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hamliet · 3 years

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The Girl Who Gets to Have It All: Buffy Summers

So with @linkspooky‘s encouragement, I have binged Buffy the Vampire Slayer and relived my childhood culture. And, it's a 10/10 for me. Not that it doesn't have flaws, but it's genuinely one of the best stories I've seen, with consistent character arcs, powerful themes, and a beautiful message. It's also like... purportedly about vampires and demons and superpowered chosen ones, but it's actually all about humanity.

Buffy was able to be a teenage girl, allowed to like the things teen girls are scorned for (boys, shopping, etc), to be insecure about the thing teenage girls are insecure about (future careers, dating, school, parents), and to be a superhero with its good and its bad aspects. The story wasn’t afraid to call Buffy on her flaws (sometimes she got in a very ‘I am the righteous chosen one’ mode) and to respect and honor each of her desires (to be a good person, to be loved, and more). The story listened to what she wanted and respected her desires, giving her the challenges needed to overcome her flaws while also never teaching her a lesson about wanting bad boys or romance is silly or any manner of dark warnings stories like to throw at teenage girls.

It respected teenage girls--nerdy girls like Willow, jocks like Buffy, lonely wallflowers with trauma like Dawn, and popular/snobby ones like Cordelia, girls gone wild like Faith. It never once reduced them to the stereotypes that were lurking right there: each character was fully rounded, human, flawed and yet with respected interests and goals. This is so rare for a story that I’m still in awe.

The story as a whole follows Buffy from 15 to 21, of her as she grows from teenager to adult. She acts like a teenager and grows to act like a young adult, wrestling with loneliness and duty. The adults, like Giles, Joyce, and Jenny, are not perfect either, but neither are they “bad parents” or “bad mentors” necessarily. Joyce in particular says something terrible to Buffy, but she tries to do better, and it’s rare to see a parent in YA stories shown with such nuance. Basically, it wrote the long-lasting adult characters as human beings, too.

Speaking of growing up, I appreciated how Buffy’s love interests mirrored this. Angel was someone Buffy loved and admired, wanted to be like, but who was always either extreme good or extreme bad, and combined with Buffy’s own tendencies towards black-white thinking, made for a beautiful relationship to help her grow, but didn’t necessarily form a foundation for a long-term partner. Spike, on the other hand... they both saw each other at their worst and were drawn to each other even then, and were inspired to become better because they couldn’t bear to be a person who treated the other person so wrongly. They pushed each other to become the best them they could be, and believed in each other. Also, Spuffy is an enemies to lovers ship for the ages.

(Also, most of the other ships were well-done or at least can be understood. Riley was very obviously wrong for Buffy which paralleled Harmony and Spike in being 100% wrong for each other. Cordelia and Xander were a fun ship even if we all knew it would never last, and Willow and Oz were beautiful and cute. But Xander and Anya and Willow and Tara? OTPs. As were Giles and Jenny, the librarian and the computer teacher.)

That said, it’s not a perfect series. No story is. All of the characters and ships had problematic aspects to them worthy of critique, and the writing is very 90s in a lot of ways. It’s a product of its time, and in many ways it’s good society has progressed beyond some of the tropes/metaphors used in the show. In other way, though, the show was ahead of its time, and in a good way it wasn’t bound by the fear of purity policing with its takes on redemption (many characters would never fly today).

So, in order of seasons ranked from my very favorite to my “still enjoyed it very much” (no season was actually bad, imo), here’s my review. I’ll also review my top 10 villains in the show, because Buffy does villains very well in terms of the redeemable and irredeemable.

Season 7: Yep, the final season was my favorite.

Overall Opinion: Buffy's finale is literally "f*ck them men, our power is ours" and while it seems cheesy it actually works (also, f*ck in both a literal and figurative sense). The series strongly hit all the themes: love as strength, and redemption. Buffy consistently shows love as her strength--*all* kinds of love. Friendship w Willow/Xander, familial with Joyce/Dawn, romantic with Spike/Angel. These types of love are also never pitted against each other as is so often the case in current-day media. It's beautiful. Also, Spike’s confrontation with Wood was so powerful in terms of exploring forgiveness, redemption, and reconciliation: where they overlap and where they don't, and what it means to move forward.

Unpopular Opinion: I have seen a lot didn’t like the inclusion of Potential Slayers, and while I agree they could have been better incorporated/characterized, it was a great way to show Buffy’s final stage of growing up to be ending her chosen one status and projecting/multiplying her powers over the world.

