Baobab. Bernard Rudofsky, 1964 [De Architecture without Architects: A short introduction to Non-pedigreed Architecture]

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Illustration from Grimm's fairy tale One-eye, two-eyes, three-eyes, drawing by Scharl.

Taken from the catalogue of the exhibition Are Clothes Modern? curated by Bernard Rudofsky in 1944

Cave Architecture in Cappadocia

#spontaneous architecture

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Cherrapunji, India, 1968. "Sometimes the borderline between clothes and habitation becomes blurred, as between a raincoat and a pup tent. Empty baskets may double as cover against the elements, portable roofs become umbrellas, and vice versa." From "Architecture without architects: a short introduction to non-pedigreed architecture" by Bernard Rudofsky, 1987. https://www.instagram.com/p/CplJAhRtLXd/?igshid=NGJjMDIxMWI=

La Parra Bernard Rudofsky & José Antonio Coderch Spain, 1968

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Nivola House-Garden (Garden Wall), Amagansett, N.Y., 1949–1950 Bernard Rudofsky with Costantino Nivola, architects

Costantino Nivola & Bernard Rudofsky, Nivola Garden-House, 1950

“Each device of beautification restricted her freedom and weakened her strength; each provided a feminine obstacle course through which she endeavored to move with artificial grace. Each instrument of discomfort was believed by her to be a superior emblem of her privileged position and a moral requisite for correct behavior, and each ingenious constriction was sentimentalized by men as erotic in its own right, apart from the woman it was designed to improve. Bernard Rudofsky, a provocative social critic, has theorized that men find deep sexual excitement in the hobbling of women. Such a statement is darkly inflammatory but impossible to dismiss. To envision a Chinese nobleman’s wife or courtesan with daintily slippered three-inch stubs in place of normal feet is to understand much about man’s violent subjugation of women; what is less clear is the concept of exquisite feminine beauty contained within the deforming violence: the sensuous incapacitation and useless, ornamental charm perceived in the fused, misshapen bones.” It imposed an ingenious handicap upon a routine, functional act and reduced the female’s competence to deal with the world around her, rendering that world a more perilous place and the imbalanced woman a more dependent, fearful creature. It rendered a man more competent and steady—in other words, more masculine—by simple contrast."

Femininity, Susan Brownmiller.

An extract from the book “Architecture Without Architects” by Bernard Rudofsky. This extract describes how, in tropical Africa, Baobab trees can be hollowed out and used as human dwellings due to their immense diameter, sometimes reaching 50ft. It fascinates me that one life form can form someone’s home and continue its life relatively unbothered. It reminds me of how Mammoth carcasses were deconstructed and every part was used to build a tent by humans around 2000 years ago.

Les amphithéâtres de Muyu-uray, Pérou.

"Les contours de l'architecture ont été érodés par les éléments, le site s'est transformé en pâturages et terres agricoles... Le plus grand théâtre - probablement installé dans un cratère météorique - accueillait jusqu'à 60 000 personnes... On ne sait rien du genre de spectacle joué... " (la citation est tirée de "Architecture sans architecte" de Bernard Rudofsky)

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Cave Dwelling in Shanxi(China)

The northwestern region of China belongs to the Loess Plateau, characterized by a generally dry climate and relatively hot summers. In contrast, cave dwellings maintain a nearly constant temperature throughout the year.

Moreover, the robust and upright nature of the loess soil makes it easy to excavate, and the resulting cave structures are durable and resistant to collapse.

#spontaneous architecture

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church of st. george lalibela ethiopia

Tennessee 2022 Tennessee vs LSU score shirt

Just off McCarren Park in Brooklyn are the Tennessee 2022 Tennessee vs LSU score shirt Also,I will get this offices of Outlier and Willie Norris, its design director of seven years. Since establishing her Ideas series four season ago, Norris has expanded Outlier’s lexicon to subtly encompass her own intrinsically queer verbiage. Ideas 4: “New Math” sees her blur this line further. A starting point for her this season was Bernard Rudofsky’s 1947 essay “Are Clothes Modern?” and a twist on the title of his 1964 book “Architecture Without Architects.” “I’ve been trying to think about what fashion design is without fashion designers, or without the rules made up for us by us,” Norris says. This season, rather than projecting ideas for a collection into the future, she took it day by day, operating as a designer without the often self-imposed mania that comes with the job. But the exercise, healthy as it sounds, doesn’t enlighten us on the tangible tools she built her collection on. The answer is more straightforward, but just as sensible. Norris is a scrapbooker: she tends to write down words as they come to her rather than draw or sketch. By mixing loose concepts like “long blazer” and “skin” with cultural references like a tear out that reads “cheap chic homo,” she found her foundation. A concept she repeats that immediately takes prominence is “quotidian glamour.”

Architecture Without Architects: A Short Introduction to Non-Pedigreed Architecture

Architecture Without Architects: A Short Introduction to Non-Pedigreed Architecture

Architecture Without Architects: A Short Introduction to Non-Pedigreed Architecture Bernard Rudofsky Architecture Without Architects: A Short Introduction to Non-Pedigreed Architecture is a book based on the NYC MoMA exhibition of the same name by Bernard Rudofsky originally published in 196 It provides a demonstration of the artistic, functional, and cultural richness of vernacular architecture.…

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The 2022 'Shed of the Year' Is a House of Doors

The 2022 ‘Shed of the Year’ Is a House of Doors

2022-09-03 10:08:23 Every year we cover the wonderfully quirky British Cuprinol Shed of the Year competition. Most years, I disagree with the judges about their choice of the top prize, thinking them too fancy or too big. I tend to like the ones that remind me of Bernard Rudofsky’s “Architecture without Architects,” where he wrote: “There is much to learn from architecture before it became an…

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