Tumgik
#based solely on my personality
hensel-x · 1 year
Photo
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
due to popularity of gale’s books and stab movies people accidentally will into life a Ghostface-like entity based on their image in media
basically all of Ghostfaces shaped into one person with random pieces of memories, personalities and just bullshit people believe in mashed together
677 notes · View notes
coockie8 · 11 months
Text
So do antis realise that their assumption that the fiction we consume is "our entire personality" is pretty much only announcing to the world that the fiction they consume is their entire personality?
Projecting and all that.
Personally, I like to believe antis have lives outside of Twitter and Tiktok and shit, but when they claim proshippers entire personalities are what they show online, it makes me wonder if antis do actually have a life outside the internet, because surely if they did, they would understand that what someone shows online is actually a very small portion of that person' personality.
Their inability, or unwillingness, to understand this very simple fact leads me to believe that what they show is their entire personality. Because if you think what I'm showing is all of me, then that's probably because what you show is all of you.
170 notes · View notes
hotwaterandmilk · 10 months
Text
I'm still not well so this isn't going to be articulate, but I wanted to say something anyway.
In the wake of Grease: Rise of the Pink Ladies (amongst other titles) being purged from streaming I've seen countless posts saying "This is terrible, we need to stop this practice -- they might purge a good show next!" and yeah, for sure a lot of titles being impacted by streaming purges/lack of physical media/a decline in archiving right now aren't going to be remembered for changing the world.
However, I think it is vital that we fight to preserve these titles for their own sake not just because "What if next time it's something we actually like?!" There is value is preserving things widely regarded as "bad" not just because I have firm beliefs about the absurdity of taste, but because who gives a shit if something is deemed "good?" Actual human people put their time and energy into realising these artistic visions. Even if the results are arguably not "good" or "popular", should the efforts of these artists be lost to the sands of time? No, no they fucking shouldn't.
I share a lot of art on this blog from titles very few people consider culturally important or valuabe. However, I don't look at the things I collect & share like that. Even some of the most objectively absurd titles I own are still pieces of art that were developed, published, and consumed by humans in the real world. Whether they've turned out to be broadly memorable or not is irrelevant because they existed and that in itself makes them worthy of preservation so that others can choose to familiarise themselves with them long after the original creative team is gone.
So yes, we should all be trying to preserve the media that's important to us and not let corporations try to stamp out every trace of a financial (though not necessarily artistic) misstep. However, it shouldn't take the threat of something we, personally, like being taken away to stir us into giving a shit.
Even the demise of less admired works should concern us and make us start to burn copies of Grease: Rise of the Pink Ladies because it might not mean anything to you or I right now, but to some kid in 20 years it could be a seminal experience that leads them to follow their dreams. Or it could become a cult classic that people reflect on at watch parties years in the future. Or it could continue to be a footnote in the history of television that nobody really cares about.
Ultimately I don't think it matters what level of value we arbitrarily assign to media now or in the future, we should be trying to preserve as much of it as possible so that generations from now people can enjoy the option of engaging with these titles should they so wish.
109 notes · View notes
freaky-flawless · 1 year
Text
Alright, here's something that I've been wondering about and wanting a general consensus on:
Feel free to elaborate on your opinion in the tags. Please avoid starting any discourse!
87 notes · View notes
void-thegod · 3 months
Text
How long do you put up with stupid bullshit?
Give the benefit of the doubt?
Try to be understanding of other people's fights?
...
Until you can't anymore?
Until you're sick and tired of it?
Until you've grown bitter and resentful?
...
The type of person I want to be
The type of person I am
The type of person I'm growing to become
They're all just a little different.
But I want to change that.
To harmonize and crystallize and distill my existence down to something
More like a blue fire
A bright light
A laser that can cut through anything
...
I think I can do that, finally.
Now that there isn't so much noise.
Now that I'm away from people and environments that aren't for me
Or are otherwise harmful
...
...
...
Even if I'm not "me" anymore
Even if I'm not who I thought I would be
This Self is much more expansive, divine, and strong
Than anything I could've imagined myself possible of
...
And maybe that is why
And how
I've been called towards spirituality and towards a new way of being and living
For as long as I can remember I haven't been of this world
Made from it but not of it
Existing in it, yet being beyond it
...
I've always known, of course.
There's so many ways to look at it
...
Autistic
Voidpunk
Weirdo
Spiritual
Intelligent/Genius
Idealistic
...
But the Truth
Is that I am that I am
And I will continue to be
13 notes · View notes
junotter · 29 days
Text
sometimes researching for avatar redesigns has you 6 layers deep into the Japan's Meiji era allies wiki
#im trying to mess with some of the stuff that feels weird about the ways the fire nation is depicted idk#like i do not feel optically it is good for like them to be so heavily based on japan's imperialist actions#while dressed in clothes that come from places japan colonized#but i dont want it to just be solely japanese though i did draw zuko and azula in hakama but its largely cause i wanted to draw hakama#and like the only place with strong japanese influence being kiyoshi island and my own frustration with the modern day samurai depiction#i think fundamentally it isnt a choice that had as much thought as i am putting in put into it but it does raise an eyebrow for me#anyway i think keeping the thai influence is fine despite the brief invasion japan had into thailand due to thailand then allying with japa#and further allying with the axis due to allying with japan#ugh and ive been told not to think this much about it because its fiction but its also fiction so so so heavily based on real places#and when you base fiction on real cultures you fall into some unintentional pitfalls#i also fucking hate the royal fire nation robes they look so meh and the most costumey out of everything in the show#they look like heavy blankets despite being a supposedly hot nation#theres ways to have heavy robes (heian era japan) but they look like i make them out of fleece and velvet blankets#back to kiyoshi island i think the really only aesthetically japanese reference in the show being an island of noble warriors is lame#plus over done#it feels like nowadays theres a lot of people who get all whiney about people saying fire nation is based off japan#but like dude the creators in the comics and korra like go even more into the japanese influence and clearly it was the original intentions#also i do think you could do some pretty interesting world building by having say there be an older cultural influence on kiyoshi island#from the fire nation especially if the place is established as a central port area then you tie in some okinawan or even hawaiian reference#and gives an explanation that makes sense to why kiyoshi stands out from the rest of the earth kingdom you have long term cultural trading#and it establishes interesting relationships even pre kiyoshi time thereby drawing back onto some real historic references#cause for awhile ryukyu china and japan used to be this trading triangle which could explain some of these various influences going on#i think you can get a really interesting harmony when you create the fire nation out of a mix of japan and thailand#i mean both have these floating buildings due to living on some pretty wet lands and theres harmony in that mix#god i did see one person go like “fire nation is more based on china because theres a lot of red and red is important in china”#my brother in christ red is also important in japan#red is important in like many many asian cultures#i mean of course a lot of that importance stems from china and cultural exchange with china but idk kinda silly to say with your whole ches#like if you want to bring china in then the dragons are the biggest thing like sure some mythos has dragons in japan#but a lot of those comes from china in some way
10 notes · View notes
moonbeam-fox · 3 months
Text
I think a lot of people who've never been committed don't realise how hard it is to get put in psych against your will for more than either a 24 or 72 hour hold, and how genuinely high the threshold for keeping you against your will is.
In Washington state, the only place this info is relevant (although it probably applies in many other states) we are about 800-1200 psych beds behind, which is the most conservative estimate. That means ahead of you, there's 800-1200 ppl at least whose symptoms are extreme, genuinely endagering themselves or others.
Obviously it does happen, especially the 24-72 hour evaluation hold variety. After my hold, I voluntarily committed myself for 96 hours and then very quickly realised it was not the right treatment environment for me, and I signed myself out. Obviously my in house therapist was resistant (she met me less than 24 hours after an attempt) but she admitted that i wasn't a danger to myself or anyone else, and so by the legal threshold of commitment, she couldn't hold me.
I saw a post just now that said "I wish there was a way to go to therapy without risk of handcuffs or grippy socks" and it was probably intended to be funny, and maybe some of us do have symptoms that severe, genuinely. But it's probably a much smaller number than you think. If you need someone to talk to about what you're experiencing, please seek that out.
Obviously it's your choice what to tell a therapist or psychiatrist, if it's a genuine fear you have (esp if you have violent ideation) you can always give a curtailed version of that. Most mandated reporters i know (who are legally required to report threats of violence) can distinguish between someone blowing off steam/venting about intrusive thoughts they don't want to be having and don't plan to act on, and someone with a genuine vendetta about to commit acts of serious bodily harm or self harm. When in doubt, it's your choice what to keep to yourself.
But please know you can seek treatment, especially at the introductory levels, with very little risk of the guys in the white vans apprehending you with terrifyingly large butterfly nets.
