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fiona-fififi · 1 month

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could you explain to me why you think bucktommy forever would be narratively satisfying but there's no possibility of them introducing a love interest for eddie that would be satisfying? i don't understand

I DON'T think bucktommy would be narratively satisfying.

I DO think there is more potential in the current narrative structure for them to make bucktommy endgame work in a reasonably narratively satisfying way (IF Eddie's story wasn't a factor, which it is).

I also don't necessarily think it would be impossible for them to bring in someone for Eddie if I'm imagining they have all the time in the world to make that work. But the reality of the current narrative is that I don't think they have all the time in the world. And as talented as these writers are, I don't see any way they could introduce someone entirely new, with no connection to the current narrative, and make me buy that person as Eddie's endgame. There just isn't time. A couple of years ago, I would have said that I thought Eddie could have an interesting and satisfying ending to his story if he learned that he didn't need romantic fulfillment to be happy. Since then, however, they've really doubled down on Eddie's loneliness and desire for a romantic partner AND they went for the queer Buck storyline. When you add to that all of Eddie's history with Buck and the way he's welcomed Buck into his life and embraced him as a partner both in his own life and in Christopher's, I don't see any way for them to disentangle that story and introduce someone else (unless it was Tommy, maybe, but nobody's going to want to hear that).

It would just take SO much work and time that I'm not sure they have because it would take several seasons, I think, for it to really reach any level of satisfying.

The difference with bucktommy is simply that it would take very slightly less work (though still a TON of work) for a few reasons.

First, Buck is just Buck. With Eddie, there's also the Christopher of it all to contend with, which adds a complicating layer that extends the work that needs to be done in Eddie's story in a way that doesn't exist for Buck's story (as important as Christopher is for Buck, it's very different from what would need to happen for Eddie who is literally Christopher's parent). So Buck's story has fewer complications to contend with, especially since they've already gotten it off the ground with Buck's queer awakening and introducing his relationship with Tommy already at this point in canon. So there would literally just be less time involved.

Beyond that, Tommy is already an established character in universe. They don't need to do quite as much work to help us get to know him, because we already do, even if only peripherally. But he is established as significant to the stories of other characters beyond Buck. He had a role to play in Chimney's, Hen's, and Bobby's (and hell, even Eddie's!) stories long before he ever became significant to Buck's. So, developing his place among the team and their extended family is not nearly as complicated as it would be with someone entirely new—and even someone from Eddie's past wouldn't have the history with the team, so still, more complications there.

So, yes, I think bucktommy has more potential in the current narrative structure (if—and ONLY if—completely divorced from Eddie's storyline, which it can never be).

But not only do I not actually think either could be a satisfying ending for either Buck or Eddie in the current narrative, there actually isn't anything to suggest that the show is doing the work it needs to to make that potential a reality, either. Because they are not separating out Eddie and Buck (frankly, they're entwining them further). And they aren't even doing any work to flesh out Tommy’s character. I know fandom has grown really attached to him, but the reality is that the character is currently just being used as a pawn to move Buck's story forward. Tommy has a past with the 118 that creates a lot of potential, but that potential is not being used. The character is, frankly, pretty flat at the current moment. They haven't even tried to bring him back into the 118 fold—the only people he's really interacted with since his reintroduction are Eddie and Buck, when there has been plenty of opportunity to fold him back into the team in ways that would at least have him vaguely interacting with the others (like, I don't know, Chimney actually inviting him to the wedding or Hen even acknowledging him at the bachelor party). Their relationship is cute and sweet, but there's nothing that indicates it's any deeper than any of the other relationships Buck has had thus far, and they are actively juxtaposing the bucktommy relationship with the buddie relationship in a way that makes very clear just how surface level that relationship really is when compared to the depth of Buck and Eddie's relationship with one another.

So, no, I don't think bucktommy are going to be endgame, nor do I have any interest in them being endgame. But I recognize that there is currently—literally, in the canon narrative—more potential for bucktommy to work if the show really wanted to make it happen and put in the work, mostly because of Tommy’s history with the rest of the 118.

On Eddie's end, there is no current canon potential. There's no current love interest they could turn around (especially because Edy is a shit human being and people would riot if they actually made Marisol Eddie's endgame). There's no past love interest they could bring back that wouldn't somehow have to be worked into the rest of the team. There's the additional complication of the Christopher of it all and how much that changes where Eddie's story can go and how quickly it can be developed.

It's quite literally just the difference in time. If Buck's relationship with Eddie wasn't a factor, I think they could do it in two seasons for bucktommy. For Eddie and this currently non-existent love interest, I think it'd take a good three or more, and even then, I think it would have to be someone they introduce as a part of the team (Lucy? Ravi? Tommy?) because anyone separate wouldn't have any room to develop sufficiently.

But the reality is that, frankly, the ONLY narratively satisfying ending for Eddie and Buck is one another. Any other option would require dismantling so much beautiful storytelling that I cannot see how it would ever be worth it.

#in short: i am reading the narrative as it currently exists in canon #and bucktommy are there and a love interest for eddie who is not buck is not #anon #asks answered #buddie #bucktommy #911 discourse #i guess??#i don't understand why this is apparently a controversial opinion #like. it's a narrative. i'm reading the narrative. as it exists.#as it currently exists buck is the only answer #i'm not going to rest my narrative satisfaction on making up hypothetical love interests outside of the current narrative

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kaladinkholins · 6 months

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Thinking about the crazy love triangle situation in Blue Eye Samurai and debating heavily with myself on how I'd like to see it conclude. And yeah this discussion can be thought of purely as shipping, headcanons, and fandom fun. But when analysing the show and engaging with it in a more in-depth, almost-literary level, it's impossible to dismiss who Mizu's potential love interests are and how different endgame romances would affect her character arc and the overall story and themes.

So in this post I'd like to look at the love triangle a bit more closely, and speculate on where the story will take this.

DISCLAIMER: It is my personal interpretation of the text that Mizu is non-binary—I use this as an umbrella term denoting any gender that does not adhere to the binary restrictions, norms, and expectations of what it means to be either a man or woman in a particular society; it's not just an androgynous "third gender" that exclusively uses they/them pronouns. Thus, while I personally believe Mizu is not strictly a cis woman, she does still identify with womanhood, despite definitely feeling a level of detachment from it due to living as a man for so long. With that being said, I will be using she/her pronouns for Mizu in this post, but please note that this is purely personal preference. Everyone is free to interpret the text the way they like. That's the fun of fiction. Now, without further ado, let's proceed.

Okay so, thinking about the pairings on a purely surface level, and even before i got into the show, I was pinning my hopes on some lesbianism going on between Mizu and Akemi, and the show does hint at this; in Ep1, during their first encounter in Kyoto, there is the famous slow-mo shot of their eyes meeting, Mizu's lips slightly parted as she is unable to tear her gaze away from Akemi, while sweet string music plays in the background. This is clear romantic framing, and a marker of attraction. If Mizu was a cishet man, there would be no question that this is a potential love interest.

But then, in the same episode, we meet Taigen, who is introduced to us firstly from hearing Akemi's father describe him as "a fierce and undefeated young samurai", the "best swordsman in the best school" and "a fisherman's son from Kohama [...] whose rise reminds [him] of [his] own."

In the next scene, we meet him in person as Akemi's fiance, and he seems sweet enough. He even gives her sweets! In exchange, Akemi gives him gold, and he feels a bit ashamed that he doesn't have anything better to offer her. But Akemi accepts him and his gift wholeheartedly and flirts with him a little, which makes him smile kinda shyly.

When Akemi confirms their engagement, Taigen is in disbelief because he has no status or noble background, but Akemi reassures him.

So from these first few scenes, we're introduced to Taigen as an honourable and strong samurai, but also as a man who is sweet and gentle with the woman he is about to marry, as well as aware of his own inferiority when compared to Akemi's high station.

Our view of him then changes as his true self is revealed: he is an arrogant and smug bastard among his peers, but more importantly, he is the terrible bully from Mizu's childhood.

And it is this side of Taigen--pompous jerk and unrepentant xenophobic bully--that we continue to see as the show goes on, and it's safe to say that this is his real self, sans any pretense of humility and modesty. Around anyone who isn't an outright superior in terms of class and power (ie. Akemi's father, the shogun), Taigen never hesitates to assert his own authority and "greatness."

