first rank of global superpowers. This is, as noted, similar to the competing systems of influence built during the Cold War, but it also relies on much deeper Russian grievances that go back to the medieval era. Anybody who knows a thing about actual Russian history would therefore know that every single word it says about the Ukraine situation is a lie, but because that lie is useful for many other countries and fits into their own understanding of themselves, it is easy to repeat and act like it's a so-called superior moral position. This is also why US/American tankies so eagerly lap up Russian propaganda, because it plays into their moral sense of themselves as far better than the rest of the West and "righteously" discovering that the West is responsible for all the evil in the world etc etc. While non-Westerners are just helpless misunderstood puppets with no real agency or ability to make complex choices. This totally makes sense!!!

#anonymous #ask #russia ukraine war #russian history #as ever tankies are the fucking absolute worst and wrong about everything

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alpaca-clouds · 1 month

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Travel is good, tourism isn't

I said in the blog yesterday, that I think travel is good, but tourism isn't. So, let me explain this. And I will put this here first: I am going to explain it on the example of Japan, because I know the most about what is happening there in terms of travel and tourism - and what issues arise from it.

See, I do think travelling to foreign places (whatever that means for you) is a good thing. Experiencing other cultures and interacting people who due to their culture have a very different outlook on life and the world is a good thing. Not only to move away from a certain worldview (which for white people tends to be an eurocentric one, and for Americans an US-centric one), it also fosters empathy to other people.

And I think of this dramatic thing especially when it comes to Americans travelling, who due to their lacking education system often do know jack shit about the rest of the world.

However: I do both think that the thing we right now call tourism does not really help, but actually does hinder this - and is harmful in many other ways.

Right now, foreign tourists are no longer allowed in Gion, the Geisha quarter of Kyoto. The reason for it is, that too many of them were fucking disrespectful. Some made photos of the Geisha without asking, some even touched the kimono and the hair of the Geisha. Some even got angry and started arguing, when people told them to not do this.

Especially when it comes to Kyoto I can think of a variet of other examples. People have carved their names into temples. People touched things that are not supposed to be touched (like idols). People otherwise behaved inappropriately, for example towards kannushi and mikos. Folks have bathed their feet in pools meant for ritual cleansing. There are a lot of examples of this.

And I think part of this goes back to two things. For one again eurocentrism and the way, that a lot of especially white folks to not perceive other cultures as real. But also, and maybe more importantly, the mindset that: "I have paid $1500 for this trip and I get to very well do what I want." The different culture in this mindset gets treated like a themepark, not as a place filled with real people, rather than performers there to enhance the tourist's experience.

Meanwhile the tourists generally are not really interested to interact with the other culture further than that. Which is also, why they tend to flock to the same few places, to all go make their own photo of the same place that a million people have photographed before - as compared to going exploring in a foreign place.

And in some cases - like Kyoto - this also leads to the fact that the local people often get pushed out of the places they actually live in.

A lot of people will often say: "Yeah, but it is great for their economy." Which... leaving my capitalism-hating-ideation aside for a moment... Well, actually it is not good and COVID showed us. Because it makes the economy totally depedent on tourism. In places that are heavily dependent on tourism, the sudden complete anihilation of tourism with the pandemic pushed those places further into a crisis than anywhere else. Heck, keeping it with Kyoto: Given a lot of folks had jobs related to the tourism industry and there were in fact not many other jobs, a lot of people found themselves forced to move away from Kyoto during the pandemic.

So while the entire "but economy" thing will seem true on a short term, it actually is not on the long term.

And that is without going into the environmental impact that comes from a lot of people flocking to certain places. This is shown especially in areas, where folks go for "nature", destroying nature while they do so. Because nature just cannot handle thousands upon thousands of people travelling through.

So, what do I mean with "travel, instead of tourism"? Well, frankly: Yes, you still go to other places. But - to keep with Japan - instead of going to Kyoto you might go to Morigushi or Beppo, and instead of touring from one temple and shrine to the next, you will just interact with the places and explore them. To actually experience them, rather than some preconscieved notion of what it is supposed to be. And you interact with the people.

