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anime-grimmy-art · 3 years

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Told you guys I’d ramble in due time.

I absolutely adore Bravely Default 2. It came at a really bad time cos I can’t waste 70 hours on a jrpg, but well, it’s too late to be concerned about that now. And as is tradition with me obsessing over a new game / show / whatever, you’ll basically find a fullblown review disguised as ramblings right under the cut. Be aware that I’m gonna talk about EVERYTHING, so spoilers are a given. Some maybe even for the previous Bravely Default games.

Also, if you wanna talk about this game in any capacity, hit me up, I’m DESPERATE to talk more about it.

Just for reference on how long this is gonna be, I made a voice recording while driving to remember all the points I wanna make, and that recording is almost 2 hours long. I did cut it down but still, this is gonna be a lot.

I’ll start off with the things that actually bugged me about the game, since there are only 3 things that really bothered me. First of, I really don’t like that you can name Seth. He has too much personality to be a self insert and player integration is not that big of a part in the game that this decision can be justified. It wouldn’t bother me that much if it didn’t leave a bad mark on the ending. First of all, we were robbed of Gloria desperately shouting for Seth, which makes the impact work less, and it’s just so prevalent that the name can’t be said because you have all the normal sound design going. If they’d just let the credits still play I wouldn’t have batted an eye, but because every other sound comes in it’s so obvious they’re just silently shouting in this scene, which makes it look silly. Like I said, this decision is more a detriment than an addition, and it’s a shame it casts a shadow on an otherwise heartfelt ending.

Speaking about lost potential, the other thing that really bothers me is the lost potential in certain plot points and character conclusions. I mainly mean Adam and Edna here. Both of them have been built up to be these formidable foes but they just, die. If it was just Adam I’d be fine with it, since you expect Edna to backstab him and be the actual big bad of the story, but I cannot fathom why they dropped Edna this HARD. If not Edna herself, I don’t understand why we don’t get more of a reaction from the Fairies and especially Adelle. I mean, Edna was her sole reason she left for her journey in the first place, then Edna dies and that’s it? No part where she grieves for a second? No concern from the others about Adelle? Mind you, I haven’t finished all the Sidequests, so maybe there actually is one in which this is addressed, but I think even just a Party Chat after Bad End 1 would have been sufficient to show how Adelle suddenly feels about the loss of Edna. It would have made Bad End 2 / The Secret Ending even more impactful, because, yeah, of course, you kinda know Adelle isn’t going to turn her back on fairy kind, but one of the reasons she doesn’t leave is because if Enda didn’t get a happy ending, then she shouldn’t either. It would have been amazing foreshadowing if she showed this sentiment before this scene happened. Other than that, it’s a shame that we know so little about Edna, or rather, how she became “bad”. I get she’s supposed to be corrupted by the Night’s Nexus, but how did it even come to this? It can’t have been a gradual thing, after all, Adelle says Edna was always good natured and then just disappeared one day. Really would have loved seeing more of that plot point.

Ok, last gripe I have, some choices in the soundtrack and sound design. Don’t get me wrong, I absolutely love the OST, and I will get to that, but damn, whatever Revo used for the lead instrument in Wiswald hurts my ears. It’s a really good track, but I always have to turn down my volume because these high pitched sounds physically hurt. And for sound design. Dude, the Night’s Nexus is the least threatening, nightmare fueled abomination that ever existed. I get that its growl is kinda supposed to be layered with Edna’s or sth, but it, it just sounds silly. If they went the route of just swinging between different voices or began distorting it from phase to phase, it would have been fine. But the choice they made really made an otherwise creepy design just absolutely silly.

Ok, enough jammering, on to the good stuff. Like I said, there’s going to be a lot, so I’ll try to be brief in each aspect.

Gameplay

I honestly like the new battle mechanics more than the old ones. This individual, turn based system feels way more dynamic and it’s easier to strategies in battles. Because nothing made me more angry than setting up for a heal and the enemy suddenly being faster than me and killing my healer. Now it’s easier to plan ahead a bit.

I also found myself experimenting more with the jobs. Not sure what it really is, but none of the party members leaning more towards certain types of jobs and the job leveling being way faster probably helped.

And I know some people get up in arms because the boss sometimes can be a real pain in the ass (looking at you pope dude), I still found it very interesting getting around counters or even using these counters as a benefit. As an example, I made Adelle my main physical fighter and gave her lots of counter abilities to help her profit from being countered by enemies themselves. Now, she can attack enemies, get countered, automatically evade that counter and earn a BP at the same time. Made a lot of boss fights way easier and fun to exploit.

Music

Ok, I will try my best to be really, really brief, because in my recording this part takes up almost 40 minutes. Anyways, Revo might have just become one of my absolute favorite composers ever. I don’t know what kind of magic he used, but I initially wasn’t that impressed with the OST, but every time I listened to it, I just fell in love harder and harder. Before getting into specifics, I wanna highlight the two things that made me love this OST overall. First of all, this soundtrack almost seems like a refinement of BD’s. While losing some of that fairytale vibe, it sounds even more fantasy now. And in contrast to the original, this almost sounds more balanced? Like, BD’s OST felt high energy throughout, BD2’s on the other hand manages to find a good balance between high and low energy pieces. Like, the character themes or battle themes are absolute hype, but the overworld themes are a lot calmer and easier to listen to while exploring. Second big point that makes this soundtrack amazing is that Revo is an absolute god at using emotional progression/storytelling and leitmotifs in his songs. And heck, do I love myself my leitmotifs. You’ve got some obvious ones, like the final battle theme in which all the character themes and other leitmotifs are integrated. Then you got some maybe more subtle once, just like how the overworld themes are just the main theme, just a lot calmer and using the lead instruments of the towns of the areas.

But my absolute favourites gotta be the character themes and the main theme. I love how fitting the themes for the characters are and in general, each of them is such a bop. At first I prefered Elvis’, because I sure am a sucker for jazzy vibes, but over time Adelle’s became my fav. It’s just something about the trumpets, and how the theme almost sounds a bit melancholic and bittersweet, that drew me in. And considering her story, mostly her bad end, that the bittersweet tone really fits.

Then there’s the main theme. Just like BD’s it shouts “triumphant anthem” and it definitely gives you a very familiar vibe, but I’d argue it has even better emotional progression. Heck, the first time I heard the music start up in the reveal trailer, I didn’t have to look at the screen to know this is gonna be a BD game. Also, the credit song version had me weeping at the true end. I’m someone who’s very easily affected by music (if me shouting about soundtracks on this blog wasn’t proof enough) and just hearing that ending song, getting the after credits scene, just for the second credits to start as a freaking duet. Dude, at that point I just started sobbing, I’m not gonna lie. Just this little part showed how much Revo knows how to put emotion in a song and also write it in such a way that he can elicit strong, emotional reactions from you too.

Story

People have been complaining how the story is too boring and kinda disappointing in comparison to the last one, but I just think the games tried to accomplish different things here. Since the BD series is a celebration of old, classic jrpgs, “cliche” storytelling is a given. Though, BD did throw a lot of meta stuff in there too. BD2 in contrast just feels like a direct execution of that initial idea. It feels familiar, it feels comfy and it feels safe. Except for the little things with the endings and then overwriting the Nexus’ “save file”, BD2 doesn’t really get that meta, which is totally fine. It doesn’t try to reinvent or innovate anything, it just wants to be a fantasy story, that might be cliche, but still fun and enjoyable in its own right.

I’d also argue that the pacing is a lot better than the old game, because with BD I sometimes found myself skipping through scenes to get on with the story. Not that this game didn’t have me rushing through stuff as well, but I found it kept my intrigue way better than the original.

Characters

Next to the music, this is the part that I absolutely love the most. While, yes, they did lose a lot of potential with some characters, mostly with the villains, the main cast is just so much fun. I love these 4 dorks so, so much.

I honestly can’t stand how much people compare them to the original cast. Yes, ofc, I’ve been doing my fair share of comparisons too, but calling these four a more boring version of BD’s party physically hurts me. Because except for some initial impressions, the Heroes of Light are completely different from our beloved Warriors of Light.

While yes, Seth and Gloria give off strong Tiz and Agnes vibes at first, they both grow into such different characters that they’re not really comparable. I think this shows with Adelle and Elvis even more. I do understand how people could compare Adelle and Edea, since they’re both the feisty girl type, but I can’t understand how people can see Ringabel and Elvis as the same character type. While those two are the “suave” party members, they act so differently from another. And that’s honestly apparent the first time you meet them.

Anyways, I love these 4 so much.

We technically don’t know a lot about Seth at all, but they manage to pull so much out of just the fact that he’s a sailor, that it makes him really endearing, really fast.

I was kinda disinterested with Gloria at first, because again, the initial impression was Agnés2.0, but she grew on me a lot. Gloria is way more hard headed and honestly sassy in comparison to Agnés and I absolutely adore it.

