(via Blue thick mohair sweater dress with long turtleneck, ready to ship, size M-L)

*** READY TO SHIP *** SuperTanya dress

La Mode illustrée, no. 15, 12 avril 1896, Paris. Robe en lainage rayé vert-de-gris. Robe en lainage beige. Robe en mohair bleu marine. Robe en taffetas gris. Modèles de chez Mmes Coussinet-Piret, rue Richer, 43. Ville de Paris / Bibliothèque Forney

Robe en lainage rayé vert-de-gris.

La jupe unie est faite en lainage rayé, la basque du corsage assez longue, plissée derrière, fendue plusieurs fois sur les hanches, s'écarte devant de façon à laisser voir un gilet long et pointu en soie côtelée crème, orné de petites poches encadrées de galons vert-de-gris. Le corsage est garni de larges revers en soie crème, encadrés de galons. On pose sur le gilet de la gaze crème, terminée au bord supérieur sous un nœud de gaze. le col droit est entouré d'une fraise en gaze. Les manches sont ornées de boutons.

Chapeau en crin blanc, garni de nœuds crème et de roses nuancées.

Verdigris striped wool dress.

The plain skirt is made of striped wool, the basque of the bodice is quite long, pleated at the back, slit several times at the hips, spreads at the front to reveal a long, pointed cardigan in cream ribbed silk, decorated with small framed pockets. verdigris braid. The bodice is trimmed with large cream silk lapels, framed with braid. Cream gauze is placed on the vest, finished at the upper edge under a gauze knot. the straight collar is surrounded by a gauze ruff. The sleeves are decorated with buttons.

White horsehair hat, trimmed with cream bows and shaded roses.

—

Robe en lainage beige.

Cette robe se compose d'une jupe unie et d'un corsage, plat derrière, froncé devant, terminé par une ceinture. Le corsage est orné devant d'un jabot en dentelle auquel se rattache un col avec ruche en gaze. Les autres garnitures du corsage se composent d'un col en perles brodé sur de la gaze, et de larges revers. Les manches sont garnies de ruches. Le chapeau, fait en paille satin beige, est orné de rubans beige et rouge.

Beige woolen dress.

This dress consists of a plain skirt and a bodice, flat at the back, gathered at the front, finished with a belt. The bodice is decorated in front with a lace frill to which a collar with a gauze ruffle is attached. Other bodice trimmings consist of a beaded collar embroidered on gauze, and wide lapels. The sleeves are trimmed with ruches. The hat, made of beige satin straw, is decorated with beige and red ribbons.

—

Robe en mohair bleu marine.

Robe en mohair bleu marine avec corsage plat et jupe à godets unie. Le corsage, terminé par une ceinture, est orné d'un plastron en guipure brodé de perles, encadré par des garnitures en gaze noire brodée de perles. Les manches sont ornées de revers semblables; le col droit est garni d'une fraise en dentelle.

Toque en tulle de soie noir, garnie d'une couronne de fleurs de pommier, et de rosaces en dentelle.

Navy blue mohair dress.

Navy mohair dress with flat bodice and solid godet skirt. The bodice, finished with a belt, is decorated with a guipure bib embroidered with pearls, framed by black gauze trims embroidered with pearls. The sleeves are decorated with similar cuffs; the straight collar is trimmed with a lace ruff.

Black silk tulle hat, garnished with a crown of apple blossoms and lace rosettes.

—

Robe en taffetas gris.

Cette robe, en taffetas gris, a une jupe large, fendue de chaque côté deux fois jusqu'aux hanches; les fentes sont remplies avec du taffetas gris plus foncé, plissé. Les bords de l'étoffe par devant, bordant les plis, sont ornés de boutonnières simulées et de boutons en nacre grise.

Le corsage est garni derrière d'une basque courte ondulée; il forme un corselet devant. Le bord supérieur du corsage par devant est couvert par de la soie fine plissée; on y pose en outre un morceau de passementerie terminé en pointe. Les manches sont ornées de revers en dentelle et de boutons; on fait retomber sur le col droit des morceaux de dentelle.

