at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"

like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.

"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."

... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.

and i'd still keep writing.

i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.

i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley

"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"

and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.

it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.

you create because you're greedy.

Alastor may dislike new age tech but that doesn't mean he doesn't have his sources lol

Yeah I was right and there was no way I was getting the rest of this done without making you all wait another month or two, so I just went to the next good break point. We're officially past the halfway point with Astarion though, so not too much longer before you actually get to see Rolan again!

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The farmer I buy hay (and some firewood) from hasn't had time for deliveries yet, and he texted me yesterday to ask what I needed most urgently, hay or wood. Selflessly, I said hay.

That /is/ the gate for hay deliveries! Great memory, Pirlouit. I see what are the important spots in your mental map.

I hope you realise that I'm sacrificing myself for you. By telling our neighbour to prioritise your food over my comfort.

But even if I didn't, I would prioritise you and your hay because I love you. I would freeze to death to ensure you are fed

Would you share your hay with me, though?

I see.

A girl!!

| Commissions open | [Click to help Palestine]

I fear that "fire bending didn't come easy to zuko" and "zuko isn't a prodigy" (both true) has somehow snowballed into "zuko is a bad or at best average fire bender".... which simply isn't true, especially by the end of book 3

Desperate Villain Danny AU

(this is a 17 yr old danny)

It started out slowly.

First, a few of Danny's less active Rouges stopped showing up at all. He didn't really notice, and just assumed that they had finally had their Fill of their Obsession for a while and would simmer down for a bit.

Then, some more of his Rouges stopped showing up. No big deal, but he is getting a little concerned for them. They had definitely not had their fill of their Obsessions yet, why did they stop?

Then, the worst started happen. All of his actual Ghost Friends start to disappear. Ember, Kitty, Johnny, even Amorpho, they all start to not show up at all in the Living World.

He goes looking for them in Realms, but he can't find any of them whatsoever. He tries asking around, but everybody else noticed the disappearances much earlier than him and began to hide away from whatever was taking all of the strong Ghosts. He can't find anybody, and the ones he does find won't tell him anything (or don't know themselves)

It takes weeks of searching, but eventually he gets his answer.

The GIW show up in Amity again after a period of absolutely no activity. They have stepped up their operations HARD. Advanced Ghost Hunting Equipment, Much more Competent Agents, and most worrying of all, they seem to know that Phantom is friends with Sam, Tucker, and Danny Fenton.

The GIW comes to his house for a Meeting with his parents, where he overhears them offering his parents a position in their Organization as Head Scientists. While there they also manage to plant Bugs in Danny's room somehow. Although he finds them quickly enough and destroys them.

And then, one night during dinner while his parents are ranting about the GIWs Labs, they mention something that cinches it for Danny.

"And today we even got to Dissect one of the Spooks! It was that Mind Controlly one, you know the one with the blue firey hair stuff that sang a bunch! We're going back tomorrow to continue our Study, this time we'll see how long it'll pretend to experience pain before it decides to give up on tricking us!"

That night, Danny packed up all his things, destroyed the Ghost Portal alongside everything else in his parents Lab, and left his house.

He tracked down the GIW Base, saved Ember from her Cell, and decimated the surrounding Area. No survivors, none of the research is preserved, and he left the Site Director alive to question him.

Turns out, the GIW had managed to Reverse Engineer the Ghost Portal from that brief period of time where they had taken control of Fenton Works. They had been using their own Portal to kidnap any Ghost they could get their hands on. Using the research from those subjects, they perfected their Ghost Hunting Tech and started going after the bigger fish.

"But good luck finding it, Ecto Scum! The Portals location was hidden to everybody, even me!" He said.

"Where are the others!" Danny cried. He was losing control of his appearance by this point. After seeing what they had done to Ember, he was too angry to maintain his Humanoid Form successfully. Even now, with most of his control, he could hear the Static in the air around him, and see the Glitching of his hands as they clenched this Monsters clothes.

"Scattered!" He said with a crazed laugh, "We knew we couldn't contain all of them, so we send them to all of our sites across the Country! You'll never find them!"

Without another word, Danny plowed his arm through the man's chest.