But as the show goes on, he gets caught by Heiji Shindo's men, and then tortured. And that's when we see, okay, turns out he's not that bad. He's honourable; "honour" is not just meaningless and superficial pedantry for him, but an internalised, guiding principle.

He was a cruel asshat throughout Mizu's childhood, but in a prejudiced and xenophobic society, he was just playing by the rules. As a child, he knew he was at the bottom of society, but when met with someone even lower ranked than him (Mizu), he can project all those prejudices and insecurities onto someone else. This way of thinking--"if you can't beat 'em, join em"--is what allowed him to climb up the ranks despite being some dirt poor kid from an abusive household*.

*Well, that combined with his cismale privilege of course, because this would not be an option for a woman in similar circumstances.

Thus, his upholding of honour also exemplifies how Taigen embodies the ideals and rules of his society. His insistence on duelling Mizu is another more blatant example of this. He doesn't want revenge like Mizu does. He wants to be accepted by society, within the bounds that society has placed, and that means that his only two options following his defeat at the Shindo dojo were to either chase Mizu down and get his damn duel, or kill himself for his humiliating defeat.

Now! Moving on from Taigen, let's go back to the other end of this little love triangle: Akemi.

Mizu and Akemi only properly meet in Ep4. During their first meeting, when Akemi tries to poison Mizu in Madame Kaji's brothel, she compliments Mizu's eyes, calling them "beautiful."

This seems to genuinely take mizu off-guard for a second before she coolly plays along. We know that Mizu recognises Akemi from the get-go, and thus sees through Akemi's ploy from a mile away. It's also safe to assume she'd expected false flattery, because Mizu understands full well that this tactic is how women get what they want: by using their 'feminine wiles' and playing up their naivety and innocence. But even so, it's interesting that Mizu actually seems surprised by Akemi's compliment.

Then, after Mizu subtly taunts Akemi by lying about Taigen's death, she and Akemi have a bit of a scuffle, and then we get to Mizu saying this:

"Women in our world don't have a single good option. Except you, like some magical forest creature. You could have anything you want, but then you beg to eat trash."

(no screenshot because it's quite a long line but you get it)

Here we see Mizu's opinions on the marginalisation of (mostly poor and under-privileged) women stated outright, and underlying her words is also resentment. Because even though she and Akemi have shared experiences of female oppression, Mizu, unlike Akemi, was also poor, from a rural village, and is a racial minority. Mizu is triply oppressed, while Akemi only faces one primary form of oppression, and to someone as embittered by the world as Mizu is, to see Akemi "beg to eat trash" is a slap in the face, practically tone-deaf to the other injustices around her--injustices which Akemi has not shown much, or any, acknowledgement for at this point.

Then, after this scene, Mizu kills Kinuyo, and this unsettles her to a degree we've never seen from her before. She is visibly distraught, and the entire sequence hammers the theme of this episode (and arguably, a large portion of the show) into our heads: women in this world suffer. And even though Mizu is well aware of this fact, to commit this act is so visceral that is shakes her to her core, and it's what ultimately leads to the ambush of the Thousand Fangs.

But before the ambush, Mizu and Akemi talk a little again, and during this time Akemi taunts Mizu some more.

Right now, Mizu is exhausted to the point where (I believe) she even downs some sake, despite not usually drinking. Thus, worn down, she cuts Akemi's ropes and tells her, "Just go." Akemi recovers from her initial fear of Mizu's blade and taunts her some more, accurately seeing through Mizu's facade of coldness, recognising the raw anger there, and says this:

"I thought you had to be something special. Your face isn't even so scary. You're just... angry."

At this, Mizu is amused and compares Akemi to Taigen ("I see why he likes you. You're just like Taigen when we were children. A fucking brat.")

The reveal that Mizu and Taigen knew each other in childhood surprises Akemi, but before either of them can say more, everything goes to shit.

That's when we get to Ep5. This episode focuses primarily on Mizu, the central piece of this love triangle, and does the most out of all the episodes to shed some light on her character and goals, fleshing her out to be more than just the vengeful, highly proficient samurai we've seen thus far (symbolised by The Ronin), but also a person who is capable of love, domesticity and gentleness (symbolised by The Bride). But in the end, Mizu rejects both these ideals, instead becoming an Onryo, who is neither guided by pride/honour, nor love.

By 'reincarnating' into an Onryo, Mizu is able to win the day and save the women in the brothel. However, as she has now fully embraced her status as an Onryo, and is exhausted physically, mentally, and emotionally, she lets the Tokunobu clansmen take Akemi away while Akemi's screams echo in her ear.

Mizu says this choice is for Akemi's own good, that Akemi's better off; because Mizu is jaded and weary, and cannot afford the luxury of idealism, and thus must always be strictly practical and realistic. So of course that's why, in her view, yes, Akemi should not be wasting her time in a brothel where women are exploited and abused, nor should Akemi be so naive to think that her marriage with Taigen is even still possible. However, regardless of Mizu's views, it is not for her to decide, because though Akemi is privileged in some sense, she is still trapped and voiceless, and deserves the right to choose her own destiny.

But as it happens, in the end, though Akemi did not choose who she gets to marry, she DOES get to choose her next move when Edo burns down.

"I want to be great."

This one line is the key to her entire arc, which is only just beginning. We see she quickly has acquired the affection and good graces of the shogun's son after their wedding night and consummation, and with Madame Kaji and the girls now serving her, Akemi will only grow to become a prominent political player.

NOW, only after analysing the characters as they are within this season, only can we speculate how their arcs will continue as the show progresses.

First and foremost, I will reassert the popular opinion that Mizu and Akemi are foils. The climax (pun intended) of Ep7 illustrates this as it parallels the turning points in both Mizu's and Akemi's arcs:

Mizu melts the steel of all her loves and shames, the people she's collected: the broken blade wielded by both Chiaki and Taigen, Akemi's knife, Ringo's bell, Master Eiji's tongs - this symbolises her beginning to accept herself, and in doing so, also accepting the help of others;

Akemi consummates her marriage with Takayoshi Itoh, gains his affection, and cements her position as a woman in the shogun's palace - this symbolises her taking charge of her situation, no longer playing the damsel, but using her position to her advantage, empowering both herself and the underprivileged women around her.

These are thus two directly contrasting, diverging journeys:

Mizu's arc moves inward (yin). It is an internal path of self-love and self-discovery, focused on finding peace and tranquility inside herself, and this involves allowing herself to let others into her life, opening herself up to friendship and empathy once more.

Akemi's arc moves outward (yang), it is an external path of growth, transforming from a naive, caged princess to a powerful woman and a force to be reckoned with.

Akemi is always dressed in red, even her eyes are a bit of a reddish-brown rather than brown-black like most other characters, and in her penultimate scene she stands against a backdrop of flames. She is fire: quick-tempered, passionate, full of energy. Red is powerful, authoritative, and in eastern cultures, it is associated with prosperity.

Mizu is blue: her eyes, her sword, her clothes. She is also named after water; it's where she goes to recover, reflect and meditate. Water is fluid like a brook weaving around a stone in its path, always changing and adapting, it is graceful, it is beautiful and ruthless, tranquil yet swift.

Thus, in the future, I expect we will see plenty of political manoeuvring and intrigue in Akemi's plotline, where she fully embraces control of her life, and begins to take action to help others as well, realising that her own oppression is just one piece in a much larger picture. Her main conflict is with society.

In direct contrast, Mizu's main conflict is with herself. She must realise that her desire for vengeance is a projection of her own deep-rooted self-hatred. Her arc must move towards unpacking her feelings and trauma so she can be at peace with herself and allow space for love in her heart. Because as we saw in Ep5, Mizu had come extremely close to achieving peace and joy, as she had not only loved Mikio, but also had briefly believed that Mikio had loved her (and accepted her for who she is) as well.

Thus, assuming the story is not planned as a tragedy, Mizu will likely end up getting her vengeance, but it will not satisfy her, because it is not what she needs. What she needs is to let go of the Onryo within her and to reconcile both The Ronin and The Bride within herself, as she is both a fighter and a lover, but not a monster.

(Edit: I recommend checking out this post by @stylographic-blue-rhapsody for a much clearer analysis about Mizu'a symbolism as Ronin, Bride and Onryo!)

And now that we've mostly covered each of the characters individually, we can finally get to the main point of this post: the love triangle.

Let's talk about Option A: Akemi.

