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all-soul-crossover-comic · 10 months

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IT IS TIME. FOR THE CRINGE FEST.

This is back when instead of "bitch" I said "bish" and didn't have a damn clue. To begin, here is snufkin with a gummy snake. He was going to have a pet gummy snake named regina.

He looked so menacing and white

I would not trust him with my finances. Beyond the "keep reading" thing, there is actual pages. It's been two years. It is time to reflect on my dark past.

The original run was only three pages. I gave up after not many people paid attention to it. Probably because it was trash. But still.

RIP Blueberry Muffin...

Also, a nine year old says the word damn. I was 12 when I made this lol.

Oh so I just skipped to when they already settled in? Oh. Ok. I remember making a version that had snufkin saying "Jerk" instead of "Douche" because the amino I was posting it in had a rule against cursing.

The worst page. Never want to look at it again. I was hoping to to make it an ask thing, but like...I was three pages in and nobody was paying attention-

The original ask prompt pages are all lost to time. Or probably somewhere on my main blog idk I don't wanna go through all that shit, it's like diving into the Mariana trench. I'm too lazy. I just know I deleted the ask prompt pages in shame from certain sites.

Even now, with a little more support than before, I don't get asks. Wish I could go back and tell myself not to rush it out. To make it actually worthy of attention from others. But yk, can't change the past.

Time for more miscellaneous stuff. Slightly creepy stuff.

This was back when ages weren't established, but no matter what it's creepy.

Like how else are people supposed to take this lmfao

Also it says she's married because of the guy that married a miku hologram (and apparently divorced it????)

Anyway that stuff quickly left.

This is 80% snufkin. I loved snufkin. Still do. Don't draw him this much anymore tho-

The image with blood coming from his mouth (he bit his tongue) is what i consider a sort of in-between from the transition from sfc to All Soul. He's gaining some of the personality he has now. Blood is becoming a theme.

I also have some colored traditional drawings from around this time. I'll share them when I find them, and same with the digital pieces.

I didn't really think of winx club when I started it. I only really got into winx after the absolute garbage fire that was fate. Still hate it. Trying to be better than it. Probably gonna end up like it anyway, everything I write is like a soap opera.

Anyway, prepare for the sprinkling of cringe in the coming weeks as I find old all Soul related artwork. Maybe I could even show off my 2016 artwork.

#crossover #fan comic #moomin #snufkin #barbie #sonic the hedgehog #barbie doll #sonic #hatsune miku #vocaloid #all soul crossover comic #winx #winx club

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ordinarydanette · 1 year

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Snufkin

I love how chaotically calm he is, he's just chilling, just a dude with a big hat

Idk?? I like him

"You'll soon find out *breaks stick*"

Idk i guess he and Little My? I think they are so funny

Snufkin and Moomintroll of course, they are cute lil fellas

I don't rlly do nOTP's? So yeah no opinion on those

He put a house on fire once accidentally but if ever asked he would act like it was on purpose, to look cooler.

Hmmm idk if it is unpopular put i feel like he is a catboy

Ultimately by Khai Dreams bc of a animatic I've seen once,,,,, also you and your friend steve for the same reasons

All snufkin is my favorite snukin i don't have any pics of him on my phone

#danette.asks #ask game #danette.rants

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crustaceanenjoyer · 4 years

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Hehe 🤔😏 i got a "frugal hat" in acnh and now I pretty much have a full snufkin outfit 😏 which is. My villager is named mumin. Looks like snufkin. Did I think this through?? No.

#ive been Thinking About wht moomin would look like in game? honestly he looks more like the horse characters than a hippo. a little bit.#^_^ im so glad theres items to make an Actual snufkin outfit in this game :)#in acnl i had to resort to tht green wizards cap anx it's just not the same #i might draw Them.#like what if there was a comet in moominland game in the style of animal crossing *_* ive said it before but it bears repeating 🤷‍♀️🤷‍♂️#i haven't watched any of the new moomin tv series idk if i will?#EVENTUALLY probably? i have this dumb thought tht i need to go through everythinh moomin In Order but im not sure what that means so i cant #also! i never get past moominpappas memoirs bc im just like that #i dont Dislike muminpappa. i think. so maybe i think hes annoying sometimrs but thats bc he has dad characteristics #jhhh annieways im so happy when interests and hyperfocuses respark i love it :)

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unagrancantidaddepanes · 2 years

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by popular demand (literally 2 people lmao) i have decided to actually write the snufkin moominvalley theme song essay that i was screaming about here

I AM GOING TO GO THROUGH. EVERY. SINGLE. LINE.

so obviously this is snufkin just as he is leaving the valley yknow ‘fly away like a leaf in the wind’ OH MY GOD WAIT AS I WAS TYPING THIS I JUST REALISED THIS ALSO MIGHT BE REFERING TO THE FACT THAT AUTUMN HAS JUST ENDED BECAUSE THATS WHEN WINTER STARTS AND THATS WHEN ALL THE TREES LOOSE THEIR LEAVES IT JUST GOES DEEPER THE CONSPIRACY NEVER ENDS

anyways so originally i was confused about this because why would snufkin be refering to his mother??? we dont even know if he knows who she is??? BUT THEN I REALISED IT SAYS WHEN ‘YOU FLY AWAY’ NOT ‘I’ WHICH MUST MEAN THIS IS IN THE POV OF SOMEONE WHO ISNT SNUFKIN. yes i think we all know its moomintroll and moominmama is literally refered to as just ‘mama’ in the show thats pretty self explanitory.

im gonna be honest idk what ‘paper rolls from that other place’ means. the only thing i can think of is that maybe the ‘paper’ its refering to is snufkins letters? idk?

‘where the bluebirds sing’ i just looked it up (NOT ME DOING ACTUAL RESEARCH FOR THIS FUGYUTYDF) and most bluebirds migrate south in the winter so the ‘where’ its talking about is the south.

it says ‘my fantasy’ and this is in the pov of moomintroll so clearly its about something he wants. ‘on the coast’ means hes very close to it/getting it and ‘theres a hope for a change’ means that the thing he wants is something he specifically has to change something to get. this could be him wanting to still be with snufkin during the winter but it could also yknow. just be him being the queerest troll to ever exist TFGYYFGYUH

tbh this just reminds me of that one part of starlight (the song that plays at the very beginning of the series when moomintroll flies on a cloud with snorkmaiden)

^^^^ STARLIGHT LYRICS ^^^^ (NOT THE THEME SONG)

WAIT THIS ACTUALLY HAS WAY MORE SIMILARITIES THAN I THOUGH SGGFFGFDFG OK SO

yea im basically just stealing half this point from this video so just go to 2:39 lmao

i think we can assume the fantasy in starlight and fantasy in the opening are the same thing (its both in moomintrolls pov) and both the theme and this specifc verse are refering to how snufkin leaves every winter. so theres a lot of evidence for the fantasy simply being that snufkin stays with moomintroll during the winter or it could be the point the video was making about how the change/fantasy could be being in a romantic relationship with snufkin instead of snork maiden because yea they are pretty gay i dont think anyone is disagreeing there KJKASGGFIGAFG

OK BACK TO THE THEME SONG

ok i take it back this is right after the whole ‘on the coast of my fantasy theres a hope for a change’ and this sounds way more like some gay internal conflict instead of just something ambigiously platonic like wanting to be with snufkin during winter so either theory works i guess TFYGYFGYDYTFGY

STOP snufkin considers moominvalley his home im CRYING

‘im far away’ i think we can assume is about snufkin being pretty far south and because of the change in pronouns (‘my’) so the song has now switched to snufkins pov

i had no idea what ‘stars in the storm meant’ originally but the offical music video literally just shows a shot of moomintroll so damn i guess snufkin just called moomintroll a fucking ‘STAR in the storm’ these bitches gay good for them good for them

obviously the next part is just snufkin and moomin being gay this whole thing is just them yearning for eachother what did you expect and not even this song thats literally every song and also the entire show what did you expect

‘on my way back’ is just snufkin travelling back to moomin valley and ‘your door’ surely is refering to moomintrolls ‘door’ (moominhouse) because yknow. snufkin doesnt have a house. he doesnt have a door. and also this is still snufkins pov and it specifically says ‘your door’ so it cant be something that belongs to him.

wait im SCREAMING ok so ive just realised this line is clearly a parallel to ‘im, im far away from my home’ which means the ‘home’ snufkin was talking about earlier isnt just moominvalley BUT ITS ALSO SPECIFICALLY MOOMINHOUSE AND PROBALY SPECIFICALLY MOOMINTROLL im SCREAMING

to be honest im a bit lost with this second verse DFYUUYDRFUGY

OK SO I WATCHED THIS VERSE IN THE MUSIC VIDEO (0:58)

‘mama’ as we already established is refering to moominmama which means its probably moomintrolls pov again.

in the music video ‘from the house on the hills’ shows the moominhouse. this could just be because the music video shows loads of visuals from the normal opening sequence but it does literally talk about a ‘house’ which is ‘on the hills’ so i think its pretty self explanitory.

