there’s a kid in a class i support sometimes who spends most of the sessions on a computer making ytps. i hope he goes on to do great things

my main beef with matpat was the kris/frisk/chara misgendering and the indie dev thing what the fuck did he do?????

like outside of those things you mean? here's the ones i'd listed/instantly came to mind. a lot of things people rag on him about are like OLD old (early 2010s, like the whole "basing pyro's sex off of weird pseudoscience), which is why i won't be listing Every issue i've had because i want to assume he's grown and changed since then, at least with those things. anyways

has a weird tendency of equating video games to real-life murders. the first time i can remember him doing it was with the first ever fnaf theory, where he said it was about the actual murder of chuck-e-cheese employees and that you played as the murderer rotting in hell. which is. weird enough. but that was 2014, nearly 10 years ago, shit happens. however. that was the only time he's done this. it happened again in 2017-2019 with petscop, equating the game to the murder of a 10 year old girl. and, to his full defense, the creator of petscop ALLEGEDLY said that he did start basing his game off of that case, but that he severely regrets it and regards it as an extremely stupid decision. that doesn't make matpat's actions any less weird, because if you realize a game is Actually tied to the killing of a real-life child, just. don't fucking comment on it. it's weird and even the creator regrets his decision to do so.

on a theory about what i think was a alleged fnaf arg, he asked for his followers to help him "discover more clues" by asking them to physically call/visit locations in the real world he believed were connected to this so-called arg. (from my knowledge, this arg doesn't exist btw.) at NO point during the writing, producing, recording, editing, etc of the video did he manage to connect the dots that, hey, doxxing real-life locations for my fans to swarm to is a Bad Fucking Idea, meanwhile every other major fnaf community rushed to shut it down the SECOND his video came out, with large reddit, twitter, etc accounts imploring for fans not to listen to him, and that similar incidents have happened in the past and led to nothing (to the point where scott cawthon himself has had to step in and tell people to knock it off). i can't remember exactly how long it took for him to take it down/call off the masses, but the fact that it even got published in the first place is honestly just inexcusable, both for him and for his team (this was june of last year)

he blamed etika's suicide on cancel culture and has never apologized. the tweet is still up, for some insane fucking reason, although multiple people both close to matpat and close to etika corrected him on completely erasing the issue of mental health (this was 2019)

and lastly, while i've heard rumors of him stealing theories for years now, the only first-hand i've seen was his hermitcraft theory. the original creator of the theory can be found here [link], alongside all his theories, evidence of theft, etc. she has never been properly credited for this, and those who tried to comment on the video to properly do so had their comments instantly deleted. (this was late 2021)

i am in fact the same TMBTE anon both times (sorry!! 😭). again, such a cool analysis!!! i'm new to ST and IMMEDIATELY got invested. i haven't seen an artist do something like this before, so it's really amazing trying to connect the dots based on what everyone thinks. and yes, i do think it's the same girl in the music videos, which is interesting because of the whole "he planned everything from the start" theory. then i wonder about what the music videos mean (though i do agree that the vision shifted a little after TLYW)! i loooveee the idea that Sleep is coming from within Vessel, cause he's literally a host as in an empty holding vessel. and the white mask thing omg......so crazy cool......cause then it goes into after being "taken hostage", they change their masks as like some sort of acceptance (which kind of mirrors Vessel's black body paint transformation cause the current masks are black too?). idk, i do think that sometimes we/the fans stretch things, but that's also the fun of it. always love hearing the Think™

and in true sleep token fashion, i think i'll remain anon - 🪼

Hello again, Anon!! Sorry this one took so much time! I am stuck in a car now, so I can finally finish it. The editing on mobile is an absolute fucking nightmare though

Don't be sorry for being the same Anon! I was just listing all possibilities and now, knowing it was you all the time, I hereby pronounce you My Beloved Anon. No take backsies. (Kidding, if you're not comfortable with this title, let me know!)