As I covered extensively earlier, Mizu and Akemi are foils, a yin-yang pair. But while they play off each other very well in a thematic sense, I personally believe that a serious romance between them will be more complicated if they become endgame. This is because Akemi's natural resolution is to embrace a position of power and influence, where she has both freedom and control over herself and to make much-needed changes in a prejudiced society. Meanwhile, Mizu's natural resolution is the opposite; her happy ending would to find a peaceful life where she is safe and free from prying eyes, and able to be her true self.

Thus, it would make very little sense for Akemi to forfeit power and run away with Mizu and start a humble life together. Akemi wants to be great, and that is absolutely what she deserves. On the other end of the spectrum, it would also make little sense for Mizu to dedicate her life in service of Akemi, such as acting as a bodyguard or something similar, because a life in a palace full of court intrigue and conspiracies is far from what Mizu needs to be happy.

With that being said, if Mizu/Akemi is endgame, and assuming their overarching character arcs do not shift directions, their love story would likely be either tragic, doomed, or bittersweet. I do absolutely love this type of story because personally I'm a sucker for catharsis, so it would be very interesting if the writers do decide to take this route.

Also, as a note, please do not take this as me dunking on this pairing. This is just my personal opinion and analysis and I completely understand if you disagree!

Then, of course, we have Option B: Taigen.

Between Akemi and Mizu, Taigen is a bit of a free-floater here, because Season 1 leaves off at a point where his arc is very ambiguous as to where it's headed. While Akemi climbs for greatness and Mizu goes on a journey across the ocean to (presumably) discover more about her heritage, we have little clues about where Taigen is headed. And if I'm being honest, I'm sure he has no idea either! He still hasn't reclaimed his honour, so he would be unable to rejoin the Shindo Dojo; he's been rejected by Akemi; and while he showed loyalty to the shogun, the shogun is now dead, and all the shogun's men who had witnessed his "humiliating" death were left to die by Lady Itoh, who is now pulling the strings within the palace.

Therefore, Taigen has very few options here.

And when considering his role in the story is as Mizu's begrudging ally, his arc will undoubtedly be focused on unlearning his xenophobia and misogyny, the latter of which we have not seen yet, but is surely present. Now, whether he will do this in Mizu's presence or absence will be unknown until we see Season 2. Following the Season 1 finale, he might return to Kohama and wait for Mizu there as he learns humility and remorse over his past cruelty; or maybe he will follow Mizu to London, and the two of them will continue to butt heads until he finally admits to himself that he cares for Mizu more than he would like to admit. There is no room for doubt that his growing feelings for Mizu are more-than-platonic, because we all saw him get turned on by sparring with her in Ep7 lol. Thus, regardless of the exact choice he makes, I am sure that his overall arc will be focused on redeeming his character.

Now, when it comes go redeeming him, I know there are many who simply don't want him redeemed because he was such a jerk to Mizu, and while yes I agree he was awful, I do believe there is also nuance to his character.

Previously I've discussed in great detail the colour and elemental symbolism with Mizu and Akemi, but have yet to touch on how they relate to Taigen. So, let's talk about that for a second.

While Akemi is red and Mizu is blue, Taigen is green.

Green is a complementary colour to Akemi's red. Complementary colours are directly opposite each other in the colour wheel; when mixed, they neutralise each other, but when put side-by-side, they form a pleasing and impactful contrast that boosts the brightness and prominence of both colours. This mirrors Taigen and Akemi's relationship. They are an "ideal" pair because they complement each other very well, and bring out each other's most prominent traits. Mizu's comment about their similar "brattiness" comes to mind here.

Green is also an analogous colour with Mizu's blue. These colours are sitting right next to each other on the colour wheel; their natural similarity makes it easy for them to form a cohesive overall appearance, but using both in equal amounts will make a design overwhelming and too busy. Thus, the best way to use analogous colours is to make one the dominant colour, while the other will serve as an accent. I feel this also speaks to the dynamic in Taigen and Mizu's relationship. They came from the space place, both from nothing; they're both strong fighters who love the sport, and work well together when fighting side-by-side; however, they butt heads too easily, mirroring how analogous colours can be too overwhelming when used in equal amounts. Thus, to work together in harmony, one has to be the dominant colour, while the other serves as the accent. In this case, the dominant force would be Mizu, as she is the protagonist of the story, while the accent would be Taigen.

By fulfilling this role as an "accent" to Mizu, Taigen's character would easily be slotted in as a the love interest. This is in contrast with a Mizu/Akemi relationship, whereby Akemi is Mizu's foil before she is Mizu's love interest. This is because, by being a love interest, a character usually takes a backseat in the story, serving the plot and the themes by playing a purely supportive role, and this is not possible in Akemi's case because her character exists to parallel and contrast Mizu (red and blue), and not to support her.

It is possible to serve as a supporting love interest in Taigen's case however. And this is because he, unlike the other characters, does not currently have a definitive place within the story. He initially served the plot as an antagonistic force, but now as he is slowly unlearning his prejudices and becoming a better person, he can no longer serve the story by acting purely as a rival.

Instead, he will serve the story by literally supporting Mizu. And this relates to Taigen being earth, which is steady, firm and reliable, unwavering in loyalty and principles, hardworking and rooted in stability, which is seen in Taigen's staunch and inflexible obedience to the traditions and rules of society. These traits are what make him a perfect samurai, but not a good man. However, unlike most people in their world, Taigen is still capable of change and redemption, which is why Mizu says that he has the potential to be great. Not great by way of power or glory, but great in character. Already, he is honourable to a fault, and does not betray Mizu even after she technically robbed him of everything he was striving towards. And when he was shot by an arrow in the chasm, he did not hesitate a second to tell Mizu to use him as a human shield and save herself.

The trigger for his redemption is Mizu. If she had never beat him in that duel, Taigen would live on to become a man like Akemi's father. Cruel, power-hungry, controlling, conservative. But through Mizu, Taigen's sharp edges are ground down, much like water that wears down the stones in a river.

Where Mizu and Akemi's possible love story would be a clash of wills, full of passion and even heartbreak, a possible love story between Mizu and Taigen would be the wearing down of souls. Mizu would make Taigen a better person, and in turn Taigen would dedicate his full respect and support to Mizu as his equal, thus getting her to slowly open up and love herself. Already, Taigen has grown enough to admit (begrudgingly, and in his own Taigen way) that Mizu is better than him; though, clearly, he still has a long way to go, as he still calls Mizu a demon shortly after that.

But basically, Taigen is a very simple man (his main goal now is "to be happy"), and Mizu has great depths that he cannot yet fathom. For this love story to work, it has to begin with Taigen changing for the better. If he succeeds in that, and is able to accept Mizu for all her complexities, I believe that they will make a formidable pair. And though he'd likely still throw a jab or snarky remark at Mizu every now and then, I think he'd come tl wholeheartedly admire Mizu as a brilliant swordsman and a kind soul. Thus, should things work out and this be endgame, Taigen would be able to provide Mizu with what Mikio could not: an idyllic life that is not built on a lie, but mutual trust, respect, admiration, and equality.

Or hey, maybe they could both make their own dojo together! I don't know.

(Edit: This post by @rinandsketches does a great job at delving into Taigen's character and a potential Mizu/Taigen relationship if you'd like to read more about this angle!)

Now, as I move on from Taigen, there are a couple more options on how to resolve this love triangle and that includes Option C: Ringo.

In this option, Mizu does not have an endgame romance with either Akemi or Taigen. In this route, she finds peace and love through friendship, solidarity, and a found family between herself, Ringo and Master Eiji—a bunch of outcasts in society who make a strong trifecta of sword-makers.

Also, as an aside while I'm talking about Ringo, I'd like to point out that I believe his element is air and his colour is a neutral grey; he is talkative, easy-going, wise, curious, light on his feet (stealthy) and free-spirited, which are all traits linked to air, and traits that complement Mizu nicely, as he is capable of getting Mizu to open up and trust others again, while Mizu helps him reach his true potential for greatness.

And finally, there's Option D: Polyamory.

This is basically an "all of the above" option, in which everyone wins and it's a super duper happy ending. It would also be awesome to get some polyamorous representation, and seeing the dynamic between Akemi/Mizu/Taigen play out would be very entertaining and refreshing. So, you never know, this just might be the true endgame!