‘let it shine’ could be? kind of like?? when you ‘shine a light’ on something?? like revealing or realising something?? idk??? WAIT this might not make ANY SENSE but in the first line it says ‘take the light from the house (moominhouse)’. so if we assume this is the same ‘light’ thats being talked about and its some sort of revelation or realisation to do with moominhouse/the people (OR SOMEONE) living in it then TLDR: gay. the revelation is that he is gay for moomintroll. I rest my case. (this would then mean this verse is in snufkins pov tho and not moomintrolls???? idk this is all just theories yall im going insane ydtfuYTF)

‘foreign night’ is probably refering to the places snufkin has stayed during nights in his winter travels. mans realises hes gay during his south trip sucks to be him.

‘when all hearts are still’ is when the visuals of the music video fade to the first shot in the series (the one of the camera circling around moominhouse before moomintroll flies on a cloud with snorkmaiden). yea idk what this means but its probably something gay and maybe a bit angsty idk fgyUYDFGYGYF

NEVERMIND I FIGURED SOMETHING OUT ok so normally people interpret beating hearts as the person feeling romantic attraction so surely ‘when all hearts are still’ would mean a complete lack of that. interesting how it plays this line when showing the only shot in this whole video that is (the beginning of) a snorkmaiden and moomintroll scene. interesting.

but like i guess beating hearts could also mean feeling anxiety so it could just be refering to being calm idk tfgyuTFGYUFTYDF

i would also like to mention that the scene being shown is the same scene where the song starlight would play. BACK TO THE STARLIGHT LYRICS

^^^^ STARLIGHT LYRICS ^^^^ (NOT THE THEME SONG)

so weve already esablished 2 different interpretations of this verse but lets just assume its refering to moomintroll yearning to be more than besties with snufkin instead of dating snorkmaiden and just essentially being queer as fuck.

wow no way whats this??? the line ‘on the clouds of my fantasy’ plays conviently while the music video shows the scene where starlight plays?? the scene which literally shows moomintroll on a ‘CLOUD’??? which also conviently happens to have a song that talks about a fantasy??? wouldnt it be crazy if all these coincidences were hinting to it all being the same fantasy??? wouldnt that be crazy????

‘we’ll be pushing the storm’ wow no way that also seems familiar??

remember this lyric?? when snufkin refers to moomintroll as a ‘star in the storm’?? what a crazy coincidence???

‘we’ll be pushing the storm’ could more specifically mean ‘pushing for the storm’ so possibly pushing for some kind of conflict? maybe the ending of snorkmaiden and moomintrolls relationship if were going to assume the lyric directly before (‘on the cloud of my fantasy’) is refering to the undeniable not heterosexuality going on between moomintroll and snufkin fytfyfyuUYG

i think we all know this part is refering to snufkin coming back to the valley

and then the final part of the song is just the chorus again bUT THIS HORRIFICALLY LONG TUMBLR ESSAY IS NOT OVER YET

I WOULD ALSO LIKE TO PUT FORWARD A COMPLETELY DIFFERENT THEORY ABOUT THIS SECOND VERSE VGYFTYGHYFG

so alternativley this verse could be a metephor for the moominhouse acting as some sort of lighthouse for snufkin when he returns

there is a lot of talk of ‘light’ coming from moominhouse in the first 3 lines. ‘let it shine in a foreign night’ weve already established that ‘foreign night’ is refering to the places snufkin stays during nights in winter and if we assume the ‘shine’ is coming from moominhouse or moominhouse itself then this turns it into a kind of metaphor for moominhouse being a lighthouse to snufkin (something that leads him back to the valley) IF THAT MAKES LITERALLY ANY SENSE

anyways yea then snufkin is led back to the valley nice good for him

ALSO this is EXCATLY WHAT HAPPENS IN SNUFKINS DREAM SEQUENCE (which has an absolutely stunning title btw)

at 1:13 he sees a light coming from moominhouse (’the light from the house on the hills’ ‘let it shine in a foreign night’)

then relaxes which means his heart rate would slow down (’hearts are still’)

‘on the clouds of my fantasy’ this is a dream about him returning to moomintroll this is quite literally the definition of a fantasy

‘well be pushing the storm’ (1:32) this is when hes reminded of his fears of being forgotten

‘so ill be where i need to be’ (1:45) this is when he returns to moominhouse

then the chorus begins again

its talking about how hes ‘far away from (his) home’ again so the begining of this chorus could signal when when he wakes up from the dream and is still in the south

then the final line is him deciding to go back to moominvalley (tO sEe mOoMinTroLl aS a mAtTeR oF fAcT i rEaLlY wAnT tO sEe hIm)

guys PLEASE i spent 2-3 HOURS WRITING THIS IM GOING INSANE

ANYWAY SHOUTOUT TO @syrene04 AND @frognun69 FOR BEING THE 2 PEOPLE WHO TOLD ME TO DO THIS SDTYETSRDYRD

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ivergroves · 3 years

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From a young age Snufkin knew he wasn't a girl, knew that his body wasn't quite right if it made everyone think he was a girl, eventually he couldn't bear it anymore and came crying to Moominmamma. The big moomin held him in her arms, smoothing down his fluffy hair to sooth him and rocking in her chair.

"What is it, my dear? What has you so upset?"

The poor little mymrik's face was all wet from his tears and some of his hair was sticking to his face. He didn't typically show it when he was distressed, but this was super serious to him.

"Oh Moominmamma, I don't know what's wrong with me! I'm not a girl, but you all think that I am! I don't want you to think I'm a girl, I'm a boy Moominmamma! I'm a boy!" He wasn't angry, he was just incredibly upset with the situation. It wasn't a situation the moomin was familiar with, but it didn't seem too difficult to fix. She kissed his forehead and hummed thoughtfully.

"Well, it will definitely help now that you've told me, darling. Why have you never said anything about it?"

Snufkin wiped his eyes and sniffled "I thought maybe everyone would figure it out without me having to say anything. I didn't know I would have to say it."

Moominmamma helped him wipe his tears and took him to wash up his face with a warm wet rag. "Well now that you've told me, the issue will be resolved. I will make sure to tell Pappa, Sniff and Moomin unless you want to tell them yourself. Oh, and was there another name you'd like to be called? I don't think anyone else has the name Snufkin, so I don't think it would affect anybody's view of you."

He shook his head "There's nothing wrong with my name. I like my name." He said, giving Moominmamma a tired smile. She smiled back at him, scooping him up in her arms and going back out to her chair where they were soon joined by Moomin who she scooped up in her other arm.

"Oh hello Moomin, dear. What woke you?" Mamma asked, smiling as the two almost instantly curled up together.

"Snufkin being gone did, mamma. I heard crying and I saw that she was gone and- What's the matter, Snufkin?" The little moomin didn't know what he'd done, but Snufkin suddenly looked very upset again.

"Well, Moomin, he's just told me that he's a boy and we've had it wrong this whole time. I think you may have hurt his feelings just now, dear."

Moomintroll frowned and buried his snout in Snufkin's hair. "Oh Snufkin, I'm so sorry! Why didn't you tell me?" The gesture was reciprocated by Snufkin pressing his face into the moomin's fluffy neck.

"I thought maybe you would figure it out! Or maybe you wouldn't like me anymore if you found out, and I don't want you to not like me anymore."

Moomin pulled back from him, a shocked look on his face. "Why would that change me liking you? You're my favoritest person in the whole world! Nothing will ever ever change that. Especially not you being a boy." He laughed, rubbing his nose against Snufkin's.

As time went on, things got better, everyone was fairly good about things. Even Moominpappa, who was fairly stubborn and ignorant about everything, got used to it eventually. But then things got bad again as his body and voice started to change. Strangers would call him a girl even more often, and he couldn't stand it. In a fit of rage, he cut off his back length curly hair down to where it barely passed his ears. He thought he'd regret it later, but he actually had grown quite fond of it. He'd also started wearing baggier clothes, but he didn't know what to do beyond that.

On one of their adventures they met Snorkmaiden, who Snufkin was quite silently jealous of at first, as Moomin would often go out of his way to impress her, but one day the two of them ended up being the only ones awake so Snufkin settled for playing with her. She wasn't actually all that bad when Moomin wasn't around flirting with her. Suddenly she seemed upset and started anxiously fiddling with the end of her tail.

"Snufkin, do you think they've noticed that I'm not..that I don't have the right body?"

Snufkin was confused.

"What do you mean?"

She tilted her head at him "I'm like you! Well, except the other way. I'm a girl, but people don't understand that I'm a girl because I don't look enough like a girl snork, or sound enough like one. I've been seeing this nice lady that helps me with it, but sometimes I'm worried it won't be enough."

Snufkin hadn't even noticed anything off, but he also didn't know snork anatomy or assume anything about anyone. He felt comforted by her confiding in him with this information though. "Even if they have noticed, I don't think it matters to them. They like you no matter the body mix-up." He said, making her laugh and smile. She relaxed again and laid back in the flowers, turning her head to look at him.

