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hestiashand · 1 year

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commission for @kyueishin of their oc alex with my oc jobie !!!!!!!!

[ ID: a bust-up drawing of two original characters alex milton and jobie kalvak. alex is on the left and has a cigarette in his mouth while he holds up a lighter to light it. he has an arm around jobies shoulder and they both look at the viewer. alex is a cambodian-korean satyr in his early 20s. he has brown skin, light freckles and horns. his bleached hair has roots growing in and is pulled into a braid. he has a face tattoo which reads ‘밀키스’ a partially obscured neck tattoo of a spider/skull combo and knuckle tattoos, the visible one reading ‘lust’. he has several face piercings and has stretched ears. he wears a dark grey shirt with skulls and has chipped black nail polish. jobie is an inuk woman in her early 20s. she has brown skin, freckles, various scars and a unibrow. she has long black hair and is wearing a green shirt and yellow nail polish. she holds a red lollipop and has green, yellow and brown beaded earrings with an antler piece in the centre. she is smiling. behind them is a short stone wall and a city scape. END ID. ]

#this is the bestest commission in the whole entire world #btw.#THANK YOU SM FOR COMMISSIONING ME TO DRAW THEMMMMM T.T #i adore them more than anything ever #jobie is the most gorgeousest and importantest girl ever just so u know #i always get so excited to draw her earrings #her beaded earring collection is to die for im jealous #pmtocs #jobie kalvak #nate sagittarius #alex milton #original character #ocs #jitters art #jitters commissions

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raceweek · 2 years

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new alex podcast just dropped so here’s the best bits for you all:

- he needs to tell seb to follow albon pets on instagram

- when he had tantrums as a child his mum would put a vhs f1 season review on to calm him down but when mika was winning he’d get mad again and he’d run up to the tv to fast forward it to the next race michael won to calm down again

- he thinks people forget just how strong his 2019 season was (real!)

- he likes to think his hard work developing the 2021 red bull to make it a better car to drive than when he drove it in 2020 was part of the reason why jost opted to sign him

- after doing dtm last year, if when he has a kid (his correction not mine) if they wanted to go into motorsport he’d get them to try all different kinds of racing not just single seaters

- his fear of heights comes from ‘not trusting his body’ and his phobia of rats comes from a lake in milton keynes

- and then finishing the podcast by casually mentioning how george nearly killed them both going off the road trying to show off how fast he could take a roundabout in his polo

#that tiktok thing of show you then show your ride or whatever. and it’s alex and george in their mini and polo in a milton keynes car park #me at 24 and alex at like. 5 🤝 rewatching races where ur fave wins to be happy #as a fellow ratphobe i feel sooooo vindicated i cannot accept any rat positivity😭😭😭#alex albon #pod

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best-supermassive-character · 7 months

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‌Abraham Alastor x Tabitha Milton

1. I just think they'd be cute together

Alex Smith x Julia

1. I think they're so sweet and wholesome, and so funny and cute. Alex is an absolute sweetheart and Julia is crazy. I love them.

2. Just a cute established couple, Alex is a big sweetie and Julia is wild. It's just so sweet when Julia recovers the ring. ❤️ why would you ever break them up!

3. Alex proposed under the freaking water like FKJDFHGKDFVKJDHDJFV

Nick Kay x Rachel King

1. They mean so much to me. "Nick is hope!"

2. They're so sweet, Rachel helped Nick through a tough situation, he promised to always be there for her. The better man fr

#smg pairing tournament #supermassive games tournament #tournament #house of ashes #little hope #man of medan #the devil in me #the quarry #until dawn #the dark pictures #the dark pictures anthology #alex smith #julia man of medan #nick kay #rachel king #abraham alastor #tabitha milton #poll #polls

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allez-argeiphontes · 1 year

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I’m in a fairly shit mental health place right now, but today we went to the nearest proper arcade and I got a new high score on Centipede (ABT is me, I still have to beat whoever’s dad that is) and I am choosing to focus on that.