AAAAND with that, I close my extremely long analysis of what is essentially Mizu's love life. Whatever the final outcome of this love triangle though, I just hope it will be well-written and satisfying to all the characters' respective arcs. (Also I just want Mizu to be HAPPY goddamn it because she deserves the world and her coochie eaten out)

Now, I highly doubt anyone will read any of this (especially not until the end!) but that's fine. I just have so many thoughts and feelings about this show and I just needed to get this out of my system lol! But if by some miracle you did read this far, I wholeheartedly welcome any sharing of thoughts and ideas because man am I obsessed with this show! But of course, if we have an opposing opinions, please be respectful when letting me know; I am very open to friendly discussions.

#blue eye samurai #mizu x taigen #mizu x akemi #mizu blue eye samurai #mizu x akemi x taigen #blue eye samurai meta #also if you ask me PERSONALLY. based on my own analysis which you can read above. personally i'm placing my bets on option b (mizutaigen)#and this is simply bcs i think mizu deserves nice things and that includes getting dicked down and pampered and worshipped #whoops who said that #also mizu deserves to live a life where she can hand taigen's ass to him on a daily basis. ykwim.#BUT i am def open to a change of opinion regarding the mizuakemi rship as the story progresses #i just dont want the writers to reduce akemi into nothing but a love interest for mizu #the only way i can see a happy mizuakemi endgame scenario is if blue eye samurai becomes purely an angsty romance story #in which case then yes i fully endorse the akemi ending <3 #but that would probs require a whole genre overhaul? bcs currently the show is firstly an action-epic where the romance is just a subplot #but even tho i dont reeeeally want a mizuakemi endgame i still DEF want mizu & akemi to be romantically and/or sexually involved plsss <3 #like they cant have that slow-mo shot between the two of them as their first encounter and NOT DO ANYTHING W IT!!!#also i want mizu to be at LEAST a little sapphic plsplspls #shut up haydar #meta dissertations.pdf #haydar's fandom posts #i wrote this whole thing while delirious and covid positive

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thewertsearch · 1 month

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GG: i think you are projecting your own attitude on to others […] GG: rose just sent me a code for a crystal ball, shes my friend and is basically the best! […] CA: its probably a trap i wwouldnt trust her CA: she is a cunnin and treacherous sort trust me i knoww her type GG: wait do you have a thing for her too??? GG: did she reject you or something?

Annihilate him, Jade. This would be a good time to unleash that rage you've been cultivating.

CA: all of her FRAUDULENT MAGICS cannot come close to posin threat to my mastery ovver the TRUEST SCIENCES CA: an wwith my empiricists wwand i servve as the righteous hope that wwill incinerate delusion and the deluded alike

This dude's on some Methods of Rationality type shit.

I'm not sure why Eridan is on a crusade against magic. He's been insisting it was fake since his original introduction page, and it's pretty clear he has some sort of complex about it. Is there some unseen history here that we're not yet privy to?

GG: wow what are you talking about CA: so really you should be honored to inherit my old callin CA: both my armaments and my feud

To be fair to Eridan, he is accomplishing something useful here, even if it's by accident. Jade needs to get that rifle in her pen-pal's hands in order to fulfil the Endgame Bunny's time loop.

Recalling Eridan’s introduction reminds me that this is one of the most powerful riflekind weapons in existence. This should imply that top-tier weapons cost tens of millions of grist...

...but we just saw a weapon that costs much, much more.

Maybe the Proton Cannon has the same damage as the Crosshairs, but it also has an incredibly broken non-combat use.

GG: i have seen this before […] GG: i am very sure its the same rifle included with johns present […] CA: probably a cheap imitation of the original […] GG: i did not provide the weapons! GG: my penpal did […] GG: we worked on it together but he supplied the bunnys weapons GG: im pretty sure hes from the future! CA: wwhy GG: because he said hes my grandson

Really?

I suppose being raised by a Sburb veteran would explain why he uses terms like 'boonbuck' in casual speech - but almost nothing else makes sense when viewed through this lens.

If Pen-Pal is Jade's grandson, then he should be from decades in the future - presumably long after the game has ended. This doesn't sound like a problem, until you remember some of the references he made.

As much as it pains me to admit it, the Earth is probably gone for good - which means that any descendants of our Players will be raised somewhere else. Why would someone presumably raised in a completely different universe be so familiar with Earth's culture?

You could argue that he picked up his love of Earth movies from one of the surviving Earthlings, such as adult John - although that raises its own issues, because PP talks to John like he's never met him before. Maybe he died young, and passed his love of movies to PP posthumously - but as you can see, we're really having to stretch things to make this make sense.

Plus, there's an even bigger problem - namely, his 1920s 'accent'. None of the surviving Earthlings have it, and it's not like he just developed it spontaneously. If he was raised by Jade or her child, why does he talk like her grandfather would?

See, I'm still sure that PP is connected directly to Grandpa, and may well be the man himself - which means either PP is lying, or there's something more complicated going on here.

We don't know anything about Grandpa's life after he fled the Crocker household. If he was somehow raised by an adult, post-Sburb Jade, then he could consider her his grandmother, while still talking and acting like the Grandpa Harley we know. Plus, it would explain why he acts like he's from the past, but knows about the future. He already has a history of time travelling - maybe he's been doing it since he was a kid.

Similar to my old theory about Spades Slick, this one is a little too convoluted to be 100% true - but still I think there's something to this idea. Being raised by Jade would neatly explain where he got the bunny's weapons...

Ugh, I don't know! This Pen-Pal really is the biggest curveball this comic has thrown at me. I need to think it over some more.

#homestuck liveblog #full liveblog #act 5.2 #s106 #3175 #theories

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mycadences · 4 months

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SJM said HOFAS would help set up the next ACOTAR book. And it did.

*HOFAS spoilers ahead!*

At the end of HOFAS, Bryce gave Gwydion to Nesta, bringing it back to the ACOTAR world.

Their names are practically identical. I don't know how you can see Gwydion and not think of Gwyn. It's like seeing a sword named Rhysarde and going "Oh yeah, totally doesn't sound like Rhysand at all. Yep." or a painting that is done by a Prythian artist called "Feyrere" and going "Hmm I wonder who that could be."

Now, get this: Gwydion was last used by some dude called Fionn. Why is that important?? And here, here is the part where your mind is going to be blown:

FIONN IS LITERALLY ANOTHER NAME FOR GWYN. HELLO.

More evidence if you need:

Who else had (I typed "has" initially *sobs*) a twin? Who else glows when she sings? Who else is connected to both Nesta and Azriel, and has a very high chance of obtaining the sword? Who also has the skills to actually WIELD the sword?

So, just to confirm the facts:

Gwydion, Gwyn and Fionn (the last wielder of Gwydion) are all related names in some way or another

Gwydion glows when it is being used, like how Gwyn glows when she is singing

Gwydion is a sword (duh). Gwyn is a priestess-Valkyrie who, you know, uses a sword. And uses it pretty darn well, too.

Gwydion is the twin to Azriel's Truth-teller. Gwyn herself was a twin.

Gwydion is now back in the ACOTAR world, being one of the most significant things to happen (in terms of ACOTAR storyline) in the HOFAS crossover.

(A little of an aside here: I'm not insisting that Gwynriel's book has to be next. I know there's... a bit of tension running between Gwynriels and Eluciens regarding whose book is next, and personally, it (the order) doesn't matter to me! It's a win-win for me either way lol. This post is more for those *cough you know who you are cough* who think that Gwynriel can't be endgame because of "plot reasons" when the plot clearly says otherwise.)

And I know after saying all this some people will still insist that Gwyn(riel) won't be important. *shrugs* But you know what? I don't really care. I'm making this post to remind fellow Gwyn(riels) not to worry and to stoke the embers of our hope.

After all, it is not blind confidence that inspires me, but ✨ irrefutable canon ✨

#gwyneth berdara #gwynriel #pro gwynriel #hofas spoilers #gwydion #open your eyes and SEE #their names are literally the same #antielriel

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aduck8myshoes · 9 days

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I know the writers won't give us an endgame wlw sibling, but think about the bridgerton family comedy they could milk out of that! Imagine:

In either a cold open cut-off or a cliffhanger, Cressida impulsively kisses Eloise and runs away, leaving Eloise completely blue screened. Eloise has no idea that lesbibabs exist, bc regency, and she is having lots of feelings she doesn't understand. She needs knowledge which to her means books, but where would one even find such a publication?

Cue Eloise trying to casually ask her two most worldly brothers where to find books about girl kissing. B and C spend a good 20 seconds looking back and forth from her to each other and going on just incredible face journeys. She's like, I just overheard some stuff and was curious this is not about me at all ahahaha, and they all suddenly have very important things to attend to that are not this conversation.