Biggest Critique: Kennedy was female Riley--the anti-Tara to Riley’s anti-Angel (by ‘anti’ I mean opposite in every way). Kennedy was annoying and immature. Her role, like Riley’s, was less about exploring her as a character and more about her just being stamped as “love interest: lesbian.”

Favorite Episodes: Beneath You, Lies My Parents Told Me, Touched, Chosen

Season 6:

Overall Opinion: I said this on Twitter, but I felt like this was Buffy’s The Last Jedi or Empire Strikes Back moment. It is polarizing and dark, deconstructing the tropes it stands on--but by digging to the core of these tropes, it actually makes what’s good about them shine brighter. Everyone’s enemy was the worst versions of themselves. Giles left Buffy, Willow's struggle to relate to the world led to her trying to destroy it, Buffy hurt everyone through her anger, Xander abandoned Anya at the altar, Spike... yeah. It ages well as an integral part of the story, and the Trio were eerily prophetic.

Unpopular Opinion: Dawn is a great character with a good arc. A traumatized teen acting out and struggling to come to terms with loss and identity? She wasn’t whiny; she was realistic.

Biggest Critique: Willow’s addiction coding (I’ll discuss this below) and Seeing Red as an episode. I see the argument for both of its controversial scenes from a narrative perspective: Willow starts the season not grieving Buffy but instead being determined to fix it with magic and needs to learn to grieve, but. Still. Bury your gays is not a good look. For the Spike scene... he conflates sex/passion and violence (”love is blood, children” is something he said way back in season 3), but like Tara’s death, it had more to do with Spike (as Tara’s death did for Willow) than with Buffy’s arc, and as for the actual execution... they really botched that. Did it like... have to go on that long or go that far? No. Also, the framing was good, but inconsistent with the rest of the series (Xander to Buffy in the hyena episode, Faith to Xander and to Riley, etc.)

Favorite Episodes: Once More With Feeling, Smashed, Grave

Season 3 (tied with Season 5):

Overall Opinion: The opening continuity of Buffy meeting Lily/Anne after saving her life in Season 2 was sweet. The Witchhunt episode had really powerful subtext: stories of deaths that aren’t even true are actually demons that possess the town and convince them to turn against their children in the name of protecting the children. It’s a good commentary on, oh, everything in society. Faith’s character arc was fantastic, and her chemistry with Buffy was off the charts (look, I may be Spuffy all the way, but Fuffy has rights). The finale was satisfying in so many ways, seeing the entire graduating class unite to destroy the Mayor and the school with it, symbolizing Buffy et al’s readiness to move on to college. Oz's relationship with Willow was very sweet and meaningful for a first romance for Willow.

Unpopular Opinion: I actually don’t really have one. Maybe that the miracle in Amends was earned? I think you can make a decent case that Season 3 is the best written of the seasons, but can only truly be thematically appreciated to its full potential in the light of subsequent seasons (which finish Faith’s arc and deconstruct Buffy’s).

Biggest Critique: It forgot Buffy killed the hyena guy in Season 1, making her continual insistence that she can’t kill people very ?????

Favorite Episodes: Lovers Walk, Amends, Graduation Day Part 2

Season 5, which ties with Season 3:

Overall Opinion: The entire season is about family and what it means, from Tara’s to Buffy’s to the Scoobies. I loved Glory aka Enoshima Junko as the Big Bad, I loved Dawn’s interesting meta commentary on retconning (like, the fact that she’s retconned in matters), and most of my ships are still alive. Joyce’s relationship with Spike is one of the most heartwarming aspects, and Spike’s arc’s desire is clearly highlighted: he wants to be seen as a person. The episodes after Joyce’s death are the most honest portrayals of grief I’ve ever seen, and absolutely brutal to watch.

Unpopular Opinion: Buffy’s choice at the end seems a deliberate inversion of her choice at the end of Season 2 (sacrifice a loved one to save the world), but it actually isn’t: much like at the end of Season 2 where Buffy skips town because she’s devastated after killing Angel and doesn’t want to sort out being expelled, her mom knowing she’s the slayer, and her own trauma, Buffy’s sacrifice here was as much about her wanting the easy way out of relationships, family, college, etc. as it was about saving Dawn. Buffy’s death is coded as a suicide, which Season 6 emphasizes as well.