#highly recommend the pixel bunker on milton keynes if you’re in that part of the world #it’s also next to the sci-fi museum and I got a new admiral ackbar toy to replace the one my kid lost (my preferred fight toy)#gaming #centipede 1980 #shuttup alex #soft guy with a chronic condition #atari

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stargaterevival · 1 year

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Saving hope 4.6 Rock & a Hard Place

aka Hotties and Taxes

Cassie, Asha and Dev (tall dark and handsome)

Alex: It just seems like you do a lot to please them... your taxes.

Charlie: Uh, yeah sometimes. Other times it's a snap. That's just the nature of doing... my taxes."

"If you guys are gonna talk about sex, I'm gonna put on my headphones."

Charlie: "I'm telling ya, it's a lousy code."

#saving hope #charlie harris #michael shanks #erica durance #alex reid #death and taxes #milton barnes #wayne sharpe

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hestiashand · 1 year

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happy birthday to my real actual legit irl bf

( @lamehaikus ' OC )

[ ID: a half-body digital drawing of alex milton. he is a brown cambodian-korean young adult sitting on his red motorcycle and smoking a cigarette. he is holding a red iphone and is looking at the viewer. alex's visible tattoos include neck, face and hands tattoos. he has multiple piercings including a cheek, nostril, septum, lip and two eyebrow piercings. he has stretched ears and other miscellaneous ear piercings. he has on a few chains, a light grey striped shirt, a grey un-buttoned button up and a dark grey unzipped hoodie. he has on ripped black jeans but all the holes have another layer of black jeans underneath. his black nail polish is chipped, he has black eyeshadow smudged around his eyes and his inner corners have a white highlight. he has poorly bleached hair past his shoulders and his roots are growing in. he has brown horns. the background is the side of a beige and brown building with trees and powerlines in the distance on the left. END ID. ]

[ ID: a close-up of alex's ear from the drawing. he has a medium sized gauge with a grey little rat figure sticking out. END ID. ]

#special little guy is under the cut #urnhhhhghhhhhhhggghggyg i.m in love w this mfin dude #he’s soso cute #nate sagittarius #alex milton #lamehaikus #jitters art

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jackjolene · 1 year

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BioShock/Sinking City/Vampyr: The Return to Rapture

In summer of 1969, Jack, Liz, Tenenbaum, Porter, and Eleanor bid farewell to Masha, Leta, Sally, Daisy, Annabelle, Charles, Joy, and their friends before boarding the Mary Catherine and departing for Rapture. The second expedition to Rapture is larger in scope and in goal. The first expedition was meant to simply find and rescue the kidnapped little girls. This time around, a small fleet of vessels accompanies the Mary Catherine, their captains and crews paid well to keep quiet about their goal: To rescue the survivors of Rapture itself.

Their Forward Operating Base (FOB) will be Minerva’s Den; it is an ideal place thanks to its disconnection from Rapture and to its lack of splicers, courtesy of Porter. Hopefully, they will find it already set up as a base for them and with allies waiting for them.

Subject Sigma, Porter, wasn’t the only Alpha Series Big Daddy that Tenenbaum thawed out. There was another one, unique in that their designation wasn’t a Greek letter, but the name of a Greek deity: Subject “Artemis”.

While Delta was tearing through Sofia Lamb’s Family to get to Eleanor and Porter was working his way through Minerva’s Den, Subject Artemis was aiding Tenenbaum in rescuing Little Sisters and taking ADAM from the Family. In fact, Tenenbaum was able to make a unique Gene Tonic, “Master Protector”, for Porter from the ADAM Artemis took.

Prior to picking up Porter from his office in Minerva’s Den, Tenenbaum gave Artemis a mission to perform until she returned to Rapture with the ADAM cure: To do anything and everything to prepare for their return. The main directive of this was to find every unspliced survivor in Rapture and get them to Minerva’s Den for easy rescue. Also, Artemis was to gather supplies for them: Food, first aid kits, ammunition, ADAM, anything they or the survivors might need.

