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robotnik-mun · 1 year

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Some of Sonic Underground’s Good Points

I probably did a post like this aeons ago, but damned if I can find it. Anyway, it’s a pretty well known fact that of all the shows Sonic’s ever had, Underground is easily the least well regarded.

It’s not difficult to understand why, either. Between a premise that’s incredibly far removed from anyone’s idea of what Sonic is and the weird lack of Tails, even in a world were Underground had top notch writing and animation it was always going to be the red-headed stepchild of the franchise. And sadly, Underground’s writing was usually inconsistent at the best of times, and the jokes made about it’s shoddy animation and weird character designs are the stuff of fandom legend.

That being said, I do feel that even today the contempt this show receives is a bit much, and while it’s not a great show even on its own merits I don’t think it’s worthless.

So, I thought I’d mention a few things that I think are actually worthwhile about this show!

Dr. Robotnik’s Premise Is Actually Pretty Interesting

Opening things with Robotnik? Me? It’s more likely than you think!

Alrighty, outdated memes aside, Robotnik’s schtick in this shoe is actually interesting as well as being pretty unique for a show like this. Robotnik, naturally, is the dictator of Mobius as he has been in at least three different pieces of Sonic media by this point. However what makes Underground Robotnik unique is that he functions more like an actual real world dictator- he relies on the support of the nobility to insure his reign, and in return for their support he allows them to basically do whatever so long as they pay their taxes, taxes which explicitly go to building more SwatBots.

In this regard, this iteration of Robotnik is prehaps the most ‘normal’ of any Eggman/Robotnik out there. He still turns people into robots, sure, but here it is utilized as a punishment for lawbreakers (which you know is pretty broadly applied here) rather than the default fate for anyone unfortunate enough to fall into his grasp. What makes things especially interesting is that one recurring plot point is that Robotnik wants to be the legitimate ruler of Mobius rather than strongarming his way into permanent power. Likewise, multiple episodes bring up the fact he needs to raise money in order to maintain his robot army, in particular ‘Artifact’. It’s actually kind of unique because usually when shows like this have a Supreme Dictator villain, little attention is actually paid to the logistics of how they maintain their power. Underground is unique in that it actually explores how Robotnik’s government actually functions, at least a little, and it’s an interesting detail I feel.

Sonia and Manic Are Actually Pretty Good

One of the more controversial aspects of this series was that Sonic has a twin brother and sister this time around, with all three of them being royalty and subjected to prophecy. Just on paper that alone sounds like something so far removed from anyone’s idea of what Sonic is you have to wonder how it was ever conceived. That being said, this isn’t the first series to use the idea of Sonic having siblings- in Japan, the Sonic manga actually gave Sonic (or at least his alter ego, Nicky... long story there) a little sister, and at least one series overview gave Sonic FIVE sisters! As well as being from Nebraska... Sonic is a very weird franchise.

Alright, point of order! Sonia and Manic, Sonic’s siblings and co-stars. How do they measure up? Honestly... pretty well, all things considered. You’d never guess it, but they’re the recipients of some of the strongest writing in the show. Manic stands out because while he comes out as laid back and more morally lax than his siblings, a recurring element with his character is his desire for a more stable life as well as feeling overshadowed by his brother and sister due to his initial difficulties in mastering his medallion and comparative lack of exception (at least in his mind). Likewise he is the only one to express any kind of cynicism about where they’re going in this conflict, opining how there’s nothing that says they won’t be fighting Robotnik for twenty years without any end in sight. It’s an interesting contrast, given his rougher origins compared to his siblings, having been raised as part of a group of thieves by his foster father. It’s a lot of depth for a guy who sounds stoned out of his mind most of the time.

And then there’s Sonia! Sonia is remarkable for how much her character develops over the show. Being raised in an upper crust setting and being used to the finer things in life, Sonia initially starts out as someone who has the most trouble adjusting to her new life as a member of the Underground. This, naturally, does a lot to sour people’s perceptions of her given that she comes off as whiny and spoiled... and in fairness, she initially is. Over the course however she grows out of it, gradually shedding her old airs and beginning to take the conflict more and more seriously. It’s a pretty stark contrast to see how she was when the show began and how she is by the end of it, and it is to this show’s credit that she is shown to grow out of her more bratty phase.

Sonic having siblings might not be to everyone’s taste, and that’s understandable, but under the circumstances? It’s amazing Manic and Sonia actually do as well as they do as characters.

There Are, In Fact, Pretty Great Episodes

Oh boy if that isn’t damning with faint praise I don’t know what is. But, all the same, it’s true! Yes, most of Underground’s episodes tended to be either unremarkable or outright bad, and that’s kind of unavoidable as the writing tended to vacillate between wanting to be a more serious and story driven show versus something more self-contained, episodic and comedic. In a way it kind of mirrors Archie in that regard. That being said, when this show bothered to make an effort? It could actually give us some pretty good stuff.

In “Healer” we witness the unique premise of someone promising a cure for Roboticization, and all the troubles that unfurl when this ‘harmless con’ captures the attention of not just Sonic and company, but Robotnik himself. In ‘Bartleby the Prisoner’ we get a look at long standing side character Bartleby finally getting an idea of what Robotnik’s empire is REALLY like for everyone who isn’t a member of the aristocracy when he’s used as a pawn in Robotnik’s latest scheme against the hedgehogs. And in ‘Six is A Crowd’ we are treated to a unique spin on the old ‘Evil Twin’ angle where the Underground is sent to a dimension where Robotnik is the hero and THEY are the villains... only for it to turn out that their ‘evil twins’ are not truly evil, but spoiled and utterly oblivious to just how harmful their actions are to the people of Mobius.

These are some of the best episodes the series have to offer, and they stand out all the more given the typical level of Underground’s writing. There are others, of course, and a large chunk of them are gonna come up later, but the point is there IS in fact Good Stuff in Underground... even if its relatively few and far between.

Location, location, location!

If Underground had one unambiguously, objectively good idea? It was the Camper Van. Sure, calling this thing a ‘van’ is a bit of a stretch when it’s more like a mobile house, but this is easily the best idea that Underground had. Why? Because it allowed Sonic and his siblings to travel all over Mobius, and in doing so it allowed us to travel to multiple locales on the planet.

This is probably a minor detail compared to the others, and one of the best parts about Underground, I felt, was the fact we got to see our heroes go to so many places and meet so many people all across the planet. One of the big themes of Sonic in general is Sonic just running around and checking places out, and the sheer variety of stages from the Sonic Games help convey this. And in the case of Underground, the Camper Van provides an elegant solution in allowing Sonic and his siblings to travel the world, see the sights, and stick together. I’m being utterly sincere when I say that the Camper Van really is a great idea, because one of the strongest parts of the show was how we actually got to see such a great deal of Mobius while on the show.

And Then There’s Knuckles

While Underground is pretty infamous for it’s premise and the inclusion of the (usually horrible) song interludes, the one thing that gives it a bit of positive attention is that it includes Knuckles. While it may seem strange to consider now, Knuckles was still fairly new at the time of this show, and as a result this is the only one of the old DiC shows to make use of Knuckles. Which is somewhat ironic, given that this is also the only show to not use Tails... funny how that works out, ain’t it?

And you know what? Knuckles is actually pretty good on this show. Oh sure, his voice isn’t really all that fitting for him, but otherwise Knuckles time on this show is actually pretty stellar. All of the episodes he appears in are among the better episodes on Underground, and his personal arc is actually pretty great to behold. Even after the obligatory ‘gets tricked by the bad guys and gets off on the wrong foot with Sonic’ bit, Knuckles remains wary of directly involving himself in the affairs of the surface due to the fact that his first duty is to the island and the protection of the Chaos Emerald... until circumstances force him into making a difficult choice between his guardianship of the island, his friendship with the hedgehogs, and the greater good of Mobius.

Knuckles’ appearance is comparatively brief on the show, but its pretty memorable for how much the show is able to fit in for that relatively brief period, and his episodes again are easily among the top tier of the show.

...on a lesser note, the hints he and Sonia dig each other are just hilarious, because oh my GOD could you imagine Sonic’s reaction to those two dating?

Anyway!

This isn’t a post to suggest that Underground is a hidden gem- on the whole, it is in fact a less than stellar show. Multiple aspects of it are poorly done, from the writing to the animation to the character designs. It’s main overreaching arc takes convoluted and sometimes even infuriating steps in order to continue having Aleena play keep away with her kids, and in some cases the more we learn the more questions we wind up having.

However, as I said, I don’t think this is a value-less show. And I think that it at least deserves some recognition for the things it DID do right, even in the face of all the things it did wrong.

... if nothing else, the intro is actually pretty bitching as well.

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There’s something so, so fitting about the fact the actual best music of this series comes from the intro.

#Sonic the Hedgehog #Sonic Underground

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cloveroctobers · 4 years

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HARRY ZHONG (MITCHELL-WHITE)

IG info/bio: @/heedful.harry | 15.6k followers| hi, I’m Harry and I’m a business major. No, You don’t have to hold your applause 🧐

21 years old

From York, England

Cancer sun + ARIES MOON energy

He and his younger brother, Archie were foster children in the Mitchell-white household

which consisted: Harrison Mitchell and his daughter from a previous marriage, Briony, Piers White and together they had a surrogate carry their child, which gave them their second daughter, Pippa

Later they came to the decision to adopt Harry and Archie Zhong, if only that’s what they wanted too

It took longer for Harry to warm up to the family since he was still waiting and wishing for his mom to come back for them

He was diagnosed with IED around 15 years old

Goes to therapy for it and meetings with others with similar issues...he dreads the meetings since it makes him feel like he has a problem or something, which HE DOES but it makes him feel like a...but he knows that’s a ignorant way to think

He’s currently a business major and loves telling people about it *yawn* (don’t drag me lmao)

He’s thinking he’ll be a Financial analyst or a Marketing manager

The type of person who’s done a lot in his short life that it’s often unbelievable ex.) telling the villa he’s driven one of the cars that was used in the fast and furious franchise & getting pissed when bill and everyone else didn’t believe him

Harrison is a train driver and is normally bubbly + wears bright preppy clothes

He also loves Broadway, much to Harry’s annoyance...if he hears one more Hamilton song he’s gonna slam his head thru a wall stg

Piers is a music producer and is more reserved or “stand-off-ish” until he gets warmed up to you + his aesthetic is a rocker, yeah he’s got the whole tattoos and boots thing going for him, after all he was in a rock band

Piers makes the most $ and is of high status, which brought him and his family perks but is not a snob about it...it’s whatever ya know?

Harry’s closer to piers, feels he understands him more & can be kinda rude to Harrison when he’s in one of his moods but tries to be better at responding to him since he made him cry once years ago — yes he felt like complete shit afterwards

Harry is anemic so he always finds himself cold, experiencing fatigue, irregular heartbeat, and if he gets up too fast or moves too fast? Let the bodies hit the floor, let the bodies hit the floor, let the bodies hit the—FLOOO000R! (I’m making this joke as a person with anemia)

Likes cold weather since everyone else can feel what he feels on the daily

Plus he loves dressing for winter season, trench coats, wool coats, turtle necks, thermal t-shirts, fleece pants, rolled up beanies that keeps his ears covered and his hair glued to his forehead...you name it!