9 notes · View notes
Text
I normally don't vague post about other people (and I'm not really here, even) but someone in the tag suggested that Jack would make a better Team Leader than Yusei and it made me realize something, in part, about why people think that Yusei is boring.
tl;dr: Yusei isn't boring; he was written as the MC in the wrong genre.
See, Shonen protagonists typically have the following personality traits: loud, brash, hot-headed, sometimes abrasive. Yusei is none of those things, and Jack is ALL of them. Which, I'm sure, is what led that person to say that Jack would make the better leader and what leads so many people (who are mostly only fans of Shonen anime) to say that Yusei is boring. He doesn't fit their expectations of what a Shonen protag is supposed to look like, therefore he's boring.
But the thing is, if you popped him into, say, a Slice of Life, he'd be perfectly at home (well...except for the Trademark YGO Hair anyway) and well-loved by the fan base. I can say this with fair certainty because I've at least never seen anyone say that Natsume Takashi (Natsume's Book of Friends) is boring in any way, and honestly the two of them have very similar temperaments. The difference is, obviously, the genre of their respective stories.
Slice of Life allows for its protags to be softer-spoken, more reserved; Shonen often does not.
It's time people stopped saying that Yusei is boring and just admit that they like loud, brash characters as opposed to quiet ones, and that Yusei just doesn't fit what they expect from a Shonen protagonist.
He's not boring; he was just written for the wrong genre.
19 notes · View notes
goobiestar · 2 months
Text
8 notes · View notes
muffinapologist · 2 months
Text
Allistic person voice: actually you can’t say that wanting autistic people to die is ableist because you’re ’high functioning’ and you don’t know what it’s like to be ‘low functioning’ and therefore better off dead :)
7 notes · View notes
theinfinitedivides · 10 months
Text
listening to the PS:2 soundtrack again in an attempt to bite the bullet and psyche myself up to watch both films back to back in August(? that's the goal at least, if i get to watch it earlier even better) and i have been stuck on Veera Raja Veera for an hour and a half. i have also figured out my personal ranking for all versions of the song at last and it went about as well as i would have expected. it started to get too long for the f*cking tags tho so i decided to put in this post, we'll see how it goes from here—list is in order from least liked to most liked btw
5. going to start this off by saying i'm so so sorry to Gulzar but it's something about the rhythm for me. the lyrics are lovely but the way they are lining up with the music in the Hindi version,,,,,,, or failing to in certain parts,,,,,, it's not it. it's not it. it does well in the first minute or so and then heads downhill from there, and tbh it's not his fault i think it's just the sheer amount of syllables that they have to fit in compared to the original? and with that in mind it's not going to sound the same, obviously, but what salvages it from being a complete disappointment is the way we got both Shreya Ghoshal and Kavita Krishnamurthy as a duet in this year of our Lord 2023. Kavita, who still sounds the same as she did on the Dil Se soundtrack singing Satrangi Re and the Hum Dil De Chuke Sanam soundtrack and the Devdas soundtrack and the Yaara Dildaara soundtrack and the K3G soundtrack with Bole Chudiyan and Shreya Ghoshal who is a pleasure to listen to on practically everything she touches (Bajirao Mastani and Rab Ne Bana Di Jodi and that aalap just before her verse with Kavita here i'm looking at you) and— *inhales* *exhales* ok. do appreciate them letting Kavita take the 'चुन चुन चुन चुन / जाली रे जाली चिंगारी' portion in the Hindi translation bc she sounded beautiful there. (she always reminded me of Lata in that regard i think, and for some inexplicable reason i've by extension connected the two of them to Zohra Sehgal in some of her roles)
favorite line — 'दुश्मन पे टूटे जब | बिजलियों का वीर' / 'dushman pe toote jab | bijilyon ka vaar'. this is one of those times where the rhythm works in their favor and works well, and it leads perfectly into the rest of the verse imo. also @ that one guy going 'योद्धा~~' / 'yodhaa~~' at the very end of the song ty for your service
3. in contrast to the rhythm problems of the Hindi the Kannada recording is very smooth? i don't know if that makes sense as someone who doesn't speak the language but it's like water. like water in a stream just one after another going over the stones in the riverbed as it passes or the waves lapping against the side of the ship or the gentle sound wind chimes make when they hit against each other in the lightest breeze—the phrasing doesn't feel forced (ty Jayant Kaikini sir) and the syllables match the music as well as the original. ofc Rakshita Suresh and Sivasri Skandaprasad have a part to play with their solos in this sounding as good as it does, despite its ranking on my list (which will be explained in the next entry), and while i expected nothing less from Rakshita after Kirunage, this is the first i'm hearing from Sivasri and she blew me away. i had to listen to it several times to be able to tell them apart, and i might still be wrong bc their voice color is very, very similar, but they took what Rahman gave them and made it their own. (is it Rakshita that starts and Sivasri that continues? i'm thinking that it alternates between them with Sivasri ending that portion)
favorite line — 'ಮಳೆಗರೆವಾಗ ಬಾಣ | ಅಡಗಳು ಎಲ್ಲಿ ತಾಣಾ' / 'malegarevaaga baana | adagalu elli thaana'. this is where the river analysis stands out to me bc this feels like putting pebbles said river into a tumbler and rolling them over and over until they come out smooth and polished and just. right. (i am using the word smooth a lot to talk about the Kannada version sksksksk but can you blame me)
3. technically Malayalam and Kannada tie for third place on here (there is no fourth place. there is 4.75th place rounded up to fifth place and that belongs to the Hindi entry as previously stated) but Malayalam has the slightest edge for me. in terms of sound/pronunciation it's the closest to the original—i know most scholars believe that Malayalam descended from Tamil and split early on, so that might have something to do with it, but it sounds like a perfect cross between the flow of Kannada and the strength of the Tamil and ugh. pair that with Srinivas featuring and Shweta Mohan taking on that solo (by herself!!! and eating that sh*t like it was a duet!!!) and Rafeeq Ahamed as the lyricist and i play it almost as often as i play the original. (i was almost half expecting to hear the extension at the end in this version, that's how good it was)
favorite line — 'കടലിൽ ചുഴലി പോലെ | തവ നൗക കളിരമ്പി' / 'kadalil chuzhali pole | thava noukakalirambi'. i am in love with what Shweta does here, especially with the latter half of the line ('... നൗക കളിരമ്പി' / 'noukakalirambi') since she just heads straight into the 'വൻകടൽ...' and for some reason that is so auditorily pleasing to me. i don't have any rational thoughts behind that that's just how it is. her aalap before her verse is also breathier/softer than Shreya's if that makes sense but it fits her perfectly
2. Telugu. holy f*ck, Telugu. you put Shankar Mahadevan (i don't think i've ever heard him sing a bad song. ever. at least not what i've heard) and Chinmayi (Tere Bina???? Mayya Mayya???? Titli???? i'm still not over any of them from her????) in the same song you make every f*cking verse rhyme almost exactly courtesy of Chandrabose if Kannada is the sound of water then Telugu is pure silk and honey and the feel of something melting in your mouth and you expect me to stay alive? the actual f*ck? admittedly i may be biased bc one of my OCs is Telugu and i have been putting Telugu covers from my Bollywood playlist on loop for inspo but uh Rahman what the f*ck. what the f*ck am i supposed to do with that kind of genius
favorite line(s) — 'సమరం శ్రుతించైరా శిఖరం స్పృశించైర' / 'samaram shruthinchaira shikharam spushinchaira' & 'విధిగా తెగించైర | విధినే వదించైర | విలయం దరించైర | విజయం వరించైర' / 'vidhigaa thegincheyraa | vidhine vadhincheyraa | vilayam dharincheyraa | vijayam varincheyraa'. the f*cking alliteration? hello? also the 'veera raja veera' at the end of this version in particular gives me full body chills bc there is someone going up with the harmonization every time there's a new line. i don't know who it is but he's (they're? could be multiple vocals) going up and i am crying shaking throwing up on the floor having a spiritual experience etc etc
and finally 1. the top spot. the place where everything has been leading through this long ass piece that i have put you to suffer through