And you learn. Because we all just need to learn about different people, different cultures and different places. Rather than just consuming them.

#travel #tourism #anti tourism #anti capitalism #fuck capitalism #eurocentrism #solarpunk #lunarpunk #philosophy #japan #kyoto #gion district

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dev-solovey · 8 months

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Reading up on the history of American Idiot (album) and realizing exactly how revolutionary it was and I just have to yell about it for a hot second

So, before they started working on American Idiot, the band was having problems and they were thinking they were going to break up. But for a couple of reasons, they switched directions, most notably because they all felt strongly about the Iraq War and how it was manufactured by greed and warmongering from the Bush administration, which was amplified by the news media. I read a quote from Billie Joe Armstrong where he talked about how the news media was becoming "more of a reality show" than it was news, and he couldn't have been more right. In fact, that problem got worse, and now we're living in an era of rampant misinformation where everything is politicized to a point where just supporting human rights for marginalized people is considered controversial. The song American Idiot came out in 2004, and when Donald Trump first visited the UK at the beginning of his presidency, it was the top played song on every UK radio station, 12 years after it was released. Most things would be culturally irrelevant at that point.

When creating the album American Idiot, a lot of thought went into it - they had a very specific message in mind, and their goal was to send that message to youth. This is because they realized at some point that their fanbase was a bunch of teenagers, and even though they hadn't necessarily intended it that way, they suddenly had a platform with the youth of America and they decided they ought to do something good with it. The drummer, Tré Cool, said something along the lines of "I've never really liked the idea of preaching to kids, but I realized we don't really have a choice at this point." And I love that so much because like, so many people who get rich and famous just become completely out of touch, and when they get a platform, it's very easy to exploit that platform, influence them with terrible ideas, or encourage them to act in terrible ways for self-serving reasons (ex: JK Rowling, Andrew Tate, Dream, Logan Paul, Onision, etc etc). Green Day refused to allow themselves to get to that point. They know the platform they had gave them power and they made an active choice early on to be responsible with it. And a lot of that moral code comes from the fact that they came up in the DIY punk scene in Oakland, which held its members to a very high standard of ethics, a code that they still follow even after they were disowned by that scene when they signed on with a major record label in 1994.

The song American Idiot has a message of "this mass media hysteria is manufactured bullshit, don't fall for it," and it is not subtle about that message. It punches you right in the face. I remember being 12 years old and listening to it and thinking, "yeah, I don't want to be an American idiot." And now, at the age of 28, I am a staunch leftist who is firmly against the atrocities the US government commits, and I feel strongly about stopping misinformation. So I can say with absolute certainty that they succeeded.

I also get like, really upset when people say that American Idiot is the album where they sold out, because that's objectively not true, both for the reasons I've provided above, and also because of the song Wake Me Up When September Ends. Not a lot of people know the story behind this song, but it's actually a song that Billie Joe wrote about the experience of his dad dying of cancer when he was 10 years old. The story, as he tells it, is that when he came home from school, his mom gave him the news, and being (understandably!) upset, started crying, ran to his room and slammed the door. When she knocked on the door to try and talk to him, he shouted "wake me up when September ends!!" in response. It took him decades to be able to write this song, and it shows because it's the perfect grief song, having been played at benefits for 9/11, hurricane Katrina, and so on. The first time I heard that song it reduced me to tears, because you can hear the intense sadness in it. A "sellout" would never write a song like that!! (Side note: maybe stop tweeting at Green Day to wake up every October 1st, it's super tone deaf given the subject matter,,,)

Anyway, I think I'm done being autistic about Green Day (that's a lie, they'll forever be my special interest), so TL;DR:

Thank you, Green Day, for creating a generation of leftists who aren't about the bullshit

#green day #American idiot #wake me up when september ends #billy joe armstrong #tre cool #mike dirnt #iraq war #bush administration #misinformation #i will die on this fucking hill

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