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#band interview of the day
beginagain-- · 12 days
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Band Interview Of The Day - Monkey Intrusion
If could introduce yourselves for us, who are you?Hi there, we are Monkey Intrusion from Trieste, Italy. The line up is composed by Enrico J. Goti at voices and guitars as well as Vincenzo Reina, then we have Marco Bertoli on drums and finally Marco Plesnicar on bass. How did you all meet?Vincenzo and Marco P. were school mates and actually formed their first garage band back in those days. Then…
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1833outboy · 1 year
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did pete just give out patrick's number to every journalist he could?
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guttersnarls · 1 year
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“I think our community is made up of people who are on the fringes of society, the ones who embrace a more alternative lifestyle, for want of a better word. I think a lot of them are outsiders who feel like they don’t fit in with “normal”. I sincerely hope our older fans understand that some of these other fans of ours might feel like outsiders. A helping hand costs nothing. If there’s one thing The Cure has proven, it’s that there are a lot of people out there who feel just like Robert Smith. (smiles)”- Tobias Forge  (qobuz magazine- 5/24/23)
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slavghoul · 9 months
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Interview from this week. Nothing new much though. Tobias talks about his influences and movies mainly.
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mourningcape · 1 month
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Captain Sensible, Rat Scabies and Roman Jugg interview snippet - Merlyn's, 1982
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skepticalcatfrog · 2 days
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I've started learning how to play a drum set at my school and honestly. To be completely honest with you all. It's making me very tempted to make a TVD band au a la Daisy Jones
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Today, on February 19th, 1977 - Queen Story!
Queen perform at the Sportatorium, Miami, Florida, USA, during 'A Day At The Races' Tour and filming 'Tie Your Mother Down' Promo Video
👉 'Tie Your Mother Down' Promo Video directed by Bruce Gowers. Bruce also directed promotional video 'Bohemian Rhapsody' and others
🔸FREDDIE MERCURY & KENNY EVERETT REVIEW “A DAY AT THE RACES”
Capitol Radio, London - November 1976
Intro: 'Tie Your Mother Down'
Kenny Everett: God you’re noisy, Fred!
Freddie Mercury: "That’s one of the softer tracks" (laughs)
Kenny Everett: That track’s called “Tie Your Mother Down” from the new LP called “A Day At The Races”, which is actually ‘teffifico’ and it’s just out in time for Christmas.
Freddie Mercury: "Yes, that’s right"
Kenny Everett: Why tie your mother down?
Freddie Mercury: "Well this one in fact is a track written by Brian actually, I dunno why. Maybe he was in one of his vicious moods. I think he’s trying to out do me after “Death On Two Legs” actually"
📸 Photo taken by Brian's guitar tech Brian Spencer
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nanoa1foryou · 1 month
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Thank you Kaaoszine for recognizing what a walking meme this man is
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💙Sam & Wes at the Warped Tour '97💙
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beginagain-- · 17 days
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Band Interview Of The Day - A Permanent Shadow
If could introduce yourselves for us, who are you? I’m CP, the singer in A Permanent Shadow. My co-workers are Valentí on guitar and Albert on keyboards.  How did you all meet? We’ve known each other for years from the local circuit in Barcelona. It was only for a Lou Reed tribute show that we actually started working together, and we liked the experience so much we just kept going. How long…
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torrtimandi · 23 days
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Some more pictures from the KCRW interview
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guttersnarls · 1 year
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When you're trying to fucking destroy the world and you're trying to cut people's rights back and turn people against each other and then strip away women's rights to control their own bodies, then I think it's a fucking disaster
Tobias Forge (on TikTok, and social media in general when it’s weaponized by people who target young, impressionable people online. - May 8 2023)
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th3-0bjectivist · 1 year
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The Salvation Day Interviews (1 of 2) with musician Anthony Tadlock
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     Dear listener, as a special treat and for the edification of music lovers all over Tumblr this is part 1 of 2 of my Salvation Day Interviews with Anthony Tadlock, A.K.A. t-underneaththeradardancing on Tumblr. Mr Tadlock, I recently spent several hours listening to Salvation Day. Thanks for agreeing to answer some questions about your band’s music. 
    When I dive headlong into music that I’m not too familiar with there’s always this sense of discomfort, but when I started with Mercy from your EP, The Backdoor Sessions, I felt distinctly like I was sitting in a new bar and listening to an exceedingly talented local band perform live. I know we’ve discussed this one-on-one before, but for the peeps on Tumblr, what was the actual genesis of SD, and how did you and Ms Vita Rhie Quintanilla meet? What was the spark that brought you two together to record in the first place?