"You know, I thought you didn't like me. You always seem upset when I'm around."

Snufkin blushed and looked away. Gods this was embarrassing.

"Well- It's- I- Okay. It's just..Moomintroll is always so..show offey in front of you. I don't know why it makes me so upset, but it's like I'm not his favorite person anymore! I guess that's fine if that's how he feels but.." He sighed, his ears drooping. The snorkmaiden gave him a sympathetic look, looking away for a moment before looking back at him.

"I'm so sorry, I didn't realize...I didn't realize that you were in love with him."

Snufkin turned to look at her so fast he nearly fell. His face was burning red. He hadn't realized it until this moment but she was absolutely right. He was in love with him. He let himself collapse against the wildflowers and clutch the chest of his shirt with his paw.

"Oh goodness I'm in love with him…"

Snorkmaiden looked very confused. "You mean you didn't know you were in love with him?"

Snufkin shook his head "I guess I never really thought about it that hard before...But um, it's okay if he loves you. It may be better even. I know how hard it is on him when I leave, it would only be worse if he loved me."

Years passed and feelings only grew, but he said nothing of them to Moomintroll. Not even when he came in so fast for an embrace he nearly knocked Snufkin over on his first day back that Spring. He was so excited to see them he'd almost forgotten to show them something very important. He waited for the perfect moment at dinner that night to reveal his fresh pair of scars right under his pectorals, and how smooth it was now compared to the lumps that had laid there before.

Everyone was very happy for him and that only made his heart more full, but he still didn't say anything about his feelings. Not even when he and Moomin laid together in his tent that night and the moomintroll traced his scars with his soft furry fingers. Not even when he could have sworn he saw Moomin think about leaning in for a kiss but look away before anything could happen. Not even when the furry beast held him as they went to sleep, or when he was reluctant to part with him in the morning.

He couldn't. It wasn't even just for Moomintroll's sake now, it was for his own too. He could never have the alone time he desired if he desired his dear friend so much more. He hoped one day it would just go away so that they could live on with their lives without the heartache.

Even more time passed, and today he was sure it was the day he had to let go, but his feelings were stronger than ever, making things a bit difficult. It didn't matter though. Moomin had gone and Snufkin didn't know where to, and he must not have cared if he hadn't left a note, so he supposed he was leaving Moominvalley for good this time. But as he finally started to go, Toffle called him over from the coastline about a boat approaching and the sprint he broke into was involuntary.

At first he didn't see what Toffle was talking about and was fairly disappointed, but sure enough, there it was. The Adventure in all her glory, with a singular Moomin aboard and Snufkin knew it was him. He dropped his bag and hat on the grass and ran out to meet him as soon as he was docked, tears forming in his eyes. He gasped and laughed as the moomintroll picked him up and spun him around a few times, causing them to nearly lose balance when he set him back down.

"I'm so sorry I didn't say anything, I didn't know where you were or if I'd see you again before you left, and I was so focused on trying to make Snorkmaiden happy that I totally forgot to write you a note and-" Moomin was cut off by Snufkin suddenly bursting into tears, which was definitely not something he did unless it was a super big deal. "Oh no don't cry-"

"I thought I was never going to see you again! I didn't even know where to look for you and- I thought I was never going to have a chance to tell you that I love you and I would travel alone for the rest of my days."

Moomin held his face in his paws and blushed "Oh I'm so so sorry! I promise I'll never make you feel so helpless again for as long as I'm alive. Oh Snufkin, I've loved you forever, how could you not know that?" He crooned, his tail sticking straight up when his friend kissed him, but it was almost instantly reciprocated. This was it. The moment their lives this far had been leading up to. From that day on there would be no more silent tension, they would finally get to fully enjoy each other's company without overthinking about how the other may not feel the same way, because they knew. From now on, things would be just perfect.

(Or would they? Because perfect doesn't exist and every relationship has conflict even if it's just friendly arguments over silky things, but they're happy. I need to write my whole au and actually develop the story more, but it will exist eventually. Also this took like a minute to write please appreciate it. Also mymrik is my word for the hybrid that he is and either Jox or Mymble named him idk but he had a note with him that was just his name. Not canon, just canon in my stories.)

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ickaimp · 2 years

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(Idk, I’m supposed to be asleep, recovering from major surgery. Unbeta’d, typed up in chat. Happy Valentines/Friends Day!)

The thing of it is, Snufkin knows, is that Moomin and Moomin Valley doesn’t celebrate Valentines Day. He’s pretty sure that they haven’t even heard of it, given Snorkmaiden’s soliloquies on romance, and missing the most romantic holiday of the year due to hibernation seems like something the entire valley would have heard about by now.

Usually the word “romance” and all the expected fluffy gooey emotional trappings that come with it would send Snufkin screaming for the hills. But as he wanders through the town, decorated in pinks and white streamers and the occasional red heart, but it’s an interesting change of pace, he hasn’t seen another person for weeks.

He makes mental notes of everything to tell back in Moomin Valley. Not just for Snorkmaiden, but he thinks Moomintroll and Little My would enjoy it too.

It makes him miss Moomintroll. It shouldn’t, Snufkin knows his friend doesn’t feel the same way that Snufkin does, but the knowledge has never hurt. Having Moomintroll in his life is enough.

“Flower for your love?” A little girl offers him, pulling him out of his thoughts. Snufkin falters for a moment, both at the unexpected interaction, and because he has no coin to pay her for the flower, as is usually the custom.

She seems to understand. “It’s free. Like love!” She insists cheerfully, her flower filled basket swinging from her arm.

“In that case, thank you.” Snufkin takes the flower and tucks it into his hat before pulling out his harmonica. “Although, I could replay with a tune? If you’d like?”

She nods enthusiastically, and Snufkin begins to play, an upbeat ballad he learned far from here. The tune brings a smile to her face, and she starts bouncing as he hits the chorus, dancing off, giving other people flowers.

He smiles as he watches her go, then resumes wandering through the city, playing love songs as he goes. He gets smiles as he passes, an older woman sliding what looks like a sweetbread in the shape of a heart into his pack.

The town isn’t a big one, and it doesn’t take long for him to transverse it, finding the open road again. He continues down it, his tune turning slower and sweeter, more melancholy.

There’s so much he’d like to share with Moomintroll, but he can’t. Moomintroll needs sleep, and Snufkin needs this time alone, to explore and rest away. Stories are the best he can do. It makes the time they share even more precious.

He pauses at the top of a bridge, the notes from his harmonica floating in the air for a moment after he stops playing, then fades away, replaced by the babble of the stream under him and the sound of birdsong.

Snufkin reaches up and pulls the flower free from his hat, then drops it into the water, which rapidly carries it away. In his mind eye, the stream moves through the mountains and valleys, to Moomin Valley.

“Happy Valentines Day, Moomintroll.” He whispers, as the flower disappears from view.

Then he turns and walks away, following the road ever onwards.

Perhaps, in the spring, he could give Moomintroll a flower in person. Flowers, like love, were free.

-fin-

#moominvalley #Moomin #snufkin #moomintroll #snufmin

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studyingmoominvalley · 3 years

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my analysis of Moominvalley (2019)'s season one soundtrack

(yeah I may not be great at this and I may be missing a lot, but bare in mind this is my analysis, not anyone else's. Please be nice to me ;-;)

I'm Far Away:

Snufkin has travelled for the Winter. The first verse is like Moomin leaving letters in Snufkin's bag, wishing him with good travels and a safe return hope. Snufkin is longing for something to change, or maybe something in him to change... The second verse is more talking about his travels and how he longs to return no matter what happens.

Starlight:

I don't know, reading this and thinking of Snufmin makes me concerned. It's SO obvious that it's from Moomin's perspective that it gives me a cavaty. "Please say you'll never leave 'cause it's in your hands" If that wasn't obvious enough, idk what is. This is him just... wanting to be with Snufkin. He knows deep down that Snufkin has to travel, yes it's in his hands but not completely. It's a part of him. This is obviously his mind in a point of time where he hasn't gotten used to Snufkin being away from him, possibly what is reflected in Teety-Woo.

Summer Day:

Moomin doesn't like the Winter because it feels wrong without Snufkin. But he has Snorkmaiden with him at least, and that's good enough right? Snorkmaiden loves Moomin, almost in a similar way Moomin loves Snufkin, but Moomin just feels tied down in the relationship. He thinks he's just thinking like an adult, like a moody teenager or something. But then again, he feels Snufkin is the only one who understands him ("But when you put your hands in my hands/You speak a language only us can understand"). It feels like Summer with Snufkin, but not with Snorkmaiden. He reassures himself that Spring is coming and that he'll see the one who knows him best soon.