Elvis. Elvis, my man. I love this fantasy scottosh wizard so, so much. He’s such a ridiculous character but so endearing at the same time. You got all this dorkiness, with him setting himself on fire as a student, him doing god knows what for a good drink or just laughing danger and prejudice in the face. But then you got his super empathetic and caring side. Mind you, most of his wise moments come from quoting Lady Emma, but still, as much as he’s hopeless with certain social situations, he’s actually still really good at reading the room and playing things smart. He’s a smart and powerful idiot, which makes him a danger to everyone and himself, and I love him for it. (I also can’t believe they called him Lesley I MEAN COME ON)

And then there’s Adelle. I liked her from the start, but I didn’t think she would stick out to me. I think now she’s my favourite character. Not even talking about all the stuff that happens in chapter 3 and onward, because these story threads are awesome in their own right, but there’s just something about her personality that’s interesting and appealing to me. Like I said, I’m not surprised people compare her to Edea, I did too at first, but while Edea walks very close to the line of a Tsundere, I was really surprised that Adelle is, well, not a Tsundere at all. Yeah, of course she’s putting Elvis down a lot, but that stems more from her preventing his ego from going to his head than her being all embarrassed. No, Adelle is actually really well adjusted when it comes to communication. While it’s hilarious that she and Elvis met with her chucking her shoes at him, the two just got along well right from the start. Adelle in general has this really open and helpful personality, but also doesn’t shy away from putting her foot down, even if that sometimes comes out as an embarrassed sputter. She’s also the mother hen of the group. She looks out for the other three and gets concerned about them real fast.

I dunno, Adelle just really grew on me over the course of this game, and then her kinda being paired with Elvis too, as partners and as partners, makes me like her even more. Because as much as I like their personalities individually, I like their character dynamic even more. I honestly love the relationships between all four of them a lot. You really feel them grow closer as friends and all the little character sidequests just always made me really happy.

Conclusion

You might not believe me, but I really held back there. This could probably have been 3 times its length. As much as I love this game, it’s of course not perfect. It struggles and flails in some parts a lot and it certainly has some aspects that might turn people off. But for me, it was just a very familiar and comfy game that didn’t necessarily deliver anything new, but that told its story in such a way that it still got me excited to keep going. The soundtrack is absolutely amazing and the conclusion of the story actually got me to cry. While not groundbreaking, this game is highly enjoyable and leaves you absolutely satisfied at the end.

Also, I would like to iterate that I am desperate to get more content about this game, so if you wanna chat about it, hit me up.

Anyways, anyone else felt like having a fever dream when everybody in chapter 2 started talking fantasy scottish? Cos I sure did.

#bravely default #bravely default 2 #bd #bd2 #fanart #review #ramblings #seth #gloria #adelle #elvis #elvis lesley

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ka-za-ri · 4 years

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Obey Me wants to do Too Much and in an attempt to please the fans, it’s failing them instead.

Based on the post @1abbie7 made regarding the common complaints players seem to have with OM and its choices as a game. I just wanted to put my two (very long) cents in while looking at OM as if it is the gacha game it truly wishes it was.

MAJOR DISCLAIMER: this post is based on my experiences and is not a reflection of the community as a whole. These are observations and personal thoughts and should be taken with a grain of salt. Also, please feel free to discuss or correct me if I have any of the information wrong. For reference, I’ve reached 5-3 in OM!, 9-2 in AL, and 6-17 in AK.

Now that we have that out of the way… ON TO WHAT I WANT TO SAY. Buckle in folks, I’m rambly and I have a lot to say. Obey Me! Has a lot of potential, and it’s a shame that a lot of things Solmare does are not helping it grow in a way that it could.

So this post is MOSTLY going to be comparing Obey Me!’s (OM) gacha and gaming experience with Azur Lane (AL) and Arknights (AK) since I feel like both those games have a very good f2p model and don’t really have any PvP/Ranking system that affects the main gameplay. I will have other examples from other games that I’ve played before as well.

Ignoring any issues with storytelling and plot holes, since I feel like there are people who are much more qualified to speak upon that than I am, I’m just going to look at the more game and gacha experience.

EVENT SPACING, GAMEPLAY, STAMINA REFRESHES:

OM! As far as I know, is marketed as an Otome game with gacha and … Rhythm??? Game??? Elements? (I’m not quite sure how to even describe the ‘battle’ stages tbh) to break up the story stages. With the battle stages being the main way you can farm for materials to power up your cards, the bottlenecks that are built into the game are surprisingly super frustrating.

OM! Does not have an auto battle option, but it does make up for it by allowing you to sweep the stage once you’ve received 3 stars. This does make resource farming much quicker, but this also means that your stamina will disappear faster than ice in a desert. Coupled with the fact that the battle stages don’t really have much interaction or strategy for a good portion of the beginning of the game, there’s no real replay value in trying for older stages unless they have the resource you want to farm.

I guess I can let this pass since interaction isn’t what’s really marketed, but it IS important to keep your audience logging in and eager to play. At Level 40-ish, my current stamina cap is around 70. WIth the average stamina cost of a regular stage being 5 AP, and the hard stages being 8. This means you’ve got 14 normal stages and less than 10 hard stages in a full bar of stamina. Assuming I log in twice a day to get the bonus AP, that’s really not a lot of stamina to work with and just enough to maybe get through my dailies.

Having that little stamina makes farming resources exceptionally difficult especially for the high requirements needed once you get about half-way through a devil tree. Add that to dealing with farming event points almost constantly, with your limited stamina pool, you’re pretty much forced to purchase extra stamina to meet the requirements to finish said events to get the rewards. Assuming you spend all of your daily Devil Point reward on Stamina, that’s only 180 stamina a day which makes for a really tight run IF you’re aiming to get everything in an event.

ADDITIONALLY, this is also the fact that events and new lessons don’t seem to be announced prior to them dropping. Almost every gacha game I’ve played before will give you a few days notice before an event drops whether it be via Social media or through in-game mail. This is to mainly generate excitement and allows players some time to prepare, whether it be hoarding what stamina refreshes they have or saving premium currency for gachas to hopefully get the chase card/unit that they’re looking for. Not being able to prepare makes it difficult to stay engaged considering you CONSTANTLY have to have resources/stamina to partake in all the events and you can’t plan accordingly.

AK announcing the current event two days prior to it starting in game and on twitter:

AL’s announcement on the 12th, almost a week prior to it starting. Maintenance was on the 17th when the game reset.. (In game notices update regularly and I don’t have a screenshot of what it would look like since maintenance has already passed.)

OM! basically giving people on twitter about 24 hours notice of a new event dropping followed by announcing that the new lessons are available on the day it drops:

I understand that OM! Devs may want to keep the new cards a surprise to players. If stats and skills played a more prominent role in the game, maybe there would be a better way to tease these events to build up hype. As of right now though, it feels like a surprise slap in the face to force players to purchase currency in order to maintain that stamina requirement. IF Solmare is adamant about having back-to-back events, at least provide players with a roadmap or a calendar so they can pick and choose what’s important to them.

Just… Don’t let it become like the FEH calendar…

Please, do not let it become like this.

In my opinion, it feels like OM! Has a bit of an identity crisis. It sorely wants to bank on the money making powers of a gacha game while also clinging to the claim that they’re an otome game revolving around the plot. It’s hard to really promote the plot when it’s locked behind a power requirement that a majority of players will not be able to reach.

With how difficult it is at the end game, players are most likely going to look for transcripts or screenshots of new lessons instead of playing the main storyline in order to save what little they have for the constant limited events. Either give the players time to recoup resources to prepare for your events so they can pull for all your new cards or lower the difficulty cap to give players the story you’re emphasizing so much.

Tl;dr: back-to-back events will burn out players and not announcing them prior does not allow players to prepare resources, forcing them to drop money on the game. The amount of stamina it takes to complete an event AND level your cards does not make it f2p friendly.

GACHA RATES AND PITY SYSTEM:

Call me spoiled, but I feel like OM! ‘S banner rates are too low. Consider the following image for the current banner pool:

That’s a combined 1% to get your UR and that’s still not going to be guaranteed to get what you want. Consider the following rates from other games:

Azur Lane:

(Ultra Rare was a new rarity that was added with this new banner. Before that the highest rarity you could pull is a Super Rare)

Arknights:

Fire Emblem Heroes:

Final Fantasy Brave Exvius: War of the Visions

For a game that’s always introducing new cards, you’d think that OM! Would maybe consider raising those rates so people won’t be so heartbroken when they don’t have enough currency for a 10 pull. (Especially if they have been spending what Devil Points they have on stamina to complete event stages) Yes, a majority of banners have bigger pools and the chance for a specific 6*/UR/SSR is ultimately lower; but considering in OM!, you have stories and characterization locked behind devilgrams connected to these cards, the rates are pitifully low. At least in the other games listed, the units/cards/operators/ships aren’t tied to stories.

I will say, the pity system isn’t absolutely abysmal. Keep in mind though, this is based on the assumption that you’ve saved up for 100 pulls. Considering how difficult it is to save that much currency while being f2p 100 pulls per banner is a tall order and impossible without the help of goldie or somethin. The frequency of new cards along with the difficulty obtaining gacha currency creates an extremely predatory model of currency purchase. With no guarantee of when event banners will be rerun, you’re pretty SOL if you make it half way through this pity system and you’re sitting on shards you can’t use.

Players will get tired of this model mega fast. Especially with these kinds of rates. Assuming that your luck is the worst on earth, you need 2,700 Devil Points to reach the pity breaker. That’s more than two packs worth of Devil Points. So we’re looking at over $160.00 USD to get a guaranteed UR. Seeing as new banners come what feels like every two weeks or so, you’re looking at over $300.00 USD a month JUST for the gacha. If OM! Was purely a gacha game without such a heavy emphasis on the characters and the stories/scenarios they unlock, I might be able to overlook it. However, since the cards themselves unlock cheats for events and outfits and devilgram scenarios, that’s a steep price to pay, so I kinda just have to say… Yikes.