Chapeau rond en paille grise, garni de rubans gris et de plumes rouge ombrées.

Gray taffeta dress.

This dress, in gray taffeta, has a wide skirt, slit on each side twice to the hips; the slits are filled with darker gray, pleated taffeta. The edges of the fabric at the front, bordering the pleats, are decorated with simulated buttonholes and gray mother-of-pearl buttons.

The bodice is trimmed behind with a short wavy basque; it forms a corselet in front. The upper edge of the front bodice is covered by fine pleated silk; a piece of trimmings finished in a point is also placed on it. The sleeves are decorated with lace cuffs and buttons; pieces of lace are placed on the right collar.

Round gray straw hat, trimmed with gray ribbons and ombré red feathers.

Zoe Benson list exacts

I’ve been looking around on tumblr to see if anyone made a exact list for clothes that Zoe wore and I only found small posts made by @harmonaesthetic and to make it easier for Zoe collectors I’m just gonna list items they found to their posts

Dresses:

Topshop Chiffon Lace Midi Slip

Topshop Strappy Lace Vintage Slip in Blue

Opening Ceremony High-Neck Plisse Short-Sleeve Shift Dress

Malia Sheer Eyelet-Lace Midi Dress

Twelfth Street by Cynthia Vincent Western Dress

Shirts:

Zara Tokyo Crop Top

Free People Waterfall Graphic Tank in Charcoal

Topshop Photo Dove Tee

Topshop Long Sleeve Cape Blouse in White

See by Chloé Flowy Button-Front Blouse in Eden White

Alexander McQueen Asymmetrical Button Down Shirt

Marc Jacobs Silk Tie-Neck Blouse in Ivory

Topshop Chambray Work Shirt

Bottoms:

Topshop Cutwork Mensy Fit Shorts

Topshop Dill Overalls

Jackets/Cardigans&Sweaters:

Topshop Chinoiserie Flower Bomber Jacket

Addison Mia Cropped Overlay Sweater in Grey & Black

Urban Outfitters Sparkle & Fade Slit Pullover Sweater in Grey

French Connection Honey Lace Insert Sweatshirt

Topshop Longline Fringe Kimono

Alexander Wang Sleeve Drape Wool-Mohair Tuxedo Blazer

Shoes:

Jeffrey Campbell Wesley Heeled Oxford

Loweffler Randall Fenton Buckle Booties

Accessories:

Earthling Jewelry Moonstone Ring

AEAOA Lace Parasol Umbrella in Black

Do you find my blue mohair sweater dress attractive?

US Vogue March 15, 1958

Ultramarine blue three-quarter length coat, by Dan Millstein, in Ascher soufflé in mohair and nylon over a gray-blue dress. Colibri smoked gray stockings, from Franklin Simon. Newton Elkin shoes. White pigskin gloves, by Fownes. Other surprise colors: Pink Violet lipstick, by Elizabeth Arden.

Manteau trois quarts bleu outremer, par Dan Millstein, en soufflé Ascher en mohair et nylon sur une robe gris-bleu. Bas gris fumé Colibri, chez Franklin Simon. Chaussures Newton Elkin. Gants en peau de porc blanc, par Fownes. Autres couleurs surprises : le rouge à lèvres Pink Violet, d'Elizabeth Arden.

Photo Sante Forlano vogue archive

2023 review - knitting

Here’s some of the pics of my knitting projects for the year:

Anne/Diana/Gilbert dolls (from Anne of Green Gables):

These took me nearly two years to complete – I basically knit Anne twice because my knitting gauge had changed so much in that time. I have to redo Gilbert’s hair (the mohair I bought was poorly dyed and not all of it is black), but I love them so much. I knit all of the bodies and knit all of the clothes (except for the petticoats and the buttons).

I added a “petticoat” of lace to her dress because her dress was so short. Her hair has already lost the curls.

Aren’t those braids the sweetest? I’ve started making Kurt and Blaine dolls (from glee) and have visions of Mulder and Scully and all of the hobbits and ….