Biggest Critique: Like Season 3, I don’t have a lot to critique here. I wish the suicidal coding had been a little more obvious in Season 5 itself, but also I’m not sure it could have been more obvious; it’s pretty apparent if you pay attention. Maybe also that Buffy and Riley’s relationship failing should have been more squarely blamed on Riley, you know, being insecure and cheating.

Favorite Episodes: Family, Fool for Love, Intervention.

Season 2:

Overall Opinion: Heartbreakingly tragic but exciting and revealing at the same time. It asked the viewer interesting questions about redemption and forgiveness and atonement through Angel being honest about his past, and then decided to show us his past now reenacted, challenging us. And still, we saw them save him in a parallel to saving Willow in Season 6 (but Season 2 was tragic because it wasn’t enough, while Season 6 was not). Jenny’s death was agonizing, and the scene were Angel watches Buffy, Willow, and Joyce get the news through the window was powerful. We didn’t have to hear them to get the grief.

Unpopular Opinion: Jenny’s death isn’t a fridging; it works for her arc too when you consider her history. She worked to save the person whose life she was tasked to ruin, and it cost her her own--yet she still succeeded, because Jenny brought joy and wisdom to the show. Kendra’s death, on the other hand... was because they needed the stakes to be high--but we already knew that before she died. So, her death was useless.

Biggest Critique: The subtext was Not It. It was essentially “do not have sex. Your older boyfriend will lose his soul, kill your friends, you’ll lose your family, your school, your home, and have to kill your true love or else hell will literally swallow earth.”

Favorite Episodes: School Hard, Passion, Becoming Part 2.

Season 1:

Overall Opinion: I really liked it; it’s just lower on this list because the others are just better. It’s a great introduction to the series and to its characters, from Giles to Buffy to Willow to Jenny to Cordelia. It has great subtext a lot of the time (for example, Natalie French as She-Mantis is a literal predatory bug who engages in predatory behavior with students). Additionally, it subverts the typical YA trope of two guys and a girl, in which the girl is usually the least interesting character. Buffy and Willow were both fully fledged characters from the beginning with distinct strengths (even before Willow became a witch, as she wasn’t one in season 1 yet), while Xander was the more ordinary of the group.

Unpopular Opinion/Biggest Critique: Xander’s arc showed its first flaws that unfortunately continued throughout the series: his writing was either very good or very indulgent in ways it never was for other characters. (cough, the hyena episode, cough, in which he gets to skirt responsibility--and acknowledges that he is skirting it--for something the show will later hold others to account for). Xander’s just kind of inconsistent, which weakened his character over all. (Which is why both his love interests--Cordelia and then ultimately Anya--were good for him: they did not indulge him.)

Favorite Episode: Witch, Nightmares.

Season 4:

Overall Opinion: it’s still a good season. It’s a good portrayal of college and the growing pains of branching out, the strains of college growth on relationships (romantic and platonic). It shows us the first hints of Spuffy, giving us some serious Jungian symbolism between Spike and Buffy early on, and does well in establishing Xander/Anya and Willow/Tara as beautiful OTPs. Faith and Buffy’s foiling is fantastic. The Halloween episode was very fun as well. However, it suffers because its Big Bad, Adam, is not all that compelling thematically--yet, he could have been. See, the final battle pulls off the Power of Friendship in a really strong way but notably the season does not end there. Instead, it ends on dreams of each character’s worst fears, continuing what we saw in Nightmares in Season 1. Why? Because it shows us that the characters’ wars aren’t against monsters, but monsters of their own making: their flaws. Adam, as a literal Frankenstein, exemplifies this, but it wasn’t capitalized on as well as it could have been.

Unpopular Opinion: Beer Bad isn’t a bad episode, at the very least because Buffy gets to punch Parker. It’s not one of the series’ best, obviously, but it does give Buffy an arc in that she gets her daydream of Parker begging her to come back, but she has overcome that desire and her desire for revenge. If we wanna talk about bad subtext in Season 4, Season 2′s Not It sex subtext continues in the Where the Wild Things Are episode in this season; it’s a powerful callout of abusive purity-culture churches, until the fact that the shame creates a literal curse undermines the progressive message it’s supposed to send. Also, the Thanksgiving episode (Pangs) is a nightmare of white guilt and Oh God Shut Up White People.