Back To The Cave:

We get to look into Snufkin's brain, ooo! This is mainly about Snufkin's feelings about himself and how he hides his true emotions from Moomin and the others. "They can't see behind the camouflage" this is him hiding behind a wise and carefree persona, when deep down he is conflicted about almost everything. It seems when he runs out of things to say or when he fears that he'll show his emotions, he finds time to be alone, shown by the lines "We're running out of punchlines/So watch us crawl/We're crawling back to the cave". But his feelings are getting too much, his fears of being forgotten most likely because he doesn't express himself in the way he should "There's a storm/It's rising". So basically he doesn't know what to do anymore. And I guess the "you can't be truly free if you admire somebody too much" quote can link to "There's no time/There's no place for idles", showing more that this is about Snufkin's emotions.

Love Me With All Your Heart:

now this song choice was intentional. This is mutual pining, their emotions mixing into the same song. They've loved each other for a long time, be it platonic turning to romance or be it always romantic. They both want each other, they both long for each other. But they don't wish for their relationship to change, they want it to stay the same ("When we're far apart or when you're near me", "Love me always as you've loved me from the start").

Home Again:

Snufkin is back home, and he could not be happier. Yeah he likes to travel and be with his thoughts, but nothing is better than being with Moomin, shown by the lines "Nothing could be better/Than when I hold you close to me" and "Who I was back then and who I am now/Makes no difference when I'm by your side".

There Is Something In The Forest:

One day, Moomin and Snufkin are just adventuring as they usually do. But something feels different. Something new. Moomin realises it that night, when sitting hand in hand with Snufkin. He finds himself losing track of time, only paying attention to his friend. When he goes home, all he can think of is Snufkin. He thinks of it as he walks, embracing his new emotions as love, a deep love, for Snufkin. And he never wants to let it go. Ever.

Home:

Moomin has noticed how off Snufkin has been acting, and one day he decides to comfort him. He tells him that if he ever feels like he needs to hide ("Sometimes you only want to hide") or that nobody is there for him, that Moomin will always be there for him. This song can also link to Snufkin's own saying "You must go on a long journey before you find out how wonderful home is", and seems like Snufkin has found his home in Moomintroll.

All Small Beasts:

nah this is crime anthem. Little My is cheering Snufkin up, telling him that people with lots of dreams, emotions and all that should just let it out in a huge show! Commit crime! Burn some signs! Fuck Hemulens, who's to say what they can or can't do? The first verses are her making fun of people being neat and telling Snufkin that bottling up your emotions is just going to tease at you and bite you in the tail one day. But this can also be seen in another way, brought to my attention by my friend Bloom. It can be a song about owning up to your mistakes instead of keeping them away.

Free Spirit:

must I say anything? Snufkin likes being alone and free. The second verse is what I want to focus on however. He knows it's good to be alone and not worry about anything, but his avoiding of responsibility is doing him worse than he knows (much like the "owning up to mistakes" analysis by my friend Bloom).

Country Air:

This is what Snufkin wishes he could say to Moomin. They're relaxing together in Summer, Moomin asleep. Snufkin is thinking in his brain about how much he loves him and just wishes he could say SOMETHING. Winter is coming soon, almost time for them to part. Maybe he can ponder more on his emotions then?

By Your Side:

it seems Snufkin is accepting and returning Moomin's offering of comfort, showing that he cares for Moomin and that he doesn't even need to ask for help, he'll do anything to make him happy.

In Blue:

oh boy

Snufkin fears he made a mistake already. He let out his emotions. Even when reassured that it was okay to do so, he feels utterly guilty, shown by the lines "I built a house from sticks and twine/And you said it would serve me fine/But then the rain could soak me through". He begins to fear that he's being put up with, like he doesn't matter anymore ("Anything to keep me quiet"). But he can't help but feel a strong admiration for Moomin. Snufkin has made so many mistakes, and has so many bad feelings ("I caught a fever like I always do"), yet Moomin is still his friend ("And still you let me stand with you, in blue"). He feels his emotions are his fault, and wonders if he should just stay in the valley and own up to his mistakes and allow others to show their true emotions for him, shown by the lines "I bet next year I'll see you all the time/The fault is all deserved as mine", "Was it all on purpose?/Was this true?" and "Tell me and be honest, was this you?". The phrase "In Blue" could refer to the saying "into the blue", which refers to the unknown. Snufkin is "In Blue" because he is in a stage where he is unsure of what he is hearing and wants to know if it's true or not.

Nothern Lights:

Snufkin's feelings for Moomin are increasing to what is obvious to him as love. "Will you find peace in your heart?" this line could be Snufkin talking to himself. Will be ever come to peace with his emotions and open up?

Ready Now:

Moomin has been there for Snufkin all this time. Through all his doubts, through all his sadness. Snufkin has no idea how to express himself, so Moomin helps him. They take it in turns to just talk about things, and "To my surprise we found my words". All this time, Snufkin believed himself to be free. But now he knows that opening up and embracing how you feel is true freedom. He is ready now.

The Author:

This is more about Moomin. He feels like his future will be like his father's, he already met Snorkmaiden during a big childhood adventure after all, just like Pappa. But he finds his story is changing. He's fallen in love with Snufkin. He slowly realises that his future is his own and that he is in charge of his story. And his story begins with being there for his best friend.

#moomins #moominvalley #snufkin #moomin #moomintroll #snufmin #analysis #soundtrack

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egg-baby-official · 3 years

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Do you have any headcanons for fnaf character's voices? Do any of them differ from the few that have canon voices?

Oh absolutely I do. Most of them are taken from my other interests because I'm just Like That.

Michael is good I just.... would make him sound a little less british you know

Vanny 100% sounds like Lola Bunny from the loony toons cartoon and that is NOT up for negotiation

Elizabeth and Oliver sound like Moominvalley2019 Little My and Snufkin respectively. (As adults. Elizabeth's canon voice is fine for when she's like 10. Idk about baby Oliver though....)

Sammy sounds like Penny snapcube because her voice is just absolutely perfect 🥺

Charlie sounds like Stevonnie and Fake Charlie sounds like Catra no I will not elaborate

Miss Afton sounds like Rose Quartz but like..... German. Does that make sense

My Jeremy sounds like Bow from SPOP because fuck you they're actually the same exact person. And Classic Chica sounds like Scorpia.

Everyone else I'm pretty content with their canon voices or I cant think of one at the moment

#asks #anon #my brain: you will relate all of your other interests to fnaf #me: yes sir right away sir #i debated making claire mercy overwatch but i feel like she deserves a more soft mom voice

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lordxgrinnyxboy · 4 years

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rewatching tgm for the umpteenth time: wifi's not working edition 1/?

ngl i've Never, In My LIFE, done any singing or acting outside of puppet shows when i was in like the 3rd grade but every time i watch TGM i'm more and more like "GOD i wanna be cast as Barkilphedro" and i don't even know why? like why would i want to be the greasy clown nasty? He has No Rights? I Don't Like Him Or Sympathize With Him At All? And Yet???? It must be a calling.

there's like. two barrels on the stage.

uggggggh i love Ensemble!Maskell and Ensemble!Obianyo they're both so pretty

FEEL SO LOW YOUR PULSE NEEDS CHECKING

ngl Barkilphedro has No Rights and he gets No Sympathy from me but i do feel sorry for him when he talks about his mother. also sucks for him that he wasted so much time hoping his loyalty to Clarence would pay off, only to get nothing but mockery in return. also also as 'comical' as the Erotic Breakfast Dance scene is played it's still...really gross and Not Okay. This dude's 100% culpable for his actions and he made his own choices and is absolutely slimy but it's like those bits in LotR when they talk about Bilbo pitying Gollum. idk i just kinda hate that ol' Barky let himself be twisted into such a wretched creature. He crossed the No Rights line the night he decided to carve up a kid's face tho and just kept right on going.

ensemble!maskell is so cute send help

it's the eye makeup and the lighting it's just. a really good look

ms. obianyo pls

just noticed Bark's little pose on "obsessed with the pursuit of beauty"

okay so i've seen some comments around about Clarence's "How do you keep your pecker up" remark and just thought i'd- dude's fingernails. wow they're so shiny. ahem -mention here that i've looked into this expression before and it's actually a term that i guess is mainly used in England or something and it's like nose = beak = 'pecker' as in birds which ‘peck’ things with their beaks. It's basically the same as "keep your chin up". Snufkin says it to Moomin. I mean with Clarence i wouldn't put it past him to mean it another way but also given where the show is set it makes sense he would use such a term.

ngl i want to Know about Angelica tho like. why is she Brutalized. why did Clarence send her awaey. i actually want to know about the whole family. I feel like it's a three separate moms situation but even if it's only two separate moms Where Are The Moms. did Clarence send Them awaey too? Did one or more of them Die? Were they Killed? oh god what if it's like in Light Princess and he actually Had (one of/)Them Executed. I think it's interesting that Clarence Lorded Dirry-Moir. we don't get to know about how he treated Josiana, but none of his kids even turn up to his funeral and the only one who talks about him at all only does so to denounce him.