While the unspliced survivors are evacuated from Minerva’s Den to the Mary Catherine and the other ships waiting above, the five of them (Jack, Liz, Porter, Eleanor, and Artemis) will scour through the unflood buildings of Rapture for the Splicers. This time around, they will be utilizing non-lethal tactics to allow them to cure the splicers with SERPENT and then take them back to Minerva’s Den for evacuation to the surface. Once they’ve cured every remaining splicer in Rapture and evacuated every living person, Jack will activate the self-destruct from Ryan’s office and they’ll finally put his dream to rest as they rise to the surface.

Upon arriving at the Lighthouse, the Mary Catherine‘s radar and sonar systems pick up that Rapture’s defense system is still active (top of the line tech for Jolene Industries!), which makes using their new submersible to go directly to Minerva’s Den a DOA. With that little hiccup in their plan, it’s decided that they’ll go down the same way Jack did when he arrived in 1960, via the bathyspheres at the Lighthouse.

After a lengthy argument with Tenenbaum that she should wait on the Mary Catherine until they’ve disabled Rapture’s torpedoes (and also instructing the crew to not let Tenenbaum anywhere near the NEW submersible), Jack and Co. retrace his original steps into Rapture and descend via a bathysphere.

Andrew Ryan’s old introductory speech starts up just as before. About ten seconds into it, Eleanor tears the projector out of the wall. Everyone applauds.

When they arrive at the Welcome Center, Jack and Liz find that not much has changed in Rapture, other than it has decayed further and the banners that declared “No Gods or Kings, only Man” and “The Great will not be constrained by the small” have been torn down and replaced with graffiti that “Babylon is Fallen” and “We will be Reborn in the Cold Womb of the Ocean”. Even these though, are showing signs of neglect.

As they make their way through the Welcome Center (they have to make the hole in the Kashmir Restaurant’s restroom bigger for Porter to squeeze through), they find that it’s quiet, not the good kind of quiet. And the bodies, well, fresh bodies that they come across look like they’ve been torn apart by some kind of large animal.

In the Medical Pavilion, they find that a new kind of monster has moved in to replace Dr. Steinman’s madness. This creature is unlike anything they’ve ever seen, even in Rapture, like a Human candle whose skin and features have melted away to almost nothing, multiple octopus tentacles lining the arms, legs, back, and even protruding from their mouth and other orifices. Dr. Steinman would have been elated by the lack of symmetry.

Upon sensing them (it can’t see them as its eyes sockets boast tentacles instead of eyes), it attacks, its cry a horrible, wet, garbling sound. Despite her horror, Eleanor has enough presence of mind to freeze the creature’s feet to the floor to immobilize it and then shoot it with a dart of SERPENT. Rather than curing it, however, the SERPENT acts like an acid instead, dissolving the mutated splicer and killing it.

Moving on after a moment of processing, Jack and Co. move on, hoping that there’s nothing like this ahead of them. It goes unspoken, but everyone knows they’re not that lucky.

It doesn’t take long before they’re fighting for their lives against more of the things. The old types of splicers (Thugs, Leadheads, Spiders, Houdinis, and Nitros) have been replaced by new and far more horrifying kinds: Octopus, Crab, Fish, and some that are beyond classification. The one thing they all have in common is that they’re incredibly animalist, vicious, and brutal, and they’re out for blood.

The SERPENT darts are effective at killing the Mutants (”Splicers” doesn’t really cut it anymore) in one shots, but the dart guns can only kill with one shot. They left their guns on the Mary Catherine, and while their plasmids are effective, more and more of the creatures just keep on coming. Just when it looks like Jack and Co. are about to overrun and killed, aid arrives.

Gunfire interrupts the creatures advance as another Big Daddy enters the room, blazing away with a huge machine gun in one hand and its other using Incinerate! like a flamethrower. At its sides are two others who seem to wield some sort of teleportation plasmid, but nothing like the Houdini splicers. While the Big Daddy bulldozes his way through the Mutants, the other two prefer a more tactical approach. They select their targets, dart in, deal damage with either various melee weapons or guns, dart back out, dodge their targets attacks, repeat, occasionally mixing it up with strange plasmids that seem based on shadow or blood.