Biggest Critique: Riley is awful. Like Kennedy, he had “love interest:normal” stamped on him and that was it. The thing is, he could have worked as an Angel foil, representative of the normal-life aspect of Buffy to Angel’s vampire/supernatural aspect, but the writers never explore this and seemed to even try to back away from that later on. They threw all the romantic cliches at the wall to see what sticks, from klutzy “I dropped my schoolbooks, that’s how we met” to cliché lines that had me rolling my eyes. Do you know how bad a romance has to be to make me dislike romantic tropes?

Favorite Episodes: Fear Itself, Hush, Restless

Villain rankings:

Dark Willow, the only villain to be truly sympathetic. While the addiction coding was insensitive and, while unsurprising for its time, aged extremely poorly. That said, Willow’s turn to the dark side after Tara’s death worked well for her character and the story: it was believable and paid off what had been building since Season 1's “Nightmares” episode (Willow’s inferiority complex).

Glory managed to be genuinely terrifying, and humorous/enjoyable too. Her minions and their numerous nicknames for Glorificus were hilarious, as was her intense vanity. Her merging with Ben--a human being who genuinely wanted to be kind and good--added complexity and tragedy to her role.

The First. A really good take on Satan. The seventh season as well as the First’s first appearance in season 3′s “Amends” had kind of blatant Christian symbolism, and so the First being essentially Satan works. Their disguising themselves as dead loved ones and the subtle manipulation they used to alienate people was really disturbing and well done.

The Mayor, who was a terrible person but a truly good father. He provided an interesting contrast to the normal ‘bad dad’ bad guy character, in that he provided Faith exactly what the other characters refused to: he saw the best in her and offered her parental support, while the heroes didn’t and wound up pushing her away.

The Trio, who were villains ahead of their time: whiny fanboy reddit dudebros, basically. The stakes seemed so much lower than fighting Glory, a literal god, the previous season. But that’s why they worked so well for Season 6′s human themes, and were especially disturbing because we all know people like them. I also appreciated the surprisingly sensitive takes on Jonathan and Andrew, who got to redeem themselves, but Warren did not, and I don’t think he should have either.

Angelus + Drusilla. I’m ranking them below the Trio because Angelus was just sooooo different from Angel that it was difficult for me to feel the same way for him. He was still Angel, so it wasn’t possible to enjoy his villainy, but he also wasn’t nearly as sympathetic as Dark Willow, had no redeeming qualities like the Mayor, and wasn’t as disturbingly realistic as the Trio. However, the emotional stakes were excellently executed with him as the Big Bad, in that you were never quite sure how to feel and it just plain hurt. Also, Drusilla was a favorite recurring character. She was sympathetic and yet batsh*t enough to be enjoyable as a villain at the same time.

The Master, who was just completely camp and really worked as an introductory villain. He was scary enough to believe he was a threat, and was funny enough to introduce the series’ humor as well. He was, like Glory, an enjoyable Big Bad.

The Gentlemen, the one-off villains of Season 4′s Hush who were genuinely terrifying. It’s not as if they got a lot of explanation or any backstory, but they didn’t need it.

Caleb, the misogynist priest. Fitting with the First’s Christian symbolism, Caleb serving as a spokesperson of all bad religious beliefs felt appropriate. He was also a good foil to Warren--being actually supernaturally powered instead of a wannabe--and to Tara’s family in being full-out evil. I despised him.

Snyder. Okay Snyder is not a Big Bad like Adam is, but let’s face it: Adam is lame compared to the other villains. But Snyder as a principal? He was so irritating and yet really well used in the series to critique overly strict, hypocritical teachers. Like, we all know teachers like him. I loved to hate him, and his ending was so satisfying.

#buffy the vampire slayer #btvs #spuffy #buffy summers #dawn summers #spike #angel #cordelia chase #btvs giles #willow rosenberg #tillow #tara maclay #anya jenkins #xanya #xander harris #jenny calendar #kendra young #faith lehane #hamliet reviews

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murfeelee · 4 years

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TS4 Werewolves - Rant Alert

I got this one comment that sent me off on a whole tangent, so I decided to reply to it separately.

slade-the-neko replied to your photoset “The Wolves:This world is slowing down How can I fight it? How can I?...”

Dang Murf, that's very impressive! Really makes me wish Sims 4 had werewolves. I'll definitely try porting the Skyrim model to TS4 if they ever add them.

Y’all know TS4 is my trigger -- wtF is EA even doing over there? That Tiny Living Stuff Pack was a JOKE, like....seriously? o_O For as much money as they’re swindling y’all for TS4, EA’s Sims team is creatively BANKRUPT. ZERO innovation, intuition or inspiration.