also thinking about the differences yet similarities between the Green Box Family and the Royal Family but i can't articulate worth anything rn so i'll just *pins for later*

love Ensemble!Brisson

also ngl even if the whole Royal Introduction/Lords on Palace Hill bit isn't 100% literal it still paints a pretty clear picture of the kind of toxic and vapid society that's encouraged under Clarence's reign.

does 'bonnie prince' mean anything specific or

ugh i love Osric

wait i just noticed the stripies on dirry--moir's shirt. nice. i'd wear that.

not as much as i'd wear the heck out of Osric's coat though. actually his whole outfit. add Osric/Lord Trelaw to Roles I Wanna Be Cast For In The Timeline Where I Sing And Act

the face Dirry-Moir makes while Osric's getting started introducing the fair tho. he looks like a kid trying to fit in with a cool new friend group.

the way Mr Maskell sings "we have a huge collection of the crippled and the dabbed" tho it sounds like he's got a cold

i'm gonna need somebody to meet me irl just to do that lil dance that Dirry-Moir and Osric do after "If you've got the money/I've got the misery" it looks fun!

au where Mr. Maskell stays on stage through the end of Laughter is the Beast Medicine. i need to See him do the choreo for this part.

had a real cursed idea right here but no it's Too cursed

the look on Osric's face when Bark grabs his bad arm tho

this whole "imagine laughing without any cruelty at all" is such a weird bit tbh

have i already said that i love the whole look of the "the poor soul who stands before you" part like idk if it's the pose or what but Gwyn Looks Really Good In This Scene

okay but the way puppet!Gwyn holds out his hand toward his mom and then she goes to- hangon i can’t describe lemme see if separate post separate post

okay

ngl im real curious as to whether this bit on the pirate ship (idk why i’ve always defaulted to ‘pirates’ for these cats) actually happened or if Ursus fully made it up like we really Don’t get to Know how much of this has any basis in what really happened that night do we u-u

kay but the fact that Dea’s mom’s lying there with her eyes open and the way they emphasize her frozen-ness by having her arm stay up like. wow.

wait a minute is that Born Broken playing for lil baby Dea? i think it is.

yeah sing it hazlit

interesting how Ursus has little!Gwyn sing “they put blood in my nightmares” but also vow to find the man who cut him. which i mean singular ‘they’ is obviously a thing but as i doubt the intention was for Gwyn to have decided that whoever cut him must be a they/them man i just think it’s interesting that even the wording in the puppet show points to the fact that there was Someone Else There, even if it does then swerve back to a single perpetrator. But also it’s still accurate because while it was only one man who cut Gwyn’s face, it was both Barkilphedro and Ursus who contributed to putting blood in his nightmares.

honest question why is Mr. Maskell’s voice Like That like who gave him the right

love how puppet!Gwyn and puppeteer!Gwyn and later real!Gwyn all do that same little motion with their head on the word “disgrace”

OH HEY we’re at the part where Lon Don picks up NICE

add Mojo Puppeteer to my list of dream roles

wait ohmygod there’s this thing kind of hanging off the cart and i was squinting at it like “what is that” and then the cart turned around and i realize that’s the body that goes to the head-on-a-shelf ursus what the hell

wait so Dirry-Moir genuinely thinks Dea went blind from looking at Gwyn’s face but he also wants to see it? although granted Ursus said she went blind from “gazing too long” so maybe Dirry-Moir assumes he’ll be safe if it’s only a quick look. still. Concept: Post-Show Dirry-Moir having this tendency to Not Look At Gwyn very much until eventually either he explains why and somebody has to Tell Him, or maybe at some point he’s like “wait a minute. that was made up wasn’t it” and everyone has a bit of a laff

ngl i love the inside of the cart and how there’s like four, maybe five puppets, counting Beauty and Beast, and also some of the shadow puppets...all kinds of vials and bottles and what looks like painting supplies...what looks suspiciously like crimson lethe on the stove...looks like some cabinets and extra storage up very top. im curious about the layout since we only get to see one part of the cart at a time.

wait why’s the song called stars in the sky when does he say th- why isn’t it called “New World” or “dreams” or something why stars in the sky he doesn’t even say- does he say it in the reprise??? *skips ahead* NO?

does the Disney Chorus Say It??

THEY DON’T

WHY IS THE SONG CALLED STARS IN THE SKY? WHY HAVE I BEEN UNQUESTIONINGLY CALLING IT STARS IN THE- WHEN ARE STARS MENTIONED??

IS THE TITLE A REFERENCE TO THE FACT THAT URSUS IS ONE OF THE ONES WHO ASSISTED IN STRIPPING STARS FROM THE SKY? IDK BOSS IT FEELS KINDA WEAK TO ME

ugh i love ms obianyo

“to help them forget themselves” yeah that’s what you want him to do huh Ursus

“not now, Grinpayne”‘s a p curious line to include and only the fact that Gwyn’s still using his puppet!Gwyn voice while complaining is keeping me from being like “lol Gwyn’s lil rant was actually him breaking character and then Ursus just went with it like it was part of the show lol lol”

cutting here for length uwu Dea finishes the word ‘skies’ at exactly 30 minutes in which is nice bc i didn’t even have to interrupt her mid-word in order to pause for post-length.

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inumaqi · 5 years

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top ten tagged by @linkspooky 🍊 explanations under the cut! sorry for rambling xo → rules: name your top ten favourite characters from ten different fandoms, and then tag ten people - @osomanga @kara-suno @anonimarevolts @zeninmaki @wildbishonen @shysheeperz @tkmewthyou @kaldurlenn @joxterism @marshmallowdonutsprinkles

snufkin okay so he’s the only one not from an anime or manga but i had to put him on bc he’s the most important fictional character to me, ever. i grew up watching the moomin cartoons in the 90s and thinking about it instantly calms me down - they used to air the episodes early in the morning when it would still be dark outside: the landscapes were moody and cosy, the characters were so softly spoken and articulate... it’s just peak nostalgia. anyway, snufkin is moomin’s best friend; he returns to moominvalley every year to be with his friends during the spring and says his goodbyes to go adventure again come winter. it upsets moomin when he leaves but snufkin is adamant that quiet and solitude are important and healthy, and it’s not fair to expect him to compromise on his independence - that made a really big impact on me as a kid, especially as someone who never really had their ‘own’ space (twinsies). relationships aren’t weakened by physical distance or time, they’re about communication and understanding. that was important too. i don’t think i realised just how influential it had been until i was an adult but snufkin is an anarchist. he first shows up in the comics when moomin and sniff are talking about opening a bank - he tells them they should plant fruit trees instead. he destroys private property and rescues orphans, he refuses to participate in things that don’t bring him joy. when he’s asked where home is, he replies, “nowhere. or everywhere! it depends how you look at it” - the whole world belongs to him, and the whole world belongs to everyone else too.

yomo renji in general, i like characters that trudge along in the background and do the nitty-gritty work that supports the main story. i like people like that irl too. more than anything else, yomo is desperate to form human connections, even though he’s shackled by self-doubt and self-loathing. he just wants to positively contribute to a community, thinking he’s most useful keeping a quiet eye on people who might need protection/guidance (while still giving them space to grow and act themselves) or foraging for human corpses so that others aren’t in danger or moral anguish doing it for themselves.

bird boy is a total weapon - “the perfect ghoul” - and you’re reminded over and over again but a lot of his growth is about rejecting violence and repurposing his power as something productive that he can use to help the people around him instead of hurting people (the yang to uta’s yin). in the first few chapters, he says he kills humans (he’s a ghoul, humans are food, it’s natural) and yet he’s consistently framed as a scavenger who seeks out ‘roadkill’ [suicide victims] for sustenance, even before coming to anteiku, and implements a system so other people can do the same.

suguru getou i was originally gonna say meg bc i love him but, having just finished The Flashback Arc, i can’t stop thinking about getou and i’m beyond impressed with how akutami has managed to ground him so well, so sympathetically. getou is the sick, warped darkness to the hopeful light that gojou commands but... in an uncomfortable twist, the reverse is true, kind of.

actually, gojou is arrogant and confrontational and hyper individualistic. he’s a dissident. getou is obedient, compassionate, self-aware... he has a sense of social responsibility and passionately believes that his skills should be used to protect those who can’t protect themselves - non-jujutsu sorcerers - and all of the suffering he endures as a result is worth that. idk if others are reading his downfall differently but, from where i’m standing, that overwhelming responsibility never goes away, he doesn’t give up on it - he just starts to view the social landscape differently and begins to see how jujutsu sorcerers are vilified and mistreated in spite of all the good that they do. the ‘weak’ aren’t really weak when they’re able to organise and assert collective power over a minority, and so his sympathies shift.

