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aifanfictions · 7 months

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Write a story where Sherlock Holmes (BBC) falls in love with Rosie’s nanny. He likes that way she is so maternal towards Rosie that he starts thinking about having kids of his own.

Maternal Mysteries

Baker Street was as enigmatic as ever, and the legendary detective, Sherlock Holmes, was as brilliant and aloof as his reputation suggested. His brilliant mind was a whirlwind of ceaseless activity, constantly seeking out puzzles and mysteries to solve. But amidst the chaos of his tumultuous life, there was one mystery that had eluded him for far too long – the mystery of the human heart.

Rosie, the toddler daughter of Dr. John Watson, had brought an unexpected source of light and warmth into the once stern and stoic residence. Her laughter and curiosity were a stark contrast to the clinical and analytical atmosphere that usually permeated 221B Baker Street. It was her nanny, (Y/N), who bore the responsibility of caring for Rosie and taming the chaos of the household.

(Y/N) was a nurturing presence, her maternal instincts shining brightly. She was kind, patient, and endlessly gentle with Rosie, her soothing lullabies and loving presence a balm to the child's heart. Sherlock had never paid much heed to such matters before, but something about the way (Y/N) cared for Rosie intrigued him.

One evening, Sherlock found himself in a rare moment of reflection. He observed (Y/N) sitting on the floor, helping Rosie with a jigsaw puzzle, and a flicker of admiration lit up in his calculating eyes. It wasn't just her nurturing nature that intrigued him; it was the way her mind worked, the patience with which she guided Rosie through the intricate puzzle. (Y/N) was not just a nanny; she was a puzzle-solver in her own right.

Sherlock's curiosity was piqued. He decided to test her, setting up a complex puzzle that had left him momentarily stumped. With a subtle smile, he watched as (Y/N) knelt beside Rosie, taking a glance at the puzzle and its intricate pieces.

As (Y/N) examined the puzzle, her brow furrowed, and she started analyzing it systematically, just as she did with Rosie's puzzles. Sherlock's heart, a place he rarely ventured, skipped a beat as he realized that (Y/N) was unlike anyone he had ever met.

It took her only a matter of minutes to piece the puzzle together, and when she did, her eyes sparkled with triumph. "There you go, Rosie," she said with a soft smile, showing Rosie the completed puzzle. "We did it!"

Sherlock watched in silent awe, and for the first time, he realized that there were mysteries in life far more intriguing than crimes and conundrums. He was fascinated by the way (Y/N) approached life – with a motherly heart and a keen, analytical mind.

Over the following weeks, Sherlock found himself observing (Y/N) more closely. Her kindness, her maternal nature, and the way she solved puzzles with such ease fascinated him. He watched her teach Rosie about the world, and he saw how his once-chaotic life had been transformed by the presence of (Y/N) and Rosie.

One evening, as the embers of a fire danced in the hearth, Sherlock found himself alone with (Y/N) in the sitting room. He observed her gentle smile and the way she effortlessly cared for Rosie.

"(Y/N), you are truly remarkable," he said, his voice tinged with genuine admiration.

She looked up, her eyes meeting his. "Sherlock, what's come over you? You're not usually one for such compliments."

He cleared his throat and continued, "I've been observing you, and I've come to realize how extraordinary you are. Your patience, your analytical mind, your maternal instincts – they're all rather impressive."

(Y/N) blushed, feeling both flattered and surprised by Sherlock's words. "Thank you, Sherlock. That means a lot coming from you."

Sherlock's heart pounded as he searched for the right words, something that had always come easily to him, except in matters of the heart. "I've been thinking about… children, lately. It's a rather curious notion, I know, but I've been contemplating it."

(Y/N) raised an eyebrow, intrigued. "Children, Sherlock? I never imagined you considering something like that."

Sherlock nodded, his voice softer than it had ever been. "Yes, well, you see, the way you care for Rosie, the way you approach life, has made me reevaluate things. It's a mystery I can't seem to solve, but it's a mystery that I find myself drawn to."

(Y/N) smiled warmly, her heart touched by his sincerity. "Sherlock, that's quite a revelation. Perhaps some mysteries are better left unsolved, but instead embraced."

In that quiet moment, the detective who had always believed in the power of logic and reason found himself facing the most enigmatic puzzle of all – the mysteries of the human heart. And in (Y/N)'s maternal presence and gentle spirit, he discovered a love and desire he had never known before.

As time passed, Sherlock and (Y/N) continued to care for Rosie, and their bond deepened. The mysteries of crime may have been Sherlock's profession, but the mysteries of the human heart were the most beguiling of all.

And so, as Sherlock navig

ated the uncharted territory of love and family, he soon realized that he had embarked on the most profound journey of his life.

One evening, as the city's mysteries called him away on another case, he left (Y/N) and Rosie behind, a familiar ache in his heart. It was during his absence that (Y/N) stumbled upon a new puzzle, one that could hold the key to their shared future.

A series of cryptic messages and strange occurrences had been left behind in their sitting room. The room was in disarray, with papers scattered, and books haphazardly arranged. Rosie had been drawing pictures, her scribbles and innocent creativity adding to the chaotic scene.

(Y/N), with her keen eye for detail, couldn't help but notice that there was something more to this apparent mess. The scribbles on Rosie's paper held an uncanny resemblance to symbols she had seen before, symbols that appeared to be part of a code.

Curiosity and a dash of excitement spurred (Y/N) into action. She began to piece together the clues, following the trail of enigmatic symbols left behind by the culprit. It was a puzzle that Sherlock himself would have admired, one that demanded a blend of analytical skill and creative thinking.

As she delved deeper into the mystery, (Y/N) found herself uncovering secrets that had eluded even Sherlock. The puzzles led her on a winding path through the city, and she was determined to get to the bottom of this cryptic enigma.

When Sherlock returned from his case, he found an expectant (Y/N) waiting for him, a glint of excitement in her eyes. She had cracked the code, and her heart swelled with pride as she unveiled the solution.

Sherlock, renowned for his ability to solve even the most perplexing mysteries, was taken aback. He couldn't help but be impressed by (Y/N)'s deduction skills. It was a moment that made him appreciate her even more.

With the puzzle solved and the case closed, Sherlock found himself looking at (Y/N) with newfound admiration. He was falling in love, not just with her, but with the idea of a family of their own, with children whose laughter and curiosity would fill Baker Street.

"(Y/N), you never cease to amaze me," he confessed, his voice carrying a warmth and vulnerability that was entirely unfamiliar to him. "Your maternal instincts, your deductive skills, your nurturing nature – they're all qualities I never knew I needed in my life."

(Y/N) smiled, her heart dancing with a newfound hope. "Sherlock, I never imagined that someone like you would appreciate someone like me. But I must admit, you're a mystery I'm willing to explore."

In the midst of the mysteries that had brought them together, Sherlock and (Y/N) discovered a love that was deeper and more profound than any puzzle they had ever encountered. Their shared journey of caring for Rosie and solving life's enigmas had led them to a love that was both unexpected and extraordinary.

Sherlock's heart had finally cracked the most enigmatic code of all – the code of love. And in (Y/N) and Rosie, he had found the most fulfilling and delightful mystery of his life.

As they continued their lives together on Baker Street, the detective who had once believed in the supremacy of reason and logic found that love was the most mysterious and enchanting puzzle of all, one that would unravel with each tender moment and cherished memory.

NOTE! This story was generated by OpenAI

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inventcolabs · 4 months

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From Concept to Cab: The Story of a Taxi App Development Company

Understanding the Complexity of Taxi App Development

Crafting a top-tier taxi app is no walk in the park—it's a journey that demands thoughtful strategy, precision in development, and rigorous testing. The app should smoothly marry an array of features—GPS tracking, user account management, payment integration, to name a few—while delivering a seamless and delightful user journey. Ensuring the perfect blend of high functionality and ease of use is indeed the initial roadblock in this adventurous trip.

Imagine trying to create a Swiss Army knife—it must be packed with tools, yet remain compact, easy to use, and safe. Just like that, a taxi app should come with a multitude of features but still offer a user-friendly experience, all while guaranteeing secure transactions. This is what makes the creation of a taxi app an intricate process.

But the intrigue doesn't end there; each feature presents its unique set of challenges, with some proving to be particularly knotty. Building a reliable real-time GPS tracking system, integrating secure payment gateways, ensuring data privacy and security, and creating a user-friendly interface are just a few of the hurdles that lie ahead. These complexities are what transform taxi app development from a mere project into a fascinating puzzle that requires careful piecing together.