On the regular? He’s a khaki’s kinda guy, dress shirts, and loves wearing suit and ties...he’s not the biggest fan of jeans. He loves dressing fancy unless the measurements are bloody awful

I’m going by the alternative design for Harry and...whew! Then he’s 6’1 if we’re talking about the one they gave us then we all know he has a baby face, so I’d say he’s about 5’8

He’s got long legs + arms and hates how majority of his pants barely fit around his ankles

has dry scalp too

I feel like he’s pretty intelligent and sometimes it can come off as a know it all, yet, he’s always down to help people & isn’t condescending while doing so

He knows how to make soaps and would sell them on his etsy account in highschool where plenty shat on him for it so for awhile he stopped the hobby until Harrison encouraged him to keep at this if it was what makes him happy

Harrison is the type of parent you go to for comfort and hugs even if it might feel like he’s smothering you

Piers is the one who lets you come to him when you’re ready to talk about it, no pressure

Harry went to a high school that focused on technology so he’s all into the latest gadgets

This is a secret but he only got a apple watch to feel like a true spy

His intelligence got him somewhere with a few ladies ;)

He’s a certified freak, 7 days a week and had a handful of hookups and about 4 gfs in his life so far

He’s kinky!!!

& has a f**t fetish

His past relationships were not long relationships, which sucked but Harry felt like...this might sound arrogant, but it’s either their lost — although there was never any bad blood with his breakups! or his person was still out there somewhere...

I haven’t fully played his route (AJ stole my ass since I couldn’t romance seb or Nicky sorry) but I’ve seen screen caps and he’s a total sweetie if he’s really committed to you, you might be his “true love”

He’s nervous opposed to his usual confidence when he’s chatting to other ladies with ease, with you it’s different, it’s magnetic, nerve-wrecking, butterflies, electric, and exciting all wrapped in one

I feel like he shows his love language with quality time but also enjoys physical touch from his partner

Picky eater

But he was worst as a child! Barely ate anything which led to him being lanky or it’s in his genes but mostly he wouldn’t eat a damn thing

These are a few of his favorite things: figs, green tea, and almond milk

makes the best spring rolls with the rice paper, those are superior than fried! “Fried food will kill u u know!” “Okay bill.” “Iona, don’t know if u had too much to drink but, erm I’m Harry.” “R/WHOOOOssssh! And you’re s’pposed to be the smart one, yeah right.”

outside of the villa he found himself continuing his friendship with bill—even tho he pisses him off sometimes since he’s always got some shit to say but they’re probably the closest, Iona she’s always honest and is always a good time to be around when they hang out, Then there’s Camilo and Miki that he hangs out with too

Is the first one sharing about his day in the group chat with all of the villa, he can feel half of them rolling their eyes at him since many feel he tends to exaggerate

if he’s not endgame with mc...he kinda feels a way that Genevieve found her happiness in seb instead of him, it’s not that he’s bitter—he genuinely liked her and felt like maybe they didn’t try hard enough but deep down knows relationships can’t be forced. It’s just his ego trying to control things that’s all! plus he was comfortable with vieve even if it felt more on a platonic side...oh well

once slid into jen from s1’s dms one dark stormy drunk night & admitted on live that erikah kinda gave him some tips before going on the show... & that he thought one of the new girls that entered the villa was a better fit than one of the originals from s2 which caused him to get blocked by said original OOP

Has a circle of close friends outside of the villa, they’re all brainiacs and have something going for themselves

Enjoys action films and biographical drama films like: James Bond, John Wick, and the social network

Isn’t ashamed to admit that he loves using sheet face masks but isn’t the greatest at following a consistent skincare routine

Has his own back massager that he spent a lot of $ on since it wouldn’t go on sale and then a week later...it went on sale

sends a lot of “🙃🙂” texts when you piss him off

probably worked at GameStop, the apple store, Godiva, and currently works at a electronic repair shop for a side of cash but is looking for a internship since he’ll be graduating next year

Always Keeps cough drops on him?

is a huge cuddler & falls asleep easily

His brain is always active, experiences REM sleep often

fav video games are tekken & hitman

owns a drone now 😏

also loves strategic board games & riddles

Took quarantine life seriously, did his research before it completely broke globally and started buying shit excessively in person and online that he sent most to his family before the campus shut down

Is the friend that will check on his friends :)

Keeps his dorm and his room back home CLEAN af, is OCD about everything being in order/organized. Will know if you touched his shit, Archie felt his wrath many times before

Has a life goal board in his closet, & plans to be fully established by 25. More power to ya Harry!

Celeb crushes: Victoria justice, Jesy Nelson, Deepika Padukone, Brec Bassinger, jasmine tookes, and princess Mae

Who does he listen to? oceanfromtheblue, Galimatias, Ta-Ku, Aries, Tyler, the creator, rich Brian, NIKI, viji, & AJR

Anthem = DPR IAN, “So beautiful”

#litg #litg3 #litg s3 #litg harry #litg genevieve #litg bill #litg seb #litg mc #litg oc #litg moodboard #litg headcanon #litg headcanons #yes I’m still doing these and it’s kinda challenging but at the same time not?

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foggedgrief · 4 years

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so noemi and nicky were in part one but this is part two and y’all are going to get the loves of my life, poppy finnegan ( click here to find some quick facts about my boy ) and sebastian lazzaro ( click here to find some quick facts about my girl ) ! wanted connections can be found here.

be warned ! before you click that handy dandy little read more, the following triggers will be discussed : death ( multiple deaths due to the fog, not explicit : poppy ), divorce ( not traumatic, amenable divorce : laz ) !

writing letters to your mother even though she’ll never read them, praying for forgiveness when you press flowers between pages when you play god with life and death, staring at the fog from your perch on your window sill wondering what it might be like to stay for a while, the ever dawning realization that you are less than you could be but more than you were, the desire to wear masks more interesting than your own ( what would your mother say that you wish to be someone other than your own self ? )

penelope jean finnegan is the eldest child of the finnegan family and is like a de facto rory gilmore with just how often she’s seen around town and i mean that in the best kind of way.

it’s mostly thanks to her mama, the late dottie finnegan. if you only knew one person in town, it was probably dottie. she owned the mad batter, has made almost every confectionary sold at the school’s bake sake, has made every birthday cake for most people in town since she was fourteen, and just radiated the best kind of mom energy that you would look for in another person.

poppy was relatively popular in high school and was an active member of the thespian troupe. she won a superior and second place in the state level thespian competition in costume design and she’s been designing and sewing her own clothes since then. she also worked at the bakery from the time she was sixteen until she went off to college and was prom queen her senior year.

also in high school, poppy and her parents converted one of the rooms in the house into an artistically inviting space and sometimes poppy treated it more like her bedroom than her actual bedroom when she was in school. while dottie expressed most of her art through paints, sketches, and cakes, poppy has always had a desire to design her own clothes and make them. she does take commissions around prom season for a little extra pocket money and opens her etsy store as early as january and runs through june for prom and graduation.

she met her now boyfriend ( ex ? maybe ! ) in college and dual majored in two business degrees, one in entrepreneurship and one in marketing. she did so with the explicit of interest in going back to her family business and expanding it into a franchise across the state and eventually into a generational empire of baked goods and love.

for legal reasons that’s mostly a joke but with her degrees and moving back to town, though, she did begin cultivating their social media presence and started nationally shipping orders about two years ago. the company has a large following, especially on tiktok, where poppy maintains her own account, the mad batter’s, and the finnefam account for the finnegan family. they are those people.

poppy was always especially close to her mother and the loss of dottie has been horrifically detrimental to her stability and the additional loss of one of her best friends, max, only sent a downward turn into a spiral. all she wants is for the world to straighten out again but she doesn’t really even know what that means.

when poppy came home from college, her arm was linked with marcus’ and they moved into the one bedroom mother in law apartment behind the family’s home. it’s cute as fuck and dottie helped her design it but it’s suffocatingly familiar with all of these losses that she’s found herself staying in her childhood bedroom instead of with marcus. ser maxibald, their corgi, is staying with marcus.

when she took the job at the tower, it was under the excuse of wanting to make sure that august stayed safe. and maybe one day she’ll believe her own lie but if she had to choose between sitting up in a tower amongst the fog that took her mother and going to work at the bakery like her mother did every day for as long as she could remember... well the forest starts to look good after a while.

literally will fight anyone, including the fog, for the safety of her siblings and father. is 10/10 taking her anger, frustration, and sadness out on her father and boyfriend and honestly that’s not healthy and she knows it but we all do strange things in the fog of grief.

the desperate feeling that sits on your chest when you feel the need to drown out the silence, the walk of shame when you have to collect your bowls and dishes from your room and bring them to the kitchen, happier days filled with love and laughter polluted by sixty hour work weeks and fifty too many missed recitals, appointments, holidays, vibrant dreams of better days and waking up alone, still reaching to fidget with a ring that isn’t there anymore.

sebastian isaac lazzaro, known as bash by his family, laz by everyone else in the world, grew up in pine haven and had that all american kind of boy small towns love to publish articles about when they get into a major state school on a scholarship for their athletic prowess and talk about that one time they rescued a cat from a tree.

his sport was soccer and he got a full ride to umaine for it. he pursued a bachelor’s degree in criminal justice and law. he went to law school and spent a few years at a practice in massachusetts before deciding to apply to the fbi. your man passed through training with flying colors and was assigned to his first choice, the behavioral analysis unit.

laz married the sister of one of his closest friends in high school, rory finnegan. they didn’t start dating until they were at university of maine together and he was absolutely head over heels for her. she showed up a year later and it felt like a better time than any to ask her out properly without the prying eyes of the town trying to figure out what their relationship was and if it was more than friendly.

they were married for about twelve years and dated for another five on top of that. they were married about a year after she graduated from college and divorced a little over a year ago. though their divorce didn’t end back of a lack of love, laz didn’t know how to appropriately prioritize his family over his work and watched the best people in his life slip through his fingers.

they did have a daughter, sophia. she’s twelve now. she was named after laz’s mother and she’s the light of his life. when his wife first served him with papers, he agreed that she should take primary custody of sophia because of the unpredictable nature of his schedule and a desire to devote himself to a schedule he wouldn’t fuck up. he bought them a house in pine haven so his wife could be close to her brother and sophia be close to her cousins. the town isn’t the safest because of the fog but he knew that crime wasn’t going to be an issue.

he’s incredibly consistent with his support payments and adheres almost rigidly to the custody agreement. now that he’s back in town because of the disappearances, though, things a little awkward. they haven’t had to see each other for this long before and laz is conflicted on how to approach something very obvious to him and his team: his love for his wife and the fact that every time he leaves pine haven, he leaves his heart behind too.

but on to lighter notes: murder. laz hunts down serial killers for a living and helps construct the profiles that bring them to justice. it was in his office that he got the notification of death for his former sister in law, dorothy finnegan. laz had to leave the room when he saw her face among the missing and returned a few minutes later to tell the team to get together and they were flying out the same day. he didn’t really tell anyone he was coming back to town and has been here for two weeks. the last time he was in town was for whatever the most recent major holiday was because he spends his holidays with the finnegans, usually.

over all good man. gives good hugs but not as good as nicky. 7.5 / 10.