and ykw Tamil is pretty much self-explanatory i think: we bring Shankar back as we should but this time K.S Chithra (Asoka!!! Main Prem Ki Diwani Hoon!!! Bombay and Thoda Thoda from Indira/Priyanka and the live version of Jiya Jale that Rahman did in Dubai!!!) and Harini (also sang for Indira/Priyanka and featured on Varayo Thozhi from Jeans) are with him and Ilango Krishnan's lyrics take over and flatline me on the f*cking operating table. before it flatlines me however i break into goosebumps every time i hear it start, bc lbh it is impossible not to when you have the f*cking vocals coming in like 'காணீரோ? நீர் காண் | சோழ வெற்றி வாள் ஒன்றை காணீரோ? | ஓ அழகிய பூவே! செல்லுதியோ | மலரிடு போ சகி!' if you stay sane during that opening you are a liar get off my feed unfollow and block i don't want you anywhere near me for the next six years or however long it takes Mani Ratnam to make his next masterpiece. no coherent thoughts head empty MV playing on loop he and Rahman own me now they have the copyrights
favorite line (had to split everything into two blocks bc Tumblr was tryin to f*ck up my sh*t) — 'எம் தமிழ் வாழ்க வாழ்க! | வீர சோழம் வாழ்க! | நற்றமிழ் வாழ்க வாழ்க! | நல்லோர் தேசம் வாழ்க!' / 'em thamizh vaazhga vaazhga! | veera sozham vaazhga! | natramizh vaazhga vaazhga! | nallor thesam vaazhga!'. technically this isn't my favorite favorite line bc i have to do a seperate ranking for that below + it's exclusive to the Tamil version and i am trying to make this a wholistic review but. it's f*cking up there let's just say that. i think i mentioned in the tags of a different post of how i've been doing genealogy research and (in the process) tentatively confirmed the possibility of there being some South Asian descent from my dad's side, specifically Tamil or Telugu based on the stories/timeline of French occupation in the Caribbean and portions of the Indian subcontinent, and there's something in me that shifts every time we get down to the last twenty or so seconds and this hits. i don't know what it is, truly—maybe the remnants of the genes of my ancestors and their pride for their land, their language—but it's there and it's loud and if it's the right day at the right time i will start crying btw. full on sobbing like a little bitch. you didn't ask but i told you anyway
after all of *motions* that, i am also offering a bonus ranking of the section of VRV that makes me rewind every f*cking time it comes on in every language, bc it featured heavily in creating my eventual rankings and i would be remiss to not mention it. so here have this additional dive into my thought process during these trying times of hyperfixation rip
'आंधी से तेज़ | तूफ़ान से तेज़ | चुन चुन चुन चुन | जाली रे जाली चिंगारी | अंग अंग अंग अंग | लागे रे लागे अंगारे' / 'aandhi se tez | toofaan se tez | chun chun chun chun | jaali re jaali chingaari | ang ang ang ang | laagey re laagey angaare', Hindi — still at the bottom of the list here, but the inflection during the repetition ('chun chun chun chun' and 'ang ang ang ang') salvages it somewhat. nothing else to say it about it otherwise, since i already addressed Kavita's voice here earlier
'വാക്കാകെ നീ കാറ്റാക നീ | ശര ശര ശര ശരമേയ്ക | വേൽമഴ നെയ്തിട് | റ പറ പറ പറ വിറകൊൾക | പായട്ടെ പായ്വഞ്ചികൾ' / 'vaakkaaka nee kaattaaka nee | shara shara shara sharameyka | velmazha neythidu | para para para para virakolka | paayatte paayvanchikal', Malayalam — taking that third place as always, but its tied partner in the general rankings is higher up in this list for a change. i think the very last part ('പായട്ടെ പായ്വഞ്ചികൾ' / 'paayatte paayvanchikal') is what throws me off tho bc of the way they distributed the line, since on the first listen i was expecting them to go 'paayatte paayvan-chi-kal' and they chose 'paayatte pa-ay-van-chikal' instead. it's not like it decreases the overall quality of the song or anything it's just a very specific hang up i have. who knows maybe my preferred pronunciation would have f*cked with the meaning and we do not want that
'సుడిగాడ్పులా అడుగేయరా | సర సర సర సర | శరమే తనువే తాకగా | చర చర చర చర | చెలరేగాలి వేగంగా' / 'sudi gaadpulaa adugeyyaraa | sara sara sara sara | sharame thanuve thaakagaa | chara chara chara chara | chelaraegaali vegangaa', Telugu — this ties with Malayalam for third place and, much like it, my quirk is specfically with the last part ('చెలరేగాలి వేగంగా' / 'chelaregaali vegangaa'). my preferred is 'chelare-gaali ve-gan-gaa', they gave me 'chelare-gaa-li ve-gan-gaa'. again, not an issue, this is just me, i'm sure they knew what they were doing otherwise they wouldn't have recorded it like that in the first place
'ನೀ ಜ್ವಾಲೆಯು ನೀ ಗಾಳಿಯೂ | ಸರ ಸರ ಸುರಿವ | ಮಳೆಯಂತೆ ಶೂಲಗಳು | ಭರ ಭರ ಭರ ಭರನೆ | ಭೋರ್ಗರೆವ ಪಂಜುಗಳು' / 'nee jwaaleyu nee gaaliyuu | sara sara suriva | maleyanthe shoolagalu | bhara bhara bhara bharane | bhorgareva panjugalu', Kannada — there are at least two portions here that sound eerily similar to the original and that is why this version has moved up to spot two. it takes that water comparison i made and uses it to its advantage so much and it rotates in my mind like a rotisserie chicken at just at the right angle and it's just!!!! it's just!!!! God pls keep me from putting this in my mouth and biting it's too good
'கூற்றாகிச் செல்... | காற்றாகிச் செல்... | சர சர சர சரவெனவே | மழை தான் பெய்திட | பர பர பர பரவென | பாயட்டும் பாய்மரம்' / 'kootraagi sel... | kaatraagi sel... | sara sara sara saravena | velmazhai thaan peidhida | para para para paravena | paayattum paaimaram', Tamil — when this hits i blank out and come to at random intervals. cannot pinpoint the time the place etc but it happens and when it does i go f*cking feral. this one i am indeed putting in my mouth and biting bc the entire thing from 'para para...' onwards??? more alliteration more alliteration more f*cking alliteration. i remember someone making a post on here that said that certain parts of VRV sound like pearls bouncing off of the floor (was it @mizutaama? i apologize for the tag but i think that was you) and i think this is what they were referring to but my ears are that f*cking floor. i thank God every day for that
anyway mutuals (and non-mutuals who are just as obsessed about PS as i am) i'm sorry for clogging your feed with my opinions on a film i haven't even watched properly, pls feel free to roast me about my ranking choices. or agree but it doesn't really matter at this point bc even tho i could be talking out of my ass in terms of actually speaking said languages (i,,,,, do not unfortunately) i've said what i needed to say sksksksk
#film: ponniyin selvan ii#ponniyin selvan ii#ponniyin selvan: ii#ps:2#ponniyin selvan#veera raja veera#jayam ravi#sobhita dhulipala#mani ratnam#a.r. rahman#kollywood#tl:dr: local gay takes that specific 'கூற்றாகிச் செல்... / காற்றாகிச் செல்...' section of Veera Raja Veera#and uses it as the base for their personal ranking of all five versions solely based on how it is translated and sung#writes an essay about it chooses their favorite lines from said versions that are not That One and posts it to tumblr.com .txt#look!!! i actually dragged myself away from streaming Shinee long enough to complete this thing that i've had#sitting in my drafts for weeks (the language analysis that is)!!!#it is f*cking hilarious at this point simply bc this is nowhere near the order of the rankings for Ponni Nadhi#like the list for that is upside down. dare i say inverted almost#i might do something for it as well in this same format idk but#doing this for VRV made me realize that every other language (except Hindi bc they have a diff version of the line)#pronounces 'soora' as 'shoora'. i think Malayalam's 'shoora' is the least pronounced and is almost ambiguous. almost not quite#you could mistake it for 'soora' but there's just enough aspiration(?) there to tell you that it's not. Telugu's 'shoora' too#the aspiration almost completely disappears when listening on Spotify it's much more prominent on Youtube#this feels like i should have posted it on my studyblr but i think i'll just reblog it there instead
30 notes · View notes
voltstone · 3 months
Text
Back Again (F!SS x Piper Wright One-Shot)
Tumblr media
|| Perhaps it’s your naive hope that keeps you from breaking down completely. But you know Blue will come back. She will. Blue said as much. ||
In other words, Piper Wright walked out of Diamond City with the woman written as the “View from the Vault.” Though, well, the city folk were quick to suspect that there was something else going on between them… And they weren’t wrong. So when Piper walked back into Diamond City without the woman, there was something wrong. Especially the longer she waited on the Publick Occurrences rooftop. Alcohol in her breath. Less shouting and interrogating for interviews. It was all just…wrong.
[8,547 Words] | [Last Edit: 4/15/2021] (Full One-Shot Post)
“GOD DAMMIT PIPER! I’LL FIND MY WAY, JUST GO! GO AND GET TO THE CITY!”
You still don’t know how you did it. Just left her like that.
“I’LL COME BACK AGAIN! OKAY?! OKAY?! JUST GO! GET OUT OF HERE!”