Orchid and Gold Poppins scarf:

This was knit from a yummy alpaca/tencel/linen blend and it’s so soft. I love how the colors migrated over the scarf. I gave this one to my mom for Mother’s Day. I’m tempted to buy more and make one for me because it is so lovely.

Grandpa sweater:

Super bulky, soft warm yarn – I’ve bought several skeins of it over the last few years when stores have gone out of business and decided to destash and make my first sweater – I used 8 skeins, plus some remnants. It knit up pretty quickly, because it was so bulky and it’s very warm. If I were to redo it, I would extend the sleeves a few more rows and shift the pockets over.

Christmas scarves:

I’ve been slowly making scarves for my Plethora girlfriends. Made again with Rasta, because it’s so soft and luxurious, and I’ve been trying out different stitches and patterns for each one.

The blue and purple ones have been blocked, I just need to sew in the ends; the red one has not. I have yarn for 2 more scarves.

Noel's best shirts and jumpers, The Great British Bake Off (up to 2023)

Noel's Skull Camo Jumper

Noel's Four Horsemen Skull Graphic Shirt 

Noel's Icecream Sweater 

Noel's Fluffy Knit Jumper Dress

Noel's Striped Yellow and Black Silk Shirt

Noel's Black and Yellow Tie Dye Jumper

Noel Fielding's Large Red Flower Jumper 

Noel's Black and Green Floral Jungle Shirt

Noel's Bella Freud 1970 Yellow Jumper

Noel's Skeleton Bones Onesie

Noel's Blue Buggy Bear Sweater

Noels Blue & Pink Zebra Shirt

Noel's Rainbow Star Jumper

Noel's Mohair Green & Black Striped Jumper

Noel's Butterfly Graphic Sweater

Noel's Pink Crew Neck Jumper With Smiley Face Print

Noel's Alexander McQueen Skull Print Cotton Shirt

Noel's Bella Freud 1970 Jumper

For more details please visit the source

SOPHIA PIERCE'S FASHION : flowy fabrics, lace, neutrals with soft pinks and pops of red, plaid, oversized blazers and leather jackets, chunky 90's platforms, classy patent leather boots, floral patterns, the occasional vintage graphic tee, cozy sweater, ugg boots <;3, ribbons in her hair, claw clips, dainty gold jewelry, manicured nails in pinks and soft blues, constantly doing something with her hair, light makeup, grandma vests, camisoles and nighties as going-out attire, faded denim, mohair / fuzzy cardigans.

sophia's fashion is influenced heavily by her upbringing and channels that into girly dresses and lots of bows and lace, but her musical influences are almost heavier : she listens to female alt-rock of the 90s such as mazzy star, fiona apple, liz phair, the breeders, and pj harvey, as well as pavement and the pixies. grunge inspired, but mostly just all of her girly realness; there's some practicality in the outfits she choose, but much of it is just dress up. she can be pretty trendy and tries to stay informed on whats in, but ultimately she loves dressing to how she feels. incredibly high femme, with a tinge of southern grit: old budweiser shirts, ratty denim jackets, cowboy boots.

wardrobe pinboard for more details <3

wool, cotton and mohair - games! (cast your mutuals, fuck marry kill, would you rather, give you a song that has your vibe…)

cym as: colors/shades with fun/different names (ie amethyst purple, taffy pink…)

the colour that a soap bubble has - you

the soft blushing flush of a peach - @magicchai

super light banana yellow - @ddejavvu

autumn leaf burnt orange - @fxllfaiiry

that purple nail polish you were obsessed with at 10 years old - @fightingdragonswithwho

the blue of the pair of jeans that makes your ass go POW! - @luveline

film noir grey, but it's like a flashback and two people are kissing in the street - @oncasette

moomin cloud gay pink - @happyheidi

freshly picked chanterelle beige - @deeplywornletters

blackcurrant stained hands - @reidslovely

Iridescent lavender butterfly clips - @wonderlandhatter

red tulips - @appocalipse

the green that was on the original cover of the hobbit - @sw34terw34ther

lacy lingerie white - @lanadelreyscokewhor3

bella goth's iconic red dress - @prettyboyeddiemunson

the colour of the warm morning sun with accompanied bird song yellow - @midniteluv

the colour of matt murdock's glass of whisky at Josie's - @chvoswxtch

glow in the dark stars on your ceiling neon green - @lucasnclair

the pink sticky lipgloss of a 00's it girl - @forourmoons

| join my 3k celebration! |

(via Blue mohair dress designed by SuperTanya, ready to ship, size XS-S)