#pine haven intro #‹ ✦ ˚ poppy: headcanon. this is not a cohesive girl but one of patchwork pieces and multicolored thread. ›#‹ ✦ ˚ laz: headcanon. one day he will learn what it means to take a step back and breathe. ›#death tw #divorce tw

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angelic-hellraiser · 5 years

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Silent Hill, Biohazard /Resident Evil, Harry Potter. No particular order, you free to choose which one you want to answer of fandom, character & ship 😀

My apologies for the lateness of this reply! 💜💜💜

001 | Send me a fandom and I will tell you my: (Silent Hill)

Favorite character: Heather/Cheryl Mason.

Least Favorite character: No one really. I liked the entire cast.

5 Favorite ships (canon or non-canon): Alex Shepherd x Heather Mason, James Sunderland x Maria and Henry Townsend x Eileen Galvin. (I don’t have five, so three will have to do.)

Character I find most attractive: Alex Shepherd.

Character I would marry: No one.

Character I would be best friends with: Likely Heather Mason.

a random thought: I miss this game series so much.

An unpopular opinion: Idk. I don’t really have one?

My Canon OTP: I don’t know if there actually is an established canon ship I’m into?

My Non-canon OTP: Alex Shepherd x Heather Mason.

Most Badass Character: Pyramid Head.

Most Epic Villain: Pyramid Head, again. 🔪

Pairing I am not a fan of: None.

Character I feel the writers screwed up (in one way or another): Not a single character, but the entire series. Konami didn’t care enough about their game franchises or their fans.

Favourite Friendship: Heather Mason and Douglas Cartland.

Character I most identify with: Heather Mason or Henry Townsend.

Character I wish I could be: None of them.

002 | Send me a ship and I will tell you: (Leon S. Kennedy x Ada Wong)

When I started shipping them: Around RE4.

My thoughts: They are so pretty and look so good together. *melts into useless drivel*

What makes me happy about them: They are so resilient and quick, both sharp as tacks and willing to protect each other despite their designated places within the narrative.

What makes me sad about them: I want them to bone.

Things done in fanfic that annoys me: Making Ada too mushy. She’s a secretive woman unwilling to admit her feelings. Also, making Leon too submissive. He might bow to Ada in some ways, but he’s no push-over.

Things I look for in fanfic: Strong, complex character development with plenty of pining.

My wishlist: Let them bone. Let them bone. Let them bone!

Who I’d be comfortable them ending up with, if not each other: Alone.

My happily ever after for them: They both go into hiding in a remote city or village kinda like Jason Bourne and his lover, Nicky Parsons, just without the tragic ending.

003 | Give me a character & I will tell you: (Luna Lovegood)

How I feel about this character: I just love her to bits. She’s one of the only heroes/heroines within the novels that I even like.

Any/all the people I ship romantically with this character: I ship her with Theodore Nott first and foremost, but I also ship her with Blaise Zabini, Neville Longbottom and Harry Potter. There are likely others too, but I’ve forgotten them.

My favorite non-romantic relationship for this character: Her dad. They were adorable!

My unpopular opinion about this character: I doubt I have one.

One thing I wish would happen / had happened with this character in canon: We’d seen more of her.

Favorite friendship for this character: Harry Potter? Though not entirely considering I like him the least out of the heroes. His interactions with Luna made him just on this side of bearable.

My crossover ship: I don’t have one?

#anon asks #this was fun #thanks so much

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yasbxxgie · 4 years

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Where Are Our Black Boys on Young Adult Science Fiction and Fantasy Novel Covers?

Why are there no boys like me on these covers?

My seventeen-year-old brother who lives in Lagos, Nigeria, raised this question to me recently. Not in these exact words, but sufficiently close. I’d been feeding him a steady drip of young adult (YA) science fiction and fantasy (SFF) novels from as diverse a list as I could, featuring titles like Nnedi Okorafor’s Binti, Martha Wells’ Murderbot series, Roshani Chokshi’s The Star-Touched Queen and Cory Doctorow’s Little Brother. The question, at first seemed like a throwaway one, but as my head-scratching went on, I realised I did not have a clear-cut answer for it.

His question wasn’t why there were no black boys like him in the stories, because there definitely were. I guess he wanted to know, like I now do, why those boys were good enough to grace the pages inside but were somehow not good enough for the covers. And because I felt bad about the half-assed response I offered, I decided to see if I could find a better one.

So, I put out a twitter call for recommendations.

Can anyone point me to science fiction & fantasy novels with black teenage boys on the cover? Asking for my teenage brother. I know there's Tristan Strong, & books from Victor LaValle & Colson Whitehead, but I need more. Most YA I see with black boys are contemporary lit.

— Suyi on hiatus. (@IAmSuyiDavies) May 6, 2020

The responses came thick and fast, revealing a lot. I’m not sure I left with a satisfactory answer, but I sure left with a better understanding of the situation. Before I can explain that, though, we must first understand the what of the question, and why we need to be asking it in the first place.

Unpacking the Specifics

My intent is to engage with one question: How come there are few black boys on young adult science fiction and fantasy novel covers? This question has specific parameters:

black: of Black African descent to whatever degree and racially presented as such;

boys: specifically male-presenting (because this is an image afterall), separate from female-presenting folks, and separate from folks presenting as non-binary, all regardless of cisgender or transgender status;

are displayed prominently on covers: not silhouetted, not hinted at, not “they could be black if you turned the book sideways,” but undeniably front-of-cover blackity-black;

YA: books specifically written for young adults (readers aged 12-18), separate from middle-grade (readers 8-12) and adult (readers 18+);

SFF: science fiction and fantasy, but really shorthand for all speculative fiction and everything that falls under it, from horror to fabulism to alternative history;

novels: specifically one-story, book-length, words-only literature, separate from collections/anthologies or illustrated/graphic works (a novella may qualify, for instance)

I’m sure if we altered any of these criteria, we might find some respite. Contemporary YA and literary fiction with teenage protagonists, for instance, are littered with a relatively decent number of black boys on the covers (though many revolve around violence, pain and trauma). Young women across the people-of-colour spectrum are beginning to appear more often on SFF covers too (just take a look at this Goodreads list of Speculative Fiction by Authors of Color). Black boys also pop up on covers of graphic novels here and there (Miles Morales is a good example). But if we insist on these parameters, we discover something: a hole.

It is this gaping black hole (pardon the pun) that I hope to fill with some answers.

The Case for Need

Think about shopping at a bookstore. Your eyes run over a bunch of titles, and something draws you in to pick one–cover design, title, author, blurb. You’d agree that one of the biggest draws, especially for teens to whom YA SFF novels are aimed, is the character representation on the cover (if there’s one). Scholastic’s 7th Edition Kids & Family Reading Report notes that 76% of kids and teens report they’d like characters who are “similar to me,” and 95% of parents agree that these characters can help “foster the qualities they value for their children.” If the cover imagery, which is the first point of contact for this deduction, is not representative of the self, there’s an argument to be made that reader confidence in the characters’ ability to represent their interests would be significantly reduced.

The why of the question is therefore simple: when a group already underrepresented in literature and readership (read: black boys, since it’s still believed that black boys don’t read) are also visually underrepresented within their age group and preferred genre (read: YA SFF), it inadvertently sends a message to any black boy who loves to read SFF: you don’t fit here.

This is not to say that YA is not making strides to increase representation within its ranks. Publisher’s Weekly’s most recent study of the YA market notes various progressive strides, touching base with senior publishing professionals at teen imprints in major houses, who say today’s YA books “reflect a more realistic range of experiences.” Many of them credit the work of We Need Diverse Books, #DVPit, #OwnVoices and other organizations and movements as pacesetters for this growing trend.

In the same breath, though, these soundbites are cautiously optimistic, noting that the industry must look inward for underlying reasons why easy defaults remain commonplace. Lee&Low’s recent Diversity in Publishing 2019 study’s answer to why unquestioned go-tos still reign supreme is that the industry remains, sadly, 76% Caucasian. For a genre-readership with such exponential success, that makes the hole a massive one. Of the Top 10 Best Selling Books of the 21st Century, four are YA SFF franchises by Rowling, Collins, Meyer, and Roth, the most among all listed genres. In 2018’s first half, YA SFF vastly outsold every other genre, amassing over a quarter of an $80-million sales total. This doesn’t even include TV and film rights.

I once was a black boy (in some ways, I still am). If such a ubiquitous, desired, popular (and don’t forget, profitable) genre-readership somehow concluded a face like mine on its covers was a no-go, I’d want to know why too.

Navigating the Labyrinth

Most of the responses I received fell into three categories: hits & misses, rationale, and outlook. Hits & misses were those who attempted to recommend books that met the criteria. If I had to put a number to it, I’d say there were around 10+ misses to one hit. I received many recommendations that didn’t fit: middle-grade novels, graphic novels, covers where the blackness of the boy was up for debate, novels featuring black boys who were not present on the cover, etc.

The hits were really great to see, though. Opposite of Always by Justin A. Reynolds was the crowd favourite of the recent recommended titles. The Coyote Kings of the Space-Age Bachelor Pad by Minister Faust was the oldest recommended title (2004). One non-English title on offer was Babel Corp, Tome 01: Genesis 11 by Scott Reintgen (translated to French by Guillaume Fournier, published in the US as Nyxia). Non-print titles also showed up, like Wally Roux, Quantum Mechanic by Nick Carr (audio only). Lastly, some crossover titles like Miles Morales: Spider-Man by Jason Reynolds (MG/YA) and Temper by Nicky Drayden (YA/Adult) were present. You’ll find a full list of all recommendations at the end of this article.

Many of the hits were worrisome for other reasons, though. For instance, a good number are published under smaller presses, or self-published. Most are of limited availability. Put simply: a high percentage of all books recommended have severely limited wider industry coverage, which twanged a sour note in this orchestra.

The rationale group attempted to approach the matter from a factual angle. Points were made, for instance, that fewer men and nonbinary folks are published in YA SFF than women, and fewer black men even so, therefore representing black boys on covers may increase with more black male authors of YA SFF. While a noble thought, I do argue that various YA authors, regardless of race or gender, have written black boys as protagonists, yet those didn’t make the covers anyway. Would more black male authors suddenly change that?

Another rationale pointed toward YA marketing, which many stated mostly targets teenage girls because they are the biggest audience. I’m not sure how accurate this is, but I know sales often tell a different story from marketing (case in point: 2018 market estimates show that nearly 70% of all YA titles are purchased by adults aged 18-64, not teenage girls). If the sales tell a different story, yet marketing strategies insist upon a one-note approach, then it’s not really about the sales, is it?

Lastly, the outlook responses came mostly from readers, authors and publishing professionals who are long-time advocates of increased inclusion in publishing. The overwhelming consensus was that, while there is no complete absence of black boys on YA SFF covers, the real problem is the difficulty in pointing them out. It was agreed that it speaks volumes that we have to do this deep-dive just to find an okay amount of recommendations. Many left with a feel-good note, though, since more authors and professionals dedicated to inclusion and visibility are finally getting their feet into the doors at Big Publishing. Thanks to advocates like People of Color in Publishing and We Need Diverse Books, the future looks exciting.

