#as sense of gravitas
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Finally continuing my watch of the PJO Disney+ show and literally all the scenes in the Underworld are so dark I cannot SEE anything
#also the night scene in Santa Monica when Percy walked into the ocean to talk to the sea deity#couldn't see any of that either#also WHY is Lin Manuel-Miranda the strongest actor among the gods#They are all missing something#as sense of gravitas#presence#And speaking of Hermes they did him SO DIRTY#What he has one bad encounter with Luke gets told off by Poseidon and then decides he doesn't get involved anymore#and drinks and gambles himself into a stupor?????#I get it he's worshipped by gamblers due to being the god of luck and wealth but hOLY fUCK#Why did they do him like that?????#did him dirty and did all the gods dirty tbh#but I digress#that whole sequence in the Underworld is ?????#Annabeth getting stuck in the Fields of Asphodel????#what the heck was that???#I have so many questions#pjo tv show
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tell me why the first ep of the opla has me in NEAR TEARS it's just smthn about the /genuine-ness/ of it? the lack of tired snarky fourth wall breaking jokes? it's an objectively silly plot about pirates and friendship and it is played completely straight and it is SO refreshing? for things to be allowed to be genuine and full of heart? these actors giving it the gravitas of shakespeare?
there's a time and a place for meta humour ofc, but recent trends spurred on by a franchise which shall remain nameless have resulted in so many movies/books/shows that are completely soulless because they can't take themselves seriously. there always has to be a joke, a snarky remark, a fourth wall break, god forbid we experience emotions deeply and genuinely and guileless-ly. idk if it's a reflection of societal fear of vulnerability or simply a cash grab in appealing to the lowest common denominator by avoiding strong (and therefore possibly alienating) emotion
either way, this is such a breath of fresh air?
#fran liveblogs#opla liveblog#anyway contrast this with the mario movie i watched on the plane yesterday#which was like. fine.#that's really all i can say abt it#it had a few fun nods to the game#but it also refused to take itself seriously. so many moments of gravity undercut by out of place humour#on the other hand. i finished wyrd sisters today#and discworld is ENTIRELY meta humour#but sir terry was SUCH a talented author#that he could create a space where meta humour and genuine emotion and gravitas could exist side by side#and it WORKED. it WORKED WELL#like. consider. feet of clay can have me bawling and laughing only pages apart#most discworld books can#the sheer silliness of the shakespeare parodies in wyrd sister transforming into a reflection on the nature of theatre and art and stories#and reality. and what's the most real. in the sense of people's hearts#like. damn. discworld really has it all#anyway. opla is so good. i would die for luffy. HIS HEART IS SO BIG
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Adventures in writing my English SAC, also known as 550 words of Theon being an angsty bitch,,
#just pav things#Sure I had to adapt some things like making his backstory a tad bit different to fit in the 50 minute timeframe I had to write#So rather than the pseudo time-travel there’s an alternative universe where all of his siblings become spiriters instead telethia-style#DOLPHIN DON’T SEARCH TELETHIA UP YOU WILL GET IMMEDIATELY SPOILED FOR XC1#Also I had to cut the lucid dreamer bit too because it wasn’t necessary to the plot#But it ended up being in the style of Bidngen which was one of the mentor texts we had to draw from#And I used the mandatory prompt of ✨ personal journeys ✨ to explore how violence begets violence#Theon shuns flowers as a sign of the destructive rich but at the end he says he’s a flower as well#Where he was once a victim of hatred he lashes out with the same hate against the spiriters#And so it covers his emotional journey in dealing with his trauma (badly) as well as his physical/temporal one :)#Also I wish I had more time to make his first-person voice actually. A child’s instead of it being ambiguous#He sounds like Inigo which Isn’t Wrong and it makes sense for him to be precocious but there’s a certain flamboyancy to his voice#And also Theon would not know this many big words. He is uneducated. Alas.#The problem with my first-person fiction despite my gravitas towards it is that#it’s hard to separate my authorial voice and vocab with my childrens’ 😅 in my eyes anyways#Probably why I still feel so disdainful for all of my past writing for YHNN. It doesn’t read right 😣#The only exception is any instances where I’ve written first-person pov for Archie which was most notably in my Yr 11 exams#We share the same whimsy ig ✨💯
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While I'm on the subject of plotting and Doctor Who, you know who was great at plot? Steven Moffat. The man is the master of the well-constructed plot, the shorter the story, the better. A multi-series show can go off the rails as he trails off in a million different directions. A full series of a show can have its rough patches and wind up unbalanced. But an individual episode? A masterpiece you could use to teach writing courses. A 4-8 minute minisode? One of the most beautifully constructed gems you've ever seen in your life. His plots are full of intricate internal logic and drawn from character and can highlight some of the loveliest themes because they're built on such a strong framework.