But, all there is to do is listen to Blue’s screams from when she hurled herself away, narrowly avoiding the two deathclaws that had sprung out of the horizon. Her voice drowned by the suit’s helmet. Bullets and fire igniting her face through the visor…
And then think. Listen to her voice, and then think about how you just left her with the traces of the Glowing Sea rife along the hazmat suit. Which you had to ditch after its helmet cracked from the gunfire of a few raiders—who you also ditched. In the same canal, in fact. Tied together by the ankles of the suit and just booted over the side.
Cracked helmet or not, you’re now really regretting that panicked decision. You don’t care if your haste had saved your ass because radiation is a bitch, and the last thing you need is to be caught in the building storm as it crawls from behind. Rancid thunder and lightening of spitfire—it’s all just the icing of your luck, honestly. And—
You stop short and hold out your hands to confirm that, yes, it is—in fact—raining, and absolutely, the water stings in ways you believe wasn’t a thing before the apocalypse some hundred or two years ago. That’s what Blue told you anyway…
“Shit…” you breathe tightly, forcing yourself further down the road. The echoes of gunfire and more of Blue’s voice replay themselves—the ones that melded in the distance, desperate to keep the deathclaws away from you and instead submerged within the Glowing Sea.
And it did work. Yet, that’s the one thing that keeps your jaw sewn together, and your eyes hard on the outskirts of the city. It worked, and Blue is lost in that radiated wasteland, and you’re alive, right at the foot of Diamond City. Your home. So yay, you’re alive and well. Good time as any to get struck down by the storm. With that thought, you almost just let yourself face-plant into the deteriorated asphalt and beg for the rad storm to just send a bolt right up your ass.
Almost.
You don’t really because…uh, well, to be frank, you’ve asked for similar things before, and the Commonwealth thought it would be funny to give you those scars. Hence why you’ve vowed to never ask for the impossible because—well boy howdy—turns out you would find the Children of Atom in the sewers. And yup, sure, you’d get poisoned too. Oh and let’s throw in the damn rad storm that, you know, just happened to make its presence right after your vacation in the Glowing Sea. Right. Real nice of the Commonwealth there. Quite the joker.
“Piper…” You barely acknowledge the guard before he adds to his grumble: “Paper’s been running good since you left.”
You halt in place with a groan. Who is that anyway? Johnny? Tim? Dan? You turn around and scowl, “Not a surprise. Nat’s capable.”
With his next, rather invasive, question, you know it’s Bobby from behind the mask: “So…that woman. The one from the newspaper? ‘Out of Time’ or somefink? Or 'View from the Vault?’ Y’ left with her, didn’t you?”
You narrow your eyes, working your jaw. Like you really needed the additional, constant reminder. “Yes,” you murmur, “I did… She’s capable.”
“R-Right…” You turn away and barely catch Bobby’s quiet, “Hope so.”
Oh what the hell does Bobby know? He’s just the stupid guard of the bunch. All talk and no brain. Or, well, brawn too. All talk and no double b’s. 
So forget him. How about you deal with the closed gate that most certainly closed the moment you stepped out? Arms crossed, you watch the speaker with a tight lip. And, slowly, Danny’s voice mumbles, “…uh, Piper? Is that you again? Kinda creepy just lurking in front of the door like that.”
You roll your eyes and snap, “Would you just let me in, Danny?! I may be one for the law and all that, but don’t think for a second I’m out of stuff I can stick up your—”
“Okay! Okay! Jeez, Piper! Just like— Pipe down, will you?!" You arch a brow and tap your foot. "So, uh, like…go through the guard’s door. Mayor’s not too happy. Well, I mean, he’s never happy with you, but anyway, yeah. Still wants you out, and there’s a storm and everything, so you know, protocols.”
You hum, “Uh huh. Right, Danny…”
“So, yeah! I’ll let you in secretly. Wait, no. Discreetly… Discreetly? Discreetly, yeah. That’ll look better on my referral—”
“Uh, Danny? About that storm and everything?”
He pauses. “Yeah, what’s up? It’s getting pretty gnarly, isn’t it?”
“I’M STILL OUTSIDE!” you bark.
“Shit, right! Okay! Guard door! I’ll unlock it, okay?! I-I’ll make sure nobody sees you—uh huh!”
You click the roof of your mouth irritably as you stalk over to the door, and by the time his frantic jangling of his keys and lock wrenches the thing open, you’re sopping wet in acid rain. You flick your hat roughly in your hand as you storm inside, splattering fat droplets of water against the concrete. Danny wheezes and shuts the door, muttering something about how guard duty outside wouldn’t be fun at this hour. (Lucky they got the saps like Bobby to stand watch, then…)
He haphazardly reaches your side and rushes, “You’re not just going to walk out from the front door like that, are you?! People will see—”
“Make sure he writes discreetly on your referral then, Danny,” you retort, slipping on your press hat.
Danny deflates, and as you walk down the front entryway, he grumbles, “Ma’s right… You are a bully.”
Whatever. So you’re a bully. With a lazy, though gruff, wave of your hand, you stroll down to Publick Occurrences, which right front and center to the entrance anyway. So, like, Danny doesn’t need to worry his pretty head. Not tonight, at least. Well, really not ever since you’re still a citizen, and legally you shouldn’t be kicked out every single time you try to get back in. In short, you’re protected by the law. Some laws. …a law, with a former lawyer to back you up.
Every. Single. Time. You can’t just let yourself step two strides in front of you before reminding yourself of who just just up and left. You can’t, can you?
“Piper!”
You stamp to a halt and twist around. She’s gotten taller… A smile manages to worm itself on, and you squeeze Nat’s shoulder as she hops from the newspaper stand. “Hey! How’s the paper runnin’?”
“Good,” Nat chirps with a quick, added, “Ever since Blue fixed the printer…” Her frown is slow to come, and it has the same, conflicted grace that forces your smile to dwindle. “Wait, where is—”
“Glad that it’s doing well,” you cut across, slipping away from her lingering side-embrace. “I guess I was wrong about the ol’ nuts and bolts.”
“P-Piper…? What happened?” Your hand closes around the front door’s handle, though you hesitate to open it. You hear Nat’s footsteps behind you, and she asks, “Did… Did you guys make it to the Glowing—”
Your other hand raises, and you snap, “Just—!" It hangs there for a moment, and your smile is not one at all but instead a tight, distraught glower. You don’t guide it to Nat, however. You keep it focused on the door. "Just run the paper,” you deadpan before slamming the door behind you. The front of the house spits back at you as a welcome, the metal and wood groaning against your steps as you make your way up the stairs. And at the height of them, you pause, chewing the inside of your cheek as you hold yourself.
You need something to do. A way to think. But not too much. Just enough to forget about how to remember. So you sit your ass down at the terminal because, sure, here’s an idea: while you wait, you can write about some of your adventures. Maybe you won't publish all of them, necessarily, but to write about… About Blue and… And the struggles outside the city…
You feel your lips flatten into a hard line because you damn well know you’re not going to be typing anything. Not at your terminal for any private matters, nor the typewriter that’s not far from you—for printing. None of it. You just— You know that the story isn’t over, right? There will still be tales and news and paragraphs to detail. It— It can’t just end with two deathclaws tearing after Blue and into the Glowing Sea, gunfire and clips of her voice behind you… I-It just can’t be.
How… How did you just leave her…?! How were you able to just walk all those miles within that day, and wind up back at your house? It didn’t even feel like a home anymore, despite hearing Nat’s voice, and seeing your typewriter, and feeling the terminal underneath your palms as you strangle the screen through a hissed cry.
“D-Damn it…Blue,” you whine softly, resting your head against the screen. It blips to life, but all you can think about is that Pip-Boy on your vault dweller’s wrist, and then the blue of her suit, and a starry night… Her kisses and hugs and the way she cradled you that one night.
God, why did you leave?! Why did you listen?!
It’s all you ask. It’s the only thing you ask, and come to find, you have one answer:
Because Blue told you to, and she promised that she’ll come back. And she will.
I know you will, Blue… I-I hope you do.
[+ + +]
You don’t know how long you’ve just been staring at the ceiling for. An hour? A few minutes? Equally plausible. Oh, and did you take a nap? Who knows! Probably, if you’re feeling this sluggish. With a blink and a swallow, you also determine that you’ve been drinking too. On your bed with a leg hung over the side. As you move to reach for— Oh, yup. Here’s a bottle. With a light grin, you arch a brow and crack open the lid. One of Vadim’s concoctions, you’re sure. Nuka-Cola with some vodka—though he always adds something else. An extra kick since the vodka isn’t enough for him.