So, I’ll end this on another feel-good note by offering an ongoing list of recommendations that fit the bill. You’ll find that most are absolutely worth a look-see. This list is also open for public updates, so feel free to add your own recommendations. And here’s looking to the decision-makers at Big Publishing to make this list even bigger.

+Black Boys on YA SFF Novel Covers: A List of Recommendations

#books #black literature #black lit #black children's books #children's books #black children #black boys #people of color in publishing #we need diverse books #tor #ya #sff #representation #publishing

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chicagoindiecritics · 4 years

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New from Every Movie Has a Lesson by Don Shanahan: MOVIE REVIEW: The Old Guard

THE OLD GUARD— 3 STARS

When it comes to the myth of immortality, the sweeping sentiments of Queen from the Highlander soundtrack say it best. Their song poses it as a pair of questions: the titular “who wants to live forever” and “who dares to live forever.” When Brian May’s lyrics continue, they wax “but touch my tears with your lips/touch my world with your fingertips.” Netflix’s new actioner The Old Guard, toplined by the age-defying Charlize Theron as the “who” pronoun compared to Queen, has its own heroic perpetuity and spits back “nothing that lives lives forever.” Her lips aren’t kissing a thing and nothing but murderous weapons are at her fingertips.

Charlize would be the one to tell Queen to take their romantic sweetness and shove it with harshness. That tone and timbre works just fine for the Academy Award winner who has been cementing this attitudinal career niche for the better part of a decade. Based on Greg Rucka’s 2017 Image Comics graphic novel featuring the art of Leandro Fernandez, The Old Guard combines its own brew of created legends intersecting modern settings and compulsions. Like its lead, The Old Guard has a toughness completely devoid of anything trite. The narrative screws might not be the tightest, but its aim is deadly enough to draw you in.

Theron, with a vitae including the likes of Mad Max: Fury Road, Atomic Blonde, and Hancock, is no stranger to plots with unknown mythology. She is one of four warriors with unexplained immortality who have fought for centuries behind the frontlines of pivotal events on carefully selected missions. Her “Andy” is really the storied Andromache of Scythia. She is joined by the Napoleonic era Frenchman Booker/Sebastian (Rust and Bone’s Mathias Shoenaerts) and the Crusades opponents-turned-soulmates Nicky/Nicolo (emerging Italian star Luca Marianelli of Martin Eden) and Joe/Yusuf (Aladdin’s Marwen Kenzari). Here in a 21st century that is harder to hide in, the group are clandestine assets for hire who cannot be killed and wield a mix of venerable melee blades and silenced firearms.

LESSON #1: WHAT TIME LEAVES BEHIND— Time has brought both skill and lamentation. Booker, speaking often as the poetic nougat center of the movie, describes Andy as a woman that “has forgotten more ways to kill than entire armies will ever learn.” Repeatedly torn and re-torn over centuries, their internal scars push against the pay-it-forward hope of multiplying their efforts. These stoic mercenaries thought the world would be a better place after centuries of struggles, even if the people they saved seemed to go on to future achievements in life.

LESSON #2: LOSING A SOLDIER— Booker bemoans further “just because we keep living doesn’t mean we stop hurting.” Immortal as they may be, they feel each death and the recovery takes time. They speak of previous immortals (prominently featuring Van Veronica Ngo recently seen in Da 5 Bloods) they have lost where the healing power mysteriously stopped and their time to die arrived. Those weary losses weigh on their vast memories and indomitability.

A betrayal on a staged hostage situation in South Sudan from their most recent fence, the ex-government spook Copley played by Chiwetel Ejiofor, has put the team in the crosshairs of a London-based Big Pharma executive named Merrick (Harry Mellick, all grown up from his Dudley Dursley Harry Potter days). The millennial mogul feels “morally obliged” (*insert a fakely principled comic book plot laugh here*) to take their genetic code as a means for weaponized science and a windfall of potential health market profits.

LESSON #3: GAINING A SOLDIER— For the first time in over a century, a new individual has gained the enduring power and calling. God-fearing American Marine Nile Freeman, played by the second-billed KiKi Layne of If Beale Street Can Talk) survives a slit throat in Afghanistan and gains beacon mental connections with Andy and the others. The veteran ancients seek her out to assuage her fears, teach her their ways, and protect her newness from the pursuing Copley and Merrick. Nile becomes the exposition driver of the veiled “why” questions we’re all thinking.

Increasingly prolific director Gina Prince-Bythewood (Love & Basketball, Beyond the Lights) brings her talents to a new genre. Drawn to Strong Female Characters in every sense of the term, The Old Guard graphic novel was ideal material for the filmmaker’s stylish ardor. With Charlize Theron and KiKi Layne as her instruments, the film has a posture of determination over effeminate weakness that is wholly appreciated. Like many comic book films before it, The Old Guard relies heavily on their mentor/mentee dynamic. Layne continues to be a future star in the making and kicking ass alongside Theron will do her wonders. The confidence growth shows already.

One keen choice from Gina was the electronic pop selections merged into the action sequences adding backbeat to the nondescript danger music from the Oscar-nominated Lion team of Volker Bertelmann and Dustin O’Halloran. That inertia bears Prince-Bythewood’s fingerprints. Shot by Bigelow and Greengrass vet Barry Ackroyd and GPB confidante Tami Reiker, the movie balances bloody guts with gritty gloss to make this a very showy thriller. Editor Terilyn A. Shropshire makes the actors and the massive stunt team led by Marvel-experienced stunt coordinator Brycen Counts, fight coordinator Daniel Hernandez, and department head Sarah Greensmith look

It is a rare and welcome treat of compromise to see a graphic novel’s original creator granted the opportunity to pen his or her own film treatment. How many times have followers and fans seen works butchered by script doctors? Following Joe Russo’s recent fellow Netflix entry Extraction and Joe Kelly’s superior I Kill Giants from 2018 (a must-see gem available on Hulu and Hoopla), Greg Rucka received the chance he didn’t get with 2009’s forgettable bomb Whiteout. His improved craft on the written page since then is evident and it is given a fair chance on a larger stage.

The trappings and limitations of a graphic novel distilled and compressed for a single movie are still very much present. The Old Guard has a sky-high concept (think 2008’s miscue of Jumper with its attempt at applying a centuries-old saga) with a low energy for expanding ideas. Harry Melling’s sniveling Merrick villain is implausibly bad, even by comic book standards for a movie bending reality like this one. A swerving double cross in the climax is also feeble compared to the powerful and principled characters. Copley’s Mr. Glass/Pepe Silvia-level conspiracy wall and the tiny flashback snippets sending viewers back to ancient times tease rich and unharvested levels of referenced depth that could be far more interesting than the present. It feels like a heap of gravitas and world-building was left on the paneled page.

As sudden and kinetic as The Old Guard may play for a quick entertainment ride on your couch, a Netflix miniseries might have done Rucka’s five-volume work more justice than merely one movie and a tease at a potential sequel. Root for a modest franchise with Netflix’s deep pockets securing commitments from the creative team and on-screen talent. We’ll follow Charlize Theron and KiKi Layne anywhere. If given the chance, The Old Guard could build admirably.

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picturesinlove · 6 years

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THE FUTURE IS BRIGHT: a *super* unoriginal ‘best films of 2017′ list

In life, we’re constantly asked what we learnt from things. It’s one way of measuring a completely immeasurable experience. Most films are built on this- ’character arcs’- how do they change and grow? What do they learn? (That’s not a negative thing, just the mechanics of this stick out when it’s done badly). With that in mind, I asked myself, from everything I watched this year, what did I learn?

THE BEST 12 ‘FILMS’ of 2017:

The first thing I learnt- films and TV series have become indistinguishable. It didn’t happen solely this year, but 2017 is definitely the ‘flag in the road’ point. Films are increasingly designed so they can be watched on a small screen with headphones, and most TV should really be watched on a big screen with proper speakers. And TV is sort of the wrong word. Netflix isn’t TV. I don’t know what it is. Just Long Form Storytelling perhaps? It’s certainly becoming less and less episodic. More and more feel like 10 hour films split into 10 parts so you can digest it better. So, this list is really the best 12 *things* of 2017.

The second thing I learnt- how you watch something is almost as important as what you’re watching. What headspace you were in, what time of day it was, if the room was totally dark, if someone a few rows in front of you was talking through the movie, if you’d seen the previous instalments in the series, hell- even if you’d seen the trailer. It all adds to how you think about the film. So, on the list, I’ve included where I saw it.

12. THE DISASTER ARTIST (directed by James Franco)

True story about the making of Tommy Wiseau’s The Room, the best worst film ever made.

I cried like I haven’t cried in years watching this. I don’t know what it was. Just something about the last act hit me so hard I couldn’t contain myself. And when you’re trying to contain yourself BECAUSE THIS IS NOT A SAD FILM AND YOU SHOULD NOT BE CRYING EVERYONE ELSE AROUND YOU IS LAUGHING PLEASE STOP CRYING it’s really hard to stop. It’s a story of ambition, heart and following your dreams no matter what.

Green screen! Lovely green screeeeen! Purely on an aesthetic level, whenever they’re shooting against that unmistakable, vibrant colour I just loved it.

You know when films do that thing and show pictures of the real people the film’s about before the credits so you can go ‘wow this film’s so accurate and got that detail right’?? This does a version of that, and it’s the only one that’s ever mattered/will ever matter.

The real Tommy Wiseau also has my favourite film related tweet of 2017:

Seen at BFI Southbank.

11. ORANGE IS THE NEW BLACK SEASON 5 (created by Jenji Kohan)

The lives of the women at Litchfield Penitentiary, a minimum-security prison in upstate New York. (the annimalllsss the animalllls, TRAP TRAP TRAP till the cage is fulllll...)

This show is about everything the opening titles suggest- women, decisions and time. What’s striking about OITNB is the characters never serve the plot. Plot *is* character. It’s there to serve them. It gives us a framework to waste time with these characters, because ‘all they’ve got is time’.

Season 5 is brave in terms of content and form. There are thousands of people more qualified to speak about the content, so I’ll leave it to them. Form wise: Orange is the New Black is Netflix’s most watched show, and probably it’s major tentpole along with Stranger Things. It has a well-oiled structure. Each season takes place over a few weeks, each episode focusses us in on one character, complete with flashbacks that inform us how they ended up in prison. Season 5 tears that to shreds, setting it basically in real time over 3 days. When it works, it *really* works. There’s no looking away. You feel the grind of what they’re going through. It sometimes leaves them too much time to pad out and we get some boring side plots- but on ambition alone I loved it.

It’s the perfect continuation and accumulation of previous seasons in many ways. The characters you know and love are in extraordinary circumstances. It brings out sides to their personalities that you never knew were there, but fit perfectly. Where all the characters are situated within the prison after the inciting incident is the best use of character geography *as* character I’ve ever seen. Tonally the series has gradually been getting nastier and nastier for a while, but there’s a scene towards the end of this season which is so nasty and so long and REFUSES to cut away even though you desperately, desperately want them too. It’s raw. It hurts. It’s a scene the show has always been heading for tonally and building towards dramatically.

Season 5 slots in just under 4 for me in terms of ranking them all- but it’s still damn good. One things for certain, 5 changed everything for OITNB. The game is different.