Tl;Dr: For a game that has so much content tied to limited cards and events, gacha rates for OM! Feel too low. Pity system is average as long as you have the currency to complete all 100 pulls. The reason to purchase premium currency is predatory and likely will not be sustainable in the long run.

MONTHLY PACKS AND PREMIUM CURRENCY

So, we can agree that if you don’t have some cash on hand, it’s not going to be a real fun time to play OM! So, where do you spend your money? Let’s take a look at what they offer in terms of premium currency and how far that will get you. It’s also almost 3AM here and I’m losing my patience and filter, so excuse me if I sound more angry here than in the rest of the post.

So, here’s the basic Devil Point Shop for reference:

If we equate Devil Points to stamina, you’re looking at about 100 stamina per dollar you spend. But let’s be real, Solmare makes their money off of gacha and them pretty pngs ‘cause y’all want those spicy devilgrams and sweet outfits for your secretary.

To even get a 10 pull, you’re looking at $22.00 USD worth of premium currency. (Why they didn’t make the $19.99 pack a full 10 pull is BEYOND me tbh.) Now most gacha players that I know who are willing to go all in on a specific banner will want to spend a pack, which means they’ll go for the most expensive option as it is the most bang for your buck. That’s an $80.00 pack for approximately 4 10 pulls and some change. Let’s compare that to the price of some Originite Prime from AK:

It takes approximately 33 OP for one 10 pull in AK. 1 OP = 180 Orundum (currency used for gacha) Keeping this in mind, if you don’t count the first time purchase bonus, at first glance, it’s overall more expensive to purchase this currency SOLELY for gacha purposes.

Here are the packs offered for AL:

If you’re using gems to purchase the cubes needed for the gacha, it takes about 600 gems for 1 10 pull. One pack will net you about 8 10 pulls. Out of all the models we’ve looked at, this is honestly the most value for your dollar specifically for gacha purposes.

Take into consideration what the premium currency is used for. As stated above, 1 DP = 10 stamina. 1 OP = 1 Full stamina refresh in AK, so that’s a pretty equivalent exchange rate. (I won’t go into the AL stamina and gacha system since it differs too much from OM! To really make a good comparison.)

But, what else can DP do? A quick glance under the “Items” tab in the shop, you’ll see that it can also purchase Keys to read your devilgram stories (integral to your gaming experience), Demon Vouchers for summoning, Glow Sticks to help you in battle (Integral to gameplay), and consumables for your Surprise Guests to raise intimacy (arguably connected to gameplay). Compare this to what you can purchase with your OP outside of summoning currency in AK: Furniture (cosmetic) and Skins (Cosmetic). That’s it.

What I’m trying to say here is that Solmare has made DP the currency for so many things that affect the game itself. This subtly pressures the players to purchase DP in order to maintain the same quality of life that they might have experienced at the beginning of their gaming experience when the level ups came fast and when the rewards were plentiful for completing all the beginners quests.

“But wait!” you say. There’s ways to earn DP passively through dailies! You’re right! You’re given 18 DP per day for completing your dailies. That equates to 1 10 pull per 2 weeks if you’re diligent in keeping up with all your quests and log in daily. Comparatively, AK will give you 2,800 orundum per week for completing all your quests and the weekly annihilation runs, so just short of 1 full 10 pull in the game. However, AK gives you the specific currency used exclusively for gacha. This leaves your OP relatively free to be used for stamina refreshes, or you can hoard them for when new skins come out, or you can use a few to supplement your missing orundum for a banner pull.

Without knowing what could be coming up next in terms of events and banners, OM! Makes it very difficult for you to hold onto your DP due to the sheer stamina sink that events can be. Unless you’re really good at optimizing your resources, you’re likely going to be spending DP on things outside of gacha, making it difficult to save those 20 pulls in a month.

Tl:dr: DP is used for too many things that aid in gameplay which leaves less for gacha, forcing players to make a choice between moving forward in harder story stages or unlocking card specific stories.

Alright, but let’s say you don’t have enough for packs, but you still want to support a game. You don’t wanna whale ‘cause you got bills to pay, but maybe you’ve got enough to be a minnow or a very sad and small dolphin. For this, most people turn to those delicious monthly packs. Usually, the monthly packs or subscriptions are really a good bang for your buck. Usually, the bonuses that these packs provide will add up to a value that is much more than your initial investment in them. So, let’s look at what OM!, AK and AL offer, shall we?

Let’s break down what the VIP gives you since there’s quite a bit and it’s presented in a less condensed format. So, at first glance, I have to ask… “VIP login bonus?” What does that even mean? When you look at the details the description is as follows:

I’m sorry, what? This vagueness will not help sell this pack to me. Most monthly packs will give you premium currency right away that is equivalent to the amount that you paid. You can see that both AK and AL list this and also let you know exactly what else you get for the next 30 days. There’s no vagueness in what these packs provide.

Next thing to look at:

I’m sorry. What? I don’t understand why a max AP increase is the choice for a VIP perk here. This is banking on the fact that you’re going to be playing at max efficiency and will be under max stamina in order to take advantage of the refill timer giving you the extra AP. Why OM! Doesn’t just give you the stamina in your mail is beyond my comprehension. This is just saying “yeah, you could have more stamina if you’re playing this game and making sure you’re below your cap. I … no. Just why.

NEXT PERK:

No. This is useless for higher level players. Perks should benefit all players, not just your new players that you’ve tricked into spending money ‘cause this pack is only $9.99 a month. I’m so angry at this I don’t want to look at this anymore. NEXT.

This is a fine perk. Paying for easier passive resources is fine. I don’t have anything to say.. Next.

Oh thank fuck. An actual good perk. Passively getting the harder to get resources which cuts down on your already limited farming? Hell yeah. Also fine in my book. NEXT.

“Spend money to spend more money! Because we know this monthly deal ain’t shit!” is all I’m getting out of this.

Finally, I need to talk about this:

So… you’re telling me that for $10.00, I’m going to get $6.00 worth of DP and I won’t get the full value unless I STAY subscribed? If I cancel and then resubscribe, will that go back to 60 DP when I subscribe later? Why would you do this other than to give your players less than what they deserve? These packs are supposed to be designed to give you the value of your purchase and some extras as incentive to keep playing and coming back to pay. This just… as a first impression leaves a bitter taste in my mouth.

Also, let’s talk about the fact that you’re BILLED MONTHLY? Listen, I get that they’re trying to be ‘convenient’ so you can set this up and forget about it and reap the benefits, right? It’s about the same cost as a Netflix subscription, no big deal. But listen, that means they’re also banking on you to forget you even have this subscription if you’re a casual player and you’re going to continue to give them money Stop that Solmare. Bad.

I’m too tired to look at sales. Just as a quick glance. the discounts and deal are meh at best.

Tl:dr: Monthly pack is underwhelming and likely not worth it. Automatically being billed monthly is the worst thing I’ve seen all week and this was written in 2020.

SOME SUGGESTIONS? IT’S NOT ALL BAD, I PROMISE.

So, how can Solmare improve? OM! Is honestly one of the most stylish otome games I’ve seen and has a lot of potential to continue growing its player base if the devs directed their energies in the right direction. Right now, OM! Suffers due to the fact that it’s trying to do too much in too little time. For a game that’s less than a year old, it’s pushed out enough content in the last three months to last six. Dialing back the gacha and collecting elements to focus on the story and a slower pace would really help, if you ask me.

OM! Really needs to slow its roll. Events are losing their impact from being rolled out at such a quick pace on top of current pop quizzes, new lessons and banners. Every week I feel like I’m watching the more hardcore players yell at having too much to do when everything is layered on top of one another. This is not inherently a bad thing. Having a lot to do keeps the player base engaged and excited for your game.

The problem arises when you’re not giving your players any time to recover from events and just throw things at them all the time. Finding a good balance between events and downtime is difficult and it likely won’t happen overnight, but it would be nice to see them maybe give a week or two to really let the impact of events sink in and let players really find time to nurture or use the new cards/rewards they just got.

First step in the right direction would be giving more notice prior to events and lessons. Just something more than 24 hours before, or the day of. Not providing a notice makes it feel like these things are being rushed.

If Solmare is adamant about keeping the pace it’s set up, then give us a roadmap or event calendar of when new lessons or pop quizzes are coming. They can keep the details of the lessons and quizzes limited until closer to the actual dates, but at least this will let players prioritize where they want to put their resources.

Gacha rates for URs being raised to 2% would likely make a reasonable difference. When so much story and cosmetic content is tied to a UR or SSR cards along with their frequency, it serves to likely benefit them to make it more accessible to players. Locking so much behind luck and a paywall makes it more obvious that they only care about the money that they can get from the diehard collectors in the game.

Make skins obtainable by DP. Stop locking them behind event cards. Allow players to have easier access to cosmetic features. It’s a less predatory model than what they’ve got right now. Granted, Lonely Devil has sort of helped this issue considering they’ve grouped event reruns all in one place to play at your leisure, and if I remember some of the event cards have skins tied to them. Still, just… idk sell the skin on its own. It makes more sense than to pray that you roll that UR with the one 10 pull you have.

Make resources easier to obtain passively. I’m sure I sound like a broken record, but limited resources make this game difficult to enjoy. You’re barely through doing one thing to level up a card and you’re met with a giant wall of requirements for the next step. AL has commissions and the dorm, AK has the base. OM! Has Jobs, which gets you grimm and some items if you’re lucky, but it definitely needs expansion considering the power checkpoints late game.

