Hoodoo, Rootwork and Conjure sources by Black Authors
Because you should only ever be learning your ancestral ways from kinfolk. Here's a compilation of some books, videos and podcast episodes I recommend reading and listening to, on customs, traditions, folk tales, songs, spirits and history. As always, use your own critical thinking and spiritual discernment when approaching these sources as with any others.
Hoodoo in America by Zora Neale Hurston (1931)
Mules and Men by Zora Neale Hurston (1936)
Tell my horse by Zora Neale Hurston (1938)
Let Nobody Turn Us Around: An African American Anthology by Manning Marable and Leith Mullings, editors (2003)
Black Magic: Religion and the African American Conjuring Tradition by Yvonne P. Chireau (2006)
African American Folk Healing by Stephanie Mitchem (2007)
Hoodoo Medicine: Gullah Herbal Remedies by Faith Mitchell (2011)
Mojo Workin': The Old African American Hoodoo System by Katrina Hazzard-Donald (2012)
Rootwork: Using the Folk Magick of Black America for Love, Money and Success by Tayannah Lee McQuillar (2012)
Talking to the Dead: Religion, Music, and Lived Memory among Gullah/Geechee Women by LeRhonda S. Manigault-Bryant (2014)
Working the Roots: Over 400 Years Of Traditional African American Healing by Michele Elizabeth Lee (2017)
Barracoon: The Story of the Last "Black Cargo" by Zora Neale Hurston (2018)
Jambalaya: The Natural Woman's Book of Personal Charms and Practical Rituals by Luisa Teish (2021)
African American Herbalism: A Practical Guide to Healing Plants and Folk Traditions by Lucretia VanDyke (2022)
These are just some suggestions but there's many many more!! This is by no means a complete list.
I recommend to avoid authors who downplay the importance of black history or straight out deny how blackness is central to hoodoo. The magic, power and ashé is in the culture and bloodline. You can't separate it from the people. I also recommend avoiding or at the very least taking with a huge grain of salt authors with ties to known appropriators and marketeers, and anyone who propagates revisionist history or rather denies historical facts and spreads harmful conspiracy theories. Sadly, that includes some black authors, particularly those who learnt from, and even praise, white appropriators undermining hoodoo and other african and african diasporic traditions. Be careful who you get your information from. Keeping things traditional means honoring real history and truth.
Let me also give you a last but very important reminder: the best teachings you'll ever get are going to come from the mouths of your own blood. Not a book or anything on the internet. They may choose to put certain people and things in your path to help you or point you in the right direction, but each lineage is different and you have to honor your own. Talk to your family members, to the Elders in your community, learn your genealogy, divine before moving forwards, talk to your dead, acknowledge your people and they'll acknowledge you and guide you to where you need to be.
May this be of service and may your ancestors and spirits bless you and yours 🕯️💀
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I want to learn more about African-American, Afro-Caribbean, Afro-Latino, and continental African folklore!!!
Especially the horror stories!!! I already know some but there’s so much I don’t know!
Can anybody please suggest any books or resources that talk extensively about folklore from these communities 🙏🏾?
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On March 24th we venerate Brother John Mason Brewer on his birthday🎉
An iconic folklorist, historian, scholar, educator, storyteller, poet, & quadlingial speaker, John Mason Brewer dedicated his 50-year long career, between the early 1900s to the 60s, to the documentation & preservation of Afrikan & Afrikan descendant narratives across the South, particularly his home state of Texas.
It was from the love & education instilled within him by his father & grandfather before him that spurred his barrier-shattering academic career, pursuing his B.A. in English & M.A. in Folklore, & professional career as a lifelong educator/professor and lecturer; in an era that many deemed nearly impossible to fathom. Though long before he was awarded prestigious grants for his outstanding contributions in research and the education of folk traditions among our people in the U.S. & the Caribbean & befriending the likes of U.S. presidents & other notable figures, Brother Mason spent his life fascinated by the tales & belief systems of our people that, over the years since the Great Migration & WWII, became best preserved in the South. He wrote and published a plethora of poems, books, and articles on Afrikan-American & Afrikan-Carribean history & folklore. If not for his unyielding presence in higher academia & public research institutions, and relentless pursuit of the preservation of Afrikan Ancestral voices in oral tradition & literature, centuries of wealth in knowledge and history of our people would be lost.
We give libations & well deserved 💐 today for his ancestral teachings & wisedom, delivered to us via the masterful art of storytelling and poetry & for lifelong work in unearthing & preserving a legacy ancestral voices never to be forgotten.
Offering suggestions: share/read his literary and academic work, a Methodist Bible/verse, & libations of water.
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ABOUT
I've been on such a peculiar journey. I hope you can relate. I was raised in the Black Church™ and as we became more and more "evangelical" and insular the older I got I became disillusioned and left that space. Since then I guess you can say I have been floating. Looking for a home. I can't say that I have found one yet, but I have definitely become an expert in what NOT to do when you are on this type of journey. This has driven me to attempt to create this space. Space for people like me, disillusioned folks who aren't yet willing to give up on the existence of God or gods or Santa Clause. I wanted a space where questioning folk could get definitive, verifiable evidence without being manipulated by the rhetoric of marketeers or simply asked to take what resonates. With Dreamboat Theory I plan to create a central space for budding mages to study, grow and build skills before moving on to organized religions, pantheons, philosophies, practices, or programs. This is a blog about that process and my continuing journey.
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On June 15, 1939 Zora Neale Hurston recorded "Uncle Bud," a bawdy song found all over the South that went on to become a Cajun-Creole Zydeco classic. Hurston explains, "'Uncle Bud' is not a work song. It is a sort of social song for amusement." One of the first documented instances of the song in print appeared as "O-Bud!" in a Texas Folklore Society publication in 1928, collected in Virginia ca. 1924, but Hurston likely first heard the song from black working men while she was doing folklore field work in logging and terpantine camps in Louisiana. It's an invaluable audible artifact from almost a century ago. And it's quite raunchy to say the least! At the end, either Stetson Kennedy or Hurbert Halpert, the Library of Congress folk collectors in that session, say with an audible grin, "I think that's a very valuable contribution to scientific recording."
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