New summer collection by SUPERTANYA

PHOTOSHOOT: KISS MAGAZINE

Marina covered the January 2013 issue of Ireland's Kiss Magazine! The colorful editorial was shot by Naomi Gaffey and styled by her sister Naomi Gaffey who made sure to include a handful of Irish and other British labels!

Hair and makeup by Billy Orf, respectively.

For the cover photo, she looked stellar in the Fall/Winter 2012 star print stretch silk cocktail dress with long bat sleeves (€410.00 - sold out) by up-and-coming Irish designer NATALIEBCOLEMAN.

Look n. 2 shows Marina wearing a Reiss ivory knit sweater featuring ribbed sleeves and a round neck (€155.00 - sold out). I couldn’t find her exact one but I've pictured a similar one for you above!

Another emerging Irish designer featured in the editorial is Emma Manley and her brand Manley Studio. This rose-gold metallic leather skirt with micro-scalloped hem (€385.00 - sold out) was created for her Spring/Summer 2013 collection!

Chunky necklaces were the rave back in 2012 (along with peplums and neon colors). But I wouldn't mind wearing this ZARA chain necklace with diamanté leopard head (€19.95 - sold out) even today!

Marina's very girly look was completed with these whimsy Office tiger pointed-toe pumps with multicolored gems at the front (€89.00 - sold out).

Both Marina's Stolen Moment pink velvet skater dress (€85.00 - sold out) and studded leather biker jacket (€293.00 - sold out) are from the MINKPINK x Urban Outfitters collection.

In some other photos, she added the Topshop "Geek" print blue tee (€27.00 - sold out)...

...and her Fam Irvoll round blue acetate sunglasses, which she absolutely loved back then!

She also wears Accessorize "I 🩷 U" comic bubble necklace (€9.00 - sold out) and black suede platform pumps by Office (€80.00 - sold out).

Then, Marina brought the party in this ASOS cross-back party dress in multi sequin featuring a sleeveless cut and round neck ($55.95 - sold out).

Marina's jewelry here included this River Island "Pow!" comic enamel necklace, and a set of rings from New Look.

My favorite look from this editorial comprises an American Apparel black tank crop top (€24.00 - sold out), and a Topshop black pencil skirt (€61.00 - sold out), entirely covered in rhinestones!

"This is how to be a heartbreaker" 💔

Marina dons the Joanne Hynes Spring/Summer 2013 "My Black Heart" leather and crystal statement necklace. (€220.00 - sold out).

I'm head over heels for these Office black patent platform pumps with plexi heel (€91.00 - sold out).

This look is completely vintage! Her colorful houndstooth mohair sweater is vintage 1980s Rafaella (embellished with an Accessorize M letter brooch) while her black leather skirt is a vintage find from Folkster.

I wanted to go all out on these girls as they are for my wife!

I used a very short mohair with the white of the mice, which I think had a nice soft halo effect and not a huge fuzzy effect. I made each of them removable shoes, a dress, a cardigan and each a bag too. Mixing and matching yellow/blue/pink and then adding in a tiny bit of white or brown here and there. I am going to have to look into a good resource for 4/5mm buttons, I believe between these two I used 7 of them. The dresses are so fun to make, it’s just a tiny little portion of a pattern so it goes by really quick and looks so cute. I love the small details the lcr clothing patterns have, often times doll patterns can be quite plain but even just changing left/right decreases and short row shaping and the like really adds that small detail to doll clothes that I just love. Simple yet not tubes! It was fun making a whole outfit, and I will absolutely be making more full sets for lcrs in the future.