EA just takes popular concepts/crazes like the Tiny House Movement, Baby Yoda, and Harry Potter, and waters it down to the barest of minimums: tiny homes with huge AF Murphy beds instead of bunk beds or convertible futons/sofa-beds; a decorative Baby Yoda you can’t even interact with; no school of magic sims can go to (and no magic for kids YET). I’m so tired of them!

People keep comparing RoM to TS1′s Makin Magic, and I keep going WHERE? I said in my initial trailer reaction for RoM that it made zero frikkin sense for the RoM magic land to have that perma-nighttime full moon, without even bothering to have werewolves in the so-called realm of magic.

RoM would’ve been the PERFECT chance to add werewolves. What better way to have a magical pack than to also introduce werewolves as the local denizens of Glimmerbrook’s forests. Missed opportunity, EA. (－‸ლ)

They could’ve added a werewolf household living in the woods, that your sim either befriends or gets bitten by, so your sim goes to the Magical Realm to either find a cure for lycanthropy (for the werewolves or for THEMSELVES if they’re bitten and are gonna turn in a couple days), or wolfsbane poisoning if one of the wolves is made sick by the brand new harvestable Wolfsbane *cough cough!* (Wolfsbane comes in the Vampires GP, but they could‘ve totally made more types of Wild Wolfsbane, Yellow Aconite, Purple Monkshood, etc.).

Either one would give your sim a REAL impetus and incentive to go learn magic and talk to the RoM residents and mess with potions & alchermy. Which is another reason I said (I’ve BEEN saying) I wanted HEDGE WITCHES, who could do HERBOLOGY. U_U

The RoM Game Pack NEEDED to be its own Expansion -- it wasn’t a realm at all; it was a Diagon Alley ripoff and everybody knew it. HELLO, EA! Part of worldbuilding is creating a EFFING STORY that gives your game a FRIKKIN PURPOSE. EA didn’t go the distance at all; they did the mere basics of adding magic to TS4, with a lot of style but not much substance. But ironically they did the same with the mermaids, which did get their own EP, and everyone agrees that TS4′s Island Living was worse than TS3′s Island Paradise, so wtf. (－‸ლ)

But I doubt werewolves would get their own Game Pack like the Vampires & Spellcasters -- EA would do Faeries/Elves before wolves, I suspect, cuz faeries are in a sense easier. Wings, mushrooms & flowers, glittery magic, LOTR-esque art nouveau inspired furniture, etc -- everyone knows the standard faery.

But if TS4 werewolves got a pack all to themselves it would force EA to effing give a crap about lycan culture & lore, and the complexities of things like pack dynamics (alphas, betas, omegas, etc), moon cycles, transformations, lupine physiology & locomotion; diet & hunting (adding new flora & fauna), etc.

While heavy in gameplay expansion, with werewolf-specific abilities, interactions & animations, what other stuff could you stuff into a werewolf stuff pack? Y'all saw how in TS3 the Supernatural EP didn’t give wolves a single bloody thing other than their CAS stuff -- for build/buy mode wolves got ZILCH. We didn’t get busted furniture or shattered windows or blood splatters or more fur patterns -- NOTHING. Everything in build/buy mode was for witches & faeries--all wolves could do was tear the crap up with their claws.

And even their CAS stuff was lackluster - no hairy skins, makeup or tails, but we got body hair & face sliders, claws, fangs, etc.

I like TS1's werewolf design from Makin Magic the most, since their heads/skins looked like wolves.

TS2′s was the biggest downgrade in terms of the LOOK of werewolves, in that it was just a skin.

If EA does do wolves for TS4, I’d hope they make it so the werewolves look like effing WOLVES. At least let them turn into animals, like the ones in TS2 PETS. (WHY TF was TS2 the only time Sims had ACTUAL magical pets!? >_< TS3 has dogs! TS4 has dogs! DO IT ALREADY.)

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Considering the cartoony PG13 angle EA insists on keeping TS4, I don’t imagine they’d EVER make wolves look like @camkitty2’s amazing werewolf mod at MTS:

And certainly not the scary Skyrim werewolves that I converted.

Or even the ones from EA’s other property, Dragon Age (which are effing ugly, IMO).

(The ugly anthropomorphic bipedal version, btw, not the more wolf-like version.)

