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i find it fascinating how intrinsically different i am from my family for the simple fact that I'm queer and they're not... They respect me and love me, even in their ignorance. And I can't really ask for more than that, but they'll never understand what it's like to be queer, they'll never see the world the way I see it, and that's absolutely mind blowing every time.
probably time for this story i guess but when i was a kid there was a summer that my brother was really into making smoothies and milkshakes. part of this was that we didn't have AC and couldn't afford to run fans all day so it was kind of important to get good at making Cool Down Concoctions.
we also had a patch of mint, and he had two impressionable little sisters who had the attitude of "fuck it, might as well."
at one point, for fun, this 16 year old boy with a dream in his eye and scientific fervor in heart just wanted to see how far one could push the idea of "vanilla mint smoothie". how much vanilla extract and how much mint can go into a blender before it truly is inedible.
the answer is 3 cups of vanilla extract, 1/2 cup milk alternative, and about 50 sprigs (not leaves, whole spring) of mint. add ice and the courage of a child. idk, it was summer and we were bored.
the word i would use to describe the feeling of drinking it would maybe be "violent" or perhaps, like. "triangular." my nose felt pristine. inhaling following the first sip was like trying to sculpt a new face. i was ensconced in a mesh of horror. it was something beyond taste. for years after, i assumed those commercials that said "this is how it feels to chew five gum" were referencing the exact experience of this singular viscous smoothie.
what's worse is that we knew our mother would hate that we wasted so much vanilla extract. so we had to make it worth it. we had to actually finish the drink. it wasn't "wasting" it if we actually drank it, right? we huddled around outside in the blistering sun, gagging and passing around a single green potion, shivering with disgust. each sip was transcendent, but in a sort of non-euclidean way. i think this is where i lost my binary gender. it eroded certain parts of me in an acidic gut ecology collapse.
here's the thing about love and trust: the next day my brother made a different shake, and i drank it without complaint. it's been like 15 years. he's now a genuinely skilled cook. sometimes one of the three of us will fuck up in the kitchen or find something horrible or make a terrible smoothie mistake and then we pass it to each other, single potion bottle, and we say try it it's delicious. it always smells disgusting. and then, cerimonious, we drink it together. because that's what family does.
“I hate the script, the vault dwellers sound so cheesy—“ my Brother in Steel you realize that’s the point, right? They were bred to act like the physical embodiment of an HR e-mail. Did you not catch the memo that Vault-Tec put out regarding their experiment facilities?
i need ghoap frantically making out against a door finally taking the leap on their feelings. need ghost grinding against soap, expecting to find him just as hard as him, only to feel nothing
and in all his wisdom and experience, he concludes soap was tortured and never told him
he’s trying to think of a delicate way to say he understands, that he’s been through it and it doesn’t change anything about how he feels (and who the fuck touched him so he can hunt them down and rend them limb from limb)
meanwhile trans!soap’s just trying to find the best angle to grind his cunt on ghost’s thigh
just it never even entering ghost’s head bc he’s never known a trans person but he has met plenty of people who’ve been tortured - himself included - so of course that’s his logical leap
soap takes off his shirt and he sees his top surgery scars and ghost asks if he wants him to kill the one who did it and soap just hums like, “actually, man did pretty good, they healed real well,” and ghost’s just teary-eyes with awe at how well he’s coping, “looking on the bright side, that’s my johnny.”
imagine he thinks johnny was fully castrated but sees he’s determined to still have a sex life with him so he buys packers and straps to help him bc hell yeah healing and soap’s just like, “holy shit i’ve never had such a thoughtful partner before, such a sweet man, lt.”
Sorry to all Lloyd fans but I couldn’t resist doing Kai and Morro, I love their parallels too much.
My interpretation of how a "Morro possesses Kai au" would be:
At first it's the usual possession but it's very violent since Kai has a bad temper. Morro agressively possesses him and breaks into Kai’s memories against his will.
But Kai is stubborn and angry and doesn't let Morro hurt Lloyd. So after the fight Morro digs deeper into Kai’s memories to see what he can use against him.
Morro finds himself relating to Kai and tries to manipulate him to betray the ninja and work with him (going as far as to showing Kai his memories)
Kai still refuses to hurt the ninja and shifts the narrative "why go after Lloyd when you can go after Wu?".
Kai basically learnt what Wu did to Morro and him and gets angry and wants to get revenge on him.
Morro is conflicted into what Wu did and his love for his only father figure. But Kai is also conflicted because on one side he relates to Morro but on the other Morro tried to use his body to hurt Lloyd. In the end I think Kai would choose his anger towards Wu and try to convince Morro even if he has to do so by manipulating him because as much as he's empathetic, he knows he can’t save Morro, and can’t get easily over the fact he wanted to harm Lloyd.
It would be interesting that at some point Morro had to fight Kai because he wanted to attack Wu and the ninja of course misinterpret it and still think of Morro as a villain.
To sum up they'd try to manipulate each other and end up exhausted from fighting the possession.