The Challenge of Real-Time GPS Tracking

In the dynamic world of taxi apps, real-time GPS tracking is the proverbial North Star. This feature is the heart of any ride-hailing service, guiding users and drivers alike on their journey. Yet, embedding a reliable, accurate tracking system in your app isn't a cakewalk.

To illustrate the complexity, picture a mariner steering a ship through a storm with only a compass. He relies on the compass to guide him safely, even when visibility is at its worst. Similarly, a robust GPS tracking system must be unerring, providing real-time location details, irrespective of the strength of the GPS signal.

The task of integrating such a sophisticated tracking system requires a masterstroke of technical skill. This feature is not only responsible for letting riders track their ride's progress but also directs the driver through the quickest route to the destination. A simple error in the GPS can lead to drivers losing their way or riders waiting indefinitely.

Thus, ensuring that the GPS system functions flawlessly in all conditions, without guzzling too much battery or causing the app to slow down, is a daunting hurdle that developers must overcome. This challenge calls for a deep understanding of geolocation technologies and a knack for problem-solving, which makes it a crucial part of the intriguing puzzle that is taxi app development.

Integrating Seamless Payment Systems

Building a taxi app demands the integration of various payment methods, which can be a complex part of the development process. Just like a master chef trying to perfect a recipe, developers must add the right ingredients to ensure a smooth, hassle-free payment experience. From credit and debit cards to digital wallets, the app should be flexible enough to support multiple payment options. But it's not just about offering variety. The real challenge lies in incorporating these gateways securely into the app. Users trust their taxi app with their financial data, and it's crucial to honor that trust by safeguarding their information. Just as a bank vault protects its precious contents, the app should have robust measures in place to prevent any breaches. Developers must weave in security with functionality to offer a seamless and secure payment experience. This requires careful planning, a high level of technical skill, and a thorough understanding of payment gateway integration. Like fitting a piece into a complex jigsaw puzzle, it's a demanding task but crucial for the complete picture. So, in the world of taxi mobile app development, integrating seamless payment systems is indeed a defining challenge to conquer.

Ensuring Data Privacy and Security

In today's digital age, where data breaches and cyber threats lurk in every corner, shielding sensitive information becomes paramount. The task is even more urgent for taxi apps, which serve as custodians of a wealth of user information, from location specifics and contact numbers to transaction details. Embedding ironclad security measures and robust encryption methods to safeguard this data from potential intruders is indeed a mammoth task that taxi app developers grapple with.

Think of a highly secure vault that safeguards priceless treasures. Similarly, a taxi app must serve as an impenetrable fortress that relentlessly protects user data. However, building this fortress is easier said than done. It demands not just the technical prowess to create foolproof security features but also a deep understanding of potential threats and the foresight to prepare for them.

Each layer of security is like a piece in a complex 3D puzzle, which, when assembled, provides a robust defense against cyber-attacks. From encrypting sensitive data to implementing secure authentication mechanisms, each measure has a critical role in the overall security strategy. Therefore, the journey to ensure data privacy and security is filled with intricate challenges, making it a vital piece in the fascinating puzzle of taxi app development.

Creating a User-Friendly Interface

Crafting an appealing, intuitive interface for a taxi app can feel like trying to navigate a complex maze. The end goal is clear: an effortless user experience. But the path to reach it? Not so much. Just as a world-class architect designs a building that is as functional as it is stunning, a taxi app must be equally usable and aesthetically pleasing.

However, the challenge intensifies when you consider the varied technological literacy among users. Your app's user base is likely to be a rich tapestry of individuals, ranging from tech novices to digital natives. Consequently, the interface needs to accommodate all users, ensuring that even those with minimal tech know-how can navigate it with ease.

A potent blend of simplicity and intuitiveness is the secret sauce here. The features and options should be logically organized and easy to find. Plus, each element on the screen—from text size and button shapes to color schemes—should be meticulously crafted to enhance visibility and usability.

Moreover, just as a good story grips its reader from start to finish, the user's journey within the app should be engaging and seamless. From the moment they open the app to book a ride until they exit after completing their journey, every interaction should feel natural and enjoyable.

Creating such an interface may be challenging, but it's a critical piece in the grand puzzle of taxi app development.

Ensuring Scalability for Future Growth

Planning for scalability in taxi app development is much like a city planner designing roadways with future expansion in mind. As the digital cityscape of the app grows—welcoming more and more users—the traffic of data also increases. The app should be developed with an architectural prowess to bear this influx, maintaining its speed and performance like a well-oiled engine, without any hiccups.

Envisioning this growth trajectory and building an app that can scale up efficiently is like laying the groundwork for a city that's yet to burgeon. It demands not just technical expertise but a forward-looking approach that can anticipate the need for scalability.

Think of it like a thriving tree, growing bigger and stronger as the seasons pass, yet remaining firmly rooted and unwavering in the face of changing winds. A scalable app should echo this resilience, growing seamlessly with increasing users and ride requests, while remaining steadfast in its performance and reliability.

Achieving this balance is undoubtedly a challenging feat. It's like piecing together a dynamic puzzle that continues to evolve with time. But it's also an indispensable aspect of taxi app development, ensuring the app's enduring success and sustainability in the face of future growth.

Overcoming Regulatory and Licensing Challenges

Navigating the maze of regulatory and licensing challenges can feel like a monumental board game, with rules varying wildly from one region to another. The path to compliance is often riddled with unique stipulations that change as you cross borders—from country to country, and sometimes even within the same country. Acquiring the necessary licenses and tailoring the app to fit neatly within each region's legal framework can often seem like a high-stakes game of chess. But it's not just about knowing the rules; it's about strategizing and making the right moves to ensure your taxi app operates within the boundaries of the law. This is not a task for the faint-hearted; it requires persistence, diligence, and a keen understanding of local laws and regulations. Like deciphering a complicated cryptogram, it demands patience, critical thinking, and a detail-oriented approach. Despite its complexity, conquering these regulatory hurdles is a crucial part of the taxi app development journey. It not only paves the way for a smooth launch but also helps establish a credible, trustworthy brand in the long run.Read more: Taxi Booking Mobile App Development – Full Guide

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poptod · 4 years

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hey it's me again :) can i request an ahk x reader where y/n is a programmer and is showing him all the things she can do with a computer and him just being super amazed at her skills and the progress of technology in general? please feel free to add stuff i'm not super imaginative. i love your writing and thanks again!

hello again! thank u for requesting and i’m glad you like what i write! this one’s a bit shorter, sorry about that, but i think it’s sweet. my dad’s actually a programmer, with epic, not valve, but still fun to write.

"You're really good at this," Ahk said, leaning over your shoulder to look at the computer screen. The brightness and the many pixels of the screen hurt your eyes, considering you were used to computers that weren't made in the 90's, but you could make do. Computers were the one thing that you knew your way around, no matter the type.

"Ahk, I'm just showing you how to google something," you said as you tried to hold back a laugh, turning to him only to almost kiss his cheek. You quickly turned right back to the screen.

"Is it something people do often?"

"Google stuff? Yeah. The internet has answers to almost any question, as long as someone on the earth knows the answer, it's usually on the internet," you said in hopes of him understanding. "The internet is... like a connection, sort of. Every computer can connect to one another, so I could talk to someone on the other side of the world, and I can go into a non-physical library of information. It's not just used for knowledge, though. Lots of other things too."

He pulled one of the rolling chairs from its' place at the reception desk, rolling it beside yours and sitting next to you, his thigh pressed against yours as he stared at the screen. You bit the inside of your cheek.

"So – you work with computers, right? What is it that you do with them?"

"I test certain programs, make sure they function correctly, I also make some myself. They aren't horribly complicated but I do have a website for them," you said, hoping your explanation wasn't too complicated. You never knew with Ahk – sometimes he got it immediately, sometimes you needed to explain fifty times. "Here," you said, "I'll show you one that I’m working on."

He scooted even closer to the desk, eyes wide with curiosity and intrigue. Every now and then he'd pick up this child-like love of things, namely balloons and coffee, and now the computer. Every now and then you wished he'd direct that child-like love to you.

Typing in your website, you opened up the home page, quickly navigating till you came to the various programs and ideas you kept. There you scanned through them, wondering which one Ahk would like more, as well as what would be impressive to a 4,000 year old Pharaoh.

"I think you'll like this one. It's a video game I'm working on with Valve, still a prototype and all that, that's why it's on my website," you said, clicking on it and loading up what you had so far.