La Mode illustrée, no. 8, 21 février 1897, Paris.

Toilette de promenade. Modèle de chez Mme Gradoz, rue de Provence, 67.

Tablier suédois pour jeune fille. Modèle de chez Mlle Rimbot, rue de Richelieu, 73.

Robe d'intérieur en cachemire uni et cachemire brodé. Modèle de chez Mmes Coussinet-Piret, rue Richer, 43.

Toilette de jeune fille en mohair gris. Mod. de chez Mmes Brun-Cailleux, r. de la Victoire, 48.

Robe en serge d'Irlande vert. Modèle de chez Mmes Coussinet-Piret, rue Richer, 43.

Robe en mohair bleu marine. Modèle de chez Mme Gradoz, rue de Provence, 67.

Ville de Paris / Bibliothèque Forney

Toilette de promenade.

Robe en drap mastic. Un galon de passementerie simule sur la jupe une robe de dessus aux deux coins de laquelle se trouvent des ornements en passementerie. Le corsage plat fait à pointe s'ouvre avec de larges revers sur un plastron plissé en soie de nuance claire, terminé au bord supérieur par un col droit plissé en soie. Les revers encadrés de galons en passementerie se rattachent derrière à un col carré; on rattache aux devants une ceinture Médicis en velours, ornée de grands boutons de nacre. Les manches garnies de galons en passementerie, ont des bouillonnés courts.

Mastic cloth dress. A trimming braid on the skirt simulates an outer dress on both corners of which are trimmings ornaments. The flat pointed bodice opens with wide lapels onto a pleated light silk bib, finished at the upper edge with a straight pleated silk collar. The lapels framed with braids are attached behind to a square collar; A Medici velvet belt is attached to the front, decorated with large mother-of-pearl buttons. The sleeves, trimmed with trimmings, have short ruffles.

—

Tablier suédois pour jeune fille.

Ce tablier suédois est fait en drap léger jaune soufre foncé; il se compose d'un seul morceau droit ayant 65 centimètres de largeur, 1 mètre 12 de longueur; ce morceau est froncé deux fois au bord supérieur, de façon à lui laiser 26 centimètres de largeur; on l'orne avec un morceau replié en dessus, triangulaire coupé en drap brun clair, ayant 16 centimètres de largeur au milieu, 4 centimètres sur les côtés, orné d'une bordure brodée étroite. On fixe sur le bord inférieur une bordure en drap brun clair ayant 26 centimètres de largeur, et l'on coud en même temps au bord inférieur du tablier une double bande de drap soufre, ayant 4 centimètres de hauteur, brodée de légères courbes au point de cordonnet. Les motifs ronds et ovales des deux bordures, dont les fig. 36 et 37 représentent le dessin, sont appliqués partie en soie vert olive, partie en soie blanche; on les brode en soie de cordonnet blanche, jaune, bleue au passé et points de fantaisie; les autres motifs sont faits avec les mêmes couleurs au passé et au point de cordonnet. Le tablier est retenu à la taille par une ceinture en drap jaune; le plastron du tablier est fixé au corsage par des épingles de fantaisie.

Le tablier peut être également exécuté en toile de couleur, et orné de bordures au point de cordonnet ou bien au point de croix.

This Swedish apron is made of light dark sulfur yellow cloth; it consists of a single straight piece 65 centimeters wide, 1 meter 12 long; this piece is gathered twice at the upper edge, so as to leave it 26 centimeters wide; it is decorated with a piece folded on top, triangular cut from light brown cloth, 16 centimeters wide in the middle, 4 centimeters on the sides, decorated with a narrow embroidered border. We attach to the lower edge a border of light brown cloth 26 centimeters wide, and at the same time we sew to the lower edge of the apron a double strip of sulfur cloth, 4 centimeters high, embroidered with slight curves in stitch. cord. The round and oval patterns of the two borders, including figs. 36 and 37 represent the design, are applied partly in olive green silk, partly in white silk; they are embroidered in white, yellow, blue cord silk with paste and fancy stitches; the other patterns are made with the same colors in past and cord stitch. The apron is held at the waist by a yellow cloth belt; the bib of the apron is attached to the bodice with fancy pins.