I think a big reason he's so good at plot is that he's a comedy writer. Comedy is nothing but set-up and payoff. Set up a situation. Pay it off in a surprising way. And the link between those two is character. If you set up that Character A has a certain personality trait, then when they encounter a new situation, you have them act according to that personality trait, and all sorts of funny things can result. The payoff makes sense because it was set up. That's also the gift of the running gag. If you mention something in the early part of the story, you can pass over it as useless information. Or as a minor joke that's over now. But at the end of the story, that seemingly minor piece can come back and resolve the whole thing, and it works because it was set up.
A great example of joke-turned-plot is "The Girl in the Fireplace." Plot: A spaceship is linked via a portal in time to 1700s France. The Doctor wanders back and forth between the past and the future. Later on, we see that a horse from the past has also wandered through the portal, and is now on the spaceship. Haha, silly gag, horse on a spaceship, good joke. But later, the portal closes, and the Doctor's trapped on the spaceship while people in the past are going to die. If only he had something large enough to break through. Surprise! He bursts through the barrier on a horse! The same horse from the gag! The joke was the setup for a plot payoff! And there's tons of that kind of thing in his work, plot hidden in jokes and jokes secretly building plot, and lots of plots that aren't about the jokes but always follow that rule of set-up and payoff.
There's just something so satisfying about a puzzle whose pieces all fit together. About a story that's well balanced. Character's great--and he's great at them--but there's something extra special about seeing them in a masterfully constructed plot. And it's been a long time since I've come across a plot that was as satisfying as his could be.
#other other random thought of the day#adventures in writing#steven moffat#this is actually two random thoughts of the day put together#i was going to do a separate post about how sitcoms teach you plot because of set up and payoff#but it wound up weaving in here#but i'll mention in the tags since this also sparked those thoughts#that corner gas has beautifully constructed plots#absurd ones? yes#but built on character and relying on those wonderful setups and payoffs#sitcoms are plot built from character and they're ideal for a really well-constructed plot#they don't have to worry about maintaining a sense of gravitas or drama#you can just take the absurdity to its logical conclusion#which means you can get absurd farce built on air-tight logic#and you rarely get that in drama#also?#other moffat thing that sparked this post?#those series 6 minisodes are divine#two in particular#that one where he talks to amy about changing the past may be the best thing he's ever written#and the day of the doctor minisode?#i have gone on at length about its layers and i could go on longer#it condenses the usual companion intro into two minutes#two!#establishes a character and makes total sense#*while* layering in dialogue that both works in context *and* winks at all the audience expectations around the airing of the minisode#'i'm a doctor. but probably not the one you were expecting'#that is GENIUS right there people!#anyhow we got tag limits now so i'll stop
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The mavity joke is annoying and they're running it into the ground.
#it makes no sense either#the word gravity is from gravitas meaning weight#newton wouldn't just have heard a random word that meant nothing to him and assigned it to his important discovery#additionally i have no clue how he misheard gravity as mavity#gr and m do not sound similar#the joke is not good enough to be repeated ad nauseum like this#am i nitpicking? sure. it's still annoying tho.#doctor who#nuwho#📨
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why did I think seeing everything everything live would settle something inside me. it only made me more insane.