I love how Spider-Man: Into the Spider-Verse said “Anyone can be Spider-Man”. I love how it inspired everyone to imagine their own Spider-People, saving the day in their own universes, with all kinds of cool, interesting personalities and aesthetics and mutations and life stories and relationships. We all put pieces of our soul into these homemade heroes. We had fun. We found community. And then Spider-Man: Across the Spider-Verse said, “Wow, great job! You’ve really taken our message to heart. Well, get ready for even more of everything you liked from the first movie and a new message to complement the first. Anyone can be Spider-Man… and anyone can be pulled into a cult.”
So now we all have to contemplate whether our lovingly crafted heroes would ever be on Team Mandatory Trauma Because Martyr Complex or not and why.
With the announcement of the new movie starring Michelle Yeoh, it seems I have to go on my Section 31 rant again.
Section 31 was only done well in Deep Space Nine because the writers of Deep Space Nine understood that SECTION 31 ARE THE BAD GUYS.
They were used as a foil for the grey morality of the show as a warning of "This is where you will go if you continue on this path". Section 31 was the logical endpoint of the show's themes of sacrificing your ethics, morality, and principles in a pragmatic "the ends justify the means" mentality in order to defend those ethics, morals, and principles.
Because you CAN'T.
If you compromise your ethics, morals, and principles in an attempt to defend those very same things, what exactly are you defending? Things you yourself tossed aside when they became inconvenient.
All three (yes, there were only three) episodes of DS9 centering on Section 31 featured Bashir resolving the conflict of that episode WITHOUT compromising his integrity as a citizen of the Federation and a Starfleet officer.
Up to and including preventing Section 31 from committing genocide. Yeah, remember that? When Section 31 infected Odo with a degenerative virus so that he would spread it to the Great Link and kill all of the Changelings? Then specifically stonewalled Bashir when he attempted to find a cure?
Section 31 is not just a tool for telling happy funtime spy stories in Star Trek. That organization is called Starfleet Intelligence and was already around long before DS9. Section 31 is an unauthorized unelected black ops group that functions outside any chain of command or authority that can place any checks on their use and abuse of power. You know, just like EVERY OTHER evil Starfleet officer in every other episode where some Admiral goes off the deep end and starts doing shady shit the Enterprise then has to stop.
Section 31 are the bad guys. They are not antiheroes. They are not just the darker side of Starfleet. They are not the people who must do the evil things that have to be done. They are just evil. Period.
This might just be me, but I am starting to notice a serious trend of independent animation being critisized simply for being self indulgent.
It happened with Hazbin Hotel in 2019 and it's currently happening to The Amazing Digital Circus now, which is which very sad to see. It's not enough to be pattern but it's definetly enough to be noticeable.
A lot of people who don't delve to much into creative mediums seem to forget that art: ALL ART, is a self indulgent medium. The target audience, when creating a project, is yourself. If other people like it and want to see more, than cool. But at the end of the day, you (or in this case, Gooseworx and Vivziepop) are the target auidence for their/your projects.
"All the characters in Hazbin Hotel reek of Tumblr and teenage edge" Vivzie designed all the characters when she was in Highschool and wanted to reuse them for her series. Of course they have 2010s Deviantart vibes, she grew up a 2010s deviantart kid and wanted to keep that vibe.
"Jax is total Tumblr Sexyman Bait and everything is too colorful and bouncy and annoying!" Gooseworx said themself that they like Jax's character archetype which is why they wanted to include him. Also have you SEEN Goose's other work? Bouncy and colorful are their thing.
There are plenty of things to critisize about HH (And it's spinoff HB) and TADC. Even as a fan of these works, I have my issues with them, some even as a result of this self indulgence, but disliking them so vehemently simply BECAUSE they are self indulgent really discourages people from making art, especially in fields such as animation.
TLDR: If you want to see more independent animation and art being made, you have to let people get a little self indulgent. You might not like it, but at the end of the day, it isn't made for you. And that's ok.
[A sad violin song plays over an image of a sad hamster]
Pac: This doesn't have anything to do with me – I wear a blue sweatshirt, you're crazy, this mouse doesn't even have a sweatshirt, this hamster! [Reading chat] Am I a depressed hamster?
[ Transcript continued ↓ ]*
–
Pac: Actually– that's fine! I embrace that idea – of course I'm going to be depressed, are you crazy? [He hits his desk, then starts counting off people on his fingers] Fit is gone, Richarlyson is gone, Ramon is gone, Bagi and Empanada who were always there when we were there are also gone, I haven't seen them! It's just me and Tubbo, and sometimes Philza shows up.
Pac: I lost Chume Labs, I lost the Favela, I lost Murder Mystery, I lost Ilha Chume Labs, it's crazy! Look at how much I've lost, and I've gained nothing! Of course I'm going to be depressed, are you crazy?! How am I supposed to be happy?!
Pac: [Reading chat] "You have us Pac," that's true, thank you. No, that's true, sorry.
* NOTE: Please note that this is an incomplete transcript, as I was primarily relying on Aypierre's translation mod at the time and if I am not confident of the translation, I do not include it. As always, please feel free to add on translations or message me corrections.