(Read more because this got long lol)

Colin has seen women have sex with each other in brothels, but he is an oblivious mfer that just discovered complex emotions last season, and probably had no idea there could be romantic feelings involved. So of course he goes to his wife about it.

Penelope is like, wtf, where is this coming from?, and Colin manages to not blurt out that it's about Eloise for a whole 10 seconds. Pen, who actually has a modicum of emotional intelligence, has heard her recently reconciled best friend complain for years that she doesn't understand why women want husbands, and is like, oh, some things suddenly make sense. She tells Colin to not worry about it and go to sleep.

Bi-nedict, who does know what a lesbian is, has heard his darling sister complain for years that she doesn't understand why women want husbands, and is like, oh, some things suddenly make sense.

Being the selfless brother he is, he heads over to the nearest artist orgy and asks around for some literature. They're like, oh yeah for sure, we have a zine club! (And then gets dicked down/pegged like he deserves.)

A few days later he gets a discreet delivery of underground pamphlets with names like "A Treatise on Human Sexuality" and "Like Yearns for Like: Observations on Attraction" as well as some he will NOT be giving to Eloise. (Zine club is very educational)

The less salacious pamphlets get awkwardly passed off to Eloise before bed and she spends all night in a montage of reading, recalling memories of Cressida (or possibly just women in general) being attractive, and working her way though her mini identity crisis.

At breakfast Violet sees her be like "Thank you for your... help. It was very... helpful" while not making eye contact with B, and mentally steels herself for whatever nonsense her kids are up to now.

For the next several episodes we watch them stumble upon Eloise as she attempts to get Cressida alone to talk (and then "talk") and have to try to keep anyone from finding out about the gal pals.

(Benedict going to duck around a corner only to see his sister sucking face and ducking right back out: Hey Colin and Penelope why don't we spend this entire ball standing right here blocking the entrance to this side hallway for no reason.

Penelope, who hasn't seen E in like an hour, putting 2 and 2 together: Ah yes, what an excellent idea brother-in-law! The view of everything in the opposite direction of that hallway is most splendid from this exact spot.

Colin, looking around, probably still oblivious: did Eloise go home?)

Anthony and Kate could be dragged into the effort as well at some point when they see something they shouldn't while looking for their own make-out spot.

And then when the drama hits and the relationship is revealed, they all put on their best shocked Pikachu faces while Colin finally gets it and is like, "oh wait is that why she was asking about-" before Pen stomps on his foot.

Violet lets herself give up for a full minute and just bang her head on a table.

#bridgerton #creloise #these gays have me writing meta for bridgerton ffs the brain rot is real

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firelxdykatara · 3 months

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I too ship Zutara and think they should have been canon. Although for me it's important to know how such a rewrite would go down. I tried to think, and I'm lost.

After Mai betrayed Azula for him, will he just go "sorry, not interested"? He isn't obligated to date her because of this, but her redemption hinges on Zuko and I don't see it being satisfying if he ends up rejecting her after this.

I thought the solution would be to rewrite her arc in boiling rock to make her have a moral realization, but then the problem with Maiko is practically solved. Their relationship wasn't salvaged by her redemption because last time they talked, Mai still didn't understand what's wrong with the Fire Nation and only changed because she loved Zuko. So how do you make it both satisfying & logical?

With Kataang the problem is the Chakras. The problem with the original (in my opinion) is that after he opened his chakra, letting go of his attachment to Katara, he's still attached (forcing a kiss on eip). Should TCoD get rewritten so that Azula shoots him before he opens it? Then why wouldn't he just open it later? Maybe the chakra would be locked so he feels as though he doesn't need to overcome his attachment just yet. In that situation, how would his chakra even unlock? The stone thing felt like nonsense, so how would I do it?

So yeah I have no idea how to approach this. How would you? (Thanks)

I've been rotating this ask in the back of my head like a rotisserie chicken for a few days--it's interesting because I don't generally stop to think like, how would I write them out of these relationships, I either ignore the relationships completely (which isn't hard, they were barely footnotes in the cartoon) or play a little bit with jealous exes or something. Thinking about like, In A Perfect World where Bryke wasn't in charge of ATLA post-canon (because if zutara had been canon, you can be sure they would've made us regret it) is interesting, and I do have thoughts on how I'd handle their relationships in a rewrite.

(this got long, so the rest is beneath the cut)

Assuming you mostly want to keep canon intact, I think maiko would be the easiest to work around, given how little relevance their relationship has in canon. The problem with maiko as an endgame ship is that it was not set up that way--if it had been, it would not have begun entirely off-screen and their whole relationship would not have been a study in misery and utter inability to connect emotionally. His relationship with Mai was there to showcase just how much he had changed and how little he fit into the life he had been so sure he wanted more than anything since his banishment. It worked very well to highlight Zuko's growth--how that contrasted to Mai's lack of it and why she could not understand him even at his most open and vulnerable--and did not work nearly so well when she was shoved back with him in the epilogue, after he'd quite literally forgotten her existence (he never mentions her again after Boiling Rock, not even to say a word of mourning, considering he'd have every reason to believe she was killed for defying his sister).

I don't think you can fix this by giving Mai some moral realization, because there simply is no room for it. As @araeph says in the essay I linked:

As a character, Mai is very useful to the story during Zuko’s return, because she represents everything that Zuko gains by sticking by his father. A girl who cares about him; the ability to indulge her; the authority he has over others at the palace; we see it all in his interactions with Mai. But this makes Mai a tether to a life he has long outgrown. Her function is not to advance Zuko’s character development, but to obstruct it, which also unfortunately means that Mai gaining a full understanding of Zuko’s trials would be disadvantageous to the story. If she knew everything about him and still wanted him to stay, it would give Zuko more cause than he should have to remain in the Fire Nation, but if she knew and encouraged him to leave and join the Avatar, it would rob Zuko of the triumph of making this decision on his own. In other words, there are good narrative reasons for keeping Mai in the dark; it just doesn’t make their relationship any stronger.

The seeds of a genuine redemption arc (one that includes some sort of moral realization and change to her moral framework) for Mai would have to have been planted far earlier than five episodes from the end of the series, but doing so would have of necessity detracted from Zuko's own character arc and the realizations that he makes despite his attachment to Mai (or more specifically to their relationship, which I feel like he was clinging to more out of a sense of abject loneliness he couldn't shake rather than genuine feelings and emotional connection).

So, in my mind, since we're tackling this with an eye towards getting rid of maiko with the fewest ripples to the overall story anyway, the easiest way to do this would be make one slight change to the end of the Boiling Rock two-parter--have Ty Lee (who had always been the least gung-ho of the trio about bowing to Azula's whims and had to be textually threatened into joining her in the first place) save Zuko's life, and then have Mai (who showed the most genuine affection for Ty Lee anyway) save Ty Lee. I love Zuko more than I fear you always fell flat for me as some epic declaration of love, anyway, since a) Zuko is not around to hear it, and b) unlike Ty Lee, she never showed much fear of Azula to begin with, so it wasn't a very high bar to clear. It was a cool line that was entirely unearned, and I don't think it would be missed, there would be some cute mailee crumbs this way, and a throwaway line of getting them released from the prison after the war ended could wrap up their presence in the story pretty nicely.

Now, kataang is a little trickier, if only because the last leg of Aang's character arc is almost completely derailed by his refusal to let go of his possessive attachment to Katara, to the point where he never naturally reopens his chakras, he has to have the Rock of Destiny hit him in just the right place, and the deus ex lionturtle there to give him a way out of having to make a hard moral choice. (I've maintained for years that if you work the final act of your main character's overall arc in such a way that it could have been solved by one good session with a chiropractor, something got fucked along the way.)

The thing about Aang's chakras is that, narratively, his whole thing with Guru Pathik and leaving his training early to save his friends was basically his version of Luke running away from his training with Yoda on Degobah because of his Force vision, only to find out that his friends were in the process of rescuing themselves and then losing his hand because he hadn't completed the most crucial part of his training. What's missing, therefore, from the last act of Aang's character arc, is the return.

See, in Star Wars, Luke pretty explicitly makes the wrong choice when he chooses to prioritize saving his friends over attaining enlightenment and fully mastering the Force. It was the only choice he could have made, but it was still the wrong one--because, like Aang, his friends did not actually need him to save them, he actually almost makes it harder for them to get away by requiring them to save him because, like Aang, he loses a battle in a very critical way. This was a lesson he desperately needed to learn, and it is clear he has learned it by the time he makes it back to Degobah and witnesses the end of Yoda's life, his own enlightenment having already been reached.