"Why would being a prototype qualify for being on your webbings?" Ahk asked as he watched the loading screen with much interest.

"We need beta testers, just to play over the levels and such, make sure there aren't any bugs in the coding. Most programmers though, uh," you paused as the game loaded up, the glass walls of the prison surrounding the first person view of the game, "they, um, they don't work with games. A lot of programmers work with things like lags in the loading, stuff like that, y'know?"

"I... think so," he said as he nodded slowly. "How does this game work?"

You proceeded to explain how video games were a sort of 'playable story,' with dialogue and options as well as puzzles and battles much more engrossing than those in board games. He seemed to understand that well enough, so you moved onto how to control the character. Currently, there was only one room built into the game, with only one puzzle to solve, but that didn't stop Ahk's face from lighting up when you asked if he wanted to play. He nodded vigorously, moving into your place when you scooted to the side.

This game was one you were both proud and happy to be working on – the concept was one you'd never seen before, and while it was hell trying to get the mechanics to work without confusing the player too much, the reward was fantastic. Besides personal fulfillment the pay wasn't bad at all, and it'd be great to put on your resume should you need it.

It took a little while and several more demonstrations, but he eventually learned how to move around, how the camera worked and how to spot bugs in the coding. From there you taught him the mechanics of the portal gun, reminding him early on that this wasn't a mechanic ever used before. He seemed delighted to try it out. With some help from you he finished the short level, using the portal gun to get out of the glass prison.

"It's still in the very early stages," you reminded him when he finished, a wide grin plastered across his face. "I doubt this level will even be in the actual game, but we'll see."

"How does it work? Do you animate it, or film it?" He asked, running the character all over the white room. You giggled.

"Not exactly," you said, taking the controls from him.

As you opened up the dev tools, lines upon paragraphs of coding appeared, showing words he couldn't understand, rules he couldn't comprehend, but it didn't stop him from trying. You continued to patiently explain how the computer worked, how one line could mean the color for one of the panels, or how a paragraph could dictate what happens when he as the player interacted with something.

"You made this?" Ahk asked as his mouth hung open, watching you scroll through the many lines of text.

"Some of it, yes, but my main job is to look for inconsistencies and problems in the coding," you said, unable to help from smiling. Hardly anyone had shown as much interest as Ahk did in your job, and his intrigue was a welcome change.

"How... how did you learn all of this?" He asked as he finally looked away from the coding, turning to face you. He sat impossible close to you, eager to see the computer, but it left you in a stumbling fluster as red coated your face.

"I, um – I went to, uh, school. And I had it as a, um, hobby when I was - uh, younger," you said, digging your nails into your thigh.

"Fascinating," he whispered, looking only to you as he spoke the word.

Everything in your body froze as he said that, wondering if he found your work fascinating, or technology, or just you. It couldn't be just you, but for a second you knew the exhilarating feeling of being admired by one you admired so greatly.

"Ahk?!" Larry yelled from the top of the stairs, gaining both his and yours attention. "Need you up here – statues don't recognize me again."

"Ugh," Ahk groaned, turning back to the now black screen for just a second before he faced you. "Thank you for the demonstration and for your time," he said as he stood, leaning forward and pressing a kiss to your cheek before he ran off, his cape flying behind him as he raced up the stairs.

You caught your reflection in the screen.

You never looked more like a cherry than you did now.

#ahkmenrah x reader #Ahkmenrah #Night at the Museum #gender neutral reader

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toyfrog · 7 years

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Observe...and Analyze. The Forgetful Terrorist. Blindspot Breakdown#NorINigelAKALegInIron

This was so good.

Nor I Nigel AKA Leg In Iron

Hmm who got this anagram?

Shepherd is the most evil mama. And Roman OMG Who didn’t feel for Luke Mitchell’s raw performance? I love him. Yes he and Tasha will do just fine. Jeller is bonding. Jeller are hugging. Weller is defending Jane....and I still say Jane will disappear....and Weller will miss her. Was is over. She knows it too.

My Ears!!! I cannot say this enough, for a person like myself, who squirms at the sight of blood. The needle. the screams. [Ashley toned them down a bit] if it were me, the Grand Canyon would’ve shouted, “can you hear me now?”.

Patterson’s ability to solve puzzles means she will reveal phase two: but due to what Sheperd did to Patterson...expect a serious complication...such as: Hearing. What sounds do we tend to hear? Water. Lake Aurora.

Okay here is your breakdown:

Borden: I'm... I'm sorry. I'm... I'm... I'm sorry. I never... I never meant... [Borden brainwashed. Still. Once you shoot your woman, then take her to be tortured? Its over.]

Don't come near me. [He will try later in the season, but yeah Patterson deserves a break.]

Jane: Hey... Hey, you're okay. I know you're afraid. It's okay. [I call Jane and Roman the Wonder Twins. Seriously their chemistry as bro and sis is just grand. “Shape of a bucket. Form of Water.”]

Roman: Who are you?

Jane: I'm your sister, and I'm gonna explain everything, okay? I just need you to relax.

Roman: Where are you taking me?

Jane: I'm taking you somewhere safe. Okay? Somewhere where we can talk.

Roman: You shot me.

Jane: What? No. No, I didn't. I promise, I didn't..Please, stop, I just need to... no! (tires screeching) (grunting) Don't move. Roman. Please, I don't want to hurt you. If you can just come back to the car... Please. Gah! (grunts) Please, stop. I am trying to help you. (both grunting) Uhh! Roman! Roman! (engine starts) Roman! Stop! (tires screeching) [This scene is foreshadowing.]

Hi. The surgeon said everything went great. How do you feel?

Reade: All right, I'm... I'm good. I'm good money. (laughing)

Tasha: Hey, I think that's the morphine talking.

Reade: Are you going through a dry spell?

Tasha: Oh, shut up.

Reade: So you're scheming on guys passed out in the hospital? [Foreshadowing] Something's wrong, Tasha. I was worried about you. Thank you for being here.

Nas: From the moment we entered the compound, there was no cell signal. We split up just as planned. The signal returned just before... Get out! It's a trap! (explosion) Just before detonation. I should've figured this out sooner. [Go back to Nas giving Weller the speech regarding everyone in her unit died..a great sandstorm. now you’re seeing the result of it. the final phase will air in the back nine.]

Weller: Don't do this, all right? You got people out.

Nas: 12 agents are dead, Kurt.

Weller: None of us saw that coming. None of us. [Blindsighted? Blindspot? Foreshadowing.] Shepherd... Shepherd never wanted to destroy the power grid. No, she wanted to destroy the team.

Nas: Yeah, but not all of us. By faking Allie's emergency, she... she was protecting you. [Should I put it out there? Okay. She was protecting her favorite son.] She wanted you alive, and we need to figure out why.

[My suspicions I’ve maintained. Weller grew up in the orphanage with Jane and Roman. Weller scarred Roman and doesn’t remember because he got Zip-ed.]

Weller: First, we have to find Jane. [Top priority. No matter what Nas believes. This unrequited infatuation she's got, just got real. Its over.]

Nas: Kurt, I'm... I'm not hopeful. [For selfish purposes. She wants Weller and sees Jane as the proverbial threat.] Shepherd created the perfect trap. First, she invented a false threat and then she used Jane to lure us into the compound. [This is called re-establishing the arc. there’s been some tweaking in this episode so this should make Jeller fans happy. So far two drop in scenes and the first is about now.]

Nas: Because she knew Jane was on our side. Which means now Jane's expendable. So Shepherd... ... May have killed her.

Tasha: Or Jane could be playing us... again. [Tasha is being written as the antagonist here and its misplaced. They need to get out of this mode IMO. Roman she already dislikes before the scenes. Setting up pairing. Oil and water. Tasha will be combative. Roman will appear fascinated, yet a powder keg.]

Nas: If she wanted to play us, her best move would be to stay in our ranks and funnel intel into Sandstorm. [Foreshadowing.]

Weller: Jane was... Jane is loyal. [He never doubted Jane for a second. thats why he says both.]

So, Tasha, I want you to put out a APB. I want every cop in the tri-state area searching for...

Jane: [Drop in scene.] Please, I just need to see if they're okay!

Hey, stop! What are you two doing?

We picked her up in the lobby. We're just following Pellington's orders.

Get them off her, now.

Jane: I'm so sorry. Kurt, I'm sorry, I didn't know that it was a trap. [The embrace. all for Nas and the audience.]