     to set the stage - so to speak - i had been performing with and jamming and hanging with a young musician - very loose no muss fuss - 3 weeks before meeting vita i had a mild heart attack - mild but the hospital experience was literally a nightmare and nearly killed me - a couple weeks after getting out i was invited over to play/ jam/hang out - wuz expecting at most a couple other ppl to b there - btw to digress - t is very much an introvert - to digress further - t is a stage name but the only name ppl in the music aspect of my life know me by or call me - anywaves - i had just set up my guitar and amp when i could feel a presence coming down the stairs - a young woman - at 1st i guessed 25- ish which would make her the 2nd oldest in the room - she looked at a painting of crows and i said something to her about my love of corvids - i was improvising on guitar - some blues - i think a bass player was playing along and maybe another guitar - she started singing improvising lyrics and we started riffing off each other - her voice blew me away - then she started playing her original songs - omfg ! - anyway - i hoped that we would play together again
     a couple weeks later she walked into Madrone Art Bar where i frequently played open mics -she was with my friend - both joined me on stage and we did what i call "deep space nine " which is what i called any unplanned unrehearsed collaboration onstage - i of course could not remember her name - she handed me a business card lol - she told me she had a weekly gig at a cafe i had performed at and would i like to join her - by this time i knew she was diagnosed w schizoaffective disorder - that she was 17 still in high school and a witch - we started performing together playing her gigs - open mics - on the street ...there is of course more to the story which may be covered as we go on
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    I went through every song on Salvation Day’s YouTube page, the instrumentals and the voice go very well together, and I must admit, there is great synergy on display. You two had me mesmerized a few times, particularly with tunes like Para Ti and Reincarnation. Tell me, do the instrumentals come first, or do the lyrics/vocals come first, or somehow both at the same time? What goes into the process before you record?
     virtually all of salvation day songs are mostly vita - the lyrics in particular - some have come out of improvising at gigs - or as vita would say - we are just gonna pull something out of our ass now - some she has already "arranged " before i hear them others she asks me to figure out some chords and key - it should be noted that after graduating high school she moved to davis ca about 100 long miles away with no good way of getting there and back on public transit - required bus ride - a subway ride and finally a train and took 3 hours - neither of us drive though she recently learned - t cant see for shit so - and there was lots of drama in the summer preceding - however we rarely felt the need to rehearse - at early gigs i would ask whats the 1st chord and what key - sometimes the answer was - idk - jimi hendrix chords lol - sometimes they were jazz chords i didnt know - i still play a lot of chords im not quite sure the name of and double stops that suggest a chord - on a good night i play by ear and improvise mostly - when we decided we were gonna make an album - we formalized the arrangements and figured out keys etc ...
     sometimes - like last week when we got together after not playing together in a couple months - tho exchanging some snippets thru email text etc - vita thought of some lyrics on the spot - i started playing some chords - we fucked around w it a bit - made a rough recording on fones and will see if something comes of it - Reincarnation was written just before we met - vita says the songs morphed and become different thru my influence - Para Ti she had come up with a couple months after we started playing together - we were at the friends house - and he had become totally indisposed - we were supposed to start the recording process that day - we waited around to see if he would improve and she started playing it - i came up w the lead guitar lines - btw to digress to q 1 - vita was often in and out of hallucinations and delusions at the time - she has no memory of the 1st time we met and hazy about the beginning period - one last example Mercy - written entirely by vita - tho my guitar was central - she sent me an audio file - it has chords i dont know - i just followed her voice and elaborated - tbh i still dont know what key it is in lol - like jack sparrow eluding capture we just make it up as we go
    Do you have any advice for aspiring musicians out there based on your experiences with SD so far? Have you had any creative blocks or serious problems when generating new music? If so, how do you get through them, and what do you think the most important thing is for a musician to do when they feel discouraged or dejected by their own bad experiences with music making?
     whew - thats a tough one - i have been playing guitar for almost 60 years - been in a number of bands and playing situations - have been discouraged countless times - most recent was the whole experience of recording a studio album with a producer - it was hugely stressful for myriad reasons and ego deflating and not in a good way - we coped w that by recording the Backdoor Sessions ep - the bulk of was recorded in a couple hours in vita's tiny dorm room using garageband - it was done without rehearsal - and we played 2 gigs in january that we were happy with also w no rehearsal - we also released vita's book The Schizophrenic Dialogues - all while covid was rearing its ugly head - no gigs to promote anything - no spoken word opportunities - vita was in terror of infecting me - between age COPD and heart i was a likely candidate to die - so we saw each other rarely
     i had invested a huge amount of $ in the studio album - to cope vita started a collective based on Sacred Arts Productions - a jewelry biz and an art biz - i worked w our web designer / friend / collaborator maggie umber to get our web site up - and started recording daily snippets for instagram and spammed the fuck out of tumblr - vita and i met mostly outdoors - playing mostly acoustic where the chances of infecting me were minimized (she got covid twice during this period ) so i guess my advice is 1) forget the ego and bullshit that goes w doing - anything - but particularly the creative 2) forget about "success" and numbers - sales/listens/hearts...3) just keep on keepin on - that said it aint easy sometimes - i been playing as i said almost 60 years - theres still so much i dont know - i try to learn new things and ways almost daily - just showing up is sometimes a victory
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     Listen to Salvation Day on Youtube. Back at the end of the next week with part 2 of my Q&A with Mr Tadlock. If you liked this post, please spread the word about SD and consider reblogging this set of interviews. And if you haven’t done it yet, scroll to the top of this post and smash play!
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sunburnacoustic · 5 months
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Matt Bellamy in interview talking about the themes on Will Of The People, what inspired the album, and what he hopes listeners and fans will take away from the album
Transcript on the NPR website.
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sunsetsixx · 2 years
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this still has me in shambles
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Setting a goal to not swear for a week and I already messed up twice 💀
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