Alright! Let's make a list:

Immediately getting invested in ST? HIGH FIVE, this is what happens to approx. 98% of us (at least here on tumblr). And everybody agrees that there is Something about them. And nobody knows what that is, only that it works. So we're actually in a cult, sorry everyone!

Ok, no, it's not entirely true that we don't know, people have hinted that their uniqueness might be in a. extreme fucking talent, obviously and b. letting the audience fill in the gaps that lack of the band members' identities provides with whatever suits everyone's needs best.

The videos switch their vibe dramatically, don't they? The early ones feel more... I don't know, based in reality (maybe except for the Fields of Elation), while TPWBYT ones feel more like they are set in those dreamlands Vessel mentions in The Apparition. Okay, TLYW is more dreamland-ish, Alkaline looks like it's set on Earth/waking world, but Vessel gets too much power from Sleep and needs to be stopped by the ancient-gods-slash-eldrich-horror-hunting version of Ghostbusters. So the older videos seem more human to me, you know what I mean? Maybe they wanted to show that with time, Vessel looses more and more of his humanity. But we can't rule out the "they just had more money for the videos, so they went off" possibility. Also, I think they don't make much videos to not let the fans think there is some "canon" here?? Or they just don't like making them lol

EXCELLENT IDEA with that whole hostage mask situation - I've just had a loose thought they looked like sacks, but i haven't connected it to the lore, thank you, Anon!!!!! Now, as usual, it made me Think™. Cause we have interpretations floating around (which i love, btw) with the other Vessels being "drafted" into the band to relieve the first Vessel from the toll Sleep's power has on him, cause after all, his human body cannot manage it by itself when Sleep grows in power from all the worship. BUT what if they didn't join voluntarily? They weren't persuaded to join the cult, but they were kidnapped instead. Carefully chosen, to fulfill the plan of greatness. Hence the hostage-looking-masks. And then stockholm syndrome kicked in (i know, i know, the term is not exactly correct anymore, but for the lack of a better one 🤷‍♀️) and they were like "ye, you know what. That's actually better than a 9-5 job" and the masks changed. They have embraced the dark side. (I am cataloguing this under "unhinged theories", btw. But yeah, it's just a thought, possibility, me fucking around etc. That's a long-ish car trip, I gotta do something with myself, you know.)

Oh and we absolutely DO stretch things (see point 4, for example)! See things that aren't there. Make 2648585 interpretations. It's fun (when we remember not to involve the real people behind the masks in the mix)!

Anon, i respect you deciding to stay on Anon so much. You're making the band proud, probably!

Hi Kay!

I just wanted to take a moment and say how deeply moving (and overall comforting) I find your writing to be! I've gone through almost the entirety of your masterlist twice in the past month alone and have found myself returning more often to the pieces of literature/poems your reference sometimes. (Especially that one poem by Benedict Smith! I've read a few more by him because of you and they're just wonderfully lovely 💛 so I'm eternally thankful to you for including it.)

I may be wrong in assuming, but I believe you may have studied/are currently studying a degree involving literature. I hope this isn't too foreward of me but I was wandering if you have any other works of literature that you'd recommend? (I'd love to read anything you recommend from poems to plays 💛) I'm slightly embaressed to say but the works I've read are quite limited to a highschool level and since I'm currently studying Pharmacy, there are very few people who can recommend me such moving works. :)

I also feel like I should apologise for writing such a large ask, so please accept this apology as well hehe 💕🥺

Sincerely,

Bek 🌻

Hey there Bek 💚💕✨

First of all... I'm incredibly sorry for how long it took me to reply to this ask, I know you sent it weeks ago and I'm honestly just ashamed of myself for only replying now! I've been taking a bit of a Tumblr break again, or rather a break from literally everything, and I guess not having written anything in a while made me feel guilty whenever I opened Tumblr, so... All I can say for myself really is that I'm sorry you had to wait so long! Again, I never ever ignore anyone, I promise! It just sometimes takes a while for me to reply 😅🙈