But Aang never goes back to the Guru.

And the text refuses to allow us to sit with the fact that he made the wrong choice in prioritizing his attachment to Katara over his ability to master the Avatar State. He is actually narratively vindicated about it, because the plot bends itself into a pretzel so that he doesn't have to spend any time during the last book trying to reopen his chakras and regain access to the Avatar State, handed both in the final battle with no excess effort on his part, and handed the girl into the bargain. (The girl who never even wanted him, so far as we can tell from all the lack of cues she gave him that she actually returned his feelings.)

And I think this could have been solved with a few scattered scenes. Let Katara actually have some agency in her own romantic relationship (or lack thereof), insofar as noticing Aang's advances and clueing the audience in to how she actually feels. Let Aang struggle with the fact that he can't reach the Avatar State, that his mastery of the elements is in limbo because he can't access his full power, rather than ignoring all of this until the end of the show. If we're trying to keep the shape of the last season roughly the same, let Katara confront Aang about the invasion kiss.

This would have been the perfect time to establish that Katara actually does feel some type of way about Aang prior to the epilogue, and it could have saved us from the exceedingly cringey EIP kiss that Aang never apologized for. How it comes across now, of course, is that Katara basically pretends it never even happened, to the point where she doesn't even know what Aang is talking about during EIP until he reminds her--the death knell for any shot their relationship had at looking requited, because I can tell you, as someone who's been a teenage girl, if someone I had conflicted but burgeoning romantic feelings for had kissed me, I would not have completely forgotten about it only a few weeks later--and we never get any indication as to what she actually felt about the kiss (which was not mutual, despite what Aang's dialogue in the EIP scene implies) except for the fact that she looked away and frowned afterwards. (A change mandated by Bryke, who wanted to leave her feelings completely ambiguous; the original storyboards had her smiling to herself.)

So, with an eye towards wrapping up Aang's puppy love crush and establishing Katara's distinct lack of romantic feelings for him, have her talk to him about the kiss. A good frame of reference for this would be Meng's conversation with Aang in "The Fortuneteller", where she finally realizes that he doesn't like her in the same way she likes him. Katara and Aang's conversation about the invasion kiss could be a callback to this, with Aang having some important realizations--that just because Katara doesn't share his feelings doesn't mean she loves him any less, and just because he can't have her the way he wanted doesn't mean he has to love her any less, that she doesn't belong to him but that's ok, because she's still his family and they'll always have each other's backs. Which could have functioned well in helping him take another step towards unblocking his chakras. Going back to the Guru directly may not have worked, since by this point in the story we're hurtling towards the final confrontation and Sozin's Comet, but let Aang reflect on what the Guru told him with new understanding granted him by his experiences throughout the first half of the season.

To keep the stakes high and up the suspense, obviously, he shouldn't have fully unlocked his chakras and the AS before the final fight, but the seeds could be planted--little moments like a talk with Katara about the invasion kiss, maybe a little more empathy and understanding from him about why Katara needs closure in TSR, etc--and then, during the final fight, rather than hand him all the answers on a silver platter, have him almost lose. He still can't go full Avatar, he's out of time, he still doesn't know exactly what to do about Ozai given his own pacifism and desire to preserve that part of his culture--he tries to fight but he's pretty quickly overpowered. Idk how I would've animated this, and maybe it wouldn't have looked as cool for the final fight, but the true climax of the finale was the Zuko and Azula agni kai anyway, so it hardly matters--I'm picturing him doing the rock-shield thing and going into a brief meditative state, where he finally achieves the enlightenment necessary to unlock the AS on his own, no rock of chiropracty necessary. And at this point, I'd give Ozai a Disney Death, since leaving him alive causes more problems than it solves and it's not necessary for Aang to kill him for him to die--they're fighting on a mountain ffs--but if you don't want to change that part then him figuring out energy bending as part of becoming a fully realized Avatar would at least feel more earned than the lionturtle just handing it to him. (And that could've been foreshadowed better by seeding the idea for it earlier in the season.)

After all of that, particularly if you up the emotions during the agni kai and have Zuko and Katara kiss there (or something less explicitly romantic but still tender, like a brief forehead touch), it'd feel pretty natural to have a just friends ending for Aang and Katara. Maybe a brief, slightly awkward but ultimately amiable conversation if Zuko and Katara had a ~thing at their final fight, and then the final shot of the series could be the gaang all together, maybe zutara holding hands or Katara resting her head on his shoulder or something, but since they already kissed there wouldn't feel like a need to end the whole show on romance, something which I've always felt missed the point of the series.

And then, y'know, after that, the world's your oyster! This is how I'd do it if I were trying to keep the bulk of the final season intact. Of course, breaking it all down to its component pieces and rebuilding from the ground up is also an option, but that'd probably be a longer post lol.

#zutara #atla #m.aiko salt #k.ataang salt #atla canon rewrite #hey albert kim if you're taking notes on how to do season 3 of the LA................#Anonymous #asked

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maddy-ferguson · 1 year

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Ppl who think that jncy is 100% endgame and there was and is no feelings from nancy towards steve sounds like ppl who refuse to see that el, mike and will situation is a love triangle. I am sorreeey but it aint making sense with the logic here chief

not you sending this to me, someone who thinks there was and is no feelings from nancy to steve💔 i mean it's not like i think she was never into him i just don't think she ever Loved him. and continuing that line of thought, in season 4 i genuinely dooon't see her feeling anything deep enough for her to uproot her relationship with jonathan.

to me either way they brought stncy back to remind us that no relationship we've been used to since season 1 is safe.

which could mean, for this particular love triangle, that they're gonna have steve and nancy end up together (which just doesn't make sense. thematically. i don't see it happening. at all. which is why a lot of people aren't really worried about jncy). or that while stncy doesn't come back the relationship we've been used to since season 1 (jncy) is still not gonna be endgame. or that this is all gonna strengthen jncy and that the no relationship we've been used to since season 1 is safe thing only applies to mlvn

#but i know what you mean #to me it's still a little worrying lol but like i don't know!#it's just that a lot of the time people (myself included sometimes) go well stncy can't be endgame for this list of reasons which means #that jncy is. which doesn't really work for me because while you can say mlvn doesn't work for list of reasons thus bylr is endgame for #jncy...idk. the difference between the two is that mike not ending up with either would make no sense since he's only been with el and they #'introduced' will as a love interest for him in s4 right. but jonathan and nancy have been together. and are together. same with nancy #and steve obviously #it's just idk nancy's s1/2 love triangle obviously mirrors mike's but we're talking post-s2 jncy post-love triangle resolution #like they're doing their own thing now. i still don't think they're gonna have her be with steve again but her not being with steve doesn't #necessarily equal her being with jonathan yk?#they could be fine yes definitely but the love triangle coming back at all just makes me very unsure that they will be #but maybe it is a fake out and jncy are gonna stay together 4ever and the only 'main' couple everyone is gonna have to say goodbye to is #mlvn #i'm still 100% sure stncy is not endgame though and that will only change if i see nancy say wow steve i wanna raise your six nuggets in s5 #single nancy truther 4 life #ask

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pepperkettle · 5 months

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k so slay the princess is rotting my brain but currently one big thought is chilling in my brain, and like- hear me out (sorry if my wording doesn't convey my thoughts well skskfjdjg)

but I don't think the damsel is entirely as shallow as some may see her as. HEAR ME OUT- compared to the other princesses, yes, she definitely more shallow. and she is also (at least when looking at deconstructed) poking fun at those trying to have an easy and work free romance route where the princess does whatever you like and loves you so, so much. i'm not saying she's supremely deep and that no one understands her but me, but I also don't think she exists solely to mock players with absolutely nothing to say about the nature of human permanence either.

does that make sense? more thoughts below- they're a bit disjointed though so warning ^^;

I personally think the damsel can also represent a very real form love, so to speak.

gimme a min to explain. I think what initially led me to this is a line from the narrator equating the smitten and the damsel to acting like teenagers in love. and that line sorta shifted my perspective a bit on her a little? seeing that kinda made me go "ohhhhhhh makes sense" like it really did remind me of two kids who don't entirely get what dating entails but still want to be together, and given the endgame sequence the damsel's section just kinda cemented this mindset for me.

for clarification the damsel has two(?) bits of dialog depending on whether she's deconstructed or not. If she isn't she says something along the lines of (iirc) "you had a desire and you set that desire free/not caring about what it took or costed you in the process" annnd?? like that's kinda wholesome to me?

like the damsel's love with the player isn't nearly as in depth, complicated, or complete as say the thorn, but it's a passionate love. it's also a naive love. the sort of love you'd find with, well, teenagers having a crush. of course when people get older they see those old crushes as frivolous and flat, but to the people experiencing them in the moment, it's real! it's serious! they were still willing to risk a lot just to be together. and at least at the start, you're willing to be killed by the princess if it means she's safe after having a battle of control against the narrator. it just reads as very human to me. they truly felt that their love could conquer anything.