TBH, If TS4 did werewolves at all I BET YOU MONOPOLY MONEY the template EA’d use would be a lot like Bigby Wolf’s design from the Wolf Among Us video game:

Bigby goes through 4 phases, from man to gradually being an actual wolf in his 4th phase/Final Form. His 3rd phase has a face that not really wolf-like so much as Jekyll/Hyde; beastly enough that you pretty much know Oh that’s a werewolf they’re doing, without it actually looking like any animal.

It’s big and scary with muscles & claws & hair, but cartoony enough that it’s not drastically different from a regular sim. EA’s wack enough to pull something like that, rather than going the extra mile to give us the kind of Skyrim-esque werewolves many simmers want.

Or the full-shift magical WOLF that I personally want.

Don’t get me wrong; Bigby has a great design for Wolf Among Us, made by AA developers Telltale (who do The Walking Dead video games). But Electronic fArts is a AAA developer, with billion dollar budgets, massive teams & bookoo resources. But by god EA’s the laziest AAA company around; just the kind of twats to do AA level work with AAA finances, as we’ve seen in TS4 and TS3.

Bigby’s 2nd phase is basically what TS3 did for werewolves, with the scrunched up brow/nose, pointed ears, hairier face, etc.

This kind of werewolf design is fine, but it leaves A LOT to be desired, especially if it’s the only form you see in certain werewolf franchises. It reminds me too much of how Teen Wolf makes werewolves -- basically as hairier vampires from Buffy (which makes sense). But come on EA, go the distance; go FULL WOLF SHIFT or go home.

In Eastern Europe werewolves ARE vampires/witches -- they’re connected to nature magic, druids & wicca, neopaganism, etc: magic runes & symbols, stones & metals, scyring, bonfire festivals (having Celtic holidays would be so cool!), enchanted woods & nemetons & ley lines, the effect of moonlight on water #TuckEverlasting style, shamanistic sacred animal totemic power and such. Tap into that tribalistic Slavic, Norse & Celtic lore on werewolves, EA, you effing COWards!

In TS1′s Makin Magic and TS3′s Supernatural, witches and werewolves came in the same pack, and had gameplay elements tied to each other -- in TS1 it’s the Beauty & the Beast charm that magical sims can use, and in TS3 werewolves can be used as witches’ assistants to Gather harvestables/collectables used in alchemy potions. So for TS4, having werewolves in RoM would’ve made SO MUCH sense. Hell, they could’ve fit into the Vampire GP, too -- why was wolfsbane even IN that pack? o_O

So if TS4 adds werewolves, I hope they add something NEW to the lifestate, and do more research into other portrayals & iterations of werewolves.

Everyone knows about Norse Berserkers (were-bears), but less attention is given to the Wolves of Odin, the Ulfhednar/Ulfhedinn (werewolves). A lot of Nordic neopagans are into them nowadays.

A werewolf GP would make it so EA would have to flesh out werewolves -- if they live in the woods, give them woodland build/buy mode CC. Let them live OFF THE GRID as technophobic naturists, cuz electronics like tvs, PCs & radios hurt their sensitive eyes & ears. They could be more modern, sure, but it would be so much cooler to have sims who only use well water and hot springs and compost toilets and woodfire ovens.

Bring back hobbies/skills like bone/woodcarving, gem cutting, basket weaving & looms, soap/candle-making, pottery, horticulture, tree-cutting/tree-hugging, animal husbandry (could you imagine werewolf shepherds? XD), sparring, (arm) wrestling, boxing, hunting, bird watching and more. Basically: fullblown medieval-rustic hunting lodge aesthetics: animal pelts, antlers, mounted taxidermy, COME ON, EA, stop being boring!

#replies #Realm Of Magic #the sims 4 #TS4 #Electronic Arts #more like electronic farts #EA you suck #like wtf #RANT ALERT #sims 3 horror #sims 3 werewolves

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ifeveristoday · 4 years

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we have always sent children into war

Something I’ve appreciated about Jordie’s writing for the Boom!verse is how consistent she’s been with building on characters and themes - when I think she’s dropped a plot point, it asserts itself in the next issue. While there have definitely been threads that are a little too exposition happy, or heavy-handed attempts at Whedonesque dialogue, on the whole - she understands and sees the earnest heartbeat of the show and infuses her own spin on Sunnydale and its inhabitants. Buffy was a show about human fears and anxieties given form as monsters and curses and a hero’s journey paralleled with a coming of age story.

But it was also a story about a war - the Slayer versus the darkness. Over seven years, Buffy and her friends and family fought and tested their own boundaries and capabilities for darkness and the pursuit of power.