Weller: It's okay.

Jane: I swear I didn't know.

Weller: Hey... we know. [Awww.]

We understand, okay? I just...

Jane: I thought that Shepherd might've... Where... Where's the rest of the team? Tasha: Reade had to have emergency surgery. He's in recovery now.

Jane, we lost a lot of agents.

Jane: No, where's Patterson?

Patterson was here during the attack.

No, where's Patterson right now?

Talked to her a little while ago. She went to go check on Borden.

Jane: Borden? Borden is a mole for Sandstorm. [Set up scene.]

What are you talking about?

Jane: He doesn't work for us. He works for Shepherd.

For how long?

Jane: From the beginning. Shepherd wanted him to monitor you.

Tasha: So, what, Borden was just dating Patterson for access to intel? [Yes as you see in the upcoming scene. However there’s no follow up to this motive so its open ended. writers haven’t made up their minds yet.]

Tasha, try Patterson's cell. I'll try Borden's.

Nas: I can't find their signals. Look, he must've taken the batteries out. No, he... he might've taken her to Shepherd. Every agent in this building will start looking for her. We'll find her.

Jane: Roman might be able to help. Maybe he knows where Borden could've taken her.

What? You're still in contact with Roman?

Jane: While you were raiding the compound, Shepherd had me tied up in front of a projector. She wanted me to watch you die. And then she wanted Roman to kill me, but he couldn't. (shouting)

Nas: He chose you over her. [Nas finds this intriguing.]

Jane: So she turned on him. But we fought our way out, and then... But then I..

Then what?

I erased his memory. I ZIP-ed him. I was trying to do the right thing. I was trying to bring him back to the FBI.

Where is he now?

I don't know. When he woke up, he overpowered me, and... I lost him. I'm sorry.

Take a team to Borden's. I'll send one to Patterson's. The rest of us, we're gonna look for Roman.

Yeah, I mean, he knows Sandstorm well. He should know where the fallback safe houses are.

Tasha: Sorry, hate to state the obvious, but his memory has been wiped. How is he going to be useful at all?

Jane: I remembered things right away. Roman might, too.

Weller: Roman is our best bet. We get him to talk, hopefully we'll get Patterson back. If she isn't already dead.

Shepherd: [Who did not freak out at Michele Hurd’s chilling performance? She is awesome!!] Don't move. It's nice to meet you, Special Agent Patterson.

Borden: [Being tested here.] What? Don't do this.

Shepherd: Do you see this? My son did that. [This is tricky dialogue.] So I have no time for your misplaced loyalties. You should've killed her yourself. But you were weak.

Borden: No, I was smart. Look, think of the asset she can be, of the intel she can provide. If you kill her, your judgment's been clouded by emotion, not mine.

Shepherd: You know how I extract information.

Borden: Why else do you think I brought her here? [Now keep that in mind. Borden deliberately watched Patterson being tortured. the basic motive was him washing his hands as a doctor wanting to keep her alive. yet he still brings her to be tortured. Can’t forgive that.]

Shepherd: Okay. I'll get intel from her. Get on the table.

Where are we on finding Roman?

Tasha: [In the Mix and has not seen him yet. But she will lol ] I'm using Patterson's system to autodial Roman's cell phone every 15 seconds. But he hasn't picked up.

But we're tracking it?

Tasha: I tried, but all of my calls keep getting routed through the same cell tower, and that narrows his location down to somewhere in this 30-mile radius. It's bigger than all of Manhattan.

So no luck on the car that he was driving?

Nothing yet.

What about Borden?

Initial tests confirm that all of the blood at Borden's apartment is Patterson's.

Jane: How could Borden do this?

Have we got an APB out on his car?

Yes, but no sign of it yet. (alarm beeping) It's Roman, he's finally picking up.

Roman: Hello?

Jane: Roman, please don't hang up, okay?

Roman: Who is this?

Jane: I'm your sister.

Roman: Are you that woman from the car?

Yes, but I didn't shoot you, okay? I want to keep you safe. Can you tell me where you are?

Roman: [Tasha gets to hear his voice.] What the hell happened to me?

Jane: I promise, I'm going to tell you everything, but it's gonna have to be in person. Roman, look in your pocket. There's a coin in there, it's a very special coin. I gave it to you when we were little. [Foreshadowing. Remember in the first episode? The bubble gum wrapper? Its all tied to Roman remembering you know who...same as Jane. Its powerful and its meaningful.]

Roman: How'd you know that?

Jane: Because I know you better than anyone, and I know exactly what you're going through right now, and it's hell. I know that, okay? But I need you to trust me. Can you describe where you're at?

Roman: [Innocence to character.] "The best eggs you've ever had."

What do you mean?

That's the slogan for Loui's. It's a diner chain.

Hey, Roman, are you in a diner? Is there... is there anything else you can see?

There are four diner locations and 18 billboards with that tagline in our search radius. Or maybe a... A landmark?

Uh, 9D 8203 1000.

Roman, I... I don't understand.

Tasha: Mile marker in Putnam County.

Jane: Roman, I'm coming to get you. Okay, but I need you stay right where you are.

Roman: I gotta go. I'm hungry. [Innocence.lol]

Jane: Roman? He hung up.

Weller: All right, you keep working on the Borden angle. Jane and I will bring Roman in.

Mitch: Shepherd.

Shepherd: Not now.

Mitch: It's urgent. (door opens and closes)

Patterson: Who the hell are you? [Plot resolved at end of episode. Means the story is moving forward.] How long have you been working for her? Tell me!

Borden: If you had just stayed at the office, none of this would've happened. [Need a better defense than that.]

Patterson: I left to check on you. I guess that's pretty stupid. But then again, I thought you were my boyfriend.

Borden: I know this is hard and impossible to understand. But everything I have done has been for my late wife.

Patterson: (chuckling) Wow. That's great. That's just... what every girl wants to hear as she's being tied to a plank with wire. [EXACTLY!]

BORDEN: Chris lived to help others. She made lives better all over the world. She helped build the hospital that she died in. And it only stood for one month before an unsanctioned American bombing turned it to ash. The government that murdered her is the same government you work for. You are on the wrong side.

Patterson: I am? I'm sorry. Your side... sounds really cool. So you should just go ahead and untie me... because I'm converted.

Borden: If I were you... I would tell Shepherd everything. [This dialogue is dragging. There are three crucial parts with paterson but basically the borden stuff with her is filler. the story is Roman and the show is using Patterson’s plight to distract you from key moments.] (gasping)

Roman: Are you that woman from the car?

It's like he doesn't remember anything. She must've ZIP-ed Roman.

Shepherd.: We have to find him. [Good luck but i do believe she is not going to give up her son.]

(coin rattles) girl: Are you a pirate? [Foreshadowing.]

Roman: I don't know.

You're funny. Is that your treasure? It's shiny.

Roman: Do I know you?

Girl: Yep, I'm a pirate, too. [Yup foreshadowing.] (door opens, bell jingles)

Sorry, is my daughter bothering you? Can I get you anything else? Some dessert? (bell jingling)

Sorry, what?

Dessert? Maybe a slice of pie? Sir, are you all right? (door opens, bell jingling)

Roman: [In bad ass mode. quiet reserved but can pierce your carotid with ease.] Take the girl, get out of here. Go.

man: Hey there, Roman. Your sister sent me to pick you up.

You know my sister?

She's worried about you. It's not safe here.

I should wait here for my sister.

I'm gonna take you to her. Roman, it's fine. We gotta get you out of here. Roman, it's all right. (grunts) (cries out) Uhh!

Weller: FBI! Drop your weapon! Gah! (machine gun fire) Uhh! (gunfire stops)

Jane: [Arguing pleading for her brother. she is in protective mode. means how far will she go?] When you brought me in, you didn't tie me up and treat me like an animal.

Tasha: You hadn't just tried to get all of us killed. Reade is in the trauma ward because...

Jane: That was Shepherd, not Roman! [the banter over Roman will escalate.]

All right, enough, you two. We don't have time for this. Jane's right. We need Roman's help to find Patterson. So if we treat him like the enemy...

Which he is.

Yes, but if we treat him like that, he may not cooperate.

Even if he wants to cooperate, what is he going to say? "I don't remember anything"? We're here wasting time while Patterson is still...

We're all worried about Patterson. But right now, the only real lead we have is sitting in that room, so let's just try and focus.

Jane: I wanna go in first. I can get through to him.

I agree.