I feel the thorn is a more 'adult' version of the damsel. it's that passionate love taking on a more mature form. it has more hardships to go through and way more pitfalls and mistakes that one can make compared to the more childish love like the damsel's. there's less theatrics and fanfare, and to me it feels more somber and quiet. it's a contrast between the high stakes emotion filled damsel, and the more intimate, tense, and self-aware thorn. ultimately in the end for both of them, they come to a realization that love is a powerful tool almost in a way that mirror each other.

some of the same occurrences leading up to the route are also shared between the two. like having the princess stab you in the prior route. I also think it's worth noting that in the thorn, the thistles can be seen as/can be referred to a prison of her own making. something she can leave if she was willing to make the effort to do so. it's similar to the damsel's shackles being easily slipped off her wrist. she could free herself.

also by extension, say what you will about the smitten but he loves the princess no matter what form she takes. even when she kills him he still adores her. he is content with being cooked alive by the princess if that's what she wants. i think he's a lot like the damsel in that sense. whatever she wants, she will have. if the damsel is molded to love the player, the smitten is absolutely molded to love the princess in the same way.

#ok that got really long #halfway through i realized the thorn and the damsel have a lot of parallels and my brain exploded sorry #i really love this game and have so many more thoughts but those need other posts :((#someday soon someday soon...#slay the princess #stp spoilers #slay the princess spoilers #♡ -> post time !

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dorkynerd23 · 7 months

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"I Love Them And I Love That They're There For Each Other." 🥺🩷

[Liam Vickers (The Creator Of Murder Drones) Talking About N And Uzi.] (GLITCH X 2023)

In all seriousness though, although I'm a Nuzi/Biscuitbites shipper and all, I overall really do love and adore how much N and Uzi's relationship has blossomed and developed over the course of the show so far and how much closer the two have gotten. Whether you see them as either platonic or potential lovers, you can't deny that these two are absolutely adorable and badass, and just work so damn well off one another, they're honestly the heart of the show, in my opinion. (⁠◡⁠ ⁠ω⁠ ⁠◡⁠) You can honestly see the friendship and connection between the two and see that they do deeply care about one another and bring the best out of each other, it's honestly understandable why so many fans love the pairing between these two and their dynamic and find it comforting, because there's so much charm and even relatability to both characters. You truly do believe in their bond and their relationship is only going to get so much stronger once the final two episodes of the season are released next year, especially with the huge amount of stakes involved now + with N having to choose between either saving the universe or potentially killing Uzi.

N X Uzi is pretty much a slow burn, it's taking its time before things get serious between the two. To me, nothing in my eyes feels forced or rushed unlike other romances in pieces of media I've seen which didn't have the best development and growth, or the right amount of it. Although, relationships like N and Uzi have been done so many times and can be seen as cliche, (which I can get behind!) that doesn't always mean it's automatically bad and horrible, some cliche tropes for potential couples can/have worked as long as they're written correctly and done well! For me, when it comes to my favorite ships I like for them to have chemistry and believability and show the connection between the characters.

Honestly, for any romances/relationships in pieces of media to come across as believable than the audience must be convinced that the couple is genuinely connected and N and Uzi fit this category although we're only in the first season and we aren't sure what the future holds for the show, there's more potential to show more growth and development for N and Uzi and their relationship, with the potential of them being more! I honestly don't see how these two wouldn't end up together by the end especially after so much buildup and teasing only to have the two end up with different characters at the end of the show, it would've definitely left a bad taste in the fans mouths and would've been pointless. It would be understandable for N and Uzi to get together and it works, as not only do they have the strongest dynamic and relationship out of all the characters but throughout all the episodes (so far, at least) the two have shown to start growing closer and closer, the show has hinted at them being something more eventually. ❤️

Now, of course, anything can go and Envy might end up being the endgame couple instead, especially after V's sacrifice and her growing character development things could change. But, I honestly don't really see them getting together and besides, He and V could still be friends and connect and not everyone needs to get/be in a relationship to be happy. V doesn't need to be in a relationship with N to be happy, she needs to improve herself first and become a better person which is what she's slowly doing and as said, she can still find happiness in a found family and friendship, she can still find happiness in other places! 💙💞

#murder drones #liam vickers #liam vickers animation #glitch productions #murder drones uzi #uzi doorman #md uzi #murder drones n #serial designation n #md n #n x uzi #nuzi #biscuitbites

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acotar-taylorsversion · 3 months

Text

Another Little Rant

I'm sorry, but not everyone wants Lucien.

Not his court. Not his brothers. Not Tamlin. Not his mate.

Rhys only puts up with him for the sake of an alliance. And I think Feyre only keeps him around because of the friendship they once had. Azriel hates him and I don't think Cassian, Mor, and Amren care enough to about him to really say anything.

This is why he's finding his own place and home with the Band of Exiles. Hence the name.

Now, don't go thinking I hate Lucien. I can hear y'all now thinking I'm the worst person because I don't put him on a pedestal. I don't particularly care for him. I only see him being beneficial to Vassa's story, because I do think the small moments between them are cute and they might actually mean something. I'm convinced that this is one of the very few reasons why she has kept him around this long. I never found Lucien as this exciting, funny character. I almost put down acotar when it first came out because I found Tamlin boring and Lucien annoying and I was convinced Feyre was either gonna end up with the boring one or the annoying one (but then Rhys came along 🥰). The only thing that got me through the beginning of acomaf was because I could smell feysand from a mile away. And don't even get me started on the end of that book.

I don't see the appeal in elucien at all. I'm convinced the only reason people support that ship is because of the fact that they are mates and they have this unusual obsession with Lucien. Don't know why, honestly. I don't know how people can read where Elain literally loses her newfound boldness, shrinks into herself, and literally hides in the kitchen refusing to pour water in a cup to make him tea and think "omg I can't wait for them to fall in love 😍." Like, if Sarah makes them endgame then I will be convinced that she forgot about every other acotar book she has written. And don't say "well if you don't want to read about fated mates, don't read acotar." She's talking about rejecting the bond and exploring what happens after and who's the only other couple who hasn't accepted their bond yet? Yeah, that's right, Elain and Lucien. I can only assume it's gonna be them who reject the bond. And yes, that would mean Lucien not having his mate. But, you know what, he's a grown ass man and he's not the baby everyone treats him to be. "Poor baby Lucien, he'll be so heartbroken." "He deserves his mate, he deserves to be happy."

Like what about Elain? Eluciens don't care about Elain at all and nothing will ever convince me that they do. She has found her place in the Night Court with her sisters, and her new friends. She is happy there. She is finally accepting her new life now, and she's doing all of that without Lucien.

Sorry for the rant, y'all. I don't care if no one likes this or comments on this or anything. this is my blog and it is my safe place to express how I feel at certain moments.

And, please if you disagree with me, then by all means let me know. I'm open to any and all discussions.

#acotar #elain archeron #pro elriel #anti el*cien #anti e/lucien #don't know why everyone is obsessed with the one eyed ginger #elain doesnt want him #offer and permission #elain would rather be with Az than her mate #Sarah end this ship war #I am begging you

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glorysbox · 8 months

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Hi! Wanted to start off saying I love your writing so much! I had an idea that I’d love to see written by you, though I’m not sure if you do swf type stuff? (If not please totally ignore me!) And also not sure how detailed you prefer people to get, so this might be way too long for a fic lol. Either way, love your writing and hope you’re doing well!