Hell, just making some of those DP purchasable items actually farmable might help.

Get a publisher to work with you. I know Solmare has been around the block and this isn’t the first otome game they’ve made, but I definitely think working with a publisher who’s familiar with the ins and outs of a proper gacha helping them will benefit them. Having a publisher will help ensure that there’s adequate funding for the game to be as good as it can be. Not only that, you’re looking at a better social media presence which the player base can interact with and get more attached to.

Literally, having a publisher could solve so many pacing and announcement issues since they would be in charge of when events come out and likely has a better eye on how players react. This way, Solmare can concentrate on making the content as quality as they can and not inundate people with a new lesson or event as soon as it’s done.

Tl:dr: Solmare, please get a proper publisher so they can help with quality control and balancing your game. Please. I’m begging you. You have so much going for you please don’t let this game die before it turns a year old.

Ok. it’s 4 AM and I spent most of the day writing this post. If you’ve made it this far, congrats and I’m sorry for being so rambly. I’m so sorry if none of this made any sense in the end. I’m sure there are points that I’ve missed out on like stage replayability and a more engaging battle mode, and the lack of any sort of meta which makes the lower rarity cards you pull feel completely useless… but uh… I can’t think anymore and I haven’t had time to farm in my horny ship girl game. Feel free to let me know your thoughts or discuss!

Thanks for your time and I hope y’all have a good day. Happy romancing some demon boys!

#Obey me!#Some long winded critiques #this is barely edited I'm sorry for any errors you might find

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monday--vibes · 5 years

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Forcefully Optimistic: Spider-Man’s Exit From the MCU… Might Not Be Completely Terrible?

I’m not a big lover of Disney as a corporation, but there’s no denying that they’ve done some pretty amazing things with the MCU. So when the news first broke about this little lover’s spat between Sony and Disney over everyone’s web-slinging spider-child, I was (appropriately) devastated.

Then, because I both have no life and have a great love of knowing things, I started digging, sorting out the facts and the speculation and then taking a good, long look at what this means for Peter Parker and the Spider-Man franchise.

And I realize… maybe—just maybe—this isn’t completely horrible.

Let’s break it down.

The Facts:

As is the case with anything that changes and develops super-fast, there’s a lot of uncertainty and incorrect information floating around, but here are the facts that everyone can seem at agree on.

Tom Holland is still under contract to appear as Peter Parker/Spidey in a third Spider-Man movie; Jon Watts is being considered as the director for this third movie but, as his contract wrapped up with Far From Home, this isn’t a sure thing.

Under the current contract, Sony has the distribution rights of and creative control over Spider-Man and Spider-Man related characters; Disney, meanwhile, receives 5% of first-dollar gross (meaning that Disney would get 5% of ticket sales, no matter if Sony made a profit or not) and the right to include Spidey in the MCU. Disney already owns all the merchandizing rights for the character.

Disney also suggested that it get involved in other Spidey-related movies, including the Venom sequel. (For a price, of course.)

Under the contract initially proposed by Disney, the two companies would co-finance future Spider-Man movies, essentially splitting both costs and box office revenue 50/50. Therefore, while Sony would have to pay less to produce future films, the company would take a huge cut to their profits and would loose a considerable amount of control over Spider-Man and the related characters.

There are rumours that Disney has come back to play, offering a six picture deal wherein Disney would co-finance all Spider-Man related films, splitting costs and box office revenue either 30/70 or 25/75 split in Sony’s favour. Right now, neither company has confirmed this.

Sources:

https://www.businessinsider.com/sonys-spider-man-deal-with-disney-and-marvel-studios-explained-2019-8

https://www.vox.com/culture/2019/8/20/20825631/spider-man-marvel-sony-dispute-mcu-deal-film-rights

https://deadline.com/2019/08/kevin-feige-spider-man-franchise-exit-disney-sony-dispute-avengers-endgame-captain-america-winter-soldier-tom-rothman-bob-iger-1202672545/

https://boundingintocomics.com/2019/08/23/rumor-marvel-and-disney-offer-new-deal-to-sony-to-keep-spider-man-in-mcu/

The Speculation:

In Endgame, we saw the metaphorical baton being passed on to the next generation of superheroes as Black Panther, Captain Marvel, and—yup—Spider-Man played the most high-stakes game of Hot Potato ever while trying desperately to get the Infinity Stones to the Quantum Tunnel. This cemented Peter as one of Marvel’s new Big Three, meant to replace Iron Man, Captain America, and Thor.

It also, when combined with the current contract between Sony and Disney and the commercial success of Homecoming, Far From Home, and just about every other Marvel movie ever, undoubtedly resulted in Sony laughing all the way to the bank.

After all, it was their intellectual property that Disney just set up as a cornerstone for future Marvel movies.

However, Sony is also in the rather precarious position where its most valuable franchise, by far, is Spider-Man. Far From Home racked in twice as much money on its opening weekend than Sony’s second most successful film of 2019, Once Upon a Time in Hollywood. The latest installment of Men In Black, which was made by Sony-owned Columbia Pictures, has yet to break even at the theatres (and, at this rate, it probably won’t).

Source: https://www.boxofficemojo.com/studio/chart/?view2=release&view=parent&studio=sony.htm

Plus, Sony’s had a pretty spotty history with Spider-Man movies—the Raimi trilogy saw a steady decrease of gross revenue across all three films, and The Amazing Spider-Man, directed by Marc Webb, were… not received kindly. Let’s leave it at that.

Venom, for all that it was a box office success that racked in more than US$ 850 million over the course of its run, was pretty much summed up as ‘meh’ by critics, making the success of its sequel not the shoe-in that Sony would surely like. The only Spider-Man movie that’s been an absolute critical success was Into the Spider-Verse.

And, even though Sony has a whole slew of Spider-Man related movies announced, including Morbius and a Venom sequel, they’re still missing their star character—the web slinger himself.

There’s no way that Disney isn’t aware of this, of course, and considering how successful they’ve made the Marvel brand, plus and their ability to churn out (mostly) decent superhero movies year after year, it’s clear that they have an edge over Sony on that front.

However, if Into the Spider-Verse’s critical success and Venom’s financial success are any indication, it’s also clear that Sony’s been paying attention and taking notes—at least as far as superhero films are concerned. This contract breakdown could be the perfect(?) opportunity for Sony to bring Holland’s Spider-Man under their own brand, using Marvel’s successful adaptation of Peter Parker to help bolster their own Spidey Cinematic Universe.

The “Why It Might Not Be Completely Horrible”:

Whew. That was long. Okay… Let’s keep going.

Right now, we’re in this really not-good point in time where companies are merging and consolidating faster than ever. In some ways this is good, because we get standardized service across different brands and we get the possibility of an X-Men/Avengers crossover.

In other, bigger ways, though, it’s… very much not-good.

1. Oligopolies are bad for creativity.

Oligopolies are the business version of oligarchies, where a small group of people (corporations) hold all the power. Sound familiar?

Right now, Disney owns the rights to all the Marvel characters (except Spider-Man), which according to the Marvel Database Wikia, is more than 60,000 characters. The only other big player out there for superhero movies is, of course, Warner Brothers, which owns the DCEU. You can’t get much more of an oligopoly than that.

Adding one more player to the mix—Sony—doesn’t help this problem much, but it does help to distribute the characters out, giving movie goers more ways to vote with their dollars if a major company makes something that they don’t like.

Big corporations only really care about one thing: lots and lots of dollar signs. When consumers don’t have a choice where they get their consumables from, those corporations know that they’ll make money no matter what, and so they have no reason to innovate and no reason to push their creativity.

And, they don’t have any reason to listen to consumer wants or needs, either.

The result? Complacent corporations, consumers who are ignored, and a stagnant movie culture.

2. Marvel is bowing under its own weight.

With 23 movies, five discontinued series on Netflix, plus at least seven more Marvel series set to stream on Disney+, the MCU is easily one of the biggest movie franchises out there. And that doesn’t even count all the preludes, novelizations, and other add-ons.

My point is, the MCU is really, really big, and all of this bloat is starting to show.

The most recent example of this is in Far From Home, when Fury brings Peter to the underground layer and we first meet Mysterio. When Peter asks why Dr. Strange, Thor, or Captain Marvel aren’t involved in handling the Elemental threat, Fury flippantly tosses out a series of vague excuses.

And we only cover three characters, too. If Strange isn’t available, but we’re still dealing with a guy who—it seems, at least—is wielding magic, why can’t Wong step in to help? Or at least consult? Why not call in Scarlet Witch?

We see this in Endgame, too, in the final fight scene. While it’s a great scene, I’ve heard a lot of people question why Carol Danvers even needed help getting the Infinity Stones to the Quantum Tunnel, or why she couldn’t be the one to snap her fingers. After all, she took the full force of a single Stone when she was fully human and ended up fine, so why wouldn’t she be able to withstand (or withstand better than very-human Tony) the radiation let off why the Snap?

Sure, this sounds like nitpicking, but it’s a problem that’s going to have to be addressed over and over again as we see more MCU films. Why is this character facing this conflict? Why can’t another, better suited character handle the problem instead?

As writers, we should always be asking why we’re putting a certain character in a certain situation—it’s one of the ways to ensure that our plot is an effective one. However, if the answer is “because if I put another character in their place, the plot would be resolved too quickly”… perhaps the conflict or the character choice needs to be revisited.

