Diamonds, Toads, and Dark Magical Girls

According to Bill Ellis in "The Fairy-Telling Craft of Princess Tutu: Meta-Commentary and the Folkloresque," the fairy tale of Cinderella can be seen as one of the earliest examples of the transformation sequences/henshin seen in magical girl anime, particularly in how the title character is given items that help her achieve a goal, usually given to her by a magical being (her mother's spirit in a tree, a fairy godmother, etc.).

Thinking again about the connection between magical girls and fairy tales--even if they aren't as meta as Tutu, many magical girls do use imagery and ideas from European fairy tales (Sailor Moon alone has references to Hans Christian Andersen and Charles Perrault)--I wondered what other character types from the genre may have some precedent in fairy tales. Then I started thinking about the Dark Magical Girl character.

Not every magical girl story has a Dark Magical Girl, but they do crop up in a lot of works. To name a few, there's Fate Testarossa from Magical Girl Lyrical Nanoha, Homura Akemi from Puella Magi Madoka Magica, Rue/Kraehe from Princess Tutu, and countless others that would be too numerous to name. In general they tend to be more cynical, darker counterparts to the main protagonists, who tend to come from relatively more stable environments. Whatever magic they possess also may be more sinister, at least initially.

Tying in somewhat to the story of Cinderella is the Aarne-Thompson-Uther Index fairy tale type "The Kind and Unkind Girls" (ATU 480). Many of the stories of this type involve a rivalry between two stepsisters, one being favored by the stepmother due to being the latter's biological daughter. The general idea in most versions of the tale is that both girls encounter a magical being at separate points in time. The kind girl helps the magical being in some way, at which point the magical being gives her a magical ability or magical presents. Meanwhile, the unkind girl refuses to help the magical being and is cursed in some fashion, or, worse, killed. The kind girl meanwhile usually ends up marrying a prince, or a similar character. One of the more popular versions of this story, "Diamonds and Toads," has the kind girl gain the ability to have a jewel or flower fall from her mouth when she speaks, while the unkind girl is cursed to have toads and snakes fall from hers. And while the kind girl does marry a prince, the unkind one is kicked out of her house and dies alone in the woods. (Insert something about Revolutionary Girl Utena's comment about how a girl who cannot become a princess is doomed to be a witch.)

Typically in these fairy tales, the unkind girl is never shown to be a real threat to the kind one; the ultimate threat is the stepmother, who uses her daughter as a means to an end. In contrast, Dark Magical Girls tend to have, well, magic that helps them attack the magical girl protagonist. In this regard, they're the Heavy in the plot, while the witch/mother-like figure/real enemy waits in the background (as is the case in a lot of magical girl shows--the Raven and Rue, Precia and Fate, Fine and Chris in Symphogear etc.). Sometimes the Dark Magical Girl will be a major threat, though--like the Princess of Disaster in Pretear (who is loosely-inspired by the Evil Queen in Snow White).

In The Uses of Enchantment: The Meaning and Importance of Fairy Tales (1976), Bruno Bettelheim argues that the stepmother as a character is a way for children to process the negative traits of their own mothers, while still idealizing the good qualities of them. With that in mind, the unkind sister and the Dark Magical Girl can be viewed as a way of processing/externalizing the negative traits that a girl can have, being cruel, rebellious, and uncaring. They also embody their fears, too--the fear of being alone, rejected, and doomed to fail.

Of course, nowadays, Dark Magical Girls have a tendency to be redeemed and reconcile with/befriend the main magical girl, something the kind and unkind girls never seem to do in the fairy tales. Maybe it's just emblematic of society deciding that killing a girl off for being a little rude is a bit unfair. She's just a kid trying to find her place in the world, too, after all.

Sleeping Beauty (1959) turned 65, and it remains still such a beautiful film. It's one of my favourite quintessential fantasy films, and I adore princess Aurora and Maleficent!

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The Original Folk and Fairy Tales of the Brothers Grimm illustrated by Andrea Dezso

The Six Swans

Artist : Patrick James Lynch

Sweetheart Roland (1920) - Arthur Rackham

Illustration from Grimm's Fairy Tales by Gustaf Tenggren (1923)

Monica Bellucci playing The Mirror Queen in the Brothers Grimm (2005) 

The 7 lambs!

Bit of a design practice

Chronic Illness - Christina Marie Brown / Helter Skelter (2012) / The Secret Diary of Laura Palmer / Gretel & Hansel (2020) / Pernille Augustson / Spit It Out - Softcult / Sharp Objects / All Eyes On You - Katy McAllister

Disney leaving out the backstory for Rapunzels name is so funny to me, because in the fairytale it makes sense but in the movie she's just named after a salad.

For no reason other than mother gothel/ the king & queen are horrible at naming babies

Tales From Grimm Freely Translated and Illustrated By Wanda Gág   1936

I love doing character designs for fairy tales and folktales, so here's my interpretation of Snow White for fun. I imagined her look on the left to be as she's taken by the huntsman into the woods, and then her look on the right after she's braved the woods and made it to the dwarfs' cottage.

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Illustration for Grimm's Fairytales by Arthur Rackham, 1917

Kay Nielsen (1886 - 1957) Illustration for "Hansel and Gretel" by the Brothers Grimm (1924)

Source

Grimm’s Household Tales

Edited and partly translated anew by Marian Edwardes

E. P. Dutton & Co

New York

1912

Artist : R. Anning. Bell

Princess and the Dragon