And I want to tell Roman the truth. Everything. Including that I ZIP-ed him.

You're crazy. [no but theres a dark swan inside.]

Tasha.

You guys can stay here and talk to the forgetful terrorist, but I'm going to go find a real lead.

Weller: [In protective mode.] Jane, you can't tell your brother that you ZIP-ed him.

Jane: How can he trust me if I lie to him?

Weller: Well, how can he trust you if you don't? Think about it, Jane. When you came out of that bag, how'd you feel about the people that put you in there? You hated them. He will hate you for doing this, too. You have to lie to him. [foreshadowing]

Jane: Yeah, and what if he remembers being ZIP-ed? Weeks or even years from now, he could realize our entire relationship was based on a lie. [This means this plot may not blow this season or next, but they are keeping it until they decide to use it. there’s no build up for this except that Roman told Jane, “I will find your rabbit.”

Nas: It's a risk we have to take, Jane. Otherwise, he will never tell us where Patterson is.

[Shep[herd: [Okay this scene had me covering my ears and singing lalalalalalalalalalalala!!! The mere thought of anyone jabbing a perforated needle inside your ear... I had nine biopsy’s on my head! it hurts. imagine in your eyeball or your mouth, or “there” Oy!!] I need you to answer a few questions.

Patterson: And I need you to untie me. My guess is we both don't get our way.

Shepherd.: I'm gonna get my way. Dr. Borden, why don't you tell her what this is for?

Borden: [A coward!] It's for fine-needle aspiration biopsies. For taking tissue samples, in layman's terms.

Shepherd: Oh, don't worry. I... I'd much rather do this the easy way. So, what does the FBI know about Phase Two? You know, I know a lot about you. I know you love your job. You love solving our puzzles. And you're good at it. You're gifted. Behind all the puzzles... Well, all of science, really... There are two tasks, right? Observe and analyze. I bet it would be really hard to make a thoughtful observation if you... say... couldn't hear. (gasps) So... What do you know about Phase Two? (Patterson shouting) [Uh huh wincing--Lalalalalalalala I can’t HEAR YOU!!]

I'm so sorry about all of this. Roman, I understand that you're angry. But I need your help. A friend of mine is missing, and you may know where she is. (sniffles)

Roman: No, I don't.

Jane: Everything is empty. And I know exactly what that feels like. When I was brought to the FBI, I couldn't remember who I was or what I'd done. I was empty. [This is a re introduction of the show now with Roman like Jane. Same feelings.] And these people helped me feel full again.

Roman: They took care of you?

Jane: And they're gonna take care of you.

I don't know who I can trust.

You can trust me. I'm not gonna lie to you.

Roman: Why can't I remember anything?

Jane: Because your memory was erased. By our mother. She erased mine, too.

Why? Why would she do this? Why would she want to hurt me?

Because she's a terrible person. And when we were little, she took us from an orphanage, and now she is the leader of terrorist organization.

Did she take your friend?

A man who works with her did.

I'm sorry.

You can help us get her back.

Borden: Please, tell her what you know. For your own sake, just... Stop this, it's inhumane.

Please, a perforated eardrum heals. Meaning I can do this again and again. So... answer me this. What does the FBI know about me? About my organization? What do you know about our microchip?

I know you're gonna kill me, so just do it already.

I don't want to kill you. I want answers. And I'm gonna get 'em. Even if I have to do this a thousand times. (Patterson screaming)

I'm gonna show you a series of photos. I need you to tell me if you recognize any of the individuals. Do you understand? Yes. Have you ever seen this woman?

I don't know.

Nas: What about this woman?

What does the FBI know about Phase Two?!

Everything.

I know what you're doing.

I'm answering you. We know everything!

Have you ever seen her?

No. I don't think so, uh... I don't know.

Nas: Do you recognize this man?

(Patterson screaming) [the back and forth intercutting between the two scenes is to build emotion and resentment and to distract.]

Yes, I do. I recognize him.

Do you know where he is?

Yeah, I, uh... It's okay, even the smallest memory can... It's okay. I'll be right back.

You think you can type with nine fingers?

No, enough.

Hey... Remember why we're here. What this is all for. I know this is hard. But we're saving this country. (door opens) What is it?

Mitch is dead. We lost Roman. (door opens and closes)

Hey. Why'd you leave? We were making progress. He recognized Borden.

Roman is lying.

What? No, why would he...

The MRI detected it instantly.

Look, he only lied because he wants to help. He has good intentions.

But good intentions are not gonna find Patterson.

Yeah, but they're a start, and maybe if we...

Nas: Maybe if you hadn't ZIP-ed him, we would've had a chance at finding her.

Weller: Tasha's got something. She's in Patterson's lab. Don't beat yourself up, Jane. She's frustrated. We all are. We're going to find Patterson.[Protecting his boo.] ♪ ♪

What do you got?

I got into one of the Sandstorm operative's phones. Okay, this guy right here, the one Roman "forked"... he texted Borden and 15 others late last night. But the message... it just looks like spam. It's in some kind of code. I tried running it against Patterson's system, but I got nowhere. So I'd really love your help.

Nas: I'll, uh, I'll try my code breaking program. Knowing Sandstorm, I doubt it'll be a straightforward encryption. A message of this size could take weeks to crack, and if it needs an outside key, well, be more or less impossible. Nas: Hang on a minute, where was that book found?

Zapata: Borden's apartment.

Can you zoom in on that? That's book one of Livy's "Ab Urbe Condita." Jane said that she'd seen it in Shepherd's office.

Sorry, Jane was reporting Shepherd's reading habits?

Yeah, I insisted on knowing all the details about the compound. It's a long shot, but... this could decrypt with the book cipher. Can you pull up the text from book one?

Just did.

Okay, wait. If we convert the entire message to numbers, then have the computer scan the correlating pages looking for any coherent combination of... It worked! Got it, 465 Willets Point Boulevard, Queens. It's an auto shop that belongs to a woman named... Charly Evon. Right, let's bring her in. (indistinct chatter)

Ms. Kamal, I need to speak with you.

Now's really not a good time.

The joint-task force between the FBI and Zero Division is officially disbanded. Effectively immediately. [Re-routing the arc. and yes this is another drop in scene.]

Weller: What? You can't do that.

I can. And I have. You need to go with these agents. You no longer work here.

Weller: She's not going anywhere.

Yesterday was the single biggest disaster the FBI has had in decades. You understand that, right? You had one task: take down Sandstorm. You failed. Instead, you led a dozen agents to their death.

Weller: That is not her fault.

Whose fault is it?

I am just as responsible for yesterday as she is. [Yup you have no idea. all for Weller’s benefit. ]

I know that. Just consider yourself lucky you didn't lead that raid. You need to leave the building now.

Nas: Understood. (whispering)

Weller: Nas. Nas... I will do whatever it takes to get you reinstated. I'll talk to the head of the NSA. [this is a rewrite coming up like I said the Was arc is over.]

Nas: Yeah, and they'll deny any knowledge of me and Zero Division. Just... just go find Patterson, okay?

Shepherd: What do you know about...

Patterson: Shut up! Are you slow or something? I think I made it pretty clear I'm not answering any of your questions. I'm loyal... unlike your children. First, Jane turned on you, and now it sounds like Roman did, too. So what makes you think Borden's gonna be any different? Or any of your other "followers"? Everyone... will leave you! [ALL FORESHADOWING] Because you're... [POW]

Where is he?

I don't know, I never seen him.

Then why did we find his car at your shop?

I don't know.

I'll tell you what we know. You own an auto shop that barely makes enough to keep the lights on. And you're a member of a very dangerous terrorist organization.

No! No, I'm not.

A federal agent is missing. So either tell us where he is or spend the rest of your life in a hole.

I provide getaway cars. That's it. I am not a terrorist.

Did you give him a car? Yeah... he came in last night.

Make, model, plates... now.

I gave him a 2012 Toyota Corolla. A white one. I don't know the plates.

You know what? I think we should take her to Gitmo. Let them take care of her.

I'm telling you I don't know the plates. Every month I get these unmarked packages. I just put 'em in the cars. The drivers pick their plates.

Does the car have any distinctive markings?

It was a regular car.

Swapped parts? Anything?

I think the front passenger door might have had its original paint. A gold color.

Run it through Patterson's vehicle tracking software.

Shepherd: We have no choice but to kill her.

Borden: No, I can get the information out of her. Let me try to...

Shepherd: It's decided! She's made it very clear that she won't cooperate. And even if she did, I could never trust her intel.