the nail in the coffin for getou is learning that the hurt and pain could be eradicted from the world by cutting the head of the proverbial snake: non-jujutsu users generate cursed energy, so get rid of non-jujutsu users and cursed energy won’t be generated. it’s all horribly, weirdly rooted in good intentions that weigh him down and misdirect him. shinazugawa genya i feel like the bond that slowly starts to develop betwen tanjirou, and zenitsu and inosuke (in particular) is nicely foiled by genya’s lonely journey towards becoming a pillar. after losing almost all of his family and having sanemi walk away, genya is angry, antisocial, rude, violent, evasive...

he’s characterised as competitive, as if he hates his peers and wants to leave them in the dust as an act of self-satisfaction, a power fantasy or whenever, but this is a deliberate misdirection to cover for the fact that he’s scrambling to be a pillar so that he can reconnect with his brother and prove to him that he can protect himself; that sanemi doesn’t need to shoulder everything alone like he used to. his entire goal is an act of apology.

and in a story where so many characters are able to hone these exceptional skills, genya is uniquely disadvantaged as the only one who can’t master breathing techniques. rather than having a hero moment and powering up, his need to reconnect with sanemi is so strong that he essentially decides to compromise his humanity and become a kind of monster by ingesting the demons he’s pledged to annihilate. amajiki tamaki i wish i had a a longer explanation for this one but it’s actually super simple: tamaki is a really, really, really good portrayal of a person burdened with severe anxiety. the way he physically carries himself, the way he hides his face, his manner of speaking, his dependency on his mirio, how he interprets compliments as trickery, how he needs to be pushed and pushed and pushed before he’s finally able to release his potential... every single scene with tamaki felt deeply personal when i was reading bnha and i knew exactly what he was supposed to be feeling. shinmon benimaru sometimes good, nice people don’t fit a little friendly mould and i like that benimaru is hostile and rough and antisocial, even with people he cares about. he doesn’t expect anything of people, he doesn’t want them interfering with him, and he wants to help and support them all the same because he believes in community. he’s completely oppositional to the special fire force because he thinks it’s a tool to pursue an ideology rather than to protect people, which is why it’s so important when the eighth are finally able to win his approval - they become the only company the seventh consider allies, and it’s proof that their objectives are righteous. despite his reputation as... kind of a nuisance, his skill is acknowledged by everyone and he’s universally regarded as the strongest fire soldier there is. in spite of his antisocial attitude, he agrees that it’s important to share that with younger fire soldiers - he’s incredibly patient and understanding with them, helps them to individually adapt. the way he (and others in company seven) operate in contrast to the other companies when fighting infernals is really cool to me for two reasons: (1) it provides a commentary on how cultures and traditions often struggle to survive when they’re systematically (forcefully) replaced through power and wealth - although the subtext is a little troubling because it’s unclear whether ōkubo is conflating multiculturalism with globalisation which, uh, big nope; and (2) philosophically speaking, the approach to death is interesting. where the other companies essentially perform last rites and offer absolution to the deceased, benimaru personally takes responsibility - at the request of the people in his district - for sending them off in huge public display, kind of like a festival intending to celebrate their life. i think it speaks to how profoundly he values life. akihiko kaji i liked akihiko from the beginning because he’s stoic and introspective and also excitable and dumb. he’s a people watcher and waits for opportunities to softly guide uenoyama and mafuyu when they’re quietly crying out for help but doesn’t interfere any more than he thinks is necessary because he knows they can make their own way to where they need to go. i liked akihiko even more when he got really fucking messy. his relationship with ugetsu is sweet and it’s incredibly ugly and unhealthy because they both fail utterly to communicate with one another - they’re both to blame for avoiding and hurting each other, and i think that’s a really normal issue that people find difficult to overcome. i’m super interested (and really nervous) to see how his relationship with haruki develops. he’s done some horrible things to haruki and i want him to be accountable for those things and have them affect their relationship in a realistic way.

tanigaki genjirou one thing i really, really love about golden kamuy is the way noda satoru incorporates the importance of minority cultures into the story, and tanigaki’s apparent abandonment of his matagi heritage is really beautifully written. matagi hunting traditions shaped his life as a young man, it’s how he was able to really assimilate to the people around him and form relationships and - without getting too spoilery - he divorces himself from it all when he’s overcome by grief and hatches a plan for revenge against the person responsible. so, by allowing himself to surrender to negative feelings and thoughts instead of seeking support and learning to heal from what happened, he becomes a total shadow of himself.

makimura takeshi i know i’ve gushed about it before but i can’t properly explain just how incredible it felt seeing an asexual character in manga dialogue about being asexual, and devils’ line does it twice. the reason i’m so attached to makimura in particular is because he doesn’t seem to have fully figured it out - and he’s kinda... comfortable with that. he wants to be with someone and he wants to be monogamous but he can’t understand why he doesn’t feel sexual desire towards her; he knows his feelings aren’t platonic but doesn’t know whether they can really be called romantic either.

not to go dark mode but i very vividly remember just how lonely and horrifying it was battling with those uncertainties when i was a teenager, thinking i was broken because i didn’t have Normal Human Feelings and needed to be fixed. i was so worried about it that i thought about all the boys i knew, picked the one i thought was the nicest and actively tried to develop a crush on him. it was dumb as fuck but, ten years later, i realise it was really desperate and sad too. i forced myself to have ~my first kiss~ (it was horrible) because i felt like i was getting left behind and i think i would’ve put myself in worse situations as i got older if i hadn’t suffered with such bad social anxiety.

i hadn’t really thought too much about a lot of this stuff for yeaaars but it all came flooding back when i was reading devils’ line. it was bittersweet bc i was remembering all of those shitty feelings but also watching this character grapple with those same questions and go: i don’t know yet and that’s not weird, let’s just grow with it. i still don’t totally know whether i’m ace or aro or bi, or whatever, but i’m trying to be okay with just... not knowing.

misora shuuji anyway, devils’ line isn’t actually a manga with a specific focus on sexuality and gender but shimanami tasogare is and all of the characters are written beautifully. if you haven’t read it yet... then why haven’t you read it yet? misora is only about twelve years old and watching them battle with their growing pains is really compelling - they’re closeted but, through the lounge, they have somewhere to explore their gender and all the questions they have about it. they’re amab and present as traditionally feminine wrt clothes, wigs, makeup, etc. but can’t quite tell if they see themselves as a girl, a boy or non-binary.

with the onset of puberty and anxieties about physical changes to their body, misora’s story puts a lot of emphasis on the pressure they face to just ‘make up their mind’ about something that’s actually incredibly complex and doesn’t have any easy answers. they snap and shout and get upset, especially when tasuku (the protag) tries to push them into a corner because he wants a concrete label or identity he can attach to misora, even though space is exactly what misora needs.

#jujutsu kaisen #given #kimetsu no yaiba #boku no hero academia #enen no shouboutai #tokyo ghoul #shimanami tasogare #devils' line #golden kamuy #moomins #mine*edit

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ask-lumpygrab · 4 years

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Some thoughts on the moomin au

So in this au all three Lemongrabs exist as different creatures at the same time. And after being torn whether to make this an “adventure time but it’s moomin creatures” au or a “certain characters exist in the moomin universe alongside Snufkin and Moomin” au I have decided to do BOTH!

So anyway the species are:

Lemongrab 1 - originally a half fillyjonk half hemulen creature. Was transformed into the bug eyed king of California.

Lemongrab 2 - Same as his brother. Is a clone created by magic of Lg1. But became invisible after lemongrab 1 became abusive towards him.

Lemongrab 3 - half fillyjonk half Groke.

LSP - a snork as they were able to change colour in the original books so she can be purple. LSP probably stands for little snork princess as she was EXCEPTIONALLY small as a child and her name is princess as judging by how Snorkmaiden acts, I think Snorks as a species are Just Like That.

Pb - she’s a Fillyjonk wizard instead of a scientist as while there are machines and scientists in the Moomin Universe magic seems to be much more powerful and more able to do the stuff Pb does in the show.

Some lore:

All the Lemongrabs are the results of magical accidents (haven’t figured out the details yet) and are not her biological children.

Lemongrab 1 also had another accident involving magic. In the Moomin series the hobgoblin wizard has a magical hat Moomin and co accidentally find. And not realising that it’s magic, Moomin hides in it in a game of hie and seek. When he comes out he’s been transformed into a hideous creature that’s completely different from his usual self, and nobody can recognise him.

Only his mother is able to figure out that it’s him and recognise him for who he truly is, and this turns Moomin back. So in other words, only unconditional love from someone who truly knows you can turn you back when you’re transformed by the Hobgoblin’s hat. I feel like I’m explaining this poorly so here’s a clip

Lemongrab 1 also ended up being transformed by the hat (though in less happy circumstances). And when he emerged there was no one around him who loved him and knew him well enough to recognise him. So instead of being turned back Pb and co chased him away thinking he was a thief or monster that had wandered into their house.

So Lemongrab 1 became exiled as well as extremely bitter and angry. He still had the hat so he hunted down the Hobgoblin and demanded he turn him back but the Hobgoblin explained that only unconditional love can reverse the spell. However, he did use his magic to create a clone for Lemongrab 1 so he wouldn’t be so lonely.