3. Peter’s never been allowed to stand on his own two feet.

This new, younger, less mature Peter is an absolute delight on screen, and Holland does a fantastic job bringing him to life. In particular, this worked really well for Homecoming. As the first movie that really focuses on how the ‘regular’ world is affected by the Avengers, it’s interesting to see how this happy-go-lucky teenager sees a world that is, once we really get to explore it, surprisingly different from the real world we live in.

However, the MCU has since spent most of its time exploring what makes Peter special, as opposed to what makes him so relatable—one of the very things that made him such a popular character to begin with.

With Thanos’, the Vulture’s, and Mysterio’s motivations being completely unrelated to Spider-Man’s own motivations in the movies, he doesn’t ever have to question his own motivations, opinions, attitudes, or beliefs, meaning that he doesn’t have to grow.

And when the conflict of the movie does catch up with him, he doesn’t have to think his way out of things in the same way that his comic book counterpart or previous movie iterations have always had to do—someone else will always show up. In Homecoming, it was Iron Man; in Endgame, it was Danvers; and in Far From Home, it was Happy.

And, because these MCU Spider-Man movies all always working within the confines of a larger universe, they have to always spend time setting up conflict for other characters and other movies. This takes away valuable screen time that could otherwise be spent deepening his relationship with other characters, allowing him to explore his own thoughts and feelings, or establishing his character growth.

Taking Spidey out of the MCU will let us go back to basics with his character, so to speak. By necessity, Happy, Danvers, Fury, and the Skrulls won’t be in future movies. If something goes wrong, then, Peter will have to use his own grit and intelligence and resourcefulness to get himself out of his messes, grounding the stories of possible future movies in a sense of realism that’s sense escaped the MCU (for better or worse) and better allowing him to learn and grow from his mistakes.

4. It pairs Peter up with his greatest nemeses/anti-heroes again.

As great as it was to see Spider-Man team up with Avengers, the most obvious down-side, I don’t think, as missed by anyone: if Spidey’s hanging out with another corporation’s IP, then he’s not allowed to hang around with many of the 900 plus characters developed in his own world.

With Venom being as successful as it was, having Spider-Man under Sony’s banner means that the Venom versus Spider-Man rematch we’ve all been waiting for is all the more likely. We could see the Black Cat cinematic appearance that was teased in The Amazing Spider-Man 2, but was never explored. We could see Peter interact with Sable or Kraven the Hunter, both of which have movies in Sony’s line-up. The possibilities are nigh endless.

…

Or, of course, this could all go down in a giant dumpster fire. But let’s not think about that too much, eh?

#mcu #sony #spider-man #disney v sony #marvel #i'm seriously trying so hard to be optimistic right now guys

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equivvitch · 7 years

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Fassathon: A Summary (Part I)

So, this summer, in the year of Our Lord 2017, I decided to do something stupid and unnecessary, as I do, by watching every single theatrically-released movie Michael Fassbender has been in thus far. Every single one. I dubbed it the Fassathon and didn’t rest until I was finished. (I know a lot of his early career was in television and in television movies (trust me I know the only thing I have to type in my search bar is “im” and his IMDb page pops up automatically) and given more time I’ll probably watch some of those but for the sake of not having to watch like seven more movies I granted myself that leniency.)

All in all, I’d say it took about two months. In total I believe I watched 24 movies, having already watched five beforehand (the new X-Men trilogy, Shame, and Jane Eyre) for a grand total of 29 damn movies (full disclosure, one was a bonus which you’ll see eventually but whatever). Some of them were actually ones I needed/wanted to watch but a lot were….not.

In any case, for the sake of posterity and making myself feel better about being a dumbass, I decided to write up some kind of summary piece about it, so that’s what this is. It got fuckign long so it’s gonna be divided into three parts: two just reviewing the movies and one with some summary thoughts.

This is part one, but first, it wouldn’t be a post by me without eighty disclaimers so let’s get that out of the way first:

This is all subjective obviously. Keep in mind I had to watch all of these so a lot of times I tended to compare them more to themselves than films as a whole. I tried to see the big picture after the fact but when you have 28 films to watch you tend to get hyper-focused on the task at hand. Also I’m not a film critic. I’m just an asshole and a dumbass, a dumb asshole if you will. I am interested in film theory but that means about jack since I have no formal education in it.

It should also be noted that a) Fassbender’s performances in these movies were almost uniformly excellent. The man can carry a movie on his goddamn back and often does if required to do so. This was noted consistently to the point of it being funny in the reviews of each movie. b) A lot of these are British movies. They’re not Hollywood. Just…..pointing it out. And c) I’m 1000% attached to some of these films/franchises outside of this “challenge.” X-Men in particular and also Jane Eyre I’m invested in deeply so that might affect my ideas.

That out of the way, without further ado, some reviews, thoughts, and recommendations:

X-Men: First Class (Erik Lehnsherr)

Rating: 8/10

Quick Summary: At the height of the Cold War, Charles Xavier and Erik Lehnsherr meet under unlikely circumstances and form an even more unlikely bond. They end up with a common goal in defeating a ghost of Erik’s past, Sebastian Shaw, who is determined to cause nuclear war between the U.S. and Soviet Union in hopes of destroying all humans and making way for mutant rule. The two set out and put together a team of mutants to help combat him, but push their relationship in the process to an unfortunate breaking point.

Some Thoughts: I have watched First Class so many times you have no idea. Understand, I once did a full rewatch of this movie for the sole purpose of fact-checking a post that was talking about how many times Charles says “Erik” throughout the movie. I sat there and tallied them by rewatching the entire thing. I love this movie to pieces, so I really have no ability to objective over it. Because of that I do know its flaws pretty well, trust me. It has issues (coughs about the ridiculous awful romantic subplots), but I really do think it’s a strong film and an interesting start to this quasi-reboot. Ultimately it’s a movie about the relationship between Erik and Charles, so that is its strongest point. There are some big shoes to fill, considering Sirs Patrick Stewart and Ian McKellan had the roles first, but McAvoy and Fassbender do a great job with it. It was stated in interviews that McAvoy was cast first and then they made the guys going out for the role of Erik read with him to cast a chemistry instead of a person and it shows. It really is shot like a love story, especially when the B-plot is an explicit romance between Hank and Raven. In my opinion it’s a fun ride, watching everyone meet and use their powers, train together and learn together. The ending is not that happy and I always shake hands with movies that dare to do that, especially big films like this (see GotG 2). It can be silly and frustrating at times, but after Last Stand I feel like we could only go up. I know some people really don’t like this movie which? I guess I’d like to hear from someone who doesn’t to understand why. That being said, Armando deserved better. Fuck his nonsensical death.

Warnings: Montages? Also some violence. Not a ton but what’s there sticks in your head.

Recommend?: Yeah! If you like superhero movies this is a pretty solid one.

X-Men: Days of Future Past (Erik, but this time in the 70s, and with less turtlenecks and more scarves)

Rating: 9/10

Quick Summary: (This plot is so convoluted I’m going to have to be vague otherwise this could take years.) In an apocalyptic future these robots called Sentinels are murdering everyone, particularly mutants because at one point a guy named Dr. Trask got ahold of Mystique’s DNA and used it to make them indestructible. The always wonderful and patient Logan gets sent back to the past to try and stop this from happening. There he finds Charles in a terrible, drug-induced spiral having lost everything and has to attempt to get him out of it so he can help find Raven who’s gone rogue and wants to kill Trask for his experimentation on mutants. In the process they join up with Erik, courtesy of Peter/Quicksilver, which doesn’t go well, which no one could have ever seen coming. The whole thing comes to a head when Raven has to decide whether to become a murderer and risk an even darker future or let Trask walk free and go against what she believes in.

Some Thoughts: I remember so clearly sitting the theatre and seeing the first preview for this, turning to my family and joking about the really stupid title. Like “Days of Future Past? What kind of title is that?” It’s up there with Back to the Future in terms of dumb titles, but is somehow pretty much acknowledged as the best of the current three, alternate timeline movies?? In spite of its ridiculously convoluted plot, it’s a really solid film and has great character development for two of the big players, Charles and Raven. Wolverine acts as a familiar foundation and point of view for the story and grounds it as he often does. Charles has to learn to stop trying to control those around him and move on with his life despite past losses, and Raven has to make a pivotal choice for her character. The scene at the end where it’s flipping between the future and past and all the original cast and the new cast are fighting at the same time is really cool, and the character arcs are strong and satisfying. The only one who doesn’t change much is Erik, but arguably First Class was his platform for character development or, more accurately, regression. He doesn’t do anything that helpful (which is….true to form) but watching him lift an entire fucking baseball stadium, fly it through the air, and drop it on top of the White House is pretty rad. Also Quicksilver is incredible holy shit the way they do his scenes is iconic. Kind of confusing maybe, but it also retconned almost the entirety of the original timeline in a genius move to destroy Last Stand once and for all. It’s usually called the best for a reason.

Warnings: Wolverine gets stabbed by stuff and shot a lot but that’s par for the course

Recommend?: Yep! But you might want to have watched some of the other movies first. Watching it with no background would probably be….too much.

X-Men: Apocalypse (Still Erik/Polish(?) Lumberjack/Poster child for Man Pain™)

Rating: 5/10

Quick Summary: An ancient mutant named Apocalypse (or En Sabah Nur if we’re going to be technical) awakens in the midst of the 80s (because there must be a 10 year gap between each movie it’s a rule). He used to rule but now he doesn’t and he’s mad so now he wants to destroy the world or some shit and rebuild it in his image. He does this by getting together his four horsemen (get it) including Erik who is inexplicably in Poland with yet another family that gets fridged. The X-Men find this out and get together to take him down.