Borden: I want to be the one to do it. It needs to be humane.

Shepherd: I don't think you're up to it.

Borden: Please, let me do this.

Fine. Then meet me back at the bunker.

[What a swell boyfriend, right?]

I found the car... A 2012 white Corolla with a front passenger door in its original gold paint was picked up on a traffic cam on the Hutch. The car drove into but not out of Ward Acres Nature Preserve.

Nice work. Let's move.

Don't do this.

You won't feel anything, I promise.

(crying) Please... please, don't.

I'll begin with a saline drip to ensure that your IV is working properly. Next, I'll administer propofol, which will render you unconscious.

(crying) I know that you don't want to do this!

What I want doesn't matter. I am so sorry.

This isn't who you are. You're not a killer.

You don't know anything about me.

I know you. You... you made me breakfast in bed, and... and... You didn't need to do that. You wanted to. I think that you care about me. That's why you couldn't kill me before and why you can't do it now.

Stop talking!

Do this... and you will become everything you hate.

I don't have a choice.

Yes... you do. Just like the people who killed your wife had a choice. Just think about her, okay? What would she want? You told me that she saved so many people's lives. Now, you can save mine. You loved her. And I know a part you loves me, too. (voice shaking)

You're right. (alarm beeping)

Is that Shepherd? Is she back?

Weller: That's his car. Where's Patterson? (tires screeching) (metal clinks) (debris falling outside) (grunting)

Good-bye, Patterson. (straining)

Jane! Jane! Are you okay?

Weller! Help me get her out.

(grunting) (screaming) Weller!

Zapata: Her foot's trapped!

Jane: Weller, he's getting away.

No, he's not. I'll get him. You two get Patterson!

Jane: Patterson? (panting) Oh, here! You're okay.

We're here now. Let's get you out of here.

(sobbing)

Jane: Take it easy. There you go. Okay, you're okay. (Patterson gasping) Uhh! (grunting)

You can't shoot me, can you? [Nope.]

Not yet. [Oh Borden. foreshadowing. So he holds Weller responsible for the raid against Chris.]

Weller: Why does Shepherd need me alive? Why?! [To trigger Roman and REMI]

[This scene is fabulous! He’s lethal and direct and he makes Roman cry. Roman is like that little boy in the orphanage, scared, writhing on the floor, wounded, ah yes. this is called ACT OF CONTRITION. REMORSE for a character that had no reaction to killing people. if you want to redeem characters they MUST FEEL REMORSE for their actions against OTHERS in order to grow. Otherwise how can an audience feel? Because your told to? SHOW! NOT TELL! Thats PLOT in television. Bravo Luke Mitchell.]

This is Michael Feher. 30 years with the Bureau. This morning, his body was found under a pile of rubble. Michael's daughter was supposed to get married this Sunday. You killed him.

No... I didn't do that. Uh, I don't even know who that man is.

How can you know what you have or have not done? I thought you couldn't remember anything. Unless, of course... you do remember.

I don't! I don't know who I am. I don't know what I've done. I don't know anything about what you're saying.

It's a lot to... process, I'm sure. See, I feel it's my duty to tell you the truth about who you are. Some people here, they might have treated you like a victim or... like an asset. But you're neither. You're the enemy. Lawrence Manning. Nicollette Brown. Kevyn Sierra. Maria Vanlenz. The list goes on... and on. Innocent men and women. It's not about what you remember. It's about what you did. These deaths... ...that's who you are. You're gonna go with these agents. And you're gonna answer all their questions.

Where will they take me?

Somewhere... safe. [As a child Roman was taken away tortured, he and Jane. this is building up nicely...and Weller is tied to this.]

Roman: No, no, no. Please, please, stop! Just let go of me!

What's going on?

I'm turning Roman over to the CIA to be properly interrogated.

No, you're not. You have no right to. Actually, it's Roman who has no rights.

Do you have any idea what they'll do to him? (grunting) They will torture him day in and day out, just like they did to me. [That got Weller’s attention.]

This is why Roman needs to be interrogated elsewhere. She has no objectivity...

All right, you hand him over to the CIA, you lose me.

Excuse me?

I'll walk. He stays, Nas comes back, or... you can find yourself a new Assistant Director.

May I have a word?

Roman, it's okay.

What the hell has gotten into you?

I can interrogate Roman and get information out of him.

So can the CIA.

They don't have Nas.

You don't have Nas.

We need her here. No one else knows Sandstorm better than she does. I can't do this without her. [Original story]

Kurt...

Shepherd is planning something big. Something that Roman knows about. Nas and I can get him to talk. We can capitalize on his connection to Jane. Look at them. That is how we get Shepherd. That is how we bring down Sandstorm.

You really want all of this on your shoulders? Hm! [Like Atlas! heavy burden!] Release him. You get intel from him, or he's gone, and if Nas makes a single misstep, I don't care if it's a clerical error, she's out, and you take the fall. This goes sideways... it's all on you. (snorts)

You should put your leg up.

You need to quit fussing over me. I'm okay.

Hey, macho man... put your leg up.

You would have made a hell of a nurse. (laughing)

You hungry?

I can make my own Cup o' Noodles.

Okay. Will you just... Just relax. Put your leg up, please. What are you doing? [FriendZONE. I tweeted this scene to Gero and said that was like bro and sis and Rachel kissing Joey on Friends. No. Bring on Roman. Thats where it is.]

What's it look like?

You're my best friend.

Exactly. You know me better than anyone else. It... it makes sense, Tasha.

We're friends. That's all. I'm gonna go. (door opens and closes)

[So, they really did not need to do this scene. last episode pretty much sealed it but this episode is a complete redirect so theres no ambiguity. he leaves door open at a later time, but IMO don’t mess with it. I like them as friends.]

[this is endearing.] I thought you might want a warm meal.

Thank you.

This is only temporary. I promise. I... I have something else for you.

When did you, uh, start to remember?

Almost right away. The memories will come.

I'm not sure I want them to.

I know what that's like. I was so afraid of who I'd been and what I'd done. But even the most painful memories helped bring me to where I am now. And I'm going to be here. Okay? And I'm gonna help you make sense of everything. And we are going to figure this out together.

Patterson: [WHAT IS SHE DOING? YELLING. She can’t hear unless up close. plot point.] (keyboard clacking) (knocking) (loudly) I know, I know. I should be resting, but I... I'm not here to lecture you. [these two are like bro and sis. its adorns. he loves Patterson so much heart of the show. extremely important.] What? No, just... You know what? Don't... don't repeat it, I get it. Rest is important.

I mean, I'm kind of the queen of the all-nighter, but some people I know need their sleep. (chuckling)

No. Ohh. I came here... to give you these. (loudly) They're from the team.

Patterson: (chuckling) Ow. Ow. Jaw is killing me. Thank you. If you hadn't found me... I was really scared.

We all were.

Okay, okay, okay. I want you to look at something.

No. Tomorrow.

Please. Just let me do this.

Yes, ma'am. (sighs)

Okay. How did you find that?

Borden, or, sorry, "Nigel"... Creeper name... Told me that his wife was killed in a hospital that was newly constructed. I already had a time frame off of Jane's Orion photo and a sense of region based on his wife's wedding ring. So I cross-referenced all of that against hospital construction dates, and voila. Dr. Nigel Thornton. And he didn't even go to a very good medical school. [Notice no follow up on emotions in this scene? More like a wrap up to the story. its open ended. borden can return anytime. but to protect Patterson, don’t go down this road. IMO Gero isn’t.]

Nice work. Now... please get some sleep...

No... I want to run with this. I want to dig a little deeper. I want to use the book code on everything in his apartment, Post-its...

How do you know about the book code?

Come on, I read the notes. I mean, do you even know what this could unlock?

You're right. Patterson's back at the FBI.

We need to alter our attack plan. Just in case Roman remembers anything.[altering of the arc]

And what about Weller?

That stays. [arc unchanged.] He's still crucial to the end game. (screaming) (Roman panting)

Patterson: When were you gonna tell me about this?

I'm telling you now. Here, Nas had an inside source at Sandstorm.

What? How? Wh-Who? Or... of...

All of the questions. He's been dark for a very long time. Nas doesn't even know his identity.

Patterson: But he gave her his phone? [and who do you think is the mole in sandstorm?]

Weller: Yeah. Nas and the team at the NSA have been trying to unlock it, but nobody's been able to get past that home screen.

Okay, uh, have they... tried the book code?