The apron can also be made in colored canvas, and decorated with cord stitch or cross stitch borders.

—

Robe d'intérieur en cachemire uni et cachemire brodé.

Cette robe est faite en cachemire bleu pâle uni, et cachemire brodé de même couleur. La robe-princesse est faite en cachemire uni; le plastron, les manches et la garniture sont faits en cachemire brodé. Les devants sont croisés et terminés à gauche sous une draperie formant écharpe. Le col et les manches sont entourés d'une fraise en cachemire.

This dress is made in plain pale blue cashmere, and embroidered cashmere of the same color. The princess dress is made of plain cashmere; the bib, sleeves and trim are made of embroidered cashmere. The fronts are crossed and finished on the left under a drapery forming a scarf. The collar and sleeves are surrounded by a cashmere ruff.

—

Toilette de jeune fille en mohair gris.

La jupe en mohair gris est entourée de six rangs de galons-mohair gris foncé; le corsage-blouse est orné devant et derrière de quatre rangs de galons. La fermeture du corsage sur le côté est couverte par un double volant de velours. Ceinture et col droit en velours; la ceinture est ornée d'un nœud sur le côté, on fait retomber une fraise en dentelle sur le col droit. Les manches terminées par un volant de dentelle sont garnies de bouillonnés courts au bord supérieur.

Le chapeau rond en paille noire, est garnie de soie mauve et de gloxinias.

​The gray mohair skirt is surrounded by six rows of dark gray mohair braid; the bodice-blouse is decorated front and back with four rows of braid. The bodice closure on the side is covered by a double velvet ruffle. Belt and straight collar in velvet; the belt is decorated with a bow on the side, a lace ruff falls on the right collar. The sleeves ending with a lace ruffle are trimmed with short bubbles at the upper edge.

The round black straw hat is trimmed with mauve silk and gloxinias.

—

Robe en serge d'Irlande vert.

Cette robe faite en serge d'Irlande verte, est garnie de rubans de velours noir, qui ornent le côtés gauche et le bord inférieur de la jupe. On fixe sur les côtés trois beaux boutons et des boutonnières simulées. le corsage plat fermé devant en biais, est garni sur le devant de gauche, avec des rubans de velours posés horizontalement; on pose sur le devant un morceau plissé, formant revers, orné de ruban de velours. Une ceinture de velours entoure la taille et se termine sur le côté par un nœud. Le haut col droit est garni en ruban de velours. Les manches sont garnies de ruban de velours, et ornées au bord supérieur avec deux volants.

This dress, made in green Irish twill, is trimmed with black velvet ribbons, which adorn the left sides and the lower edge of the skirt. Three beautiful buttons and simulated buttonholes are attached to the sides. the flat bodice closed at the front at an angle, is trimmed on the left front, with velvet ribbons placed horizontally; we place on the front a pleated piece, forming a lapel, decorated with velvet ribbon. A velvet belt surrounds the waist and ends on the side with a bow. The high, straight collar is trimmed with velvet ribbon. The sleeves are trimmed with velvet ribbon, and decorated at the upper edge with two ruffles.

—

Robe en mohair bleu marine.

Cette robe en mohair bleu marine est garnie au bord inférieur de la jupe avec plusieurs rangées de galons et de soutaches. Cette garniture se reproduit sur la veste courte à revers carrés, ornée de beaux boutons. La veste à manches est posée sur une blouse sans manches en soie rouge plissée, terminée par une ceinture et un col droit en velours bleu marine.

This navy blue mohair dress is trimmed at the bottom edge of the skirt with several rows of braid and soutache. This trim is reproduced on the short jacket with square lapels, decorated with beautiful buttons. The sleeved jacket is placed over a sleeveless blouse in pleated red silk, finished with a navy blue velvet belt and stand-up collar.

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