#it’s like I’m entering my final form but there are at least seven iterations after this one.#same sense of gravitas and cathartic desperation though.#everything everything#2023#fr can’t stop listening to their entire discography and I was already doing it a lot before#struggling to see how I’m going to get back to my goal of being in The Technicolors top one percent on Spotify tho
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Remember when Super Saiyan was a legendary transformation? They should bring those vibes back
#dbz#gohan#son gohan#dragon ball z#dbs#dbssh#sttl!au#step to the left au#ik ik power creep whatever#they should have kept the vibes#its eerie!!! unearthly!!!#it just turning hair blond and eyes green/blue when theres no energy/battle aura is the inferior interpretation smh#give it a sense of gravitas#constant glow#etcetera
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Actually its silly of me to rb that poll and not share my favorite track. I listen to City Funk on repeat while I work
youtube
#strato.txt#i listen to it when i need to write/draw/create anything intense or w a sense of gravitas#its genuinely such a good track. this and wasteland 1&3 from dtl2 are my favorite tracks in the series#tho sometimes i listen to snowy world when i need something upbeat and dark cave when im bein mysterious... w/e
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Vegapunk confirmed the existence of cloning, so how likely is the Tashigi-is-actually-Kuina’s-clone theory now?
#one piece#OP#tashigi#kuina#on the one hand it may seem cliche#on the other had perhaps oda can handle it with enough gravitas#koshiro had ties to the revolutionaries#if tashigi is a clone it would make sense that she and kuina had diff bdays#ramblings about op#ramblings about one piece#personally it may not be likely but maybe we’ll see another example of cloning besides vegapunk in one piece
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Whoa shit I'm here before bird app goes down forevererer and I can't shitpost anymore!
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besides that. wow that was the best thing I've seen in a hot minute
#genuinely i feel like that was a masterclass on minute acting + the power of physicality#and the writing too!! oh my GOD‼️‼️‼️#it was SUCH a well-executed plot.. the number of times i thought i had it figured out just to get blindsided#only for the plot twist to make total sense later... it was a very engaging but satisfying watch#and man i can NOT stress how great the acting was. holy fucking shit. i liked that for the most part the show allowed the characters to#really simmer in the gravitas of their emotions! and it was really cool to see how each character did that in their individual ways#what i would GIVE to sit in on the rehearsals.. the actors were so immersive that you couldn't help but get dragged into the plot#can't wait to watch it again with my sisters 😈😈😈#sriracha.txt
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y'all ever watch a show and they just... cram way too much shit into a single season to the point that all you can think about isn't the show itself but how much better it would have been if they had drawn each of these major plots out into season arcs instead of cramming it all in?
#I'm talking about the show Roswell New Mexico#Just to be clear#but it feels like a LOT of shows do this#and they shortchange so many things#emotional development of characters#consequences for actions#weight#gravitas#suspense#any sense of... meaning
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Y'know there already is such a nonexistent market for oni art in general so the fact that I wanna draw more au art is killing me. Like I draw for fun and don't need notes to be happy with a piece but also I need ppl to view my art and be curious and ask questions because while I may not desperately need approval I do desperately need excuses to gush abt the things I like
#rat rambles#oni posting#Im thinking abt the rabbit au clones again#in particular the two main nails clones I love them sm theyre so silly#we have guy shaking and crying while internally actually being rly relieved and guy smiling and laughing while being plagued by the Horrors#I should probably give them nicknames but idk what would work best#but yeah the older one is the one whos chip got damaged and is stuck pumping them full of stimulants and hasnt slept in 3 months#and the younger one has been spending the past three months spending day and night at gravitas working their ass off#it wasnt until they got hit by a rly intense wave of fatigue that they were finally pushed into actually going home to rest#at which point the older one was like yo whats up I didnt expect that to actually work lol#things are initially very chaotic after that since younger nails just found out a Lot and older nails didnt rly have a plan for this#they were basically just finishing up a project a past nails clone started since they had nothing better to do#at first it was because they were hoping it could maybe disable their own malfunctioning chip but as the days turned into weeks they#swiftly realized that even if it could disable their chip its probably already far too late for that to save them#and even if the months of no sleep didnt basically instantly take them out there would still be a half broken neural chip in their brain#which likely already had caused complications that they just havent noticed because of the everything else going on#so while they still finished up the project it became a much more half hearted ordeal that they honestly werent expecting to work#but evidently it did leading to the awkward experience of explaining to someone that they're a clone#younger nails hadnt necessarily suspected anything to that degree but they had noticed that smth was off#which is part of the reason they spent so much time working in an attempt to ignore it#so the revelation actually helped somw things click into place and while it wasnt good news by any means it was kind of a relief in a way#not in the sense that now they are in active danger of dying at any time but yknow#they both die eventually ofc but yknow at least they get to be povs of sorts#I mean not much they could do to do anything abt their situation even if one of them wasnt basically doomed to slowly die already
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Propaganda
Jane Fonda (Barbarella, Sunday in New York, Barefoot in the Park)—Feminist icon, LGBTQ+ rights activist since the 70s, Civil Rights and Native American rights advocate, environmentalist… she really is THE woman ever
Eartha Kitt (Anna Lucasta, St. Louis Blues)—My friend and I have a saying: NOBODY is Eartha Kitt. A thousand have tried, and they've all come up empty and will continue to do so. Everyone knows her for something: from "Santa Baby" to Yzma in Emperor's New Groove to Catwoman to making Lady Bird Johnson cry for the Vietnam War. She was a master of comedy and sex, an extremely vocal activist, and she aged like fine wine... I honestly don't know what I can say about her that hasn't already been said, so I'll stick to linking all my propaganda. Like what else do you want from me. She was iconic at everything she ever did. Literally name another. How can anyone even think of her and not want to absolutely drown?