In the Boom!verse, the idea of legacy has been stated from issue one - Buffy has her obvious calling, and Giles has his life long training to be a Watcher, and then Buffy’s watcher. Neither of them is automatically good at it and they’re still figuring what their legacies will ultimately be.

In issue 11, legacy comes back in the form of a conversation between Rose, Kendra and Robin.

Rose is a military brat from a military family - her father and her grandfather both chose it as a career. She shrugs off Kendra’s admiration for her family history by saying that it’s all become second nature and there’s really nothing special about it.

Then she asks Kendra about her father - and Kendra dismisses him as a deadbeat that she doesn’t care about because he didn’t care about her. That she’s discovered there are more important things that concern her - namely her calling as a Slayer.

Robin’s sudden interjection that if there are more important things, why are Rose and Kendra chatting away like besties on a date than - getting to the bottom of the fuckery that’s beset Sunnydale?

Rude, Robin. Also sometimes people just want to live and not dwell on the horrors of life, okay?

It’s also clearly projection: Robin has a loving dad who cares deeply about him - but he also has an apparently long-festering resentment over 1) his mom dying because of her Calling and leaving him, 2) despite ‘Slayer blood running through his veins,’ none of his training matters because the Council didn’t choose him to be a Slayer (is that even possible? #releasethelorejordie) and instead he’s...settled into being a Watcher. His legacy isn’t to follow his mother’s path, and his second nature doesn’t make him ‘special’ enough to do so. So to listen to Rose and Kendra being so casual about their own legacies --- well, it triggers his insecurities, which I’m sure is not helped by the evil toxic masculinity Rage Sweats that have been infecting all the men lately.

Is it a super heavy-handed metaphor for how performative/peer pressured ideals of masculinity is damaging to everyone? and to have the Hellmouth emit evil pheromones causing this a gloss over for real societal problems?

Probably.

But also TVBuffy fought a literal penis headed monster and Xander ate part of his school mascot while under the influence of a wild hyena spirit and also split into two selves trying to figure out which one was the real him and whatever the fuck the episode Billy was, so I’m going to give Jordie a pass here.

When Kendra calls him out on his overreaction, yet still calling him Mr. Wood (acknowledging her more traditional character and respect for the Council), he loses it completely when she tells him to not go off on his own - it’s dark and also it’s Sunnydale where people die in inexplicable evil-adjacent ways.

He retorts that he doesn’t need a mother and that he doesn’t need you -

hello, Parental issues. It wouldn’t be a Whedonverse adjacent property without someone’s parental issues. Robin is wrong of course - he does need Kendra because he’s her Watcher, and he’s (understandably) mad about his mother.

Rose and Kendra puzzle over Robin’s sudden hulk rage, but go back to figuring out what’s rotten in Sunnydale and how much Buffy’s absence is felt - even though they’re auxiliary Scoobies at this point, Buffy is what brought them together. Kendra brings up the general loneliness of a Slayer - she has to keep her identity secret, she doesn’t generally ask for help re: Life things, and the regimented nature of Slayerhood really makes me think about the similarities to a soldier’s life.

And Rose being a soldier’s child would be the perfect person to empathize with. I don’t have personal experience, but I do have friends who have served in different branches - and when I was living overseas, the country I lived in had mandatory army service for the men.

I’m not going to get in too deep about the whole troubling military complex that America has and how the business of war built this country or how it preys disproportionately on POC and lower-income people, or how when veterans come back, the services in place for them are lacking and how in general soldiers are good people who believed in the ideals of peace and protection while the realities don’t often match up with the propaganda...but you know.

Slayers are child soldiers who are sworn to protect a world at large that doesn’t know they exist or what they really do. But it also goes along with the real-world tradition of sending children into war - in the US [currently], you can legally join at 18 without a parent’s permission or 17 with a parent’s permission.

Think about back in history, before 18 was considered a legal adult.

So we have always sent children into war - but Jordie really emphasizes that the Scoobies are children fighting something they don’t really understand, and there are no adults around (hello, Show also did this but also because Adults are not actually people in the 90s) to guide them, which adds to the anxiety.

Giles is all Rage Sweated out, Jenny is probably taking well deserved time for grading papers and chilling with her cat (h/t @jenny-calendar) and it’s up to Xander and Willow, as the OG Scoobies to figure out what to do, now that Buffy’s disappeared.