Some Thoughts: I can (and have) ranted about this movie for literal hours. I have some serious personal gripes with it and it annoys me to the point where I’ve blown it out of proportion so keep that in mind. That rating might be a bit low but this movie is mediocre at best. I guess the core of it is because the X-Men conflict is a lot more interesting when they’re up against some government entity or society as a whole rather than just some random villain, at least to me. This movie also does not have a strong foundation like the first two did, no solid grounding point. In XMFC it was Erik and Charles’s relationship, in DoFP it was Wolverine being the POV character, but in this we really have nothing. The stuff with the kids is probably the most interesting and I hope they do more of that in the upcoming sequel. It has a few good moments (Quicksilver’s scene and Erik dramatically throwing down giant steel beams in the shape of an “X” in front of Apocalypse as he switches sides to save Charles and co stick out in my mind) but it tends to drag otherwise. There are about twenty plots going on and it takes forever for them all to connect. The romantic subplot crap is a pain in the ass and dragging Moira back was particularly idiotic when you realize they once again gave her nothing to do in the final act except overlook Charles completely violating her personhood in the first movie by wiping her mind without consent so she can get back together with him. The shit with Erik’s Poland family is stupid even if it’s done well. Magneto of all fucking people does not need more man pain for god’s sake. Lawrence is so checked out she really might as well be a phone recording as Lindsay Ellis points out in her Loose Canon series on YouTube. The only one who really had any interesting development was Storm and I hope they keep on with her because she’s a really good character. There’s just not much there for me, or what is there isn’t of any value. I really hope the next one is better. (Probably a far-fetched hope but a girl can dream.)

Warnings: Lazy writing (and comic-book-movie-typical violence)

Recommend?: I mean you probably want to watch if you’re watching the series. It’s not the worst X-Men movie. I’m probably a little harsh on it. There are the Wolverine sequels. Still, if you’re not that invested, it’s probably not worth it.

Jane Eyre (Rochester)

Rating: 11/10 10/10

Quick Summary: Jane Eyre has lived a fairly unfortunate life, having been put under watch of her cruel aunt after her parents’ deaths and consequently sent to a boarding school that beats its pupils into submission, but remains strong in spite of this. She finds herself a new job as a governess at Thornfield Hall and soon meets its master, Edward Fairfax Rochester. The two begin to talk and form an interesting relationship in spite of their large age difference. Jane begins to fall for her employer, overlooking his rough exterior to the person underneath. Rochester reciprocates, but all is not well. Jane discovers her lover is hiding a dark secret and must decide whether to be true to her love for him or to herself.

Some Thoughts: I WOULD DIE FOR JANE EYRE TBH THE DAY NETFLIX TOOK IT OFF WAS A TRAVESTY. Really, though it’s such a good movie and very loyal to the book. It’s a period piece, but it’s very different from something like Pride and Prejudice, a lot because Jane is such an interesting character. I love her and Mia Wasikowska does a great job. Rochester is a bitch, but…..he’s a bitch with a good heart. Realistically he’s supposed to be kind of….not good looking? So casting Fassbender might have been counterproductive, but it does mean he has to compensate for his incredibly square jawline which can’t be hidden behind that shit sideburn beard with his acting, which he does very well. His charisma kind of helps to smooth over the fact that Rochester can be standoffish to viewers that aren’t prepared for him. He is no Mr. Darcy. The chemistry between the two is great and the story is really enthralling. The music is gorgeous and the ending is satisfying. Well-shot, well-paced, loyal to the original, just a great adaptation all together. It’s not a happy movie, but it has a happy ending. I really have nothing but good things to say about it. Please give it a chance if you’re even a bit interested.

Warnings: You might cry/a little blood

Recommend?: Yes!

Shame (Brandon)

Rating: 10/10

(Quick note: if you’re like “wow you sure aren’t harsh on these movies” listen this was back when I was actually choosing the ones I wanted to watch….so yeah….these are mostly good ones at first. There are definitely some bads on here….don’t you worry…)

Quick Summary: Without giving away everything: Brandon is a pretty normal man struggling with a sex addiction which he basically refuses to acknowledge at the beginning of the movie. His lifestyle is disrupted when his younger sister Sissy comes to stay at his apartment without asking him first. The rest of the film is about their complicated and mildly toxic relationship and Brandon dealing (and not dealing) with his addiction with mixed results.

Some Thoughts: This is one of those movies like Brokeback Mountain that just kind of….sticks on you. I felt that way about Silence of the Lambs too where you watch it and then you can’t really forget about it. Fassbender has worked with Steve McQueen who directed this film three times, this being the second, and they make a great pair. McQueen loves him some long takes and he does them well. His style of directing is unflinching to the point of it being uncomfortable which works well for the type of stories he likes to tell. It’s a very quiet movie, not much dialogue, but it really hits home. This really is one of Fassbender’s best of performances in my opinion. He can do a lot with just his expressions and it really shows here. The dynamic between him and Carey Mulligan who plays Sissy is really poignant. I probably could never do it justice with words alone. It’s difficult to watch, but worth it. It’s one of those movies where the protagonist doesn’t really grow, pointed out very blatantly here. True development hasn’t taken place, at least not yet. Whether or not you think it actually will after this is left up to how optimistic you are for the characters and the story.

Warnings: This is rated NC-17 for a reason. They do not shy away from anything and they do not cut you a break by easing into it. Translation: if you’re disinterested in becoming familiar with some very particular bits of Fassy’s anatomy I’d steer clear. Also strong warning for themes (and fairly graphic depictions) of self-harm.

Recommend?: I would never tell someone to watch this movie, but I would definitely advocate for it. Read the description (that a professional has written, not just mine fff), check the warnings, see if you’re up for it. This is one you need to choose to watch, not be forced to.

Macbeth (Macbeth)

Rating: 6/10

Quick Summary: Oh god, I still don’t remember the plot of this thing…. I swear I read it once but you’d be better off reading the Spark Notes or something. It’s based on the Shakespeare play (obviously) where this dude named Macbeth and his wife Lady Macbeth go around killing people to gain power because some weird ladies in the middle of a field told him he’d be king. Everyone fucking dies at the end per usual due to really ridiculous loopholes. A grand old time, as always, with Mr. ‘speare.

Some Thoughts: Listen pal I got food poisoning trying to watch this damn movie THE CURSE OF THE SCOTTISH PLAY IS REAL. But really, it’s kind of what you’d expect? All of this is coming from me, an idiot, who doesn’t remember the play super well and is shit at Shakespeare, so bear that in mind, but?? It stuck to the original pretty well. It’s played dead-ass straight, so know that right now. There is no humor in this movie ever; it’s completely serious. Also impossible to understand because it’s Shakespearean English in Scottish accents. You’d be better off with a background knowledge of the play I think. That said, the visuals in this movie are absolutely gorgeous holy shit. The ending fight scene is incredible. That alone made it worth the watch for me at least. Marion Cotillard who plays Lady Macbeth is amazing as well. What a great performance. It’s a solid film. You need to accept its no-nonsense attitude to get into it, but otherwise it’s fine.

Warnings: It gets pretty bloody, but not overly so.

Recommend?: Not really, unless you really like the play or have a good knowledge of it already. It’s beautiful, but a little too serious for the casual viewer. I assume that’s why its reviews are kind of mixed.

Prometheus (David)

Rating: 6.5/10

Quick Summary: Two scientists discover a series of ancient drawings, all of which are very similar despite appearing hundreds of years and thousands of miles apart. They believe this might be a clue as to how the human race came to be, a path to our creators. They set out on the Prometheus to investigate a planet they believe to be the origin of these so called “engineers.” Things go awry as one might expect when they find the planet is already inhabited, but not by any “engineers.” Moreover, several crewmembers have secret motivations of their own for coming along which doesn’t really turn out well for anyone.

Some Thoughts: I feel like a lot of people don’t like Prometheus because it’s a think-y movie. It’s not really an action-packed thriller like other movies in the Alien franchise. This was the first in the franchise I’d ever seen so I didn’t really go in with those kind of expectations which I think was to my benefit. If you go in looking for answers you’re probably going to not like it, but I just sort of went to have a good time and pretty much did. Noomi Rapace as Elizabeth Shaw is really great. I really enjoyed her as the main character. There are some really good actors in this movie and I think they do a good job. I loved Idris Elba’s character a lot for example. It’s a beautiful film as well. Fassbender plays David, the resident android of the ship. It was interesting to watch him play a robot because he is, to me, a very emotive actor and this had to be more restrained. I don’t remember the movie super well which probably speaks to it just being an average sort of film. It’s not great, but it’s not as bad as some people seemed to think it was. Just go along for the ride and it can be a good popcorn flick.

Warnings: There’s one really graphic surgery scene that was hard to watch, but otherwise it’s (compared to the other Alien film on this list) not too bad. It really is more introspective than bloody. Also, maybe obviously, there are aliens in this movie.

Recommend?: If you’re into sci-fi thought-pieces, sure. Just don’t go in expecting a masterpiece.