Between Jack, Liz, Porter, Eleanor, the new Big Daddy, and the two splicers(?), they are able to repel the Mutants and get to safety. Introductions are in order: Jack and Elizabeth Jolene, Charles Milton Porter, and Eleanor Reed give their names. The two newcomers introduce themselves as “Dr. Jonathan Reid” and “Lady Elizabeth Ashbury” (for all the plasmids they have, the closest thing that says “splicer” is the discoloration of the man’s eyes (slightly bloodshot)). The Big Daddy is none other than Subject Artemis.

When Eleanor hears Dr. Reid’s name, she recognizes it from her father’s memories. Back in the late 1800s, an Englishman with the surname Reid married “beneath his station” and then left for America rather than deal with his family’s criticism and High British society’s disdain. Somewhere along the way, the “i” in Reid was exchanged for a second “e”, making it “Reed”.

Right after World War I, back when it was the “Great War” or the “European War”, the Reeds in America learned about a member of their family back in Britain, a “Dr. Jonathan Emmet Reid”, who had disappeared shortly after arriving back in London during a particularly bad stretch of the Spanish Flu. Charles had wanted to honor a family member who was also a veteran of the First World War, and thus, “Jonathan Emmet Reed” had gotten his name.

Despite noticing Dr. Reid’s reaction to her (adopted) surname, Eleanor decides it’s best to hold off investigating possible familial relations. Besides, he can’t be “the” Dr. Jonathan Reid; that was forty years ago!

Dr. Reid and Lady Ashbury explain that they were investigating the origin of a Big Sister that was killed in London. The trail led them to Rapture, where they arrived shortly before Tenenbaum, Porter, and Eleanor escaped themselves. Having lost the chance to get out with them, Reid and Ashbury elected to help out Artemis with preparing for their return.

A little while afterwards, a man by the name of “Orrin Oscar Lutwidge” arrived in Rapture. From what they’ve learned of the man, he aided Andrew Ryan in building Rapture and keeping it a secret, only to become incensed when Ryan didn’t allow him to take up residence. He managed to come to Rapture by himself, only to find in the midst of its Civil War. He left prior to Jack’s own arrival, but has returned.

The first thing Orrin did was to bring order to the splicers by giving them ADAM from the corpse of Dr. Alexander “Alex the Great” Gilbert. With the former members of the Rapture Family now in his thrall, he sent them out to gather the bounty of Rapture for himself, so that he could bring its technological advances to the surface and make a fortune.

Something was greatly wrong with that ADAM, however. The splicers who took the ADAM from Alex the Great’s corpse became more and more aggressive, insane, and finally animalistic, their bodies mutating further into the monstrosities they’ve faced just now. Most splicers have become these Mutants, leaving few original splicers and unspliced individuals alive. The final de-evolution of Rapture has arrived.

Liz has an “episode” right there, just like when she was in Rapture trying to save Sally: A gothic city, its streets a confusing maze of twists and turns, its citizens either turned into slavering monsters or hiding in their homes in terror. A masked figure wearing a tricorn hat and armed with strange weapons is the only one to stand against the monsters in the end.

When Liz’s episode ends, she apologizes as Jack gives her a bandage to wipe off the blood leaking from her nose. She can’t help but notice Dr. Reid and Lady Ashbury’s eyes flicking to her nose before quickly looking away, an odd look like hunger in their eyes.

Orrin Lutwidge has sequestered himself in Arcadia. To protect himself from the Mutants, he has enlisted the services of the “Diamond Partners”, a group of veterans from the Rapture Civil War. They were part of Sinclair Solution’s “Home Consumer Rewards Program”, testing “products” for “home defense” during the war. The best of the best, they banded together after the war to work for the highest bidder. Right now, the highest bidder is Lutwdge and he’s getting out of Rapture, one way or another.