And oh, her disappearance has taken an emotional and physical toll - Xander’s been patrolling every night, with some assistance from Willow - it doesn’t seem like she’s been doing it nightly though. He’s tired and upset, and Willow’s upset she didn’t get to say goodbye to Buffy and they’re both hurting in their own ways and also not talking about what’s really bothering them, which is only tangentially connected to Buffy’s disappearance.

Willow and Xander’s bond has always been a key element to their characterizations and relationships with others - they’ve been ride or die from childhood, and now that they’re sharing a soul has made this closeness even more significant.

Which means when they fight, it’s to the bone. Xander’s previous issues of feeling lonely and ignored by others - and not being listened to manifests itself against Willow’s need to share and vent, but not actually listen - it gets ugly really fast.

Xander accuses Willow of being selfish and the reason she broke up with Rose is that she couldn’t handle the mundane realities of working hard at a relationship when she had the more exciting side-gig of fighting at Buffy’s side - which Willow angrily denies. Xander then rips into Willow’s need to be praised and liked, and suddenly brings up the possibility that she’s doing this to impress Buffy, which is stupid because she’s not here and also, she won’t ever make the gay love with you -

and Willow calls him out on his need for love and validation, that he falls for any girl who’ll give him ‘the least amount of attention.’

And Xander vamps out - if this is what Willow really thinks, that she’s always seen him something pathetic

which snaps both of them out of their fight.

Xander admits he only goes vampface when he’s really angry and he can’t always control it, but when he is - he feels better. Which is really concerning.

Xander goes on to say when he’s human, the anger has been harder to ignore, that there’s something dark calling to him and it makes him want to hurt Willow - and she confesses that she’s been feeling weird all the time as well.

Is their soul tie working against them?

And the fact that Xander in vampface feels more comfortable than when he’s being human and more prone to Rage Sweats -- that’s gotta be significant.

Kendra interrupts their heart to heart and tackles Xander to the ground, which leads to a few bits of hilarious misunderstandings, but also the bombshell that Buffy is dead.

According to Robin, a new Slayer is only called when the previous one dies - which means Buffy must have died.

There goes my whole ‘they are a slayer theory’ but I was expecting it to go that way. In an earlier post - or possibly just a conversation with @jenny-calendar, I was thinking out loud that because Buffy has passed into the Hellmouth, she is no longer of the living plane, so she’s considered ‘dead’ aboveground. Obviously, she is not dead no matter what the misleading summaries future comics say, but she is not among the living.

Semantics aside, everyone is fucked up from hearing this - Willow and Xander turn on Robin, insisting he’s wrong and that it’s a sick joke, which causes Robin’s final form: teary-eyed Rage Hulk Hellmouth McGuffin. He says he didn’t ask for any of this, that he’s already lost so much - his mother, Buffy (which seems rather strange considering he was blanking her the whole time after he infiltrated her friend group and there didn’t seem to be any more flirting/sparkage in the lead up to Hellmouth) and more importantly - his chance to be a Slayer.

He’s railing against the fact he’s stuck with a Slayer that doesn’t know what a real vampire is, that there’s nothing special about her - and it’s obvious that even though his words are coming from a dark ugly place, there’s the feeling that Robin feels entitled to his rage and disappointment.

Kendra’s aware something’s gravely wrong with Robin and tells him calmly that she doesn’t want to hurt him but like every villain at the peak of missed-redemption moment, he says he feels perfect. And the last bits of rationality exit his body and he calls on the Evil Bro Squad to surround the Scoobies.

And triggers Xander’s kill switch - apparently the darkness that Xander’s human side was feeling? That’s because his demon soul is tied to the soul that infected all the men of Sunnydale and turned them into misogynistic meat puppets.

Dunn dun dun -- it’s the Hellmother.

Xander pushes back, but he’s disturbed by how strong it feels and what’s keeping him from going completely evil Frat boy?

Kendra tells them they have to fight and they’ll figure out the details later - and they’re doing their last stand in some stunning colored horror-inspired panels and it doesn’t look good for our heroes when....

WHACK.

Anya brains Robin with a croquet mallet like some white-suited queen of hearts and snarks, “Great. Now I have to fight teenagers to save the world again.”

A surprise boss appears - is Anya going to be the final Adult and help the Scoobies out of the mess they’re in?

Did she even really leave? Was that rabbit that was skulking in the grass from earlier issues really her?

Once more, Jordie leaves us on a cliffhanger.

#thoughts and reactions #buffy comics #boom! studios #i have more #but this has already gotten ridiculously long #my meta #boom! verse

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