Lemongrab 2 was thus born as an identical twin for Lemongrab 1. So in this au they both initially had black fur. Him and his brother got on very well and lemongrab 1 was temporarily happy to have someone who wouldn’t throw rocks at him and run away in fear. But Lemongrab 1 quickly started to take his anger out on his twin and would verbally abuse him and bite him sometimes.

Now in the Moomin universe people who are abused or/and neglected gradually turn invisible. We see this in the case of Ninny, an invisible child who is brought to the Moomin family in the hope that they might be able to turn her back by being nice and loving to her. I feel like I’m explaining this poorly so here’s another clip lol

So Lemongrab 2 ends up turning invisible. And specifically I think it could be cool if he disappeared starting with his feet and legs because in the AT universe those are the parts of him that lg1 bit off. Lemongrab 1 would paint him with white paint so he could still see him, but eventually the paint would turn invisible too. This ended up permanently dyeing his hair white even after he became visible again though.

While all that’s going on, Lemongrab 3 is just wandered the earth and following the winter like any other Groke. I imagine he was made without anyone realising or was abandoned after being made because Grokes are viewed as evil, dangerous monsters in the Moomin Universe because they freeze everything they touch so nobody wants one of those around.

I mainly chose a Groke because they’re creatures that freeze everything they touch but long for warmth. So they always follow lights and approach campfires only to accidentally destroy the thing they desperately wanted. The writer of the Moomin books has said they are symbols of loneliness. So I think a Groke-like creature fits lg3, as loneliness is clearly one of his defining characistics.

I do have more lore like how lsp and lemongrab would get together and other little storylines but this is already very long and I don’t think this is of interest to anyone, so for now I will stop going crazy.

That said here are the lemongrab’s names. I did try to find out what lemongrab’s name in the Finnish dub is but was unable to, but apparently napata is Finnish for grab so we’re going with that. Plus moomin characters are often named after their species so.

lemongrab 1 - Hemunapata

lemongrab 2 - Fillynapata

lemongrab 3 - Grokenapata

Idk about the others yet. I like little snork person as LSP’s title though.

#I still be thinking about this #lumpygrab moomin au #lumpygrab #adventure time au #lemongrab #lemongrab au #lsp #lsp au

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blvckblvr · 4 years

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GET TO KNOW THE BLOGGER.

can be used for RP && non-RP blogs to get to know a bit about the person behind the screen

1. FIRST NAME : McKee but if you call me that I’ll kill you. pleeza Xeno unless i know you better

2. STRANGE FACT ABOUT YOURSELF : ummmm oh i own iguanamouth’s first paid commission. my cousin commissioned it because they went to high school together and he gave it to me years later

3. TOP THREE PHYSICAL THINGS YOU FIND ATTRACTIVE ON A PERSON : big muscle women. capable but nonthreatening men. smooth skin...

4. A FOOD YOU COULD EAT FOREVER AND NOT GET BORED OF : fucking nothing. if i eat the same food twice in a single day i get really soured off of it for a little while.

5. A FOOD YOU HATE : not big on citrus

6. GUILTY PLEASURE : i have a cortex in my brain that produces endolphins when bad things happen so i like to keep up on monstrous internet happenings and creepy disappearances and args via youtube channels featuring men with low monotone voices

7. WHAT DO YOU SLEEP IN : depends. tanktop n boxers usually. sometimes a nightgown. sometimes matching set. i own a couple kigurumis too

8. SERIOUS RELATIONSHIPS OR FLINGS : serious relationships

9. IF YOU COULD GO BACK IN THE PAST AND CHANGE ONE THING ABOUT YOUR LIFE , WOULD YOU AND WHAT WOULD IT BE : man idk. im one of those people that figure i wouldnt the the person i was if not for my past experiences so i appreciate all of it in a way and i don’t really want to change any of it. i guess i might have taught myself how to apply makeup and cared more about accessorizing?

10. ARE YOU AN AFFECTIONATE PERSON : sssometimes.

11. A MOVIE YOU COULD WATCH OVER AND OVER AGAIN : fantastic mr. fox baybeee

12. FAVORITE BOOK : i’ve been on an ito kick recently so i’m inclined to say like. earthbound, or hanging balloons, or layers of fear. i kind of enjoy his shorter works more than his longer ones?

13. YOU HAVE THE OPPORTUNITY TO KEEP ANY ANIMAL AS A PET, WHAT DO YOU CHOOSE : skink.........

14. TOP FIVE FICTIONAL SHIPS ( IF YOU ARE AN RP BLOG , YOU CAN USE YOUR OWN SHIPS AS WELL ) : grumble grumble. musewise i like grimm/hollow knight, and shadow/silver/sonic. otherwise, i like wx-78/wilson, and uuuhhhh the classic phoenix/edgeworth and snufkin/moomintroll.

15. PIE OR CAKE : cake

16. FAVORITE SCENT : roses...

17. CELEBRITY CRUSH : idris elba. let’s go with him

18. IF YOU COULD TRAVEL ANYWHERE, WHERE WOULD YOU GO : i wanna go back to japan and i wanna go to that fucking vampire cafe

19. INTROVERT OR EXTROVERT : introvert i think.

20. DO YOU SCARE EASILY : i’m gonna go with yes bc i startle easily and horror games make me nervous. that being said i fucking love horror

21. IPHONE OR ANDROID : iphone

22. DO YOU PLAY ANY VIDEO GAMES : sadly, yes. i have a preference for fast-paced murder games. whatever that means to you i’ve probably tried a game in that genre. i have been known to settle in for like, zeldas or more micromanage-y games too

23. DREAM JOB : in a perfect world i could be a storyteller in some capacity and that would be a viable and secure job for me financially and emotionally

24. WHAT WOULD YOU DO WITH A MILLION DOLLARS : commission any artist i can find for art of my beloved oc wabbajack

25. FICTIONAL CHARACTER YOU HATE : i have unresolved anger issues involving dbd’s jake park from back when there were only 3 killers and 4 survivors and everyone played jake because he could just fuck over the killers immensely

26. FANDOM THAT YOU WERE ONCE A PART OF BUT AREN’T ANY LONGER : steven universe just kinda makes me feel bad to look at now but it was fun when i enjoyed it

tagged by : bullshark attacka me

tagging : i dont care

#oh god It's in the vents | ooc #meme answers #((i HAVE the asks and i'll get to them later #i was just exhausted yesterday #thanka u everyone enjoy this. whatever this is))

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skruttet · 4 years

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Uhhhhh u got any headcanon/theories on how MV19 will handle the Joxter? (I’m hoping they acknowledge that he’s Snufkin’s dad)

Hmm....I’m honestly hoping they dedicate entire episodes in season 3 or 4 to memoir stuff; I know it’s unlikely since they wanna focus on Moomintroll & his current journey and the memoirs are already being presented as short flashbacks etc. that relate to what happens to Moomintroll, but I think it wouldn’t hurt for just a few episodes to focus on the Oshun Oxtra crew.

I also hope they acknowledge him as Snufkin’s dad, and My & Mymble as his relatives, but they haven’t revealed any of that so far, not even with Sniff & the Muddler :( There’s always hope though so fingers crossed!

And since they’re so focused on each characters’ psyche and exploring deeper themes in this series, I think a problem they’d have with that is whether or not to explore how that would all affect Snufkin, or I guess how far they’d explore all that. But then again, they’ve explored (and seemingly will continue to explore) how Little My has been affected by her upbringing and her familial relationships, so it’s not impossible for them to do the same with Snufkin! Though of course his relationship with Moomintroll comes front and centre, but I think after Moominvalley in November that’s gonna have improved in some ways so it’d be great if down the line they did touch on all the blood relations stuff.

I’d also love for them to do the reunion, but obviously it’d have to be different from the book....I mean, they’re not kids in MV, so do Sniff and Snufkin already know the Muddler and the Joxter are their dads? Or had pappa really not told them this whole time? ‘Cause (apart from the parents feeling super guilty as they should before entering) the reunion is lovely and wholesome and happy, but that’s cause they’re kids just joyous to finally meet their dads that pappa has just bigged up as awesome relatable adventurers for them; an older Sniff & Snufkin would react differently. It’d be a mix of positive and negative and downright confusing emotions so honestly I feel like them already knowing who their dads are would probably be a better option for MV. Heck, maybe Sniff actually lives with his parents; we’ve never seen his house so it could be possible. And ofc the Joxter is a wanderer like Snufkin (but again his absence could bring up some sensitive issues that MV would have to handle delicately).

Idk there’s just a loooot to consider, but basically I’d LOVE to see my favourite cat dad in MV, of course!

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madd-information · 5 years

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This is long so I submitted it this way instead of sending in like 1,000 asks. Hope that’s okay?