So essentially Leon has a friend (afab) who has had a boyfriend for a while, and Leon begins to notice that she’s been staying home all the time, showing up less and less to hang out with their friend group, and giving excuses to not show up that’ve begun to repeat. Leon gets suspicious and confronts her when they’re alone for a minute, asking if her boyfriend is preventing her from hanging out with her friends and family. She confirms that’s the case, and explains that her boyfriend gets insanely suspicious about her interacting with anyone outside of him because, “Why would you ever need to talk to or be around anyone else? I should be enough for you. I should be your whole world.” And Leon, who has always had feelings for her but never acted on them is essentially like, “You know there are people who’d treat you better than that, right?”

leon x fem!reader

wc: 1.6k

tags: SFW YAYYYY! implied emotionally abusive relationship, hurt + comfort, leon is a cutie that cares about u a lot, dialogue heavy again

It's been a while since he's seen you.

So long, in fact, that Leon is starting to feel worried.

He never liked your boyfriend—couldn't stand the way the guy constantly talked down to you or the people around you. Leon never said anything, though. The guy made you "happy"—(in your own words)—and he would rather keep his tongue shut than threaten the friendship he has with you over this guy.

He thought he was making the right decision.

And yet, here he is, staring at the multitude of messages that he's been sending you over the past few weeks. Invitations to hang out get ignored. Questions about your well-being get ignored. Conversation starters get ignored. It's frustrating. But above being frustrating: it's nerve-wracking. Leon is worried. And he has been for weeks now... you're pulling away from him. And not just him; you're pulling away from everyone.

bestie: Hey. I'm worried about you, can we please talk? You've been distant for a while now. Did I do something wrong? [7:32]

bestie: Hello? Cmon. Dont ignore me [7:47]

You don't even read it.

It's at this point in time where Leon is starting to feel like he needs to do something. To say something. You were never like this before—and he's upset. Really upset. Which leads him to where he is now—fumbling with his phone as he stands outside of your apartment building. What does he even say? Does he call you—maybe text you? Will you even respond? Probably not. What if your boyfriend—the whole reason he wants to speak with you—is over your place?

Jesus, Leon. He thinks, stuffing his phone along with his hands into his jacket pockets. Come on. She needs you. Whatever happens happens.

Three knocks on your apartment break you out of your boyfriend-argument induced stupor. Your mind is foggy as you stumble from your bed—wiping your tears—to head to the door. This time, you don't even know what you've done wrong. You listen to your boyfriend faithfully. You've stopped talking to Leon, stopped hanging out with your friends, stopped messaging your family everyday—what else is there to do? You just want him to be happy.

boyfie: Do you even care about me? [7:26]

boyfie: i ask you to do the bare minimum shit and you never listen [7:26]

boyfie: Maybe we should just break up. i treat you like you're the only girl for me and all you do is whore yourself around [7:27]

He's told you so many times that he's the only one that'll ever love you the way he does. Explained that he is and should be your endgame—tells you that every good relationship needs it's compromise. He tells you that he's compromised so much to get nothing in return. And you believe it.

You'll have to figure out how to make this right—after you see who's at the door. With one final wipe of your tears with the back of your hand, you open your front door—maybe hoping to see your boyfriend, but...

"Hey, I... are you crying?" Leon's face is scrunched together, eyebrows drawn in and eyes squinting at the sight of your (admittedly pathetic, but adorable) display of sadness.

"No—I'm not. I was just..." You trail off, voice low and sad and whiny enough to make Leon's heart break into a million pieces. Guilt rushes over him in waves. He should've come sooner. You feel a firm hand squeezing the meat of your shoulder.

"Don't even lie... can I come in? We really, really need to talk. I—"

"No! No—you can't come in. Look, I'm sorry Leon, but..." You put your hands up defensively, creating distance between the both of you. Leon's heart breaks into a million more pieces. "That's not a good idea. You need to leave."

"Need to?" He sounds offended. "I'm not going anywhere. What I need to do is talk to you. About a bunch of things. It's just a talk!"

He pauses for a few moments.

"He won't get mad at us for just talking," Leon adds, in attempt to quell your obvious anxiety at just conversing with him. It's pretty much just as he thought; you never would avoid or ignore him on purpose. Your boyfriend told you to. You're just too sweet to realize that he's treating you like shit.

"Even if he doesn't... I don't want to risk it. I really don't want to upset him..." You avoid Leon's gaze. "Can you just... go away? I don't want to ruin my relationship anymore than I already have."

Leon's heart breaks into a trillion pieces.

"I'm... not going anywhere." Leon says slowly, taking a step closer to you. "Come on. He doesn't have to know. I'm worried about you. Everyone is."

"I don't want to lie about having you over. That would just be wrong." You pause. "And worried about what? I'm fine. Really."

Leon sighs. You watch as he pinches the bridge of his nose—watch as he looks around your apartment building. And then, you watch as he ducks under your arm to enter your apartment. He's already got the door shut behind himself before you can protest or say anything.

You open your mouth to speak, but—

"Just hear me out! Please. Come on. We've been best friends for years. Don't you care to hear about what I have to say?" He pauses, a pout forming on his face. You start to feel guilty for ghosting him. "Please. I'll be quick."

And you sigh in defeat, saying nothing. Which to him, is an invitation to speak.

"I... uh, okay, I know I said I wanted to speak. But I actually want you to talk to me instead. Talk to me about what's going on—" He reaches for you, putting a hand on your cheek. His thumb swipes away your tears. You don't pull away this time. "I need to know. I've been dying not knowing what's going on with you. At least give me the reason you ditched me."

"I... I'm sorry..." You mutter, eyes downcast as you avoid your best friend's intense gaze. "I should've talked to you about it, I'm sorry. It's just—he didn't want me talking to you, because..."

"Because?"

"Well—he said that you... uh, had a crush on me. And he didn't want me hanging out with you anymore because it's... cheating."

"What?! I don't—I..." He trails off, voice pitched a tad too high considering the fact that he's lying his ass off. Deflect, Leon. "Okay, whatever. What about our other friends? Your family? What's your reason for that?"

"H... he just said that you and—well, everyone doesn't understand our relationship. And that you guys just want to break us apart."

Damn right Leon doesn't understand your relationship with that douchebag. And damn right he wants you to break up with him. He doesn't verbalize any of this—not now, at least. He keeps a hand on your cheek, reveling in the feeling of your warm skin on his hand.

"And... why are you crying right now?" Leon's voice is soft as he speaks to you. He's trying his hardest to coax the truth out of you.

"Because..." You bite your lip, still looking away from Leon. The look on your face has his heart breaking into a quadrillion pieces. He could treat you so much better. "I made a mistake. And he won't tell me what I did... but I want to fix it. I really don't want to lose him..."

"You know... if he was a good boyfriend, he wouldn't not tell you what you did wrong." Leon's brows furrow together once more, replacing his softer expression. "He shouldn't want you to be upset. He should want you to be... happy. That's what couples should do."

Leon's doing a lot of talking for a guy who's never had a relationship before. He'd never admit that the reason is mostly because he only wants you.

"I know, but—"

"There's no buts. Come on. Don't you see? He's treating you like shit. I don't want to see you like..." He gestures to all of you. "This. Sad and lonely and desperate for this guy to treat you well. He's never going to treat you well."

He pauses.

"There's so many people out here. People that can treat you better. That care about you... like me, for example." Very subtle, Leon. He thinks, but thankfully... you don't seem to catch on. Or you don't comment on it if you do. He takes the opportunity, pulling you closer into him.

You don't pull away.

Making progress.

"We're best friends... I only want the best for you." You wrap your arms around his torso. Making more progress, he thinks. "I care about you more than you know. And I've been lonely without you."

You bury your face in his chest. It's comforting. It always has been. More progress.

"Everyone is worried about you. You need to... stop letting him string you along like this. He's taking advantage of you." You sniffle in his chest.

Maybe he's right, you think.

"Let's go back to the way things were before. Me. And you. And, uh... everyone else, yeah. And you being happy and smiling and having fun. I haven't seen you smile once since you started dating this guy." An exaggeration, but not all a lie. Now that you think about it, you aren't exactly happy. At all, really.

You're cracking.

"But..." You want to protest, to say anything, but the words die in your throat. You miss Leon. You miss your friends. You miss your family.

"No buts. Let's watch a movie. We can order pizza and stuff our faces. And you'll block that bastard and hang out with me every day again." You try to hold back the smile that threatens it's way on your face.

You hate to admit that this sounds like a good idea.

#wrote this instead of doing my 3 assignments #sydfw #leon scott kennedy x reader #leon kennedy #leon kennedy x reader #leon scott kennedy #re #resident evil #resident evil 2 #writing

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