I'm the wife in my marriage.
It's funny to me anyway. Funny to me because my wife is the very picture of femininity, loving, caring, sexy, pretty, beautiful wife, loving and adored by all her children. And a satisfied and hot for her husband.
But to me she is beautiful and terrible as the Dawn! Treacherous as the Seas! Stronger than the foundations of the Earth! All shall love her and despair!
And yet she chose me.
So to all the hella ladies who rejected my advances? Y'all missed out. Because she saw in me what way too many people couldn't. And sometimes still can't.
And she wants to run my life. And the lives of our whole family. And we all kinda love it. Mostly. But it ain't worth the headache or heartache of fighting her on anything. She's Daddy's little princess and her mother is the loving matron and queen bitch of the family and we all stay in line. Mostly. I love to do my own thing too much for my own good. But it keeps our fights about stupid stuff instead of my weed use again.
(I'm dead ass functional and present from 6am on till I finally get my insomniac ass too sleep while high just to escape the constant anxiety about my sick daughter's upcoming surgery, my dying suegro, my mourning wife, disturbed autistic son, special needs princess Daddy's girl I'm spoiling her to death to make her just as powerful and ungovernable mother and it's working too well already. Have you ever negotiated with a hostile bitchy entitled as fuck child? )
Anyway, you wouldn't know it looking at me or talking normal chitchat, but I'm pretty fucking manly. In the way my culture defines manliness. I'm not very masculine. But I'm very manly.
I'm feminine as fuck in my household. I mother the kids, help their emotional development, work on my wife's emotional and mental well-being, and I'm the one never in the mood for sex. And I do every single thing she says. And then she does the discipline and management of the family's affairs. And she's the one who has to seduce me. Did I mention she was sexy as fuck? (While I'm awkward as fuck every time we even roleplay.) And a horny Latina. (That's why these horny sexy, nice, Latinos are taking over. It's natural selection. The Whites just can't compete and as usual are getting their panties in a twist over not being able to compete even with everything in their favor to out reproduce them all but it was too many kids for a nuclear family to handle Whites.) So beautiful hot queen sexy as fuck Latina seduces me every night. #blessed. So fuck yeah I don't wanna fuck up this arrangement. So I do everything she tells me to and treat her real good and let her win every argument and over apologize. Except when I make a rare exception to make a stand in something important or just to make some trouble and have some fun.
Oh yeah. She's a clean freak 😮💨 But she's an impatient Latina housewife perfectionist clean freak. So she gets mad at my perfectly good job when company isn't ever coming job and tells me to stop even trying to clean. Go play Minecraft with your daughter to keep her occupied.🤣
I have the best living situation ever. I'll be your bitch my bitchy highness. Just please keep playing with my hair on your lap. Oh, and that sucking my dick the way you do and being right 95% of the time on judgement calls.
So yeah I'm the wife.
And I got a pretty good life.
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thinking about how silver knew or suspected that thomas might be alive almost from the beginning of season 4 and still didn't tell flint like
Flint: Do I need to be concerned that you took almost two hours to tell me about it?
Silver: We are at our least rational... when we're at our most vulnerable. If nothing else, this is a good reminder that without a doubt she is the point at which I'm my most vulnerable. The thought of losing her...
I see.
Silver: If we assume... that we are on the verge of some impossible victory here, a truly significant thing... if we assume that is real and here for the taking... wouldn't you trade it all to have Thomas Hamilton back again?
Flint: I think if he knew how close we were to the victory he gave his life to achieve... he wouldn't want me to.
Silver: I see. Though, that wasn't really what I asked, was it? Assume his father was just as dark as you say, but... was unable to murder his own son, assume he found a way... to secret Thomas away from London...
Flint: He didn't.
Silver: Would you trade this war to make it so? It is some kind of hell to be forced to choose one irreplaceable thing over another.
LIKE PERHAPS THERE IS SOMETHING ELSE YOU SHOULD BE CONCERNED HE IS NOT TELLING YOU
Flint: I know what it's like... to have lost her. And then seeing a way to have her back. I understand what that must've felt like. You asked me once what I would do, what I would sacrifice if it meant having Thomas back again. I honestly don't know... what I would've done. I honestly couldn't say I wouldn't have done what you did. I told you I'd see you through this. Put things back together again so that we can move forward. I meant it.
And then again he still doesn't tell him because he can't, not until he's certain he won't have to use it-not until he's certain he'll have to End Flint because he doesn't want to but he knows (has known this whole time) that he will be the end of him so he hid this Massive Thing from him even after he knew what it was like to lose Madi he Still hid it (this is of course assuming that thomas is still alive and that wasn't just a lie to madi or a justification to himself and flint to make sending him (flint) away to live the rest of his life in chains doing labor seem like it wasn't so bad really (and also ignoring the fact that miranda who was arguably more a catalyst for flint's war than thomas was is still dead and not even silver can bring her back from the dead))
it's just really funny idk what to tell you
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“Huh. I wasn’t expecting you.”