Oh, and Nicky’s the MVP.

Netflix.

10. BAD GENIUS (directed by Nattawut Poonpiriya)

Thai Heist-Thriller. A genius high school student makes money after developing elaborate methods to help other students cheat.

WHAT A FUCKING RIDE!! The most fun I’ve had in a cinema all year. More stakes in this than most ‘end of the world’ superhero movies. Genuinely unpredictable.

The filmmaking is so good it makes you forget plausibility is sometimes being pushed. Amazing set-pieces. Expertly choreographed. Form and content perfectly married. This is the best way to tell this story, like a Michael Mann thriller, a Steven Soderbergh Oceans-style heist.

Every character is so rich and textured in their own way. So fully realised. You’ve met them all at some point in your life. It’s whimsical, but painful and genuinely emotional when it needs to be. Never pulls it’s punches.

2 years time, there will almost certainly be an American remake… and it’ll suck so hard. It’s rooted in Thailand, the socio-economic situation of people, the time zones, the pressure to succeed, and honestly- just hearing it in Thai.

SEE THIS FILM. SEE THIS FILM. SEE THIS FILM. SEE THIS FILM. If you take anything from reading any of this, SEE THIS FILM.

Seen at Vue Leicester Square.

9. NATHAN FOR YOU: FINDING FRANCES (directed by Nathan Fielder)

The feature-length finale of Nathan For You’s 4th season. It’s a show that’s difficult to describe without saying ‘trust me’.... but honestly, *trust me*. Nathan Fielder graduated from business school with ‘really good grades’. He offers outlandish solutions to solve problems for struggling small businesses. In Finding Frances, Fielder uses all the resources of his successful show to help an old Bill Gates impressionist track down his high school sweetheart. Trust me.

Nathan Fielder has accidentally and totally on purpose made one of the best documentaries of the last 10 years.

It’s funny how we remember things. Reality and fiction are blurred. Truth is irrelevant. What does real mean? Does it even matter if we remember it how we want to?

Laptop.

8. THREE BILLBOARDS OUTSIDE EBBING, MISSOURI (directed by Martin McDonagh)

A mother takes desperate steps to pressure local law enforcement to find her daughter’s killer.

Perfectly woven and layered characters. I fucking hate the phrase ‘the character arc’, but if I were teaching a class in it- I’d show this film.

A film about relationships, and every relationship between every character or creature or inanimate object is perfect.

McDonagh loves theatrical sensibilities. Nobody does grand, rich set-pieces quite like him… makes highly stylised situations feel real in the world he sets up.

I could have watched hours more of these characters interacting.

Seen at Embankment Garden Cinema.

7. BLADE RUNNER 2049 (directed by Denis Villeneuve)

Neo-noir, sci-fi sequel to Ridley Scott’s 1981 classic.

I’m not a fan of the original Blade Runner. I appreciate it! It’s beautiful! and groundbreaking! but I just find it so heartless and cold. I just can’t connect to it. The best sci-fis are amazing stories with really fun furniture (the gadgets, tech etc.) The original is too much furniture for me. In other words, I had no reason to like this one IP wise. 2049 takes everything that could have been interesting from the original and expands on that. The furniture is just that- furniture. An amazing setting that enriches and serves the story. Everything is there to tell the story. I left the cinema feeling I’d experienced something the way that everyone talks about experiencing the first one.

The most expensive art film ever made. I literally cannot believe this exists. I cannot believe they gave Villeneuve £185MILLION to make a 3-hour long, philosophical film that has no blockbuster tropes: no loveable rogue hero; no ‘off-beat’ quippy humour to keep you interested; no CGI extravaganza 3rd act; NO.FUCKING.SKYBEAM with floating garbage spinning around it that threatens to destroy the world and the heroes have to stop it before everyone in the world dies; no setting up 5 other already planned sequels in the franchise so nothing important happens in this one. It’s a rare type of blockbuster in 2017- one that trusts it’s audience is intelligent.

Denis Villeneuve really is the most exciting director working today. This is just further proof. Arrival (2016) still my favourite of his, but I’m almost more in awe of him for this. Taking such a well-loved franchise and doing something new with it in a way that still feels respectful of what’s come before. It’s his film.

The only use of Hollywood’s new trend of digitally recreating actors (ala Peter Cushing in Rogue One: A Star Wars Story) that will ever matter. THIS is how you do it well.

Gender politics (we’re gunna’ go there, SPOILERS AHEAD and I know my opinion doesn’t really matter or count for anything on this just thought it’d be silly not to bring it up, feel free to disagree, v. interested to hear what everyone thinks about this!!) Lots has been written about the treatment of female characters in 2049. Most apt example I can think of to explain how I feel- Taxi Driver (1976), there’s a cafe scene in which the camera lingers on some black characters for uncomfortably long in a kind of parading manner, a ‘look at how terrible these guys are’ manner... it’s very understandable why one could interpret the film itself as racist. I’d argue the film is completely aware of what it’s doing- it’s putting us in Travis Bickle’s eyes, who is a racist character. I mean, we’re literally in his head the whole thing, hearing what he’s thinking and seeing what he’s seeing... I guess what I’m saying is- ‘it’s a decision.’ It’s not an offhand random shot where the filmmaker’s own gaze comes through, it’s a skilfully planned decision to make us question and think about something, in Taxi Driver’s case- what kind of man Bickle is. The treatment of women in 2049 *IS* a decision. It’s not Villeneuve lazily commodifying women, it’s him saying a world where women are only a commodity is a fucking bleak one. It’s a world where real women have been rendered obsolete because the height of success in our society (the CEO of a large corporation), an egoistical white guy with a god-complex manufactures life so women aren’t necessary for continuing the human race, and creates holographic partners for everyday men so they’re emotionally fulfilled without having to engage with actual women. And it’s so horrible. I mean, is anybody happy in this film? Is the picture of the future this film paints bright? It’s a film about how the arrogance of men will destroy everything. And on a base story level, it’s literally about guy who thinks everything is about him... but it turns out to be about a woman. Perhaps it’s lazy for the film to make the decision ‘it’s a patriarchal world so all the women are prostitutes and are treated badly so we’re just gunna’ do that’, but I dunno’... I think there’s more going on. I think Villeneuve is too good for that. I mean his last film was literally about a genius female linguist being the saviour of the world and how a mother’s love is the most precious thing. Would he really do such a U-turn and make a film where the female characters are just objects to be gazed at? I mean- maybe?? If any other aspect of the film felt like it was the studio meddling with Villenueve’s vision I’d buy that... but it’s just SO his film. And I think he’s clever enough to know who the primary audience of this film is- geeky 20 year-old guys. He draws them in with the surface (and all too familiar) images of the female characters, and then turns all of that on it’s head. Just my opinion. Obviously I can never be completely impartial- very happy to be converted the other way.

Seen at Picturehouse Central.

6. CALL ME BY YOUR NAME (directed by Luca Guadagnino)

Somewhere in Northern Italy, Summer 1983, Elio’s life changes.

Sun-drenched Europe, the smell of warmth and twirling cigarette smoke, deep blue sky- pure, breakfast with a glass of apricot juice and an espresso, the sound of bike spokes spinning lazily.

I wish I could live with these people.

‘Later.’

The rawest and best final shot in the last 10 years.

Seen at Odeon Leicester Square.

5. THE BIG SICK (directed by Michael Showalter)

A Pakistani-born standup comedian/Uber driver and a grad student strike up an unlikely relationship.

MAGIC. The perfect retort to use when someone says ‘all rom-coms suck’. A genuine slab of gold that’s as funny as it is heartfelt. And it’s just SO the kind of thing I like.

I’m unbelievably bored of films and just art in general that’s terrified of being sincere in fear of being labelled sappy or over-sentimental. The Big Sick says ‘fuck you’ to that school of thought and goes for it.

Comedy, romance and drama are effortlessly blended- sometimes all in the same scene. And it never feels off-kilter, mainly due to the amazing performances. Kumail Nanjiani, Zoe Kazan, Ray Romano, Holly Hunter and the rest of the cast always play the truth of the scene- not the humour, the romance or the drama, just the TRUTH of the moment.

The perfect antidote to the year 2017 in general.

Seen at Aldeburgh Cinema.

4. YOU WERE NEVER REALLY HERE (directed by Lynne Ramsay)

Gulf War veteran Joe rescues children from trafficking rings.

This is a horror. And more terrifying than any jump scare, this whole film is populated by ghosts.

Deeply troubled, deeply disturbed. Beautiful. Precise. Scatter-brained. Focused. A violin strung too tightly, then played by a madman. How can something so stripped down and raw feel so symphonic and wholesome?

There are things in this that will play on loop in my head for the rest of my life. Images and sounds so seared into my brain they find me at the strangest of moments in a day, and I’m always left thinking about them for the rest of that day. It’s clever like that. Joe can never escape what he’s seen.

Francis Ford Coppola famously told press at the 1979 Cannes premiere of Apocalypse Now - ‘My film is not about Vietnam. It is Vietnam.’

You Were Never Really Here is not about PTSD... it is PTSD.

Seen at Odeon Leicester Square.

3. LOGAN (directed by James Mangold)

Wolverine’s last outing.

I’m not a huge fan of superhero films. Most are fun. Most are also lazy. Few will survive the test of time. Those that will use all the tricks in their genre box and do something interesting with them, transcend- Rami’s Spiderman 2 (2004), Bird’s The Incredibles (2004), Nolan’s The Dark Knight (2008)... and Mangold’s Logan.

So aged. So weary. Everyone is tired. Tired of running, tired of fighting, tired of living. Like three sharp metal claws jaggedly tearing through flesh, nothing is polished about this. Bloodshot eyes, skin like leather. He feels so much regret. Like most real heroes, he mourns those he couldn’t save rather than celebrates those he did. And it’s eaten him up inside for the hundreds of years he’s lived.

Here I go talking about furniture again... but every piece of furniture (superpowers etc.) is there to serve the story (and here the characters are story). Like so many blockbusters and superhero movies fail to do, this film is about something other than the furniture... e.g. how do you tell a story about dementia that gives someone who hasn’t experienced a family member suffering from it *that* feeling of sadness, loss, embarrassment, empathy and frustration? You give it to Charles Xavier (played by Patrick Stewart), a character you’re use to seeing as the leader, who always has a clever plan up his sleeve and has the ability to control other’s minds. You give it to him, and you force everyone watch the person they respected the most have to be lifted into bed while screaming about fast-food. It’s heartbreaking. Complex. It’s actually about something other than how in superhero world teamwork saves the day. Every ‘plot point’ and moment tells us something about these characters, even to a fault sometimes. SUBTLE: Logan pulling them jammed claws the way an old boy down the pub with arthritis feels his fingers. UNSUBTLE BUT STILL INTERESTING: making Logan fight the only thing he’s truly scared of- literally the version of himself that blindly obeys orders.

Everyone is SO fucking real. Just *watch* the way Daphne Keen eats that bowl of cereal.