Alien: Covenant (Walter and David, yes both)

Rating: (completely subjective) 8/10

Quick Summary: A group of forgettable, idiot crewmembers who are all inexplicably married for no reason other than a desperate bid to get you to care about them in any way (you won’t. trust me. they’re so stupid you’ll probably rooting against them eventually) are piloting a ship called the Covenant with 2000-some passengers and a lot of embryos on a colonizing mission. Along the way they intercept a strange transmission coming from another habitable planet they hadn’t noticed before which is much closer and decide to investigate. Once there things take a turn for the worst. After several deaths and the completely avoidable destruction of their ship, they run into David who’s been living alone on the planet for ten years after the Prometheus crashed there. They soon learn that they would have been better off braving the planet and waiting for rescue alone.

Some Thoughts: Listen I went into this movie completely expecting it to be horrible. This really was the one that started it all, where I decided I’d watch all of them. I wasn’t going to watch it because it looked ridiculous, but then it was available to rent and I was curious. In all honesty, I really only went in to see with my own eyes how and why the actual hell Fassbender was playing two characters which at some point kiss, so that was part of it. Ultimately I ended up really liking it. Now mind you, this is not a good movie. It’s not. The cast is forgettable and stupid to the point where you just want them to die already and get it over with. The only person I even slightly cared about was Daniels, the main crewmember character you follow. People die without any pomp and the movie is riddled with clichés. That said, it is a lot more like what I expect an Alien movie usually is. There’s a lot more fighting of aliens and a lot more blood. So what’s with the rating? Really it’s completely subjective, but if you know me and watch this movie you’ll probably understand. Let’s just say I have a very specific type of character I tend to like and this movie delivers.

Fassbender carries this gotdamn movie on his back half the time and somehow pulls off the ridiculous scenario of him being the two different robots. The interactions between Walter and David really were some of the more interesting parts of the film for me, completely ridiculous as they are (“I’ll do the fingering”). If you can just suspend your disbelief and go with it I insist that it can be a good time. My favor of the movie really comes from my opinion of David and I think that’s what will make or break the movie for you. It was a ballsy choice of protagonist, and when you realize that I think the forgettable main crew is a little more justifiable. Big kudos for the ending as well, at least from me. It ended exactly the way I wanted it to, and I ended up being invested in who I needed to be invested in. It’s a stupid movie, but I do think you can have fun watching it if you’re in it for the right stuff (namely the fassbots).

(Also, people are not happy about the fuck-million more Alien movies in the works but hear me out…. I have a great pitch idea….what if with every new movie we just double the number of Fassbenders…… so there’s four and then eight and then sixteen all the way until we just have infinite Fassbenders….. listen this is a great plan Mr. Scott please hire me as script consultant from now on)

Warnings: This is a lot more of a horror movie than Prometheus. It’s bloody and violent, and yes there are more aliens. Also it is really stupid. Also warnings for that sweet, sweet ‘bot-on-‘bot action ;)

Recommend?: I mean….not really. Again my opinion is so subjective here that it’s worth a grain of salt. If you do, you need to watch Prometheus first because you need to form an opinion of David.

Hunger (Bobby Sands)

Rating: 5/10

Quick Summary: Without me sitting here for like a half hour looking up a lot of proper names and dates (which I’ve already done once when I was watching the damn thing), this a movie about a hunger strike led by a man named Bobby Sands. It takes place in a prison in Northern Ireland. A group of people called the Republicans who are fighting against being part of Britain and want one united Ireland are being arrested for political acts and are protesting in any way they can. This begins with bathing and clothing strikes, and eventually leads to a hunger strike when this accomplishes nothing.

Some Thoughts: So this is a critically-acclaimed movie and I know people really like it. I guess I can see why but compared to McQueen’s other films I didn’t think it was super impressive. It’s his first project with Fassbender and in a lot of ways it feels like an early-career film. It has a lot of pacing issues. I read reviews saying it’s two movies in one and it really is. As an American (and therefore a dumbass when it comes to conflicts in other countries because our history classes here are Shit) it was sort of a confusing movie to watch just because I didn’t really have any background knowledge about what was happening. I was doing a lot of googling throughout to catch myself up with the conflict and acronyms etc. It’d definitely strike more of a chord with someone who knew about it beforehand. It is a prison movie and it’s difficult to watch because of that. There’s a lot of mistreatment of prisoners and just kind of gross stuff in general. I was whining at one point about the hunger strike not starting until like…20 minutes before the movie ends but I see now why it didn’t because you’re basically just watching Fassbender starve to death from that point on and it’s Not Fun. There are impressive parts of it. There’s a long take of a conversation between Bobby and a priest where he explains his idea of starting a hunger strikes that is, I shit you know, seventeen fucking minutes long. It’s crazy. There are other long takes in the film but they’re not always used super effectively. This can cause the movie to drag at times. The use of sound in the movie is also really amazing. It’s very quiet usually, but picks its loud moments and picks them well. Overall I didn’t get much out of watching it, but that’s just me. I didn’t think it was worth the difficult watch.

Warnings: It’s unrated but I bet it would be R or even NC-17 if it was. Lots of disturbing shots of violence against prisoners and behaviors of the prisoners themselves tbh. There’s nudity as well, but it’s used as humiliation mostly. As usual, McQueen’s style of filmmaking is unflinching and watching someone starve to death isn’t fun.

Recommend?: Not really. McQueen has better films you could watch. Unless you’re personally interested in the conflict at hand, I’d skip it.

Frank (Frank)

Rating: 10/10

Quick Summary: An untalented aspiring musician named Jon suddenly stumbles across the opportunity of a lifetime to play in actual band when they find themselves out a keyboard player the day before a performance. Jon lends them a hand and is accepted into the group in spite of some friction with most of the members. They invite him back on what ends up being year-long trip into the woods to write a new album. While living with the band, the Soronprfbs, Jon gets to know the members better, as well as their many quirks. Notably, there is Don, the manager who seems level-headed if somewhat depressed, Clara, who doesn’t take Jon’s being there very well, and Frank, the apparent leader of the band. Jon takes a special interest in Frank who appears to be the heart and soul of the group. In spite of wearing a giant fake head at all times, he’s very friendly, encouraging, and strangely inspiring. As they work to write their album, Jon begins to record and post their progress on social media, gaining them a new following of people amused by their bizarre antics. This new popularity ends up landing them a bigger gig than they’ve ever had before, but comes at the cost of risking the band’s identity and solidarity.

Some Thoughts: Frank is an amazing movie. If someone wasn’t interested in Jane Eyre but wanted a Fassbender rec, I would 100% give this one. I love this movie to pieces and I’m so glad I watched it because I was initially on the fence with it. In fact, I liked it so much I watched it twice within my rental period, and have now purchased it. If you’re looking for something close to a comedy on this list, this is it. I kind of describe it as if Wes Anderson directed Scott Pilgrim vs. the World, threw in a strong lesson about mental illness, and bumped up the rating a bit. This movie is hilarious and wonderful and poignant. The message is a really good one and one I don’t think we hear a lot. It’s a good commentary on the relationship between art and mental illness, and it’s done respectfully for the most part. Fassbender as Frank is kind of incredible. You don’t see his face for the majority of the film, but he still gives an amazing performance. I think it shows how talented he is as an actor that he pulls this part off so well. You’re intrigued as much as Jon is by him, or at least I was. The humor is a little out there and some of the themes may be off-putting, but I really do think this is one to see. Maggie Gyllenhaal as Clara is fantastic as well. It’s a difficult part but she pulls it off so wonderfully. Domhnall Gleeson as Jon gives a decent grounding point of view character as well. It’s funny and touching and goddammit maybe someday I’ll watch one of these movies without crying but that ending hit me right in the heart.

Warnings: Themes of self-harm and mental illness are present. They’re not played as a joke, but they’re there.

Recommend?: Yes please watch this movie I beg of you it deserves all the praise

Fish Tank (Connor)

Rating: 5/10

Quick Summary: The movie is a coming-of-age story of sorts for the protagonist Mia. Mia has a difficult home life with a neglectful and often abusive mother as well as a penchant for causing trouble. Having been kicked out of school she is directionless which only furthers her spiral downward. Her only true passion is dancing, but she prefers to do this privately. One day she meets her mother’s latest fling, Connor. Unlike the others, however, Connor seems there to stay. Mia begins to interact with Connor and the two form a relationship. Connor is kind to both her and her younger sister, treating them with respect and parental affection they do not receive otherwise. Connor encourages Mia’s hobby and leads her to begin searching for a career in dancing, helping to turn her life around. Things take a turn when Mia and Connor overstep a boundary in their relationship and this leads to Mia discovering that Connor was not what she thought he was.

Some Thoughts: I’m very…ambivalent about this movie, so I don’t probably have a lot interesting to say about it. It seems to me that Fish Tank is a part of a very particular genre of movie about a specific part of the British lower class, making it difficult to relate to for someone who hasn’t experienced that way of life. I watched another movie called Beautiful Thing a long time ago that was part of this genre as well, and that’s what Fish Tank reminded me of more than anything else. It seems to be characterized by poor, crowded living conditions and abusive family dynamics more than anything else. The characters struggle to get by and are generally mean-spirited to everyone they encounter automatically. It can make for a bitter watching experience, even if it is realistic. Mia is a somewhat believable teenager. Since this is a British movie about hip-hop dancing however and the actress playing Mia has…little to no actual dancing skill, any parts of the movie that have to do with this dancing can be embarrassing to watch. You really have to accept that it’s stupid and move past it to watch the thing.