He turned around, picking up Embers weakened Body, before beginning his long flight to Wisconsin. Vlad still owed him a few Favors after all, and honestly his mentorship offers seemed VERY Tempting right now.

(Why reject him if you don't care about keeping your dad alive anymore?)

...

The JLA had recently received a distress signal from somewhere in the middle of some random Forest in Illinois, but when they got to the location, all they found was a crater filled with the ruins of some kind of Military Base, and so so many Bodies.

They had managed to figure out that this was a Government Site owned by an organization called the GIW. A Paranormal Investigation Wing of the Government focused on the study and capture of Supernatural Beings called Ecto-Entities, otherwise referred to as Ghosts.

As it turns out, an Ecto-Entity that had been terrorizing the local town for a few years now had made a drastic change in normal behavior and had attacked the GIW Base that had been posted there.

They would have destroyed it years ago, but this one was unnaturally powerful. It had eluded their capture and terrorized the Town for years, but they had too much pride to contact the JLA and admit that they needed help. And honestly until now, they didn't really need it. The Entity had been entirely confined to the singular town, and had not strayed from that behavioral Pattern in the 3 years since it's inital sighting. They had made the difficult choice to leave it there, sacrificing one town in exchange for the rest of the country.

But now they did need their help. This Entity, this Phantom, was one of the most powerful beings that had ever recorded, maybe even The Most Powerful. The fact that it had left the Secluded town it usually frequented meant that it was loose to wreak havoc across the rest of the world.

The JLA Needed to Find this thing, and Fast.

Ortus' murder from the point of view of Harrow the Ninth is like. So turns out Crux isn't just Harrow's seneschal, he's her nurse. He was her touchstone for reality for years, the person she turned to to ask "did that really happen?" or "is that real?". And he lied to her.

She didn't believe him, about Ortus. He didn't succeed at pulling that one over on her, but he tried. Which kind of makes you question how many times he might have tried it before, and how many times he wasn't caught.

Mine: Refer to me however you want!

Mike: Yeah, for me too. I think I use all pronouns too.

[They high-five and fist-bump each other]

Mine:

[via @barbmine]

what's the threshold theory

There was a post about how Tom is the only crew member who isn't really affected by the Borg, and there's a theory that he has so much luck because he saw the past and the future when he crossed the transwarp threshold. He saw the past and the future, all of time and space. There's some subconscious part of him that remembers that experience. In fact, Tom refused to play a part in Chakotay indulging Annorax's temporal incursions, probably because a part of him knew nothing good could come of it.

If we extend that same theory to Janeway, some of her wild luck with time travel and other crack plans starts to make sense. She doesn't verbally hate time travel until after the events of Threshold, since it happens in Time and Again without complaint. Janeway has an uncanny knack for time travel, as evidenced every time she deals with it. She hates time travel, but it might be because part of her knows exactly how to manipulate the timeline. She manages to avoid the "inevitable" temporal explosion in Future's End, saving both Voyager and Braxton. She resets the entire timeline in Year of Hell, and no one else followed her reasoning. She pulled it off flawlessly. In Relativity, she senses the incidents are all related, despite it being just one reading that connects them. By the time she's involved, she has a temporal incursion factor of .0036 and a time travel protocol named after her, even if that may just be Braxton's personal grudge. Then there's Endgame, where she intentionally changes the timeline. Up until this point, she has been dragged into time travel, but for the first time, she jumps in on purpose. How does Admiral Janeway know how to get them home sooner in a way that completely avoids the Temporal Integrity Commission? It's because she has seen all of time, and part of her knows exactly what needs to happen so she can get Voyager home and do it in a way that becomes baked into the prime timeline. Maybe she doesn't consciously remember what happened during her transformation, but the experience lives in her mind somewhere, guiding her decisions.

this pride parade fucking sucks

the eepening

I think the part where lisa is like "you probably didn't even drive back when you were alive. you probably rode on one of those bicycles with the big stupid wheel in the front" and the creature looks at her and she's like "you did" is really funny

Answer to twitter`s "if your tav/durge had to draw their party members, how would they draw them ?"

You're still standing off to the side. Somehow, center stage has shifted from under your feet without you realizing, and you're standing in the wings, performing to no one.

Starring Role (Patreon)