Would highly recommend watching the ‘Noir’ Black & White version.

mild spoilers: It also features the best single edit of the year, from Laura stabbing the shit out of some dude to a flurry of scattered drum beats in the score... then that piercing animalistic roar rips through and all is silent... she spins.... from this:

CUT to this:

An empty forest, the roar echoes out... a low bass note tolls like a funeral. Something is coming. Help is on the way, but it’s an untamed, ruthless, violent help. He’s near...

No one single cut has ever given me chills like that before.

Seen at Odeon Leicester Square & Picturehouse Central (Noir version)

2. TWIN PEAKS: THE RETURN (directed by David Lynch)

Agent Cooper’s odyssey back to the small town of Twin Peaks. The original series of Twin Peaks that aired in the early 90s is often cited as creating ‘prestige’ television as we know it today- your Game of Thrones’, HBO high-quality, Netflix and so on... 25 years later, David Lynch and Mark Frost have returned to kill it.

Earth-shattering. Groundbreaking. An 18-hour film (split into 16 parts) so layered, so complex i’m not even sure where to begin... and most of what I have to say has probably been written by someone else much more eloquently.

For the first 9 hours, I found The Return mostly frustrating. I love the original series so, so much (and the prequel film Fire Walk With Me is one of my favourite films of all time). When I hit hour 10, it was like all the clouds in my head suddenly cleared. I ‘got’ it. What I thought I wanted was all my favourite characters back again talking about cherry pie and coffee with that soft romantic filter. Lynch and Frost (the creators) knew I wanted that. They also knew I didn’t *really* want that... because, the original series will always exist. They knew nothing would disappoint more than a soft reboot. The Return is it’s own thing- within the universe of Twin Peaks, and... within the actual universe. Seriously, how can you categorise this? It jumps from screwball slapstick comedy to silent black and white existentialist horror to 10 minute live band performances... what is the point of even trying to categorise it?

On some of the individual parts: Part 3 is a low-fi, surrealist, near silent masterpiece. Part 8 is... ‘Pure Heroin Lynch’ and has already changed TV forever. Part 11 is the most satisfying instalment, fulfilling storylines from the original series in a measured and poignant way. Part 17 is the conclusion we wanted, sort of... Part 18 is the start of a new mystery, and one of the most haunting things I’ve ever seen.

Twin Peaks will change you life.

Seen on Laptop.

1. THE FLORIDA PROJECT (directed by Sean Baker)

In the shadow of Disney World, 6 year-old Moonee and her friends spend the summer playing around the Motels they live in, while her mother Halley struggles to find a new job.

Pastel bright colours. Every person has survived a storm. Explore the wasteland of failed corporate America. Become a child again. The endless spinning of helicopter blades, a constant reminder of what they can’t do- escape.

Doesn’t ask you to like the characters. Doesn’t need to. Moonee has seen too much. Halley’s anger at herself and her life bubbles underneath every word and action, but she just doesn’t know how to fix it.

It is *SO* achingly beautiful it hurts. I find it hard to even watch the trailer without crying.

For the problems that face Moonee, honorary queen of The Magic Castle Motel, and the impending darkness that’s sure to come, she has the most powerful gift of all- finding hope where there is none.

‘See, I took you on a safari.’

Seen at Odeon Leicester Square & ICA.

DISCLAIMER- things that are not out yet in the UK/I shamefully haven’t yet seen and would likely be on my list too: Lady Bird (further DISCLAIMER i would actually kill somebody to see this) A Ghost Story Raw Phantom Thread War for the Planet of The Apes Coco American Vandal Mindhunter

BEST SCENES:

The third thing I learnt this year- it’s impossible to talk about a specific scene in a film without spoiling it. So... SPOILERS.

The Stairway Fight - ATOMIC BLONDE (directed by David Leitch)

If someone could tell me what the fuck was going on in Atomic Blonde that’d be great but until then I’ll just marvel at how amazing the fight sequences are. Charlize Theron again puts herself at the centre of the progression of American action cinema following her iconic performance in Mad Max: Fury Road (2015). From the first time we see her, lying in an expensive bath healing her wounds and soothing her bruises, we know at some point we’re going to see how she got them. CUE: The 15 minute stairway fight sequence, made to look like a single continuous shot. Leitch and Chad Stahelski (his frequent collaborator and director of the also brilliant John Wick: Chapter 2) are determined to show general audiences what good action scenes look like. This 15-min beauty harkens back to the almost dance like hospital shootout in Hard Boiled (1992), with the rawness and determination of a Children of Men (2006) tracking shot. Charlize Theron (as MI6 agent Lorraine Broughton) fights her way through swarms of henchmen over several floors of an abandoned block of flats, all the while trying to protect Eddie Marsan (who wouldn’t want to protect Eddie Marsan??) Every punch, kick and throw HURTS. By the end, she and the final henchman are so exhausted there’s a sense they might just call the whole thing off- but something pushes them on. Oh, and there’s a 5 minute car chase all part of the same shot to end. Also features the BEST LINE OF 2017. In retort to the final henchman strangling her desperately whispering ‘Take this, bitch!’, she turns the tables, stabs him up hard, then before delivering the final knockdown, pushes her nose to his and asks- ‘Am I your bitch now?’ She doesn’t wait for a reply.

The Eyeless Woman - TWIN PEAKS: THE RETURN (directed by David Lynch)

youtube

Lynch’s best nightmare.

Train Hysterics - LAST FLAG FLYING (directed by Richard Linklater)

2003. A Vietnam veteran recruits his two oldest buddies, who he served with, to accompany him on a journey no one should ever have to take.

I liked this movie a lot- just missed out on the top 12 list. The standout scene happens little over half way through, the characters sitting in a storage carriage of a train talking about losing their virginities. It’s the best ‘characters uncontrollably laughing’ scene since The Intouchables (2011).

The Snowball epilogue - STRANGER THINGS 2 (directed by The Duffer Brothers)

Stranger Things season 2 was super mixed for me. I enjoyed it a lot. Kind of.

The first series is a perfect little story, with a perfect beginning, middle and end. I god damn *love* it’s characters so, so much. The plot was simple remixed 80s nostalgia beats, but really just a vehicle for you to get to know Mike and Eleven and Nancy etc. Think about how much each and every scene was practically designed to reveal more about who they were. It was so beautiful. Season 2 however had wayyyyy too much plot which was obsessed with itself and how cool it was and as a result left characters with nothing to do. In other words, in Season 1 all the characters had something to do because the plot came from them, in season 2 characters were given plot roles... like, explain to me what Mike did all season before he saw Eleven again at the v end of episode 8?? What did Jonathan’s storyline tell us about him we didn’t already know? Sure, they don’t have to set up who they are all over again, but the best sequels never take for granted we love the characters- they give us new reasons to love them.

It’s clear to see whose storylines had natural progressions from season 1 and they knew where they were going, and those they had to think of something because Netflix desperately wanted another season quickly. The only original characters season 2 really worked for were Steve and Will. ‘Steve The Babysitter’ was the perfect progression for his character- him voluntarily discarding his Alpha-Jock status, seeing it was all bullshit, now his caring side comes out. Fuck, think how much you disliked Steve all of Season 1 compared to how much you love and deeply want him to be ok at the end of season 2. THAT’s good writing. His storyline was perfect for his character, it kept giving us new reasons to love him. And Will. Holy shit. His descent into Reagan-level possession was the most engaging part of season 2. Basically all of the story came from him. And Noah Schnapp is so damn good. I think simplicity is the key. His story was unpredictable till the last moments, when you realise it was inevitable. It has a clear premise, unlike most of season 2.

In the first, there were very clear overarching premises from the start- Will Byers is missing, Eleven has escaped from the Lab, the Demogorgon is on the loose. Simple premises that allow our characters to manoeuvre around... Season 2 doesn’t really have one other than Will is clearly still connected to the Upside Down... the Mind Flayer doesn’t really start as a concept till the penultimate episode... Hopper and Eleven living together maybbe?? but we’re not really given enough time with them. Everyone else is left with nothing to do, or something that doesn’t really serve their character... UNTIL THE LAST 15 MINUTES.

The Snowball epilogue was like coming to the surface after swimming laps underwater- I sort of enjoyed the laps but I’d rather just be able to breath. All the self-indulgent 80s nostalgia *plot* is done, and all the characters have interesting things to do!! Steve giving Dustin tips dropping him off, and then that longing look he gives towards the hall. Dustin realising ‘I don’t look like Steve Harrington’ after being rejected by every girl at the ball and dejectedly crying... and in comes Nancy to save the day!! Genuinely one of the most beautiful moments in anything all year (notice how we learn more about Nancy’s true nature in this one moment that anything else she really did all season??) Jonathan nearby keeping an eye on Will and being his helpful self taking the Ball pictures. Lucas ignoring what the rest of the group think about Max and asking her to dance. Will actually going to the ball, acting as normal as he can and dancing with someone!! Joyce and Hopper nervously wait outside and reminiscently share a smoke as they did in their highschool days- contemplating on how they probably won’t ever feel like they aren’t worried about their kids... and finally Mike and Eleven just having a bit of happiness for once- actually going to the Snowball together, a beautiful conclusion after speaking about it at the end of Season 1.

As each moment passed in this glorious sequence, I loved the characters more and more. They aren’t doing anything supernatural or life threatening, but the stakes feel SO much higher than they had all season. It’s real. They aren’t shackled with ‘advancing the plot’, they can just be themselves. And I loved it.

BEST CINEMATOGRAPHY:

Time’s Arrow, Episode 11, BoJack Horseman Season 4 (created by Raphael Bob-Waksberg)

BoJack Horseman has been the most visually beautiful cartoon for a while now, it’s breathtaking season 3 silent underwater adventure Fish out of Water helped to gain it much appreciated wide applause. Time’s Arrow is a different beast. Genuinely horrifying. A mind cracked into a thousand pieces and glued back together into something resembling crazy paving. The animation is disturbing. Really disturbing. The nightmarish images running through the failing mind of an old woman with dementia. Images of her regrets, the neglect and abuse at the hands of her parents. Memories burn and melt away like plastic in a fire. The faceless humans and constant scribble over Henrietta’s face haunts me. Beyond the obvious sinister imagery, it means something. A puzzle with too many missing pieces to really make out what the picture actually is. And we’ll never really know.

It’s not the first thing that pops into mind when you think of ‘cinematography’, but Time’s Arrow is the best visual storytelling since... the previous season of BoJack Horseman.

BEST PERFORMANCES:

Cate Blanchett as various in MANIFESTO (directed by Julian Rosefeldt)

Originally a critically acclaimed multi-screen video installation in which Cate Blanchett plays 13 different characters, ranging from a school teacher to a homeless man, performing artist’s manifestos in 13 different scenarios. Part of the financing deal was Rosefeldt had to cut a 90 minute, linear version of the piece for a cinematic setting.

NO one could have pulled this off like she did. She’s running on adrenaline and pure bravery. She makes interesting choices at every twist and turn. How does looking at her never get tiresome? Every jump from character to character feels genuine. She blew my mind- I knew I was looking at the same person over and over again, but I also *knew* I was looking at 13 different people.

A masterclass.

