Riza colored sketch
dunno where I was going with this I just wanted to draw buff Riza ahehe
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bringing back your mom gone wrong no clickbait epic fail
COMMISSIONS OPEN
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Bro proposed while referring to alchemy and somehow it worked
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“Media where the main characters lose their powers at the end are lame—“ CLEARLY you have never seen Fullmetal Alchemist: Brotherhood
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As I begin my umpteenth rewatch of fullmetal alchemist brotherhood I am once again reminded about how amazing it is that this show actually exists in the form that it does like can you imagine if a show like fmab was released today an almost 100% faithful adaptation of the source material not squeezed into 8 or 10 or 12 episode blocks so it can fit a season but given just the right amount of episodes needed to tell the complete story start to end
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Riza and hayate wish you restful sleep 😴
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envy’s death might just be my favorite scene in all of fullmetal alchemist?? it’s so brilliant every time i see it. this evil character who has done nothing but harm has such a heartbreaking end. envy, who looked down on humans. envy, who finds joy in the pain of others. envy, who could never understand human foolishness. he was jealous of them all along. and he couldn’t handle being understood by the same beings he was envious of. and in the end, he’s crying!!! he is the one who destroys his own philosopher’s stone, because he can’t bear being understood by what he loathes so much, and he can’t let himself be killed by them. in the end, unlike the humans he was so jealous of, he wouldn’t keep fighting. he gave up. he’s the opposite of his brother greed, who accepts his true desire for friendship and connection, and leaves the world feeling content. instead envy is cowardly and leaves the world in such a miserable and sad way.
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I’m not immune to characters with even the smallest hint of a wing motif
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I genuinely love so much that Roy Mustang, for all his brutal pragmatism and haughty coldness and quick ruthlessness, is an idealist. I especially love that his idealism is explicitly different from a naive idealism that does not yet know what the reality is, like that of his youth.
The idealism he carries during the series is a very conscious, active, vicious idealism armed with teeth and claws that he stubbornly and aggressively chooses to possess. He tells Hughes, as the war ends, that he is aware that these are pipe dreams, that this is unrealistic, that this is runaway hope, but he chooses to dream anyway because it is necessary for better futures (and he's right, imagining a better future believing that things can become that IS necessary for change). It's an idealism that is wildly optimistic but in a very grounded, pragmatic way. And for that reason, it's actually never at odds with his very calculating and aloof manner.
It's just so great. He is a ruthless idealist, and his idealism itself is vicious in the way that it is prepared to fight bloody to protect and enact this dream of things getting better.
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