Baroque Pinto

We have a colt! He is a black tobiano (EE/aa/nT) Baroque Pinto named [ES] Ronan, out of [ES] D'artagnan and BW Own It All (owned by Redwood Grove Stables).

pantene commercial

Baroque Pinto

Summer and Fall pictures of my Baroque Pinto BOE Ronan and my Friesian Royal’s Fito ^-^

DANCING FRIESIANS

Featuring: BOE Ronan, BOE Izak, Royal's Fito, Erin Murphy and Lana Marino.

Just Erin and Lana taking out the friesians (and crosses alike) for a little dressage training. They need to be ready for the next dressage show after all!

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Baroque Pinto (Lusitano x) for sale over at The Equestrian Sims Discord! (Click!!)

DON THE TIGER AL PROGRESSO

2023/09/28 DON THE TIGER SISTEMI AUDIOFOBICI BURP Il Progresso Firenze - IT

(english below) La Chute & Burp Enterprise vi invitano trepidanti al concerto di Don The Tiger Giovedì 28 Settembre al circolo Il Progresso di Firenze. Dj set / Aperitivo alle 19 a cura dei Sistemi Audiofobici Burp.

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Don The Tiger è il progetto solista di Adrián de Alfonso Prieto-Puga (La Coruña, 1978), artista e ingegnere che ha collaborato con artisti del calibro di Carla Bozulich, Lucrecia Dalt, Regina de Miguel, Valerio Tricoli, Lydia Lunch, El Guincho, Aksak Maboul, Paloma Polo, Victor Herrero, Robert Forster, GY! BE, Rubén Patiño, Krapoola, Alex Reynolds, Arnau Sala, Nuno Marques Pinto, Olivier Arson, Sam Ashley e Macromassa.

Con sede a Berlino dal 2011, Don The Tiger trae ispirazione da tutto ciò che gli manca in quella città - che si tratti di rumba, MPB, bolero, fantasy barocco, guabina, torch songs, copla o Fania Records - e lo canalizza attraverso elaborate tecniche di campionamento e musique concrète. esplosioni, trasmettendolo con una spinta simile al flamenco o al rockabilly.

Nelle sue ultime apparizioni dal vivo, Don The Tiger approfondisce come le sue performance possano abbracciare contemporaneamente il partecipativo, il portatile e il sostenibile. Utilizzando più trasmettitori FM, occupa frequenze FM specifiche per amplificare le sue sorgenti e i suoi microfoni, consentendo ai partecipanti che trasportano una radio FM di partecipare attivamente alla formazione della musica.

L'uso illimitato delle radio nello spazio consente ai partecipanti di giocare con fenomeni sonori come riverbero, ritardo, distorsione, interferenza o feedback, creando un contesto sonoro imprevedibile e unico per la performance. Oltre a un mucchio di nastri e cdr non rintracciabili, Don The Tiger ha pubblicato fino ad oggi due LP -"Varadero" (2013, Canada) e "Matanzas” (2018, Crammed Discs) - ed è apparso su media come The Wire, Tiny Mix Tapes, PopMatters, Vinyl District, WFMU o Battiti.

DON THE TIGER

Don The Tiger is the solo project of Adrián de Alfonso Prieto-Puga (La Coruña, 1978), artist and engineer who has collaborated with the likes of Carla Bozulich, Lucrecia Dalt, Regina de Miguel, Valerio Tricoli, Lydia Lunch, El Guincho, Aksak Maboul, Paloma Polo, Victor Herrero, Robert Forster, GY! BE, Rubén Patiño, Krapoola, Alex Reynolds, Arnau Sala, Nuno Marques Pinto, Olivier Arson, Sam Ashley and Macromassa.

Based in Berlin since 2011, Don The Tiger takes inspiration from everything he misses in that city -be it rumba, MPB, bolero, baroque fantasy, guabina, torch songs, copla or Fania Records- and channels it through elaborate sampling techniques and musique concrète outbursts, delivering it with a drive akin to flamenco or rockabilly.

In his latest live appearances, Don The Tiger delves into how his performances can simultaneously embrace the participatory, the portable and the sustainable. Using multiple FM transmitters, he occupies specific FM frequencies to amplify his sources and mics, allowing attendees carrying an FM radio to actively participate in the shaping of the music. The unrestricted use of the radios in the space enables attendees to play with sonic phenomena such as reverberation, delay, distortion, interference or feedback, creating an unpredictable and unique sonic context for the performance.

Besides a bunch of untraceable tapes and cdrs, Don The Tiger has released two LPs to date -"Varadero" (2013, Canada) and "Matanzas” (2018, Crammed Discs)- and has been featured in media such as The Wire, Tiny Mix Tapes, PopMatters, Vinyl District, WFMU or Battiti.

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I had 180+ foals born today. Here's a few of the highlights! I had a few foals that are cool because of stats rather than appearance.

First up, we have a zebra that has 'quagga' markings. In this cage, that's a combination of genes. I used to breed them regularly but I took a break and most of my zebras got too old to breed so I feared I lost the gene. This is my first quagga born since restarting! Very exciting!

Next is a Poitou Donkey. She was a big surprise because she's a different color than every other Poitou. Apparently it's rare for them to be this color, so I'm excited to see if I can get more.

Then we have a mule that has really cool markings!

And then a Zorse! The mother is a Przewalski Horse and the father is a zebra. I think it turned out very cute! I actually had two of these but they're identical so I only posted one.

Then we have a mixed breed horse that turned out BEAUTIFULLY. Her father is Ghost, my Friesian cross, and her mother is an Artistic Baroque (a madeup breed with funky conformation). She's so stunning and she has blue eyes! I love her!!!