And not enough for you too, it seems. Especially tonight. You drain a good chug of it before coughing yourself back across your bed, the clinks of more bottles rolling underneath the bed-frame as you do so. The Nuka-Cola mix is still tight in your hand, and you rock your jaw in thought, eyes back to the ceiling. You also wonder if Nat had checked on you within the past few hours. Or, well, during the storm that had rolled by. Did anyone inside know about it before you did? Maybe not. Mayor McDonough has always been the worst with that… It’s like he wants everyone to go all ghoulish just to be able to kick—
H-Hey! Now wait a minute! Is that why that fuckin’ synth’s always trying to lock you out?!
You stew for a moment and hiss, “Dumb, wired bastard.” Another few sips. “Gonna earn yourself another fuckin’ story for that… Piece of scrap shit…” You teethe the edge of the bottle’s neck with a thoughtful eye closed. Of course…if you did do that, you would be tossed out with another gaping hole up your ass—one that isn’t natural. And dammit, Nat would be stuck here to pick up the pieces of your mess. Damn. And he’d get away with it. You know it. He knows it. All because he looked at you in the odd, inhuman way you grew to recognize from Valentine. Of course, Nick’s nothing less than human. He’s just, well, fitted with robotic parts. But there is that look. Oh, there is that look—especially when he’s brought in front of a bowl of noodles as if it’s nothing more than just calories to gain and burn.
The mayor, however, is nothing less of a scumbag.
Which is why you're sure that he’s absolutely a sy—
“ACK!” 
You wrench upright and choke on the neck of the bottle, spraying the booze across your little nook. Holding the base of your throat, you scowl. (It’s not the first time you’ve accidentally tried to drink while laying down. It’s very embarrassing. You know you’re not three, but… Yeah. Embarrassing.) With the bottle now empty, you roll your eyes and toss it to…someplace. You aimed for the corner of the room, but you’re now watching it roll underneath your bed. There’s a brief blip of curiosity to what you’d find under there, though the list of all of your habits deter you. At this point, there might as well be a skeleton under there.
So with your hand kept on the base of your hat (for balance, you think), you teeter towards the roof door and step through. The rain has cleared by now, though the roof from its straight platform to its edges is still slicked with simmering water. You look across the main hub of Diamond City, and the steam from the acid rain wafts with the neon lights, and you can hear the sopping steps of very few of your city folk.
Up above, though, is what really draws your attention. It’s a complete and utter blanket of stars—bright pearls poked into a sheet of black, singed with purples and greens.
You trip over yourself and are nearly thrown over the edge. Lucky for you, your hand snagged the lone pipe that you’ve yet to figure out where it connects to. It fumes with heat, and sometimes it smokes, so it’s important in some whatever way. And tonight, it caught your fall. So yay.
With a light groan, you sink onto the rooftop, eyes back to the sky high above. It even looks similar to the night or two prior. Well, it should since the constellations haven’t really changed within seventy-two hours—give or take some. Or maybe forty-eight. Oh who knows and who cares? You're hammered!
You laugh quietly to no one. All alone. With those stars… 
And, to yourself, you barely whisper the name of whom you hope is able to see them. But, well, Blue probably can’t. She’s still stuck in a haze of radiation, after all. Alive, dammit. Alive with two deathclaws wrangled and beaten.
There’s a choked cry that escapes you, and you rub your eyes with your sleeve.
She has to be alive… 
[+ + +]
Because if she isn’t, then why was it just this night? How goddamn cruel does a joke from the Commonwealth have to be? After that first night, it just decides to whisk her away from you? Just like that?!
Whatever the case, cruel or not, you don’t stop yourself from revisiting it. How the two of you found a small, makeshift shack for the night—her power-armor off to the side with a hazmat suit at its feet. The two of you in its doorway, looking out into the night’s sky with a dim lantern set on a few broken shelves behind you. Tossed blankets and pillows (with curious stains, of course) scattered on the inside. You with a lit cigarette, and Blue with her share of the cram…
“Doesn’t get any calmer than this?” you muttered through an exhale.
She grinned into the can and nodded. “Yeah. Suppose not. Though there’s still a bit more excitement than when I just reclined in a chair way back in the day.”
You snorted a laugh, which forced your cheeks to burn and gaze to dart away (because what adult snorts anymore?). Even so, you remarked, “What an old timer you are…”
“An old timer slowly being roasted by the radiation…”
“Well, I mean, you do eat all of those canned food like they’re nothing,” you murmured.
Blue shrugged. “Yeah, I guess. Habits die hard, I guess. It doesn’t help that the cram tastes the same.”
“That should be concerning.”
“Oh, believe me, it is.” The can was tossed backwards into the shack, her eyes outward. You inhaled more of your cigarette as she murmured, “Still… Sometimes it’s nice finding the things that are kept the same. The stars are another thing, you know.”
You hummed gently, “I’m sure it is…”
“And…you know what? With those few things, it’s easier, I guess, to get used to everything else,” she said. You watched her profile, and deep in your chest, you felt more of the fluttering that had been plaguing you for months. A nice, timid thing. Coy though persistent. …especially the latter that night, as it turned out. With another exhale, you turned away to blow it to the side, if to also collect yourself.
“What other things?”
“Hmm?”
“The stuff that stayed the same.”
She pondered for a moment, then said, “Nuka-Cola. Probably is a concern too, but I’m not complaining…” Blue thought for another minute. “Codsworth—or, at least, most of him. I think he’s lost a few bolts while I was in the vault. …uh, and I think your hat too.”
You blinked. “W-What?”
Blue chuckled—the way that always twisted your heart and burned your gut—, and she turned towards you. “Yeah… I mean, of course I doubt I’ve seen that one before. And it's…dirty.”
“Hey, I’ve tried my best,” you retorted playfully.
“I know, I know,” she snickered. “But yeah. It’s what everyone always pictured reporters and journalists to wear. So, I mean…fitting.”
You felt the brim of it with a quiet smile, then murmured, “I mean, I’d be lying if I said it wasn’t inspired by the look. And lucky. Clothes that fit and match are rare, you know.”
“…yeah.”
You eyed the grey tie and under-layers of the Silver Shroud outfit, the trench coat laid on the floor behind you. “I guess costumes do well though,” you said, a bit sly.
Blue rolled her eyes and replied, “Well, it’s not so much a costume anymore.”
“I guess.”
“You guess?”
You giggled (again, what kind of adult—? Never mind), and answered, “Yeah.”
“Okay…” Her voice dropped, and it peeked the…well, persistent fluttering that really had no business growing throughout your torso the way it did. “And what’s your opinion on women running around in costumes all day?”
You swallowed. Well…damn, did you have an answer. But the answer was…something. Like a big something. 
Even if you constantly get in over your head, and earning the wrong side of people is your talent, this is just— Wait, yeah. Forget even—you do get in over your head, and you do so through your talent—which is earning the wrong side of people. So what were you about to do? You didn’t know what you were doing. You’re still even surprised yourself. Maybe it was the smoke, or the booze the few hours before, or just…um, w-well, the mood of it all. Intimacy, you guess. Regardless, you leaned in after she arched a brow curiously, and the touch of her lips against yours was… It’s not like you’d never kissed anybody before—never mind had a short fling—, though this felt deeper. Like it meant something other than a drunken bump in the night.
Mainly because when you broke away at the feel of your scalding cheeks, startled by embarrassment, Blue had followed and quickly snagged you back in. She wasn’t going to let you get away with that. Not so easily, anyway. And with her leeching your timidity away, you numbly put out your cigarette with the edge of the doorframe, and she left you breathless as you flicked the rest of the stick away to somewheresville. 
You didn’t really know if you should say something—about…well, something stupid, really. Probably about how gum-like her lips were, except without the radiation. But, again, stupid, so all you could do was groan into her and allow Blue to hold you tight. Which she did. Very, very well. Enveloped you from the rest of the world so she could have you, in that shack, all to herself. It was the reporter side of you that wanted to just have everything in words, or narrated, or anything in between, but the woman side of you—which Blue was most definitely focused on—wanted everything how it was: no words. 
Retrospect is a bitch, yet you can’t help but feel that foresight was what drove the two of you that night. Keeping the words out of your mouths to not waste time. Neither of you knew that there would be two deathclaws, and then the prospect of traveling with both at your tails within the Glowing Sea… No. The most Blue probably knew was that you needed an itch to be scratched, and by her only.
And you? All you knew, and all you know now, is that you were falling… And falling… And falling…
You just don’t want to wake up. Not if it means slipping out of Blue’s arms.
[+ + +]
Well… Fucking ow.
You hiss as you strip yourself from the road of acidic mud and stare groggily into the outline you so graciously left. You can even see the rim of bubbles along the silhouette of your head that, ultimately, were the breaths which suffocated you awake. You gaze around in the midst of your stirring hangover, and everybody around you is frozen and rightly startled. Then you glance up at your roof as a bottle (maybe one that snuck out) teeters over the edge, only to clink its way down to a soft, gentle landing. 