The relationship between Mia and Connor is…troubling which I’m sure it’s supposed to be but it’s never resolved. Some of the scenes in the movie are disturbing as some in Hunger. One of my biggest issues with the movie was there really seemed to be a conversation missing. The end of the film felt like it was lacking a crucial interaction between the two and it made the ending fall pretty flat, at least for me. I know people like this movie and it’s award-winning but I couldn’t relate to it in any meaningful way. It left me feeling conflicted more than anything else. I have no strong or final opinion on this movie. I do respect that it had a female director, but I feel as though I very clearly wasn’t its intended audience, so its impact on me was minor at best and non-existent at worst. There are some nice cheesecake shots in it of Fassbender I guess. I think it still wins for best ass shot afdjks;lj

Warnings: Some disturbing character behavior, especially from Mia. Abusive family dynamics and physical child abuse are also present. Also statutory r*pe. Also some really embarrassing excuses for hip-hop dancing and general cultural appropriation shit that comes from a British movie about hip-hop.

Recommend?: You can try it, but I wouldn’t advocate for it. There are better artsy films to watch unless you’re actually in the target demographic and think you might like this sort of movie.

Inglourious Basterds (Lt. Archie Hicox)

Rating: 7/10

Quick Summary: When she was young, Shosanna’s family was murdered by Nazis hunting down Jewish families who had escaped to France. Now, as a young woman, she finds herself with the opportunity to get revenge. Meanwhile, Lt. Aldo Raine has formed a group of rogue Nazi-hunters called the Basterds, infamous throughout Germany for their lack of restraint and ability to avoid capture. His team is hired by the Allies to help with a plot to hopefully take out all the big political figures in the Nazi party, including Hitler himself, in one fell swoop. It just so happens these two plans are meant to take place in the same place, on the same night.

Some Thoughts: This is the first Tarantino movie I’ve ever seen and I do think it was good for me to at least see one. I was glad to see the movie itself too, actually. It was one on here I just needed to watch outside of this thing. I enjoyed it for all it reveled (as expected) in gore occasionally. I really loved Shosanna. Mélanie Laurent did an excellent job with her and she was easily the best part of the film for me, though I did enjoy Brad Pitt’s shenanigans as Aldo. Fassbender has kind of a bit part in this one which was a little different, since he tends to steal the spotlight otherwise. It really wasn’t my favorite performance of his. It was a little unfocused, though that might be because his character is just a plot device. Kind of a shame but in true X-Men fashion all he did was show-up, fuck things up, and then make his exit. Ah well. It’s well-shot and a good time, if a little long. The blood was there, but not excessive. Maybe a good choice if you, like me, wanted to see one of these movies, but were a little nervous about the violence.

Warnings: Typical Tarantino violence, I presume. Really, it’s just a few focused shots of it, but there is scalping in this movie, as well as some mutilation and gunshot wounds. I whipped my hand up to cover the screen more the once throughout and I’m pretty decent with blood.

Recommend?: Sure. It’s a pretty solid film and last time I checked it’s free on Netflix.

Centurion (Quintus Dias)

Rating: 6.5/10

Quick Summary: In the something-or-other A.D. the Romans are up somewhere near Britain trying to expand the empire, as one does, but are having trouble with the native peoples of those lands called the Picts. The Picts keep decimating their armies, as they do with Quintus Dias’s men. The Picts take him in rather than killing him because he speaks their language, allowing him to escape and meet up with another regiment. Together, they try again to attack the Picts and again are defeated handily. This time the Picts take their general of sorts. Dias and a small group of men are the only ones to survive and attempt to rescue him, but ultimately fail. Afterwards they begin their attempt to escape to safety, all the while being hunted by the Picts.

Some Thoughts: So I fully expected to hate this movie. When I saw this was the other one on Netflix I was Not Happy, but? It kind of surprised me. I think really it did a couple small things well and that turned my favor of it. It really isn’t that great of a movie, with a lot of narration and not a ton to say, but it’s certainly not offensive. It turned into a survival movie rather than a war movie which I greatly preferred. They also weren’t super over the top with the romantic subplot which was….SHOCKING. Usually, in my experience with the Fassathon, if there can be a sex scene there Will Be A Sex Scene, but not here. They meet a cool witch lady along the way who takes to Quintus, but never is it obnoxious, nor does it waste time with it. It was a breath of fresh air tbh…. I’m probably patting this movie on the back for little things too much, but I really do think it could have been a lot worse. It’s fine. I don’t really know who the target audience was supposed to be but it might be good for a night when you’re bored and can’t think of anything else to watch. You get to watch Fassbender run valiantly and stupidly shirtless through the snow if nothing else.

Warnings: It can get bloody, but not overly so. Also mentions of past sexual assault, but nothing shown.

Recommend?: Eh…like I said. Maybe for the night you’re flipping around and there’s nothing on. Decent popcorn flick, probably not worth spending money on.

Trespass Against Us (Chad Cutler)

Rating: 3/10

Quick Summary: Nothing I could write will make this movie’s plot make any damn sense but I’ll try anyway. Basically there’s this family called the Cutlers who are….Irish tent-people and also a weird kind of mob family with a patriarch named Colby. They live in this little trailer park circle and commit crimes to get by. The plot basically revolves around Fassbender’s character Chad Cutler trying to get out from under Colby’s thumb in order to give his wife and two children a better life. Unfortunately, it seems again and again that he’s already dug his grave and there’s nothing to do but lie in it.

Some Thoughts: So this is a weird movie. The whole conceit is weird and another one that you just kind of have to go with to be able to watch it. Its problem is that it doesn’t really have an arc or a narrative that goes anywhere. If it really had wanted to do something it would have needed to allow Chad to make any progress in his attempts to get away. The dialogue is full of slang and really difficult to understand at times. The whole dynamic of the family is sort of confusing and it’s never explained, just thrust upon you immediately. There are some good interactions, notably between Colby and Chad. The parental relationship between Chad and his son is interesting too, but it really just doesn’t go anywhere with itself. I got a little caught up in the emotionality of it watching it, but looking back I can see how flawed it is. I really don’t see what the director was getting at. Also the religious overtones are strange and didn’t do a whole lot. Just kind of unimpressive if still nice to look at sometimes.

Warnings: Animal death. A lot, actually, and often purposeful. Disturbing behavior, especially one scene where a man is stripped and humiliated. It was surprising and difficult to watch.

Recommend?: Hard pass. Skip it.

300 (Stelios)

Rating: 4/10

Quick Summary: Gerard Butler leads a group of 300 dudes against a gigantic, vaguely racist depiction of the Persian army.

Some Thoughts: I have nothing original to say about this movie, I’m sure. I was……not super happy to find it on here honestly, so I did my best to just enjoy it by making fun of it. Most people know what 300 is like. It’s got some interesting visuals, but it’s definitely one that looks pretty and does as little as possible. Mostly it’s a male power fantasy interwoven with quite a bit of racism, particularly in the portrayal of the Persians. It’s saturated with slow-mo shots and rousing speeches that aren’t really that important to anything. It’s a good one to watch on a bad movie night probably if you don’t mind some of the gore. This was Fassbender’s first theatrical appearance if I’m correct and he’s fine. I guess one plus-side of this movie is that everyone’s practically naked the whole time and super buff so that can be fun to ogle if nothing else. It is what it is.

Warnings: Body horror, lots of blood, and war stuff. Tiddies? Racism? Scottish yelling?

Recommend?: It’s your life buddy. It’s probably one to see once so you can rag on it in good conscience.

Steve Jobs (Steve Jobs)

Rating: 9/10

Quick Summary: A movie shot in three parts showing a dramatized version of the events before the release of three of Jobs’s products, focusing in on his relationship with his coworkers as well as past lover and daughter.

Some Thoughts: This is an excellent movie. It’s another one I’d readily recommend to anyone. The scale of the script is unheard of, meaning it’s super dialogue-heavy but you don’t notice at all. It’s completely absorbing. The performances are top-notch all around. This is another one of Fassbender’s best performances. He sinks into the role completely and does a phenomenal job. Kate Winslet is equally wonderful and balances Fassbender’s Jobs well. I really knew nothing about Jobs before watching this movie and I don’t know how much is true and how much is dramatized but I think that shows that even someone who knows nothing can enjoy it and find it interesting. The politics of it all were particularly wild to bear witness to. It’s a great character piece and it deserved the nominations it got in my opinion. I really liked Jobs’s relationship with his daughter as well. I don’t know how they managed to make a movie full of mostly talking so exciting but they did. I also think they did a great job of not idolizing Jobs at all, nor vilifying him. They walked a fine line and wrote him so he seemed truly human rather than a historical figure. That’s hard to do but they nailed it. Once again, I have little bad to say. If you’re not interested in Jane Eyre, Shame, or Frank here’s another good option for you.

Warnings: The IMDb parental advisory page said something about there being some sex/intimacy stuff but I never saw anything which makes me Highly Suspicious

Recommend?: Yes! Give it a chance!

(cont. in pt. 2 / pt. 3)

#fassathon #shut up alice #holy shit an actual post?#that's never happened before #listen i know this is long as shit #and no one's going to actually read this #but i spent a long-ass time on this #and i wanted to actually put it up for posterity #really i'm just proud of how hard i dragged the counselor #i'm sure there are grammatical errors in here but ¯\_(ツ)_/¯#i had to wrap this thing up somehow #it's 1000% self-indulgent but....i don't Care #if i had anywhere more appropriate to post this i would but....#where tf else am supposed to put this crap

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