Next is a Pintabian! An arabian with pinto markings! Also, you may notice it's very very small. I'm breeding miniature arabians and that's one of them!

The next one may not look like much, but she's a very very fast donkey. I'm breeding for donkeys to be fast enough to be worth riding. Most donkeys in Horse Isle don't go more than 15mph, but this little girl, when she's grown, will be able to go 16mph! That's the fastest I've gotten so far! Also weirdly, her mother is just a random wild-caught donkey with funky conformation. I almost didn't keep her. I'm glad I did because she gave me one of my best donkeys!

The last two are from my 'fast horse' line. I'm breeding a line of horses that go decently fast (19-20mph) and have neat colors. The purpose of this line is mainly to eventually cross with my fast zebras and fast donkeys to make high quality hybrids. Because of that, I mainly aim to breed colors that cross well with donkeys and zebras, namely dun. Here are the two most flashy foals I got from that line today.

Baroque pinto by marrykolesnikf_photo

my most cancellable opinion in the horse world is i think we should stop trying to make baroque pintos a thing. they're long backed and a mutt at that. tired of people basically breeding for colour rather than conformation and ability

giving me a sideeye in that first pic 👀

Today's Flickr photo with the most hits: the Auberge de Castille, Valletta, Malta. Built in the Baroque style under the magistracy of Manuel Pinto da Fonseca in the 1740s, it replaced a 1574 building erected to house knights of the Order of Saint John from the langue of Castile, León and Portugal.

Roxolana in European literature, history and culture

Summary"This collection is the first book-length scholarly study of the pervasiveness and significance of Roxolana in the European imagination. Roxolana, or 'Hurrem Sultan', was a sixteenth-century Ukrainian woman who made an unprecedented career from harem slave and concubine to legal wife and advisor of the Ottoman Sultan Suleiman the Magnificent (1520-1566). Her influence on Ottoman affairs generated legends in many a European country. The essays gathered here represent an interdisciplinary survey of her legacy; the contributors view Roxolana as a transnational figure that reflected the shifting European attitudes towards 'the Other', and they investigate her image in a wide variety of sources, ranging from early modern historical chronicles, dramas and travel writings, to twentieth-century historical novels and plays. Also included are six European source texts featuring Roxolana, here translated into modern English for the first time. Importantly, this collection examines Roxolana from both Western and Eastern European perspectives; source material is taken from England, Italy, France, Spain, Germany, Turkey, Poland, and Ukraine. The volume is an important contribution to the study of early modern transnationalism, cross-cultural exchange, and notions of identity, the Self, and the Other". -- from back cover.

Author

Yermolenko, Galina I. 

Attributionedited by Galina I. Yermolenko

Subjects

Literature

Hurrem, consort of Süleyman I, Sultan of the Turks, approximately 1504-1558? -- In literature

Hurrem, consort of Süleyman I, Sultan of the Turks, approximately 1504-1558? -- Literary collections

Hurrem, consort of Süleyman I, Sultan of the Turks, approximately 1504-1558?

Genre/Form

Literary collections

Literature

LanguageEnglish

Formatxvi, 318 pages : illustrations ; 24 cm

ContentsRoxolana in Europe / Galina Yermolenko -- East versus West: seraglio queens, politics, and sexuality in Thomas Heywood's Fair maid of the West, parts I and II / Claire Jowitt -- The tragedy of Roxolana in the court of Charles II / Judy A. Hayden -- Roxolana in German baroque and enlightenment dramas / Beate Allert -- How a Turkish empress became a champion of Ukraine / Oleksander Halenko -- Roxolana's memoirs as a garden of intertextual delight / Maryna Romanets -- Roxolana in Turkish literature: re-writing the ever elusive woman of power and desire / Özlem Öğüt Yazıcıoğlu -- Gonzalo de Illescas, The second part of the pontifical and Catholic history (1606) / Foreword and translation from Spanish by Ana Pinto -- Lope de Vega, The holy league (1603) / Foreword and translation from Spanish by Ana Pinto -- Prospero della Rovere Bonarelli, Soliman (1620) / Foreword by Galina Yermolenko, translation from Italian by Virginia Picchietti -- Jean Desmares, Roxelana (1643) / Foreword by Galina Yermolenko, translation from French by Andrzej Dziedzic -- Gotthold Ephraim Lessing, Giangir, or the rejected throne (1748) / Foreword and translation from German by Beate Allert -- Denys Sichynsky, Roksoliana; historical opera in three acts with a prologue (1911) / Foreword and translation from Ukrainian by Galina Yermolenko.

Got them back!

Featuring: Erin Murphy, Lana Marino, BOE Ronan and BOE Izak.

Years ago we were breeding Friesians and Baroque Pintos, but because we needed to downsize (haha, we never did) we had to sell out of them. We kept Fito as the only friesian, but sold all the others. 

But now they are back! Or well, some of them are.

Yesterday we saw two of our offsprings for sale on some site, and decided that we needed them back. 

So give a warm welcome to Ronan(Baroque Pinto) and Izak (Friesian)! The stallions has been living at different stables, but recognized each other, as soon as they saw each other! The boys who grew up together had clearly missed each other. 

So Erin, our dressage rider/instructor, and Lana, our general horsetrainer, was out seeing what they could do. They moved like heaven, and are ready for the higher classes in dressage with the double bridle they had been trained with at the old owners' places. 

Lana isn't exactly a dressage rider for higher classes, but Erin, being the lovely woman she is and also an instructor, helped Lana and they looked great together!