This is round 6 of the tournament. All other polls in this bracket can be found here. Please reblog with further support of your beloved hot sexy vintage woman.
[additional propaganda submitted under the cut.]
Jane Fonda:
"I assume she's already been submitted but I gotta make sure. I think there's an element to movies like Barbarella or her segment of Spirit of the Dead of those having been directed by her husband, who famously made movies about her being hot, and the incredible costume design also helped, but good lord. Look at her"
"She was so pretty, dear lord! She was and still us stunning. She’s great at comedy and drama."
"Shes so hot im so gay for me i will let her hit me with hers car"
"Gorgeous and also still getting arrested at climate protests, which is sexy behavior"
"Watching her in Barefoot in the Park seriously made me, a straight woman, question things"
"PLEASE I LOVE HER SO MUCH"
"Her vibes in these movies are so interesting because she, the daughter of an Old Hollywood star, went on to make both poignant dramatic movies and the some of the silliest things you've ever seen but even in the silly space adventures and sexploitations there's always this undeniable gravitas to her. It's like she's able not to take herself very seriously but at the same time never stops having this grace and elegance and makes it all work together. And she's always been very politically active which is also sexy. Her famous mugshot is from 1970 so right at the cutoff mark but come on"
Eartha Kitt:
"A hot vintage woman who was not just known for her voice, beauty, poise, and presence, but also her unapologetic ways of speaking about how she was mistreated in the show business as a girl who grew up on cotton fields in South Carolina in the 1930s through the 1940s coming to Broadway first and then Hollywood."
"Have you watched her sing?? Have you seen her face?? Have you heard her talk?? How could you not fall instantly in love. She makes me incoherent with how hot she is."
"She can ACT she can SING she can speak FOUR LANGUAGES she is a GODDESS!!! Although she is (rightfully) remembered for her singing, TV appearances (Catwoman my beloved), and later film roles, her early appearances in film are no less impressive or noteworthy!! She’s an amazing actress with so much charisma in every role. She was also blacklisted from Hollywood for 10 years for criticizing the Johnson administration/Vietnam War, so. Iconic. Also Orson Welles apparently called her “the most exciting woman in the world.”
"She had such a stunning, remarkable appearance, like she could tear you to shreds with just a glance- but the most undeniable part of her hotness was her voice, and it makes sense that it's what most people nowadays know her for. Nothing encapsulates the sheer magnetism of her singing better than this clip of her and Nat King Cole in St. Louis Blues, she pops in at 2:49. Also I know it's post-1970 but her song that was cut from Emperor's New Groove is likely to make you feel Feelings."
"Even with as racist as Hollywood was in the 1950s and 60s, Eartha Kitt STILL managed to have a thriving career. She also once had a threesome with Paul Newman and James Dean, and called out LBJ over the Vietnam War so hard that it made First Lady Johnson cry. Eartha Kitt was talented, sexy, and a total badass activist."