Now, I'm so happy to hear that you've been enjoying my writing! 🥺🥰 Hearing that it's comforting and inspiring to you is honestly such a relief and indeed does make me happy more than I can say 💚 It's so cool that you're checking up on all the references I make aaahhh 🥺🥺🥺 I love it 😁 You're always more than welcome, love! I don't think I could stop including references to literature, culture, history and the science around it even if I tried 😅☺️

And yeah, I did study classics and newer literature as a minor for my undergrad degree 😄 But tbh I still work with literally a lot even now (I'm in grad school for media and cultural studies) even though it's technically not something I've been properly taught ☺️ I'm just a nerd who likes to learn on her own, and with media and culture you can pretty much delve into almost anything you want 😂😅🤷🏻‍♀️

Now, it's not forward at all to ask me for literature recommendations! 😁😃 I truly love recommending stuff!!! I have a few up my sleeve, even though you've probably heard of a few already, for obvious reasons: A lot of what I truly enjoyed reading was something Tom Hiddleston has worked on in one way or another! It's truly a magnificent guideline for picking new literature... Just look up the literary origins of his films/shows/plays and you will be in for quality literature most of the time! I don't think I've ever mentioned it on here, but me reading High-Rise (JG Ballard) because I heard Tom would be partaking in the film adaptation was actually what sparked my love and passion for literature!!! Yep, it's that good. Now on to the recommendations though 😁(This... got rather long):

Plays

Anything by Harold Pinter really, but for obvious reasons you'll find a lot of additionally fun stuff for Betrayal, which is lovely and truly funny if you're in on the kind of humour btw

Medea by Euripides (a classic, but I love it nonetheless... You can find translations in almost every language) ((and pls stay away from Seneca's Medea, because ugh... Euripides is far better AND the og story, as much as anyone can say that for Greek mythology)

La Bohème by Puccini (I know, this is technically an opera, but if you read the libretto it's honestly just like a play... And if you're up for it, the og story is in prose and written by Henri Murger... It's better than the opera, but oftentimes more difficult to find) ((this one is hilarious and basically explains an entire cultural subgroup in the 19th century)

Faust by Goethe (many people hate it, but I LOVE this one!!! It's also been translated into any and every language, and it's so interesting philosophically!!! It's also referenced SO freaking often literally everywhere, and the operas and ballets based on it are always my fave) ((there's technically Faust I and Faust II, but you're good to go just reading the first one)

Anything by Shakespeare, obviously... Though I do love me my Hamlet like every other literature enthusiast (Yes, I can do that one famous soliloquy in act 3 scene 1 by heart as well...)

Poetry

Again, anything Shakespeare for the win, but I LOVE the sonnets and keep a copy of them with me most of the time (Yes, I own multiple copies of the sonnets...) ((My faves are 116 and 91, but there's always so much truth to be found in there!!!))

A lot of the stuff William Blake wrote is amazing, though you have to pick carefully with him if certain religious motives aren't your thing... I love The Tyger, which is an individual poem, and the collection of works called Tyger, Tyger which does have many good ones and a few ones that are a little more on the mediocre side

Do not go gentle into that good night by Dylan Thomas (I know this one by heart as well... It's beautiful, and there's a version of Hiddleston reading it on YouTube, which gives you even more goosebumps than the poem does anyway)

Invictus by William Ernest Henley (same for this one, also read by the one and only) ((I love to read this when I'm feeling down or powerless))

The Love Song of J. Alfred Prufrock by T. S. Eliot (This is another wow piece with many quotable lines and truths... I love it a lot and keep coming back to it! It's also a great example of how literary modernism tried to condense the complexity and passing of time and history into a single frame that had to be intrinsically poetical in nature... As in, this poem could've been a short story in any other period, but modernists loved to make everything a poem so here you go)