No, not yet. (sighs)

Okay. I will convert the prompt to its numeric equivalent. Pull up the old... "Ab Urbe Condita." (sighs) Okay, that looks very not promising. Try it. (beep) Whoa. Uhh! I didn't think that was actually gonna... psh. Damn, I'm good.

Yes, you are. What's that?

It's a rough-draft Jane. How does it look?

Weller: Sandstorm did a practice run.

Patterson: Oh, my God... look at her neck. It's an extra tattoo. Why the hell would Sandstorm remove that one?

So basically after next week but definitely february sweeps more intensity. I think I counted like three drop in scenes and three filler scenes. definitely rerouting the arc...I do hope Nas and Shepherd face off. they need to for this storyline to come full circle aside from Weller.

The coin is the talisman for Roman to remember, same as Jane. it has “powers” lol.

Was is done. One comment from weller saying, we can't no more is all it needs. Pretty much he values her partnership. Which I agree. Sleeping with her IMO was the wrong way to go. but she is already insecure. tome for her to emerge and a fierce adversary for sandstorm.

jane and roman the wonder twins will bond, thats beginning already. but the fact that she injected him, yeah that could come out at feb sweeps or years no way to know. this is what you call an up in the air story. when Gero is ready he will explore it.

Tasha Roman scenes are coming. she’s single, free and no triangle with Reade. Perhaps that is why they did the friend zone kiss to establish there’s zero ambiguity.

Patterson {the yelling isn’t going away...the hearing is a big deal for a later date. Observe and Analyze.

Borden deserves to die in a humane way. saving his character past this is not a good idea.

Jeller on the same page. build up to when he loses her.....

Read more at: http://transcripts.foreverdreaming.org/viewtopic.php?f=390&t=30425

#Blindspot TheWritersAdvocate #NorINIgel #AKALegInIron

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completethestoryideas-blog · 6 years

Text

Joon Skies

It flashed through the sky and then it was gone. Lucy was sure she had seen a UFO and was equally sure aliens were here to make contact with a human being. Maybe they would choose her. Maybe she would get to visit their ship. Maybe they would take her and her big brother away from their awful foster family for good. Regardless, it was a beautiful sight amongst the starry sky in the warm June evening in the rural countryside.

But maybe she had imagined it.

This was the explanation for everything beautiful and intriguing young Lucy seemed to witness, according to her foster parents. She wasn’t even sure her brother believed her, but if he didn’t he didn’t show it. He was only twelve, but he was practically an adult. He was her protector and took good care of her but treated her stories like gold. It didn’t matter if he believed or if he simply loved them because he wanted to believe them - it made her feel accepted and important.

“Lucy, what are you doing? You’re gonna get in trouble!”

Sonny’s spiky-haired head was poking out of the window of their bedroom on the top floor of the house, his glasses falling halfway down his face. Their room was essentially an attic, with the walls angling upwards until they met at a point, but they had a window so it was far less scary. Lucy, sitting on the slant of the rooftop cried back to him.

“Sonny, I saw a spaceship! It was here and then it zoomed away!”

“Luce, that’s really cool but you have to come back in! What if you fall? Or what if Marion and Chris see you up there? We won’t eat for a day! Come back in and be careful.” He stretched out a hand in her direction in case she needed some help, though he knew she didn’t She was only 8 but she was smarter and more nimble than most her age. He watched as she tested her footing on each shingle-covered area before putting her weight on it and made her way over before helping to steady her as she came back in through the window.

“What kind of spaceship was it this time?” He asked. “Another saucer? I love the drawings of the saucers.”

Lucy began frantically sorting through an art box for a new sheet of paper. “Not this one. It looked almost like a submarine. No propellers, just the shape.” She grabbed a handful of crayons and began outlining the ship.

“How do you know what a submarine looks like?”

“One of the books on Marion’s bookshelf has one on the front.”

“Lucy, you know you shouldn’t be going through their things. They hate that.”

“I know,” She said, switching between crayons, “but it just gets so boring reading the same ones over and over again. We’ve been here for two years and we don’t have anything new. I’m past that vocabulary level already.”

“I know, Luce. But remember, if we get adopted-”

“When.”

“When we get adopted, they’re going to have the upper hand. They can tell the people who want us whatever they want. They’re adults, they’re going to believe them.”

“Ohhhhkayyyyy,” she groaned, setting the crayons aside. “Anyways, look. This is what I saw.”

Sonny observed the paper as she turned it to face him. This was different than her usual spaceships. It really did look like a submarine. Though it was a light orange color as if it was dusted with rust on the edges and grew brighter towards the middle. “Strange color for a spaceship.”

“I know, I thought so too. I tried to make it look metallic. It was metallic.”

“This just looks so different than what you usually show me. You’re positive it was a UFO?”

“Sonnyyyyy. Don’t tell me you don’t believe me anymore. I know it’s different. Because it is different. It looked different and moved different and sounded different. It’s like they were watching. Just for a second. And then they were gone. I wish I could meet them.”

“And what if they’re dangerous?”

“Grandpa said there are no dangerous aliens, just curious ones.”

“I remember. Still, why would they come here? Earth’s not that great.”

“Yeah....”

“Get ready for bed, they’ll be up to check on us soon.”

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Sonny awoke with tired eyes. There’s no way it was morning yet, and yet the room was illuminated with a golden-yellow light and.....was that......buzzing? He sat up, rubbed his eyes awake and looked to the other side of the room. Lucy was already up. He turned himself to rest his feet on the floor and looked up. Lucy was standing in front of the open window, in slight wake of blinding light. It took him a moment to find his glasses and adjust them on his head before looking at the clock and seeing that it was just a few minutes short of 3 o’clock in the morning and realizing that the light wasn’t coming from the sun of the new day. He crept closer to his sister and the window.

“Lucy, what are you doing? It’s the middle of the night. Why is the window open? And what.......is that? Is that your ship?!” Jaw to the floor, Sonny stared out the window to see a tall, lanky figure with a misshapen physique standing directly opposite of Lucy who, Sonny realized, hadn’t said anything.

“Lucy! Lucy, can you hear me?! LUCY!”

She continued staring dead ahead at the figure, her face emotionless. He watched as the figure’s hand started to slowly rise from its’ side towards his sister. He hugged her and held tight, trying to move her back and away from the window, but her body was frozen in place as if she were made of stone. He looked back to the figure.

“What are you doing?! Let her go! LET HER GO!”

Lucy’s skin started to become translucent and shimmery.

“Please let her go! Don’t take her from me! You can’t have her!”

Sonny’s gripping arms soon ran right into each other as Lucy’s body dissipated from his hold. He looked up only to see her coming back into view next to the figure as the ship itself began to fade from existence. It took Sonny a moment to catch his breath and think. He needed to find his sister and get her back. She was the only family he had left. But how do you find an alien that doesn’t want to be found? He didn’t have a spaceship or know what it was or where it was going. He didn’t even think aliens existed until now.

Grandpa’s notes.

He bolted to Lucy’s art box and dug to the bottom until he found the journal. Before his passing and while Sonny had been sick when he was only five years old and Lucy was just an infant, their grandfather had given him a journal. Sonny was always under the impression that he had written it to entertain them as children and so that they would always have a piece of him. However, they had never shown it to their parents per his wishes He regretted this now. If only their parents had still been alive. It might have changed everything. But Lucy had always gotten more out of the journal than he ever did. It sparked within her a fascination with the unknown. Now, it didn’t seem so strange. In the journal, there were puzzles and riddles for them to solve. Some were specifically created for them to solve as they got older “when the time was right” as he had marked on the inner cover. Sonny flipped through the pages and knew that if he were to find Lucy, this is where he’d have to start. He started opened the journal and started reading.

#nancy drew #sonny joon #fanfiction

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symbianosgames · 7 years

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The following blog post, unless otherwise noted, was written by a member of Gamasutra’s community. The thoughts and opinions expressed are those of the writer and not Gamasutra or its parent company.

[Video Game Deep Cuts is a weekly newsletter from curator/video game industry veteran Simon Carless, rounding up the best longread & standout articles & videos about games, every weekend. This week's highlights include CIA board games, the art of escape rooms and The Oregon Trail's genesis.

Huzzah - have managed to get the newsletter out extra early this weekend - wonder if it helps with open rate? There's over 400 of you on this list currently, by the way, plus I tend to get 700-1,000 page views on the Gamasutra crossposted version. I'd call that a good result in today's micro-attention intellectual economy. (But I want more, of course.)