Hi I’m Twoot and idk if I have (have? Is that the right term?) madd but I might and I’m looking into it. I’ve tried to do some research but idk how well it matches up. For as long as I can remember I’ve sort of created my own worlds or pretended that I was part of some that already existed (based off of youtubers, shows, books, etc. When I was younger it was a big mix of me as a person experiencing it and a character as me experiencing it but recently it’s just been me as characters) It’s not *all* of my life but when I sat down to write this all out I realized how much it happens. and I’m an only child living with only my dad so i didn’t have many real ppl to play w growing up and I have a lot of alone time. I spend a lot of my (mostly) alone time (walking to and from school, being home alone, in bed at night (so much plot in the stories/worlds I build happens at night), and even sometimes in social situations,, tho it depends) doing what I have dubbed in the latest years “The Characters Thing” (I’m just going to call it TCT for now bc I’m not %100 sure if it’s madd or not so that’s just what I’m going to refer to it as here)

Usually when I get into something (bc of my adhd when I get into a fandom type thing I hyperfixate and *rly* get into it) my whole world revolves around that thing. I create a sort of au and story in my head and they often times never wrap up before moving on to the next one. While I’m involved in one of my hyperfixations I usually do TCT about them and start a storyline which I continue throughout my day. These can last from one afternoon (tho that’s p uncommon) to months. They change as my hyperfixations change bc once I tire of those the characters/world no longer interest me and my hyperfixations usually last for a couple months. Right now I’m into Moomin so for example I would be Snufkin or the Joxter (it switches who I am A Lot depending on what’s happening in the story/ where I am while I’m doing TCT bc I don’t know if what I’m experiencing is actually madd) and go thru parts of the story I’m making as them. I don’t think of myself as becoming them ig?? Looking back I’m still me,, I’m the body,, the one experiencing things but during TCT the concept of “Twoot” (me) is gone and I perceive things and react to situations (irl or in the story in my head) as the character. It’s never in third person as I am always a certain character and even if I imagine others I do not act as them even tho I sort of control them. Another thing I forgot to add is that I can switch between what character I am. It often varies from world to world and story to story but sometimes I switch characters randomly bc my mood changes and the way I’m acting would better fit another character or my hyperfixation might shift and maybe a different character seems more appealing at that time. It’s like when you’re reading a fic and some of the chapters are in the POV of a different character. Tho for me it’s never third person no matter what. I always see it thru the eyes of the character I am.

There can sometimes be multiple worlds/stories happening at the same time which sometimes stumps me on what one to continue with when I do TCT. The stories never happen at the same time but if there are stories that are super short (last for only an afternoon or so,, but again these are super rare) there might be characters from multiple things in the same place. One recently for me was a world of me walking back from school after a stressful class where two characters (strongly tied to emotions. The three characters here are the only ones that are tied to emotions and pop up when I am feeling a certain emotion. Tho there are exceptions like there’s a character that always pops up when I’m stimming.) Who represent pettiness and anger (Marvin from Falsettos being the main one. (The only time when I act as him is when I am feeling petty or selfish and angry bc falsettos isn’t my hyperfixation anymore and I wasn’t usually him when it was my hyperfixation) Little my from Moomin was the other but unlike Marvin me feeling angry isn’t the only time she pops up bc that’s not all she’s included for and she’s part of my current hyperfixation) where talking to me (At the moment I was snufkin from the Moomins who i use to make my emotions stable bc he is always calm and collected. He’s also the main character I am rn bc he’s my favorite and from my current hyperfixation) even tho Marvin is not from Moomin and little my and snufkin aren’t from falsettos. This kind of world with mixing characters and it being so short (only lasted for half of my walk home) is v v uncommon tho it does happen. It is also an example of one of the kinds of situations that happen when I do TCT.

There are three kinds.

One: Real world. This is where the characters (Sometimes just the character I am and sometimes there are others around me) are responding to things that are happening around me activity. Example: Worrying about a test I have, playing a video game, or doing something activity that is happening irl. This can easily bleed into the second type if I am doing something nonspecific like walking home or eating dinner.

Two: Imaginary situations: This is where I am doing something during TCT that I am not doing in the real world. Example: irl I am in bed but durning TCT I am walking around the forest(little irl movement and acting bc I am lying down and I cannot speak bc I might be heared by my dad) or irl I am just home alone but during TCT I am going shopping with another character (a lot of irl movement. I can talk, run around, grab props to use and use them, etc.)

Three: Including other people: This is why it doesn’t affect my social situations negatively. This is where I am interacting with other people and see myself as one character and those around me as others. This usually follows the rules of the forst kind bc I base things around what is actually happening. If I am around my little cousins sometimes I can play with them and suggest what we play using the world I’m focused on at the time (it’s not that weird bc I’m 14 and we don’t see each other that often but when we do we’re all v close and it’s not as weird or forced as it sounds) and I’m the character I am at that time and might even suggest them to be other characters from it. If not this can actually star a branching work with my cousins ocs as characters that I might or might not use if I continue that branch. If I am around friends we don’t play that often anymore bc were all about 14 so we play less and less but there was a long lasting hyperfixation that rly was great for TCT bc my friends where into it at the same time and often played and/or rped as these characters. So sometimes they might play along but most of the time for type three I only imagine them to be other characters. I assign them a character that matches who they are and hang out with them as I act on the way my character as they and build the story in my head as things happen irl. Examples: irl I’m eating dinner at a restaurant with my dad and grandparents but during TCT I am the character eating dinner with the other characters in the world in my characters dining room, irl I am in the ocean on a beach trip with my friends but during TCT I am a Character that is trapped on an island and swimming to somewhere else with the few other characters for company, or irl I am in a car going to a friends house while it’s late with her mom driving us but during TCT I am the character on a train traveling to to town for the first time to go to an inn while I chat with a character that is a stranger (even if irl she’s my best friend) and the nosy lady in front of us who keeps interrupting our generally peaceful train ride

I am always aware that I am doing TCT and usually (I think? I’ve never tried to specifically shut down any “sessions” of TCT) in control of when it stops/starts and there is no inner world. I am aware of what the body is seeing, hearing, feeling, etc. irl but TCT is happening on top of it(?)

If there are other characters besides just me in a scene (unless I’m with other people and assign them a character that suits them in my head) I see them even tho they’re not there? They are invisible but I can tell what they look like and where they are at any given time. In the “scenes” im never “transported” anywhere. Sort of. I can decide where the room I’m in is in the story (like I say that my room is really the inside of a tent or that the restaurant I’m in is the dining room of my character’s house) but it’s the same as how the characters look. I perceive everything as it is but imagine that things look different. This also happens with real people I assign characters to in my head. My eyes see the people but my brain, ig in my minds eye sees what the character they “are” looks like.

There are multiple different reasons that TCT happens for me. Most of the time it’s because I’m bored (I have adhd-pi (the inattentive type) so this happens quite a lot) but I also use it to deal with situations I want to personally distance myself from.

Like because I have sensory issues it’s Awful for me that I have to go out to eat with my grandparents every week and have to hear them chew food. So I start doing TCT and handle things how my character would handle it. If I end up spiraling and breaking down then TCT is torn away and my mind stops thinking of that as I am too preoccupied with the breakdown (usually dealing with personal things so it’s harder to place a character on it)

I have recently started to use TCT to my advantage during breakdowns and either acting as a more stable character they ig to calm themself down OR be Twoot (me) (this is v uncommon for me this past year or so unless it’s to do what I’m explaining now) and have the characters “there with me” to calm me down. It all depends on the specific experience.

What makes me question if madd is what I’m experiencing or not is bc It doesn’t usually affect my social life; if I’m doing TCT I just have my friends/family be other characters (tho I don’t tell them this ofc) and it’s not like an actual dream. I still experience reality while it’s happening and it’s not too vivid (I have memories of the parts of stories like they really happened but as I explained before things seem sort of transparent so they aren’t too detailed) also it’s not third person. I have to experience it in first person weather I’m acting it out (this is ideal, I do this if I’m home alone or walking somewhere alone. If I can’t speak and move around to act them out I mouth things out and imagine that I am doing the things, but not rly bc I imagine doing things in first person if that makes sense, or if I rly have to it all happens inside my head but that’s only if I’m in a social situation where I can’t move around. If I’m in a social situation with friends I can move around in I move and and act in the ways that the character I am at the moment would/ is in my story and have my friends be the characters while I build the story around what is happening irl)

If there’s anything else I should explain but at this time that is all I can think of to share. I hope this makes sense. If it’s not madd do you have any idea what it could be?

I always thought me doing this was normal then when I realized it wasn’t I thought it was just my adhd but I had kind of realized it might be something else and it made me think after I brought up the fact that I did this to my therapy group as a way to distance Myself from situations that are uncomfortable and deal with stress so I decided to do some digging and madd seemed rly close but I thought I’d ask someone before I go and self diagnose let alone talk to my dad about it.

#maladaptive daydreaming #actuallymadd #.#Oml this was so long im so sorry #it also probably didnt make muchc sense #oof #thank you for running this blog tho its lovy and thank you fir reading my cinfused ramblings!#submission

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