Right. Yeah, okay. Let the flesh and bone have the fun splat and just give the glass some cushion…
Oh, and where’s your hat now? Let’s see… Oh yes. Nice. So deep in the mud, having landed underneath your chest, that you have to go wrist-deep to get it out. What the absolute, applaudable, signature prank there, Commonwealth. Real snazzy and stuff. As you thwack! the mud out of your hat to pile itself in one slopped mound, you’re quickly discovering that you could have not landed in a more soggy part of the street. Whether that was luck or misfortune, you don’t know. Humiliating luck probably. Or petty misfortune. Tato tato. 
“What happened?! Are there mole-rats—” Everyone turns to look at Nat, who stops dead to stare at you. For a moment, you seriously believe that she thought you’re a mole-rat yourself at first glance. “Oh…” she grumbles, deflating. Then there’s a frown, and Nat glances up at the roof before you again. “Did you just—?!”
“Ech…” you spit muck before getting to your feet. You stuff your hat into your coat pocket and mumble, “Imma shower…”
“What?! Don’t act like you didn’t just fall from the sky!” Nat bickers, and you groan before twisting around.
Already, before you even point towards her chest, the small crowd that had gathered is slowly stepping back into their morning routines. “What are they teaching you?! The sky isn’t the roof, Nat!”
“I— Well they taught me that that’s called a hyperbole!” She sets her hands on her hips in a way that terrifies you. It looks too much like a mirror’s reflection. You hate it. “I thought that was something you know well!”
Maybe the reflection standing right in front of you snapped something into place. Or you’re terribly, sort of, hungover. Regardless, you spit, “I know how to write the truth about what’s happening around—outside those walls and everything—whether people like it or not!”
“Well, okay,” she hisses, “you idiot. I was saying you know that 'cause you’re the writer. You actually care about that stuff!”
“Pfft.”
Her eyes bug out, and you turn your back to her and trudge towards the door. "P-Piper!“ you hear Nat snap. "Where are you going?!”
“I’m goin’ through the back!” you answer with a shove of the door. “Relax!”
“The back’s through the freakin’ roof!”
You bark through a hiccup, “L-Language! You little shit!” and stagger inside. You barely catch Nat slapping her hand across her forehead with a roll of her eyes. You’re half-way up the stairs (then down a few steps, then up again) when you hear Nat’s slam of the door.
“Piper! You just fell from the roof!” she snaps.
“I am not drunk…” you assure her, and though it’s the truth, it also feels like a lie. You can hold your drink alright, but damn, hungover doesn’t seem accurate.
Nat, too, finds a way to poke a gaping hole in your claim: “You just fell off it!”
“A-And?! I know how to get to the shower, Nat!” you retort. “Alone… It’s not the first time.” You push through the door to curl around its hugging wall, then down the staircase towards the back of the house. As you stagger across the dirt landing, you bet Nat’s really regretting her excitement to have the third door upstairs (to the roof) instead of the back like any normal place. Nevertheless, because yeah, you have indeed found your way to the shower while drunk before, she lingers at the height of the stairs with her arms folded—presumably with the familiar scowl in tact as well.
The shower is just a haphazard shack built into the side of Publick Occurrences. Enough walls to cover, though it’s all wood except for the makeshift plumbing. You sway at the clothing rack before you decide that, yes, you shall clean both yourself and your clothes all at once. And as soon as the faucet is turned, and the water garbles and spits the first wave of water out, the soaking of your clothes into your skin is, clearly, the correct choice. When it filters out into its usual stream, even more so.
You don’t, however, anticipate the soap and rag right underneath your boot, so the moment you reach to find said soap, you flip.
Har. Har. …Commonwealth.
Though you do have to give the vindictive, comedic force some credit: as it turns out, being eagle-spread, face-first into a clean pool of water is so much better than the packed, sopped mud of the street. So you just lay there, letting the water puddle around your cheeks while you inhale the metal that makes up the shower floor. The drumming of the water almost masks hurried steps from down the stairs. You can feel your sister’s dry sarcasm before you lift your head: “You know, this is a lot more sad than if I just caught you naked.”
You flop back. “Oh hush…” you muffle into the ground.
“A-Are you trying to drown yourself?!" Yes. Yes you are. So you wave your arms roughly from over your shoulder to get her away. This is a private matter, and it has nothing to do with Nat. Other than her being your sister, and you her…guardian. Of sorts. Kind of. Legally and by all accounts, yes, but sort of cause, hey, you’re a failure who always dips out, right? And oh look, you’re so much of one that she’s taking care of you; Nat, with a labored sigh, wrenches you upright by your shoulder and grumbles, "Now would you quit being stupid and take a normal shower for once?”
“Yeah, yeah…” you drawl, completely disregarding what she meant by for once… "Now git so I can…whatever.“
Nat squints at you, then mumbles, "Fine. I’ll just be selling…the newspapers…”
“Good.”
“…right.”
She does leave, though, and you’re still underneath the pattering of the shower. You can’t help but feel like it resembles the rain just the night prior a little too much. Nor can you help that, as the mud soughs off your clothes and face, you still feel so empty. Honestly, the mud might as well be all of your weight, and it’s now just going down the makeshift drain. You don’t know what to do with yourself other than just curl up and lean further against the wall. There still isn’t any tears that threaten—you’re just too dry even now—, and perhaps it’s your naive hope that keeps you from breaking down completely.
But you know Blue will come back. She will. Blue said as much.
[1 ½ Months Later]
An anomaly happened.
You were (and still are) slugged in the couch, Nuka-Cola in one hand with a cigarette in the other when, remarkably,Mister Zwicky comes in through the door to Nat’s directions for an interview. Just, like, without being prompted by you. No convincing to be had. By this point, you’re sure you reek of desperation underneath the nightly guzzling of alcohol, so maybe that had something to do with it. Or this is all a rouse and the city is plotting to throw you out through an over-arching scheme—who knows at this point?
Though the fact that it’s Mister Zwicky sitting on the other side of the couch, patient and collected as ever, is what peeked your interest. Not that you’re doing anything about it. You’re just sitting there, baffled, while trying to come up with a question. And after a minute passes, you come up with a well-articulated and definitely not pathetic, “So…um, you have something for the paper?”
“I believe so,” he hums. “Definitely something that could spruce up the news after last weeks article on…remedies for bloodbugs, was it?”
You answer, tightly, “That’s an important thing for people to know…”
“It is, it is,” Mister Zwicky says with a nod. “But…well,” he adds, “that was the most, err, striking thing you’ve written within the past few weeks.”
“…really,” you reply, blunt.
“Unless you count that…thrilling article you wrote after quite the trip to the Dugout Inn.”
You narrow your eyes. “How do you know that?”
The old man shrugs and says, “Well, Piper, you could’ve only written that drunk on Vadim’s drinks.” Mister Zwicky pauses, and he briefly eyes the small, gathering pile of empty bottles at the edge of your coffee table. “Not to mention that it had your infamous zest that you get those nights.”
“Huh.” So that explains the morning you woke up on the printer. And to Nat’s confused shouting once she realized your hand was in the ink. And that the ink was out in the first place. Nevertheless, you inhale more of the cigarette and lean into the couch. “I thought that one would’ve been a good one to read.”
“…if people got through the typos and awkward syntax,” he murmurs under his breath. You stare at him with a twitch, and the schoolteacher raises his hands. “Now, now,” Mister Zwicky says, “I get it. But never mind all that… Uh, well, sort of.” He scratches the back of his neck and breathes a sigh. “I'm here because I do have something for the paper. Nothing like what you’d usually put down, but…well, hopefully something to pick it all back in order. If you’re still able, anyway.”
“I can still write,” you grumble defensively.
Mister Zwicky nods along. “Yes, I think so too. So can you? Write about some of the stuff the kids are working on. Some nice things that they could turn in for the paper.”
“Like some big group project for a grade…?” you ask lazily, through a puff of smoke.
He sways his head side-to-side as he answers, “More like a…'view from school’ sort of thing. Different perspective of the world? A new insight?”
You work your jaw in consideration. Mister Zwicky’s always known how to fluff your good side—even when you had to sit in front of his desk to hear about whatever detention Nat had that day. Speaking of, is there no school today? That or it’s one of his few break hours. “…m'okay. I’ll bite,” you drawl carefully. “What would they be talking about anyway?”
As you flick the end of your cigarette into the ashtray, Mister Zwicky replies, “Well, some of what they thing about the city, stories they’d like to share.” He pauses, and you brace for his next few words: “…what they think it’s like on the outside.”