Kyle MacLachlan as various in TWIN PEAKS: THE RETURN (directed by David Lynch)

2017 is the year of staggering ‘multi-character’ performances. Kyle MacLachlan’s involvement in the new season of Twin Peaks was basically the only thing anyone knew about it going in. And he is the heart of this season in so many ways. Returning to a character 25 years later must be a daunting prospect, but MacLachlan shows no fear. Not only does he play the pragmatic, joyful Agent Cooper we all know and love, he plays his steely, pure evil doppelganger Mr C, child-like amnesiac Dougie Jones and in the final episode... someone quite special. And he makes it look so damn easy. He is the fabric that holds together The Return.

THE ‘KIDS’ in EVERYTHING

2017 has been a bad year for Hollywood. Ultimately though, it will be looked back on as the turning point. THINGS CHANGE NOW. The old guard is running from their past scared. And they should be scared. Uma Thurman is coming to murder them all. There is no room left for the Harvey Weinstein’s, the rotting core of top-down abuse has been exposed. Brett Ratner can fuck off with his swaggering playboy image and terrible movies.

What is truly uplifting is who is going to replace them. A new generation of pure, true artists that this year has shone a spotlight on.

The future is Brooklynn Prince and Bria Vinaite, stars of The Florida Project. The future is Timothée Chalamet, whose central performance in Call Me By Your Name is the realist, rawest thing ever. The future is Saoirse Ronan, the next Meryl Streep. The future is Daniel Kaluuya, who has finally gained world-wide recognition for his stunning leading performance in Get Out. The future is Finn Wolfhard, Millie Bobby Brown and all of the kids from Stranger Things, who masterfully manage the horrific pressures of being thrust into the tabloid spotlight at the same age most of us just want to cry in our rooms. The future is Sophia Lillis and the rest of the Loser’s Club from IT (a film with the most oppressively terrible sound design ever yet they still manage to make it fun and watchable.) The future is Daphne Keen, the best on-screen cereal-eater who almost steals the film from Hugh Jackman in Logan. The future is Lucas Hedges, someone with rare human fingerprint over every word he speaks in Three Billboards and last year in Manchester By The Sea. The future is Donald Glover, the most creative, multi-talented young artist alive. The future is Caleb Landry Jones, who’s had maybe the most impressive year, with standout supporting roles in The Florida Project, Twin Peaks: The Return, Get Out and Three Billboards Outside Ebbing, Missouri. The future is Tessa Thompson, the best thing about Thor: Ragnarok. The future is Michael B. Jordan, Chadwick Boseman, Lupita Nyong'o, all the team behind the upcoming Black Panther film, helmed by Ryan Coogler. The future is Barry Jenkins, director of best picture winner Moonlight. The future is Daisy Ridley, John Boyega, Oscar Isaac, Adam Driver and Kelly Marie Tran, the new faces of the most popular franchise ever. The future is Alice Lowe, a force to be reckoned with. Writing, directing and starring in a feature film is difficult enough. She did all of that while heavily pregnant. Oh, and it was her debut feature. It’s called Prevenge and it rocks. The future is Ava Duvernay, a beacon of hope- cannot wait for A Wrinkle in Time, which drops early next year. The future is Sean Baker, the most empathetic filmmaker working today. The future is Patty Jenkins and Gal Godot who have revolutionised the superhero film and inspired a generation of little girls with Wonder Woman. The future is Kumail Nanjiani and Zoe Kazan, who I’ll follow in whatever they do after The Big Sick. The Future is Jordan Peele, the most exciting new director. The future is GRETA GERWIG, mumblecore queen turned saviour of cinema.

So, what did I learn this year? Well, Agent Dale Cooper is certainly one of the best characters of all time. But most of all: amongst the darkness of everything that’s happened within the film industry in 2017... there’s hope.

The future is bright.

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kansascityhappenings · 4 years

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KC Royals head to spring with new look, fresh outlook on another year of growth

KANSAS CITY, Mo. — The biggest changes to the Kansas City Royals since the end of last season happened far away from the field.

Now, the new-look organization wants to see some change on the field.

After the Royals were sold by to Kansas City businessman John Sherman, and Mike Matheny was hired to replace retired manager Ned Yost, the club heads to spring training with a fresh new feel.

Jorge Soler #12 of the Kansas City Royals single in the third inning against the Minnesota Twins at Kauffman Stadium on September 27, 2019 in Kansas City, Missouri. (Photo by Ed Zurga/Getty Images)

And that’s a good thing given the Royals eclipsed 100 losses for the second consecutive year as they undergo a massive rebuilding project.

“We like our team. It’s a fun team and a good group,” general manager Dayton Moore said. “There’s a lot to be excited about. The new ownership, as we’ve talked about, is very encouraging and exciting. We can’t wait. I’m heading down to spring training two weeks earlier than I ever have before.”

The Royals went through significant growing pains last season, but part of that was because so many young position players were getting hard-fought experience.

Among them were third baseman-turned-outfielder Hunter Dozier, slick-fielding second baseman Nicky Lopez and shortstop Adalberto Mondesi, one of the best talents to come through in years.

What was missing was the pitching, and it still won’t be there most of this season.

But with a full rotation worth of young arms in the pipeline, some of whom could arrive by September, there is optimism even in that department.

“I heard it early on that these guys are hungry. They want to be pushed,” Matheny said. “I think they’re very grateful for how well Ned protected this group. But I think they’re ready for another expectation. Be careful what you wish for. Let’s put it out there. Let’s go. Let’s chase excellence.”

Pitchers and catchers report to Arizona on Feb. 12.

NEW LOOK

The biggest changes came at the top, where David Glass — who died in January after a long illness — passed along the franchise to Sherman.

The businessman was a partial owner of the Cleveland Indians and now, along with a group of local investors, the lifelong baseball fan has the opportunity run a big league team.

Mike Matheny

Matheny was the other big change.

His managerial career spiraled downhill with the St. Louis Cardinals. He spent time on self-betterment during a year working as an adviser to the Royals, and one of his first orders of business was to meet with every player on the team before the season.

“Our young group of core players are excited about him being our manager,” Royals outfielder Bubba Starling said. “We can’t wait to see what he has to offer to us and we can’t wait to play behind him.”

ROOKIES TO WATCH

There are a handful of position players worth monitoring in the minors, but the arms will capture most of the attention. The quartet of Brady Singer, Jackson Kowar, Daniel Lynch and Kris Bubic are the future of the Royals rotation.

“They’re all they’re made up to be. We’re ready for them, ready to see what they can do,” Royals outfielder Whit Merrifield said. “I hope they’re preparing to come to spring and fight for a job.”

THEY’RE SET

Just about every position is set heading into spring training.

Alex Gordon will join Merrifield and Dozier in the outfield with Starling providing depth. Jorge Soler will be back as an outfielder and designated hitter.

Maikel Franco takes over at third base with Mondesi, Lopez and first baseman Ryan O’Hearn finishing off the infield.

Salvador Perez will be back behind the plate after missing all of last season due to Tommy John surgery.

Salvador Perez #13 of the Kansas City Royals during the game against the Los Angeles Angels at Angel Stadium of Anaheim on June 18, 2017 in Anaheim, California. (Photo by Jayne Kamin-Oncea/Getty Images)

THEY’RE NOT

Four spots in the starting rotation are likely set with Brad Keller and Danny Duffy joining Jakob Junis and Mike Montgomery, but the fifth spot is up for grabs.

The Royals also need some bullpen arms to lock down jobs after the entire relief corps — except closer Ian Kennedy — struggling last season.

ON DECK

What fans can look forward to in spring training? How about sunshine and warmth after a cold, snowy winter in Kansas City.

The Royals fully realize that this is likely going to be another year of growth, and that makes taking a lot of lumps. So fans are best off enjoying the weather, the scenery and the games rather than fretting too much over wins and losses.

from FOX 4 Kansas City WDAF-TV | News, Weather, Sports http://fox4kc.com/2020/02/06/kc-royals-head-to-spring-with-new-look-fresh-outlook-on-another-year-of-growth/

from Kansas City Happenings https://kansascityhappenings.wordpress.com/2020/02/06/kc-royals-head-to-spring-with-new-look-fresh-outlook-on-another-year-of-growth/

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ramajmedia · 5 years

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RuPaul’s Drag Race: 10 Queens Rumored To Be On Season 12

It’s official: RuPaul’s Drag Race is returning to television for season 12 with an expected release date for the first half of 2020. If the franchise follows the pattern of the last two years, the 12th season should start shortly after All-Stars 5, which was also confirmed during the same announcement from VH1 and World of Wonder.

Following the 14 Emmy nominations for Drag Race season 11 and All-Stars 4, it is safe to say that this franchise has become a massive mainstream juggernaut with both critical and commercial acclaim. What’s more, RuPaul shows no signs of slowing down, as the queen is already readying a U.K. version, due to air in October, and a Canadian version, which is currently in pre-production.

Curious about which queens will be on RuPaul’s Drag Race season 12? Well, the time has come for us to walk you through the rumors!

RELATED: 10 RuPaul’s Drag Race Queens Rumored To Be On All-Stars 5

10 Vicky Vox

Vicky Vox has been somewhat associated with the RuPaul’s Drag Race franchise for many, many years, as this L.A. queen was part of the pop group known as DWV alongside Willam, a season 4 contestant, and Detox, a season 5 contestant. Together, DWV released the 2013 gay anthem “Boy Is A Bottom,” which was a parody of the Alicia Keys single “Girl On Fire.”

Given that Willam and Detox were such iconic Drag Race contestants, it comes without saying that it’s been long overdue for Vicky Vox to also join the franchise herself. As it turns out, Vicky did disappear from her social media accounts around mid-July, which was the rumored time of filming, which indicates that she may indeed be on season 12.

9 Brita Filter

Straight from New York City, Brita Filter disappeared from Instagram around July 22, giving us strong indication that she might’ve been cast on RuPaul’s Drag Race season 12.

Among her credits, Brita Filter won the NYC Entertainer of the Year award in 2018 and is known as one of the stars of Fusion TV’s Shade: Queens of NYC. What’s more, this queen was part of a Broad City episode that featured former Drag Race contestants such as Sasha Velour, Jiggly Caliente, and Shangela.

Because Brita Filter is from NYC, she has been worked with several well-known queens from the Big Apple that were previously on Drag Race, including Peppermint, Aquaria, Acid Betty, and Alexis Michelle.

RELATED: RuPaul’s Drag Race: 11 Queens With The Most Successful Careers After The Show

8 Jan Sport

The drag queen known as Jan Sport—yes, like the backpack brand—disappeared from Instagram and even deleted her Facebook account altogether in July. Needless to say, the rumors regarding this queen being on season 12 of RuPaul’s Drag Race are quite strong. Ultimately, Jan Sport is best known as one-third of the girl band Stephanie’s Child, which has grown to great prominence in recent years.

Jan Sport’s most prominent drag connection is season 9 contestant Alexis Michelle, who is her drag mother. Moreover, because they are both from New York City, Jan Sport and Brita Filter have been seen together a few times and certainly already know each other pre-Drag Race—if they are both indeed cast on season 12.

7 Sherry Pie

Sherry Pie is another New York City queen with strong rumors of being part of RuPaul’s Drag Race season 12. Besides being a compelling entertainer, Sherry is known for her work as an activist who often fights for the LGBT community. Even all the way back in 2016, she was chosen as one of the hosts for NYC Pride.