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will blade ever do a love confession ever ever
blade isn't one for traditional declarations of love.
he's barely aware of how deep his attachment to your runs. it's a simple formula in his fragmented mind — being around you silences The Horrors, hence his proclivity for seeking you out. the full gravitas remains unexplored as a sort of subconscious defense mechanism. if he examines your undefined relationship too closely, dwells on it too long, he risks exposing how integral you've become. it's picking at a loose thread that could unravel what little sense of self he has left.
blade's goal is a permanent death. love, tricky thing that it is, throws that whole ambition into disarray. in an ironic twist, this makes him 'hate' you for a time. how dare you make him care. how dare you overcomplicate what should've been so cut and dry. now he's forced to contend with these feelings that don't go away even if his chest cavity is torn asunder.
what was meant to be his haven is now the source of his worst torments.
the closest thing you'll get to a verbal confession is when, with a solemn air, he reveals:
"you're worth living for."
it's as heavy as a sinner's confession. self-loathing underpinnings and all. contempt, yearning, regret; it rolls together to form something unsightly but undeniably him. he wishes he met you sooner, that he could give you his best, not this mockery of the man he once was. to make matters worse, you don't let him go like you probably should. you pick the jagged pieces up and stick them back together, regardless of how they prick your skin.
he lets you, awaiting the day you realize he isn't worth shedding blood over. you won't, though. and is that not why he's shattered into so many pieces to begin with?
#blade falling in love is the most delectable tragedy. Om nom nom#blade x reader#honkai star rail x reader#blade brainrot#answered#Anonymous
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I also love how Vegito and Gogeta are not only distinctly different beings, and the former is conducted primarily by Vegeta while the latter is conducted primarily by Goku - but Vegito is clearly the more benevolent and emotionally involved of the two people, while Gogeta tends more towards frigidity and vindictiveness. Because as individuals, Vegeta’s “good side” is just as subliminal and rare to witness as Goku’s “bad side,” right; Vegeta is not a nice man by nature, and Goku doesn’t have a grudge holding bone in his body. Goku’s lack of any impulse towards vengeance is the only reason Vegeta is still breathing. This is well established.
But when Vegeta is shown to care for other people, it always manifests as him lashing out in defense of them against some greater source of cruelty - he gets pissed at Beerus for humiliating his father, he attacks Beerus for hurting Bulma, he freaks out on Cell for killing Future Trunks & knocks Present Trunks out immediately after hugging him for the first time, because he knows his son would insist on staying with him through his kamikaze attempt on Buu. Because Trunks is like that. Because Trunks is his son.
And Vegito takes that principle and drags it out to the extreme! The whole first fight with Buu is just him playing this sadistic cat and mouse game, very much in the arrogant style of Vegeta, but he also makes constant mention of the loss of Gohan, Goten, Trunks and the others - using the language of “stealing” “hunting” and “kidnapping” that brings to mind Vegeta’s own childhood trauma. He displays some aspects of Goku’s personality of course, with the playfulness and the attempts to get Buu to surrender, but Vegeta is obviously steering this ship. It’s his confidence and self-superiority that makes them lose the fight, and his belief in the necessity of a warrior’s “pride” that he explicitly cites as his reason for looking down on Buu.
Because this is what Vegeta’s attempts at “good” look like, right? Preternaturally violent and egotistical, but with a sense of protectiveness and paternity that renders his behavior heartwarming, at least enough to show you that he’s grown from the smirking, bloodthirsty garden gnome he was first introduced to us as. Underneath all the bravado, Vegito is aggrieved on behalf of someone else. He’s being kind in the only way he knows how.
Gogeta… is not that guy. He doesn’t do rescue missions, and he doesn’t feel the need to remind you of his superiority. He portrays himself as an avenger, not a defender, with lines that evoke a sense of justice and consequence like “it’s over, I’ve come for you” and “your own bad energy will be your undoing.” He snidely tells Frieza he’s coming back for him after he’s done with Broly, even though he’s visibly incapacitated and not really picking a fight. He forgoes Vegito’s up-close and relatively simple combat style in favor of these dramatic, wide-ranging attacks, more like an act of god than a natural disaster. And while Vegito allowed Buu to play with him a bit, postponing the end of the fight to sate his own lust for battle, Broly doesn’t even get to touch Gogeta once he goes super saiyan, his dedication to the pursuit reminding you of Goku’s final battle with Frieza.