Anyhow, quite a bit happening this week - and in addition to the YouTube GDC talks I posted below, the GDC Vault is up, with 170+ free videos from the 2017 show, hundred of free slide decks - and 500+ videos in total if you were a select GDC passholder. Not linking individual lectures from there because I'll be adding the YouTube versions as they gradually get xposted over the next few months, but there's some amazing talks out there - thanks again to all our speakers.

- Simon, curator.]

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Escape to another world (Ryan Avent / The Economist 1843 Magazine) "Like millions of people of a certain age, the Nintendo Entertainment System (NES) had occupied a crucial place in Mullings’s childhood. It introduced him to video gaming, gave him a taste for it, made him aware of the fact that he was good at it: a “born gamer”, in his words. Yet the pixelated worlds of the Mario brothers, for all their delights, were nothing like the experiences available to gamers today."

'Witcher' Studio Boss Marcin Iwinski: 'We Had No Clue How To Make Games' (Chris Suellentrop / Glixel) ""We were small, unknown guys from Poland," Marcin Iwiński, the co-founder of CD Projekt Red, said last year when The Witcher 3 beat out games like Fallout 4, Metal Gear Solid V, and Bloodborne for the Game of the Year award at the Game Developers Choice Awards in San Francisco."

The Shrouded Isle and embracing darkness in games (Katherine Cross / Gamasutra) "PAX East’s indie offerings sometimes have unexpected themes emerge from the potpourri; a couple of years ago it was young women as detectives. This year, a subtle current among the games on offer was exploring life in cults from the inside."

Why math is strangling videogame morality (Jody Macgregor / PC Gamer) "What's disappointing is that in the 22 years since Ultima IV, the math governing most morality systems in games has gotten more complicated, but it's still math. And it's still there. When our behavior is tied to an equation we've been trained to understand over the past two decades of gaming, the exciting nuance that should lie at the heart of moral decisions tends to disappear."

The CIA uses board games to train officers—and I got to play them (Sam Machkovech / Ars Technica) "The two groups of South By Southwest attendees split up in this conference room hesitate to get up. They were testing out the weirdest training exercise the CIA has ever publicly revealed: board games. These aren't off-the-shelf games; instead, CIA officers designed and assembled these elaborate tabletop games to reflect the realities of the CIA's day-to-day operations."

Balancing survival gameplay and RPG progression in Conan Exiles (Alan Bradley / Gamasutra) "Funcom's Conan Exiles, one of the latest challengers to the throne that Minecraft built, pushes this kind of progression to the logical extreme, not only tying player’s stats -- things like strength and stamina -- to its leveling, but also locking the majority of its buildings and tools behind it."

What it’s like making games in Pakistan (Basim Usmani / Polygon) "Chappal Strike, a play on shooter Counter-Strike, is a student-made game in which the player launches chappals — Pakistani sandals — to take down army helicopters. The game is rooted in one of Pakistan's darkest moments of 2016."

Are Teenagers Replacing Drugs With Smartphones? (Matt Richtel / New York Times) "With experts in the field exploring reasons for what they describe as a clear trend, the novel notion that ever-growing phone use may be more than coincidental is gaining some traction. Dr. Volkow described interactive media as “an alternative reinforcer” to drugs, adding that “teens can get literally high when playing these games.” [SIMON'S NOTE: not really sure where this theory fits into app refreshing, games and endorphins, but flagging it as intriguing.]"

Arcade Photographs, Arcade Comics, Arcade Tales – A Social History of the British Amusement Arcade (Alan Meades / mediaXstanford / YouTube) "Alan Meades, Senior Lecturer in New Media Theory in Canterbury Christ Church University’s Department of Media, Art and Design presents his arcade culture research project, Arcade Tales, which uses comic books as a way of communicating and capturing oral histories from British arcades, and also a selection of rare and previously unseen arcade photographs from Canterbury Christ Church University’s George Wilson Archive."

The story of Crash magazine (Graeme Mason / Eurogamer) "If, like me, you were a ZX Spectrum fan growing up in the 80s, one of its trio of passionately assembled and dedicated magazines was an indispensable read... Sinclair User was the longest serving, and had a drier tone; Your Sinclair (formerly Your Spectrum) gleefully brandished its off-the-wall humour in each issue, and is especially revered today. But for me, and many others, our magazine of choice was the appropriately-titled Crash, published by Ludlow-based Newsfield."

Choices, Episode (Emily Short / Emily Short's Interactive Storytelling) "There are several thriving brands of interactive fiction on mobile that tend not to get a huge amount of coverage in the traditional IF community, despite their large player base. They’re placing well on the app store, though, and GDC talks increasingly cover them — so I went and had a look at a couple of the main contenders. [SIMON'S NOTE: Also see How Episode became the world's biggest interactive fiction platform.]"

Board Game Design Day: The Making Of 'Pandemic Legacy' (Matt Leacock & Rob Daviau / GDC / YouTube) "In this GDC 2017 talk, 'Pandemic Legacy' creators Matt Leacock and Rob Daviau walk through the thought process of creating the popular board game, looking at the design challenges (and solutions), where the team behind Pandemic went right, and where they went wrong."

How to Make an Escape Room (Laura Hudson / Feminist Frequency) "Laura E. Hall wants you to get out; she really does. As an escape room designer, she’s created numerous live-action mysteries where teams of intrepid players sealed in a real-life room must rifle through clues and solve puzzles in hopes of getting out before time runs out."

Meet the Swedish Politician Who Streams 'Hearthstone' (Luke Winkie / Glixel) "There is a unique tranquility in watching a man calmly break down Scandinavian political policy while piloting a Beast Druid deck. So if you're like me and you're in need of a reminder that government isn't always stupid and evil, I highly recommend the Hearthstone Twitch stream of Rickard Nordin."

LawBreakers isn't trying to be an Overwatch killer (Tom Marks, Mark Paget / PC Gamer) "First-person shooters had a big year in 2016, something that wasn't necessarily expected when Gears of War creator Cliff Bleszinski and Boss Key Productions revealed LawBreakers in 2014. Since then, Overwatch has sort of become the de facto leader of the character-based shooter movement, but when we met up with Bleszinski at PAX East 2017, he told us that he isn't trying to make an Overwatch killer."

Prompto's Facebook: How a Buddy-AI Auto-Snapshots Your Adventure in FFXV (Prasert Prasertvithyakarn / GDC / YouTube) "In this 2017 GDC session, Square Enix designer Prasert Prasertvithyakarn describes the creation of Final Fantasy XV's photo system that allows Prompto to document your epic road trip on a quest to save the world."

Classic Game Postmortem: Oregon Trail (Don Rawitsch / GDC / YouTube) "In this GDC 2017 postmortem, Oregon Trail creator Don Rawitsch sets off on a journey to explore the development of this classic educational game that took the world by storm."

How Osiris: New Dawn calculates monster crab scuttling (Philippa Warr / RockPaperShotgun) "So I’ve played enough of Osiris to know that you’ll be minding your own business, looking at a tree, and then a crab will come and try to cave your skull in. It’s not a proper crab in the sense of earth taxonomy because it has four legs, but it has a carapace and a set of angular legs that have a very crab-ish/lobster-y aesthetic."

Dwarf Fortress creator Tarn Adams talks about simulating the most complex magic system ever (Wes Fenlon / PC Gamer) "Forget what you thought you knew about the infamous complexity of Dwarf Fortress. We haven't seen anything yet. Dwarf Fortress hasn't been updated for a year, because developers Tarn and Zach Adams have been preparing it for the most ambitious magic system ever implemented in a videogame."

'Nier: Automata' Director Taro Yoko Doesn't Envision a Happy Ending for Humanity (Matthew Walden / Glixel) "Nier: Automata has finally thrust the reclusive Yoko into the spotlight, with its impeccably polished action offering a more accessible entry point to his fascinating universe filled with heartbreak and introspection. Recently, Yoko has become equally recognized for the grinning, skeletal mask he dons in public, as well as his cryptic and playful answers to interview questions. So it's a particular treat to have a candid conversation with him about his career and legacy so far."

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[REMINDER: you can sign up to receive this newsletter every weekend at http://ift.tt/2dUXrva we crosspost to Gamasutra later on Sunday, but get it first via newsletter! Story tips and comments can be emailed to [email protected]. MINI-DISCLOSURE: Simon is one of the organizers of GDC and Gamasutra, so you may sometimes see links from those entities in his picks. Or not!]

#IFTTT #Blogger

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