You braced for it, and it still stings. You inhale another drag, turned away, and sigh a quiet, “…right.”
“L-Look, Piper. This isn’t you, is it? Hell, you’ve managed to get the folks around here worried.”
“Yeah, a good two if you’re up in arms with Nat,” you retort.
“There’s more!” he insists.
“By how much?!”
Mister Zwicky pauses again, this time with a slight wince. “More, I assure you… Even so, everyone’s noticed. You usually crank out a few months’ worth of articles and stories and such for the paper with each visit. About the outside. Everything you’ve investigated and the like…”
“Yeah? So?”
“You’ve gone radio silent this time, Piper.”
You tense your jaw and shake your head. With your leg folded over the other, and arms crossed, you grumble, “And what? This whole school-thing is this grandiose pity-party to get me to write a word about the Commonwealth? Well here you go! Bullshit. There. I did it.”
He watches you sadly, and dammit, how many times are you going to just take that side-glance without just hucking your bottle at a face? Okay, well, a couple more apparently because you can’t bring yourself to do it. Even so, you hate it. You hate the way his pity carves itself into the aged lines of his face, so you turn away. Mister Zwicky heaves a sigh, and he murmurs, “I should’ve known… You’ve been grieving, haven’t you?”
“Waiting. I’ve been waiting,” you correct, each word spat out.
“In this age…they’re the same thing, Piper. You know that,” he murmurs grimly. “What did it?”
For a split second, you forgot that the Nuka-Cola is just the soda you grew up with and not Moonshine. So much so you stare into the bottle in confusion before a slow, whispered, “A pair of deathclaws… Right at the Glowing Sea’s doorstep.”
He nods, hands together. “That’ll do it,” the old man grunted. “And, uh, you’re just hoping?”
“…waiting.”
Mister Zwicky thins his lips. “Yes, of course.” He turns to you again, taking his eyes off of his hands. “It’s that woman, right? The one in the blue jumpsuit— Or, well, in that Silver Shroud coat, yeah?”
“Y-Yeah,” you answer quietly.
“I see. And you think she’ll be back?”
You frown, though answer wholeheartedly, “I know, teach. She’s going to be back. I-I just know it.”
“She better…”
[+ + +]
You didn’t leave the couch hours after Mister Zwicky left, nor when Nat had trudged in, the stack of newspapers under her arm lighter than when she brought them out. Not by a lot, mind, but noticeably lighter. And then she slumps at the other end of the couch, to which you can’t help but notice how much it reminds you of yourself. If only Nat knows to never do that. Be like you. Since, well, you’re a secret-not-really alcoholic who likes to romp around the Commonwealth and get into trouble, write about said trouble, then advocate to other people about how to avoid those said troubles.
But you doubt she does, given that it seems to be her talent, parroting you.
Or sassing you, either or: “Are you dead or just lazy? You haven’t moved all day.”
“Dead,” you scowl. “How many got the paper?”
“More than last month,” Nat murmurs. “And they’re actually reading it and stuff.” Your scowl deepens. You almost ask what they do with it usually, but you figure learning about how defiled your line of work is on a regular basis is…not going to be something that will help your self-esteem. Like you have one to begin with. Regardless, even if you wanted to ask, Nat notes her own line of thought before you could: “Probably because it’s different than normal.”
You grumble a breath and finish your bottle of Nuka-Cola. “Yeah… Next week’s gonna be on the school.”
“Really?”
“Kind of.”
Nat ducks her head back and groans. “So he did ask you about that assignment.”
You hate that your knee-jerk reaction is to do the same, so you just tighten your grip on your kneecap, hunched forward with your head in your other hand. …so he did make that for a grade. Maybe a good trip down to the Dugout Inn is a good idea for tonight. “Yeah, I guess,” you finally respond, hollow, both to your internal decision and Nat’s outward comment. However, that said, Nat’s quieter than she usually is, and you turn to her passively curious. “What is it?”
She tenses before her jaw tightens in thought. “So, um… Well, it’s nothing.”
“Okay. What is it?” you press, the nosy reporter in you peering out.
Nat shifts in her seat and holds herself. “Um, so uh, why do you go with Blue so much?”
You freeze, then turn your eyes away. “Oh… Well, uh, she's…” You frown and shrug. “She’s real important, Nat. A-And I mean, I just… I—”
“If you’re about to try and say it, I already know you’re gay, Piper,” Nat deadpans.
Your words die at the base of your tongue, and you rush, “I-I’m not gay! I like men t—” You blink while she continues to stare at you, confused, and you sigh. “Never mind.” Preference for women or not, you’re definitely going to keep those few nights where some hotshot managed to find his way beside you at Vadim’s bar. Always some wanderer because the men in the city are…gross. But, you’re definitely not going to tell her because they all meant nothing other than letting off steam, which Nat wouldn’t understand anyway. You squint at her as her confusion begins to break. Well…Nat shouldn't understand.
“…ew.”
“Nat!” you snap, now wickedly flustered. You then tense your brows and ask, “Who told you that stuff?!”
“Sheng,” Nat answers bluntly.
You hiss air. “Sheng Kawolski?!”
“There’s not any other Sheng around,” Nat grumbles. “But yeah,” she adds, almost nonchalant, “he did. After he tried to kiss me again.”
You’re going to pummel a child. Over the head. With your typewriter. Maybe even sandwich his face into the printer so that he’s the next story. …but then again, that would be murder, so not exactly a good plan. Aggression towards one stupid boy aside, you slump back into the yellow couch. You don’t even know if you’re sober enough at the moment to walk out the door over to his house anyway. That, and now as you think of it, Sheng is the one who brings purified water to Diamond City. And good, purified stuff too. Better than the few who came before him, anyway. So…you guess you can’t pummel a good cause either.
“Piper?”
“Hmm?”
Nat frowns, her eyes to her lap where her hands wring together. “Why have you stayed for this long?”
You nearly choke when you ask, “W-What do you mean by that, sis?”
She watches you at the sound of your attempt to lighten it. You can practically hear it—how sis is continuously pinging around her thoughts. “I-I mean… You always leave. And I know it’s just 'cause that’s what you do. For the newspaper and stuff. And you’ve always done it 'cause…I dunno. But, like…” Her frown stitches itself tighter, and she pulls away. “You haven’t even walked out of Diamond City since you came back. Not even for some trading…”
“I, um—”
“Because Blue said?” Nat mumbles. You can’t find your words. You only manage a shrug and a meek nod. “…do you love her? Like, like that?”
It takes you a moment, though you nod again and whisper, “I-I do…yeah.”
“And that’s why you’re just waiting here? Because she said she’ll come back?”
“I know she will,” you murmur. “I know. She’s told me to run before, to this shed. Twisted my ankle before I could but I… I got to watch her.” You smile and say, “Took down this sentry bot on her own. And these things are huge, Nat. I always avoid them even when they’re off. But she did it. Ripped out its power cell and used it for her own suit.”
Nat blinks, in awe, and asks, “She has a suit…?”
“One of those military ones, yeah. Power-armor.” You hum a laugh and note, “Multiple, actually. She lugs her favorite around but leaves it outside the city.”
“Wow…” She frowns after a moment. “But…w-why did you leave?”
You shrug, drained by the sudden shift, and breathe, “Because… I don’t know. She told me to go to the city, and she never did before.” You chew the inside of your cheek and turn away from Nat’s grim sympathy. “Don’t look at me like that. I know she’s going to come back.”
“…but she told you to walk so far away. She—”
“Nat! I told you, she’s coming back!”
“I-I’m just saying! Why do you keep saying that anyway?!”
Your throat tightens, and you lean into your hand, against the arm of the couch. “Because the moment I don’t,” you whisper, “that’s when I’m going to starting thinking about it, and then I won’t stop believing she’s dead, and… Nat, she has to come back. I don't— She can’t be gone.” To your heavy chest, you feel Nat scoot over and rest into your side. It’s the closest she get’s to a hug, so it’s a nice thing. Subtle, though substantial in Nat’s own way. You swallow your whimper. “Sometimes you have to suspend the truth until your hope runs out…”
Nat shifts against your shoulder and murmurs, “Doesn’t that make you a hypocrite?”
“Or just human,” you mumble. You wrap your arm around her and rub the side of her bicep. “If or whenever you go out there for your own adventures, you’ll understand… The people here need the truth before it comes, but if it already has… I mean, let it pass in their own way.”
“…and your own way is believing that Blue’s alive?”
“She is,” you answer firmly. “She has to be.”