The yokai lowered his eyes to find he was no longer alone. A figure sat at the table, spectral and not entirely whole. The outline was there, but it was as if it had been scoured haphazardly with an eraser until key features were left blurred. Yet even with the top half of his face missing, it was still recognizably Leonardo.
Draxum considers himself a rational man. Unfortunately, this turns out to be a problem in a meeting of souls, leaving Leonardo's life hanging precariously in the balance.
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inspired by @dudeyuri pointing this out in He's Coming to Me
I'm thinking about how HCTM goes HARDER with the concept of 'if you know how it's going to end, why start anything?' than even Bad Buddy.
In Bad Buddy, Pran doesn't see the use in verbalizing his feelings for Pat because it can only end in tragedy. He looks at their situation with their parents and doesn't see any way that he and Pat can have a happily ever after. But Pat's relentless optimism and love in the face of this helps Pran realize that some things are worth trying. Like in the episode 5 rooftop kiss, where Pat kisses Pran and Pran goes "...what the hell. Might as well go all in" and kisses Pat back. (I've talked about the kiss here and here (shout out to @dudeyuri' contributions); and more broadly about Pat and Pran and genre/tragedies here and here)
In Bad Buddy's case, Pran and Pat are able to defy their seemingly pre-destined tragic ending through the power of their relentless determination to be together (see @chickenstrangers' brilliant post here). If it means fake breaking up, if it means hiding parts of their lives from their parents and others, they can do it. They refuse to have their story end in tragedy. And they succeed! They have found enduring love and a future together in a situation where that seemed impossible, a guaranteed inevitability. They defied generations of family feud forbidden romance endings (Romeo & Juliet, Kwan & Riam) (and their own families' intergenerational trauma - see this post by @waitmyturtles) to find a happy ending.
But Bad Buddy's ending is not 100% happy - Pat and Pran aren't able to be open in front of their parents, they aren't able to realize their achingly simple dreams (Pat being respected and not questioned by his father, Pat able to join Pran's family at dinner - see @grapejuicegay 's tags peer reviewed here).
In the same vein, HCTM doesn't have a fully happy ending either, and it also deals with the looming spectre of inevitability tragedy. Only this time, it's even more inevitable.
(If you haven't finished HCTM beware spoilers)
HCTM establishes that ghosts remain because they died before their time, because they don't know the reason they died, or because they didn't get the proper funerary rites. If these issues are rectified, the ghost will be able to pass on and be reincarnated.
(forgive my potentially hazy remembering of HCTM, it's been a few months since I watched it and I'm writing this on a train)
Mes hasn't passed on because he didn't know the reason he died (and he hadn't received the proper care post-death from his family). Thun helps him rectify this: solves the mystery of how he died and helps arrange a proper send-off. Thun does all this because he loves Mes and wants to help him, and despite knowing it will help Mes pass on and leave him - the inevitability of their situation looms large.
At the end of the show, Thun cries because he believes Mes had left him forever, but by some miracle Mes has remained. But this is temporary, and we all know this. One day, Mes will pass on and be reincarnated. Not today - today Mes and Thun get to stay together - but one day, that is how this story will end.
So like Bad Buddy, it's not exactly a happy ending (Pat and Pran are trapped in a glass closet, Thun and Mes will be separated one day). But unlike Bad Buddy, there is less chance of a reversal of fortune, of defying the inevitable. Thun and Mes are working with cosmological forces of death and rebirth. Perhaps their love will be able to overcome this and Mes can stay with Thun... but the show doesn't confirm this. If anything, the show makes it clear that this is temporary, that eventually Mes will leave Thun.
Despite this though, and like always in Aof's stuff - better to have loved and lived than not at all. Despite their less than stellar ending, Pat and Pran have found an enduring love in each other and their lives are better and happier for it (Pat says it himself: he was happier when Pran wasn't in his life because he didn't have to compete so much, but he was damn lonely). Thun and Mes are the same - sure their love won't be everlasting because eventually Mes will have to pass on, but the joy and love it brings to their lives (and the self-realization it brought to Thun's) is worth it all.
Bad Buddy ends in the middle of things (Pran and Pat still haven't rectified things with their family) and so does HCTM (Thun and Mes are together, but only temporarily. We don't see their ending).
Shout out to another @dudeyuri post that made me think about this (here) and @waitmyturtles masterful post about suffering in Asian BLs and, more specifically, the lack of closing loops in narratives/relationships, which I have been mulling over since - Bad Buddy and HCTM's stories aren't over, we don't see the endings.
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