…Except Goku offered Frieza clemency, and looked genuinely disappointed when he rejected it. Gogeta does no such thing. The audience gets to watch, half in awe and half in horror, as he renders this uber-aggressive Saiyan attack dog into a flailing, incoherent mess, not bothering to stop and ask him to surrender even though the updated Broly is a much more sympathetic character than Frieza or Majin Buu ever were. He enunciates the final kamehameha with such gravitas that you actually feel scared for Broly - and in the older movie, when Janemba switches back to his original form, he takes one look at Gogeta’s glowering face and scurries away in terror.
Hey, remember how Gohan fled in fear when Goku (under extreme duress) threatened him during the fight with Frieza? After he transformed into a super saiyan for the first time, guided only by mindless rage after Frieza’s pointless killing of Krillin? During a fight which only began after Vegeta, someone who caused him immeasurable harm in the past, told him to avenge the killing of both their families & the genocide of their race? All of which took place on a planet which the earthlings only had to travel to in the first place because the Saiyans killed several of their friends - a slaughter which Goku witnessed the aftermath of, at which point he told Nappa “there will be no mercy for you, you bastard” in the original manga?
Goku gets slotted into this role quite a lot, doesn’t he. He’s a protector, but also a savior, a planner, a consoler, and an avenger. He does his best to help people and he raises hell when he can’t, but he’s not vengeful by nature. Quite the opposite. See how he treats Vegeta in the Namek saga, smiling at him and bantering with him like he’s a coworker, and not the guy who crushed his bones to dust while cackling with sadistic delight.
But that’s because Vegeta only did that much damage to him. Nappa killed all the others - with Vegeta’s eager permission, yes, but that’s still enough distance to allow Goku to psychologically seperate him from those crimes. Goku’s clemency initially emerged as a byproduct of his desire to help people, but we have seen that same drive give way to brutal punitiveness when he fails, and somebody he loves dies. You can argue that it's misdirected self-hatred, anger at his own inability to be the hero those people trusted him to be - Krillin died screaming “Goku!” you might recall. The removal from other people Goku grew up enduring feeds into his sense of responsibility for the community that grew around him as an adult. He knows how important he is, and it hurts when he comes up short.
And I think that, understanding Gogeta to be primarily led by Goku but still notably impacted by Vegeta, that intense drive towards retribution the fusion displays takes on more meaning. Vegito exemplifies Vegeta’s better impulses, which are brought out in full force by Goku’s influence - Gogeta exemplifies Goku’s ugliest inner desires, with the leash he usually keeps them on loosened by Vegeta’s influence.
Because Vegeta was knocking down 100+ sentient creatures per day as soon as he could walk. He spent most of his adult life as a pampered slave, he murdered one of his oldest companions without a second thought, his introductory panel shows him munching on a severed limb, ffs. Vegeta has been through a lot, and I'm the last person to downplay that, but he hasn’t been going through it emotionally involved. He's used to this. He had to be. If he wasn't, his whole psyche would've collapsed by age twelve tops.
But Goku? Goku had to do all of that with his feelings turned on! And he chooses to remain steadfastly good and give second chances no matter how bad the situation, and that’s a healthy enough way of dealing with all this horror. But a side effect of being guided by that choice is the knowledge that he could be worse, he could be crueler. He’s a lot like Gohan, in that sense.
And Vegeta used his dying breaths to beg Goku to abandon that long-abiding impulse to show mercy. Goku might believe in forgiveness, and he might’ve let Vegeta go because of that belief, but Vegeta is a stubborn little bastard. He thinks that it’s holding him back, allowing people to slip through the cracks; to get hurt. And we’ve established that these two are both capable of misdirecting self-anger at others, though Vegeta does it much more often than Goku.
So when Goku’s mind is merged with Vegeta’s, and he’s forced to look back on his decisions to allow horrible people to live not with pride, but with regret and disgust, it manifests as Gogeta. A walking overcorrection, the sentient reconciliation of these two belief systems. Who doesn’t forgive and doesn’t forget, self-assured and bitter and terrifying, like Goku was for the first twenty seconds after he went Super Saiyan. Like he always told himself he wouldn’t be.
#Gogeta#Vegito#in other words Vegito is a ‘😤Bitch😘I😇Said😶🌫️What😜I🙈Said🥶’ IG reel girl#& Gogeta is a ‘HOW MY DEMONS LOOK. NOW THAT YOU BITCHES SHOOK.’ IG reel girl#Goku#Vegeta#Broly#Frieza#dbz
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