A long, long stretch of silence passes. And as the seconds drag by, stars pepper your thoughts again. Stars, and that shack, and Blue… You can’t stop thinking about it. You just can’t. So when Nat eventually breaks the silence, there’s nothing within you to defend against your gradual tears: “When she does come back, you’ll go outside again, right?” You hold your head weakly, and everything within the past couple months falls on you. One with Blue. The other without. But you hope that you’ll get another night again. At least one. Just one is all you as for now.
So you can’t answer your sister. You suspect she knows the answer to it, of course, but it’s never verbalized… 
[+ + +]
It doesn’t come to a surprise that the last, good night comes back to haunt you again. And you know you’re still in that measly bed of yours with beer bottles just toppled over by the legs of its frame, but holy shit, you can allow yourself just one continuous sleep thinking about it, can’t you?! Just revisiting how Blue cradled you against the wall of that makeshift shack, teeth grazing and nipping new marks along your shoulders, clothes slacked and unkempt as the two of you continued to uncoil yourselves as the night went on.
Perhaps it was the mere inkling of something separating the two of you—something like a pair of deathclaws—that did it. Had you and Blue just explore, and touch, and kiss without rest. An in between of sex and lovemaking, you supposed then and suppose now. Not that it wasn’t the latter, though you wonder how much inexperience with Blue’s body would qualify as such. Maybe it does, you still don’t know.
Regardless if it was sex, or fornicating, or lovemaking, or just screwing around for the hell of it—that all doesn’t matter, does it? Not as you hold onto one moment in particular, where you clung onto her shoulders, hips moving to the rhythm of her hand, as she whispered delicate, sweet things in your ear. Things that, really in any other instance, would sound corny and ridiculous. But shoot you for finding “You’re so soft…” and “I don’t want to let go of this" nice to hear while she’s goading hot sex out of you with that starry night high above the shack. Corny and ridiculous be damned, her way of words with the melding edge of her tone did you just right.
Oh God, how right Blue did you.
Her breaths slicked along your neck as you hissed air into her ear, uncaring of the wall flushed against your back. And once you tipped over the edge, you couldn’t have been any happier with your bumbling, spur-of-the-moment kiss at the mouth of that little shack. Blue was right there. Right with you. So when she murmured, quietly, "There we go… I got you. I got you…” you believed every word.
You still do.
Though you wish you could’ve done the same as what you did that night: give back. Roll Blue against the strewn blankets along the wooden floor and just give it your all. Send her on cloud nine. Over her own edge. Right underneath the film of stars and night, glinting through the roof of that little shelter of yours…
[+ + +]
And now?
It is certainly the time of night where those same stars glisten, though you find that you’re not as fond of them anymore. Part of that is a lie, actually, since even the thought of those stars bring about the good memories of Blue, but then again, the good memories remain to be the equivalent of burning the back of your hand with your cigarette. And you like your cigarettes. So, you know, it’s an appropriate comparison.
You laze your way upright and meander over to your desk. With Nat asleep, now’s a good time as any to hit the bar, right? With a bitter scowl, you dawn your hat and creep down the stairs. From around the stairwell, you can hear her light, dozing snores. Good, you think. She’s having a good sleep tonight. You debate lingering to watch for a moment, though that’s immediately shattered since you don’t know what you’d do if she woke up to you standing there. So, within a few minutes, you’re out the door, striding mindlessly for that hitch of beer. Maybe you’ll try to scrounge up some pastry or bite to eat for Nat later, if you’re sober enough.
If…
On a stool you slump, eyes heavy and glazed from the neon lights hung around. They carve deep shadows along all of the shapes and curves of your hands, and you breath a deep breath before folding your arms and slouching over the counter. A thought then hits you: what if, just for fun, the Commonwealth is going to decide to poison you tonight? That would be fun, right? And this time, if you try to throw it up again, people don’t do anything about it? Or they will…but because you’re a pathetic scrub. Yeah? Fun, right? The world could just piss all over your parade right now, regardless of how lonely your parade is. And alcoholic.
Damn, you really are a mess without the consistent adrenaline pumping through you, aren’t you? A sack of fermenting tatos without that sweet, sweet ringing in your ears? Or the burn of radiation after a quick, accidental dip in a lake—and you really don’t understand how Blue’s able to just swim in the stuff…
You slump further into the counter, drumming your fingers in thought as you wait for whatever disgusting beer would be served—maybe poisoned, who knows? Though, at the thought of Blue coming by to lay eyes on your body sunken in the mud, suffocated and poisoned, isn’t something you want. Not even in the midst of your bitter, sour and snide turn of events.
Where the hell was Takahashi with the beer?
Wait.
Dammit. Hold on. That pile of noodle-serving scrap doesn’t sell beer… And you’re not— Oh for the love of God, you’re not even at the bar. Stupid noodle stand.
…oh well. Where the hell was Takahashi with the noodle cup?!
You slap down a handful of bottle-caps, and immediately a bowl of noodles slide themselves across the counter and into your cheek. Disgruntled, with a noodle plastered over your nose, you glare to the side where the robot stands, washing a bowl in their mechanical hand. 
“Nan-ni shimasu-ka?" Takahashi buzzes.
You chew the inside of your cheek. That sounded rude. In a soured note, you grumble, ”No, I knew where I was!“ Even so, you get back to your bowl, starting with sipping the strand of noodle off your face. As you indulge, a second bowl slides by, and it clinks against your own. You pause and turn towards the robot. "W-Wait, what?! I didn't—”
Actually, did you pay for two?
Before you can investigate the exact number of bottle-caps you’d just slammed onto the counter, you see a shadow slink up the bar, and you hear the crunch of steps. That silhouette. You swear it looks familiar.
So, albeit with hesitance, you turn around.
Even in the dim, neon lights, you know this isn’t just the Commonwealth being the cruel jester it tends to be. If it is? Well then, you just hope your next spot of beer is poisoned.
Regardless, because you know it’s not, you whisper, “B-Blue…?”
“Well…I did say I would come back, didn’t I?”
“Blue…” You laugh through a choked breath and tilt your head to the side with a quiet, if sad, smile. “You… You um…”
She blinks, then shrugs. “Yeah. I mean, well, I did just get my hair cut.”
“N-No… Your—”
Blue plucks her sleeve. “Oh yeah. Found this in some bunker. Pretty nice, isn’t it?”
Okay, well…the maroon suit is nice, but, “That scar… You…”
Caught red-handed, Blue shrugs and grins sheepishly. Three jagged lines right across her face. Deep and unruly. “I, uh, actually lost those two by popping in this parking garage—it was…way off the map. But, uh, yeah. Didn’t expect the third one…” Her words trail off as you embrace her, head nestled against her neck. There’s nothing to stop your breathless cries into her collar, and she hums a laugh as arms wrap around your waist. “So, uh, yeah,” she murmurs quietly. “The Glowing Sea’s a bitch to go through…”
“God, Blue…” you breathe.
“But I did say I’d come back. Nothing was going to stop that…”
You nod and pull away to peck her cheek with a tender, long kiss. “I know. And you did.”
A/N: She is my wife and yes, Piper has blown me up on numerous occasions. With molotovs, any other throwables, and a launcher in a very, very small room. No I won’t stop giving her throwables. Did reconsider the grenade launcher though… Hope you enjoyed! :D
11 notes · View notes
an-angels-fury · 1 year
Text
"I dislike/don't ship Eristine because is toxic and it makes me uncomfortable"
Me: 😉👍
Tumblr media Tumblr media
"Ew, Eristine and their shippers are so gross! The only stupid people who truly enjoy this shit are Raoul haters, fool teenage girls who think "bad boys are cool" and/or abuse apologists who condone Erik's actions and don't care about Christine's feelings!"
Me: 😡🖕
Tumblr media Tumblr media
122 notes · View notes
maiteo · 19 days
Note
33 xx
33: whos the best player ever?
I wish there were a way to give a simple answer…but ofc I can’t🫠 here’s some anyway!
Pele, Luis Figo, Maldini, Thierry Henry, Marta, Vítor Baía, Gigi Buffon, Cavani, Bergkamp, Tony Adams…I’m sure I’m forgetting some but that’s all I got for now😭
4 notes · View notes
so I didn't have the time/inclination to get really into another old photo id attempt (the trn one... continues... forever...) but I did take the time to reverse image search the photos from Ghost Dogs and a couple of them turned up results
Tumblr media Tumblr media
far from fictional Moon Lake, Pennsylvania this photo of Bill Foster's logging crew was actually taken in Fossmill, Ontario in 1915 (source)
Tumblr media
this photo in the speakeasy is a still of the 1929 Dolores del Rio film Evangeline. i have not seen Evangeline, but it looks like it's been uploaded to youtube if any of y'all are interested
51 notes · View notes
littlepetbee · 2 months
Text
watch movies with me and prepare to be amazed at just how many different guys i can think are the Same Guy
5 notes · View notes