This legendary queen is closely associated with other fellow New York queens such as Miz Cracker and Alexis Michelle. A self-professed ‘glampy’ queen, Sherry Pie is certainly going to bring creativity and laughter to the main stage of Drag Race if she was indeed cast on season 12.

6 Gigi Goode

Los Angeles queen Gigi Goode comes from Scandinavian heritage and is a fashion illustrator. Mostly known for her aesthetic, Gigi will bring her high fashion sensibilities to VH1 if she is indeed cast on season 12 of RuPaul’s Drag Race.

Gigi Goode has been spotted alongside other California queens such as Pearl, Detox, and Naomi Smalls, as well as fashion designers and models. If Drag Race happens for Gigi, it would come as no surprise for the queen to also create a parallel career out of drag that resembles Milk’s success as a male model.

5 Jackie Cox

Another well-known NYC queen that is poised to join RuPaul’s Drag Race season 12 is Jackie Cox, who is of Persian descent. The rumors that she was cast on the show come from the fact that this queen completely disappeared from social media since mid-July.

Following the success of the 2019 live-action remake of Aladdin, Jackie Cox embraced her Persian roots and impersonated the character of Jasmine during several events this year. What’s more, it is important to note that this queen has been known for her great singing abilities. In 2019, Jackie was chosen to impersonate TV personality Lisa Rinna from The Real Housewives of Beverly Hills for Bravo’s Pride Parade float.

4 6

When the Drag Race season 12 rumors started coming out, 6 wasn’t necessarily a queen who was on the fans’ radars. However, over time, the rumors regarding this queen’s casting have only grown.

6 is known for working in the club circuit in Los Angeles and for being a ‘muscle queen’ when out of drag (Kameron Michaels of season 12!?). In 2019, 6 was featured on the music video for “So Lucky” by Eden and got to meet Sam Smith during one of her performances.

3 Jaida Essence Hall

One queen who is poised to bring the glamour and the beauty to Drag Race season 12 is Jaida Essence Hall, who resides in Milwaukee, Wisconsin. All in all, Jaida is known as a pageant queen who has worked alongside season 11 contestant Mercedes Iman Diamond and season 9 contestant Alexis Michelle.

Other very popular Wisconsin queens who have been on RuPaul’s Drag Race include Trixie Mattel, Max, and Jaymes Mansfield. Will Jaida Essence Hall follow in their footsteps and sissy that walk on season 12?

RELATED: RuPaul’s Drag Race: 10 Things You Didn’t Know About Trixie Mattel

2 Nicky Doll

One of the biggest Drag Race season 12 rumors surrounds Nicky Doll’s casting. Born in Marseilles, France, Nicky is a self-described life-sized 90s doll who is now based in New York City.

Among her connections within the RuPaul’s Drag Race universe, Nicky Doll has been seen working with season 9 contestant Kimora Blac various times, as well as Brooke Lynn Hytes, Aja, and Farrah Moan. Given that she disappeared from social media around mid-July, rumor has it that Nicky Doll will indeed be on season 12 of Drag Race.

1 Widow Von'Du

Widow Von’Du considers both Kansas City, Missouri and Tulsa, Oklahoma as home, and is rumored to be bringing her extravaganza to the main stage of RuPaul’s Drag Race on season 12.

This queen, who proudly calls herself a ‘big girl,’ has performed in clubs at Kansas City with numerous past Drag Race contestant, having a long history of knowing these queens throughout the years. If she is indeed on season 12, Widow Von’Du would already walk into the set as a legendary queen in the community.

NEXT: RuPaul's Drag Race: All 11 Seasons Ranked Worst To Best

source https://screenrant.com/rupauls-drag-race-season-twelve-queens-rumor/

#screenrant

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mystycalypso · 12 days

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Can i just say how much i freaking love the work you two are doing, Holly hell this is some wild stuff as veteran of hello neighbor you two are making me proud of this small community that is running on tumblr!

Also i hope you two don't mind me asking two questions.

Firstly, If one of you two had the control over welcome to ravenBrooks show what will be some things you two will change.

Secondly, What are you're thoughts on the artstyle of the show considering that Man of Action is working on the show?

Okay to start, I know I say it every time we get asks like this but y'all are genuinely so sweet and nice and it's just really really cool to see people enjoy our stuff. Like- especially fellow old fans of the franchise. I know Kaydin also really appreciates how sweet you guys are but just idk it feels like my fandom dreams come true when people like things like our au and art for this series

As for your questions...

Personally, to start, and this is Jack being slightly particularly- idk nitpicky? But there are three things I'd want to just- fix immediately and all three of them are Nicky related.

Number one, his shirt. I'm sorry guys but I've been here since the alphas and I didn't even realize this was his Sharkotron T-shirt. It's- It's just an egg

Number two, I realized after intense studying of Nicky's- face that it looks really weird when he's front facing, but his nose is facing right. So scenes like this suddenly seem- off model for no reason? I've poorly edited the image below to fix both of these

Yes I am too lazy to edit them properly, sadly. Did make his shirt logo still one colour for ease of animation. Idk why but left facing nose Nicky just looks less weird. Just me and kaydin? Maybe.

Number three- uh... that hairline is atrocious /lh

I know he wears his goggles in the show like constantly but also- this is a 13 year old boy guys. I was 13 once and I have a very flat (minus a widows peak) hairline, but it did not stop my hair from falling all over my face, and I think it's fair to assume the same for the kid who's hair refuses to behave anyway

Just fluff him up a lil (again I'm sorry these aren't better edits lol)

You don't even have to have it show when his goggles are up because like a headband or headphones it pushes hair back, or otherwise

Although ironically while I'm explaining what I would change in the designs, I don't mind the art style at all, actually I kind of love it. Sure some things you kinda of have to get used to, like their ears being pretty low to the head, but in general I think it really fits the franchise. I know it didn't look too drastically different from the pilot, but there's so many little nuances in the designs that just make it better (especially when you look at characters like Trinity)

I've told Kaydin a dozen and a half times how I think show Nicky is the franchise's second best design for him. The first being this singular piece of art from Nicky's Diaries, like I have gone on for hours about why this rendering of him is just perfect.

Third being fan renders, followed by the book artstyle, the pilot and finally games

And while other designs I wasn't sure about when watching through the show the first time, really just lore hunting instead of caring about anyone who wasn't Trinity or Nicky ngl, when I started doing my expression analysis I realized just how nice the designs and individuality of the characters are. If you put Nicky's expressions oh Enzo or Ivan's on Trinity it wouldn't fit and that's something I don't think people would expect from a Hello Neighbor cartoon.

They also have things I can just appreciate as someone who's special interest is animation (but doesn't have the patience to animate TvT gotta love audhd) for example, just having shading even in shots where they could completely go without it. It makes it less drastic and a smoother transition when lighting gets intense. They're also now afraid to switch up camera angles and push the rigs for a more intense shot.

Also something I really appreciate

Smear frames!

God I love smear frames!!! It's another one of those things that It's like- knowing how much this cost Tinybuild, they could've easily cut it down to save money. But it just wouldn't have been as nice without it.

Sure there are probably people who look at the fact that Man of Action is working on the show and are disappointed by the art style. But I say this entirely genuinely when I say I couldn't picture this show looking any other way and working as it does.

Yeah, they could've used more realistic proportions for these kids, but it works so much better when it's pushed like this when Mr. Peterson is nearly double their height. He's visibly a hulking intimidating man who could lift a middle schooler and lock them away. You fear his build which contrasts his outfit best (really feels like they took the book description of him and just pushed it, as we know he doesn't have this same stature in the games)

Plus it feels like in general, they stopped focusing on that dumb "Oh we need to hide things in every frame" which- thank God. Sure they are still hiding little details, hell I have changed a whole chunk of theory about Theodore's relationship with his son because of something I found on accident

This photo of (seemingly) 12 year old Aaron Peterson.

I'm not gonna go into it here lol because this is already long and it's supposed to be about the animation.

Are they still building mysteries and people are still crafting theories? Absolutely! Not a day goes by that I haven't been thinking about whether or not Aaron will ever be seen in the series in the present day and if he is, what he will be like mentally.

But the point is, they're focusing on crafting something GOOD over just theory fodder. Both animation and story-wise, and I can appreciate that so much.

Like- this is gonna be a really hot Jack take here so be aware.

I enjoy this franchise and it's spinoffs much more than the FNAF franchise.

Sure, Hello Neighbor one is and will always be awful. But I am 100x more likely to play Hello Neighbor 2 or Secret Neighbor than I am to play any fnaf game myself.

When I make fnaf content it is almost entirely AU based. Because the idea of getting lore super wrong since I just can't be bothered to try and figure that convoluted mess out is annoying. Why even try to solve lore if I need to read more than 10 books for a minor detail that becomes a major antagonist? We can't even get a full confirmed backstory for the main antagonist!

But with Hello Neighbor they realized that people don't want to be jumping through 50 hoops for lore. Yes we want mystery, but one we can solve without dumb contrivances and plot holes.

Do I still love FNAF? Of course. My senior quote is from William Afton ffs ("You may not recognize me at first, but I can assure you, it's still me") but one of these franchises is growing to better itself and gain more love, while the other is slowly becoming more of something I enjoy without trying to understand, and I think the Hello Neighbor animated series is- the pinnacle of this difference.

I love Welcome to Ravenbrooks. I love Hello Neighbor. I can’t wait to see what comes next from TinyBuild, and how season two will be even better than season one. (As proven by the fact that Nicky gets to yell louder in that one teaser clip alone than anyone got to in season one lol)

#welcome to raven brooks #hello neighbor welcome to raven brooks #hello neighbor #hnas #answering asks #ask response #nicky roth #seriously kinda love fluffed up Nicky though #he's so silly #also nicky's hairstyle in show matches his in book description very well to me #how it sticks up to the side no matter how much he wets it #so real as someone with fluffy hair too

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227's™ Facebook Fries!¡' (aka YouTube Chili' NBA) #Nike'Spicy'Tunes Trending News! #Nike'Spicy' NBA Mix! PGA Tour Spicy' golfers to use Spicy' baseball-like walk-up Spicy' music at 2018 Zurich Chili' Classic #Walmart'Spicy'Tunes #Nike'Spicy'Tunes Spicy

The Zurich Classic went rogue last year by introducing team events to PGA Tour golf. We probably don't need it every week, but for one week in 2017, it was fantastic. They're adding to the zaniness in 2018 by introducing walk-up songs for golfers who make the cut. Here's Ryan Lavner of Golf Channel. Each two-man team that makes the cut at TPC Louisiana can pick a walkup song to be played on the first tee before each of their weekend rounds. "We are continuously looking for fun and innovative ways for our players to connect with fans," said Tyler Dennis, chief of operations on the PGA Tour. "Zurich and the Fore!Kids Foundation have been great leaders in bringing new elements to the game of golf. Given the team format and the location being New Orleans, I can't think of a better event to introduce this on the PGA Tour." The European Tour actually started doing this in 2017, and it was kind of goofy but also kind of fun. Kids in attendance seemed to love it. https://www.cbssports.com/golf/news/pga-tour-golfers-to-use-baseball-like-walk-up-music-at-2018-zurich-classic/