When Eleanor asks about the Big Sisters, she learns that after Sofia Lamb’s disappearance and the dissolution of the Rapture Family, the Big Sisters just up and left. They seem to have withdrawn into the old Little Sister’s Orphanages; anyone who goes into them, unspliced, spliced, or Mutant, is never seen again. Sometimes, they are heard though, screaming very briefly.

Thankfully, Subject Artemis, Dr. Reid, and Lady Ashbury have been largely successful in rescuing the unspliced survivors and escorting them to the safety of Minerva’s Den. There, they’ve gathered food, weapons, ammunition, first aid kits, and enough ADAM to splice an army.

Funnily enough, the Robotic Little Sisters from McClendon’s Robotics in Minerva’s Den have been great for that last job. Unlike the mindless Bouncers, Rosies, Rumblers, and Lancers, Alpha Series Big Daddies are perfect for this; they don’t need to be bonded to the Little Sister to protect them, and thus, the Little Sister doesn’t need to a little girl at all.

Right now, they all need to get to Andrew Ryan’s Office to shut off Rapture’s defenses. Otherwise, their evacuation is going to go very slowly. Also, they need Tenenbaum to come down and figure out how to alter SERPENT to be able to cure this new kind of ADAM, or make an entirely new cure altogether.

The good news is that Dr. Reed has been studying the new ADAM and has a good understanding of how it works and what they need a cure to be able to do. The bad news is that they don’t have much time; the Mutants are constantly evolving, and how long will it be until they develop fully-functioning gills and are able to leave Rapture without the aid of a submersible?

#bioshock #sinking city #vampyr #jack wyand #elizabeth dewitt #eleanor lamb #charles milton porter #dr jonathan reid #lady ashbury #minervas den #protector trials #bioshock 2 multiplayer #alex the great is dead #so are grace holloway and stanley poole #justice ending #theres a fourth game im referencing here #who can guess what it is?

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raceweek · 2 years

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remember when we found out alex was getting dropped because checos brother posted a red bull mini fridge on his instagram….good times

#and they still waited a whole week after just to call him into milton keynes and tell him on the morning of the announcement #this is all bringing back such fond mems x #alex albon #silly season

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savage-kult-of-gorthaur · 1 year

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"HE HAS SET HIS SIGHTS ON THE WEALTH OF ATLANTIS. THIS HAS MADE HIM THE ENEMY OF AQUAMAN."

PIC INFO: Spotlight on preliminary sketch art of Aquaman's greatest foe, Black Manta, from "Justice" Vol. 1 #1. October, 2005. Comics. Artwork by Alex Ross.

ORIGIN: "Black Manta's identity is irrelevant. He has become the mask he wears. There is nothing hidden beneath. This is why, like many other criminals, he is believed to be completely beyond rehabilitation. At some point in the past, he simply put on the helmet and chose to live in opposition to his fellow man. It is a madness that defines the world in such small terms: everything else is a contradiction to be hated.

He is not opposed to humanity in its entirety, but to all save a remainder of his own people. Because of his race, he uses the slavery of generations past to justify his want for a kingdom, a nation of his own. Black Manta has convinced himself that there is nothing he may do against the common man that is unjustified including anything from brutality to theft or murder.

He has hated for so long that he is no longer a man who hates, but hate itself. Perhaps this is the danger of prejudice -- not merely for the cruelty of one time perpetrated by one people and mindset, but for its pollution and condemnation of generations to come.

Black Manta hunts treasures hidden and lost in the oceans. He has found criminals to join his cause, some human, others now mutated. These will become the people of his kingdom. For now, he is a nomad, basing his operations off the coast of various islands in the Pacific. He has set his sights on the wealth of Atlantis. This has made him the enemy of Aquaman."

-- BATMAN, from "Bruce Wayne's Private Files in the Batcomputer," words/script by Jim Krueger, c. 2005

Source: https://viewcomiconline.com/justice-2005-issue-1.