Der Zauberlehrling by Goethe (This one sucks in all English translations I’ve found, poetically speaking, but in German it’s such a fun piece! If you’ve ever seen the Disney ‘The Sorcerer’s Apprentice’ with Mickey Mouse or listened to the orchestral piece by Paul Dukas, then this poem proves very useful in truly understanding either! But again, the English translation should only be taken for informational value... The German one is also worded hilariously)

Prose

Short edited by Alan Ziegler (This is a collection of short prose forms that honestly is a must for me... I love this book to pieces and have had it for years now! It’s an international anthology, so you’ll find more and less famous authors from all around the world represented with short stories, prose poems, short essays and just curious and interesting snippets of writing! I draw a lot of inspiration from this book)

High-Rise by JG Ballard (As mentioned above, I owe this book part of my personality... I don’t think I would be the same person without having read it. It’s not necessarily full of wisdom, but if you’re interested in a different kind of portrayal of the human condition, then this is the read you need to take a look at)

The City of Dreaming Books by Walter Moers (This is another piece that changed my perception of literature, even though this is a more ordinary and ‘fun’-value read... It’s one of my favourite books and it’s endlessly entertaining! So if the classics are a bit heavy for you, this one is perfect for casual readers as well! Its value really does lie more in the realisation of how fun literature can be, and the freedom you have as an author... So really, I could recommend everything by Moers, his style is amazing both in the German original and in the English translation. Yes, I’ve read both.)

Good Omens by Neil Gaiman and Terry Pratchett (This is comedic gold, stylistic gold and generally a bloody perfect book. Also a ‘fun’-value read, but it also does a magnificent job at showing you what you can do with literature, and how well-developed characters are supposed to be written)

The Penguin Book of the Undead (Penguin Classics) edited by Scott G. Bruce (This book is basically an education on fifteen hundred years of supernatural encounters and how culture wrote, used and perceived them. You get introductory texts for different periods and social groups, explaining how and why ghost stories were written and used, followed by passages of the prime source texts (eg. ancient necromancy shown on The Odyssey). Really, this book is just for cultural history nerds)

The Earthquake in Chile by Kleist (This isn’t necessarily one of my faves, but it has helped me understand what studying literature and culture can do for you. In case anyone remembers my insistence in Wicked Game that you gotta know what a pomegranate symbolises... this novella is such an instance where this knowledge would prove useful. Generally, it gives many opportunities to think about privilege and circumstance)

The Symposium by Plato (You’ll probably not want to read the entire collection of speeches tbh... But the concepts introduced mainly here and in some of Plato’s other work are well worth looking into! For example, the ‘double being’ introduces a concept that in modern fiction is called soulmates... Just sayin’)

I've actually enjoyed watching new episodes of the show for the first time in a LONG time! I thought Lucas being frustrated w/ Elizabeth was contrived and misplaced. Was his mom like "me & your father are separated btw i told elizabeth before you?" The bit felt off. But hey, these past three episodes have been fun & much-better written than anything last season. How much of this season's improvement over recent prior ones do you think is due to the season having a new showrunner?

As to Lucas and Elizabeth, I feel this is an issue with shows in general of this runtime and episode length. I like to compare WCtH with Road to Avonlea because both shows had short seasons and 40ish minute long episodes, were family shows, and featured ensemble casts. Avonlea had a similar issue with pacing in the occasional episode. I know I like to nitpick WCtH a lot about its writing, and I never shy from honest critique, but I really do think the hiccup with Lucas and Elizabeth in Ep3 was just a product of needing a few more minutes of screentime—preferably the start of Helen telling Lucas about the situation with his father, since it did feel like him knowing everything came out of almost nowhere. We knew Helen would have to talk to him, but we never really saw her resolve to do so, and I think we earned the emotional payoff of the truth coming out. (As an aside, Helen should have apologized for telling Lucas that Elizabeth knew as well as putting her in a position where she had to keep a secret from someone she cared about. Elizabeth being put in a bad position was awful enough, but then she went and told Lucas that Elizabeth was aware the whole time? Yiiiikesssss...)

I’m pretty confident that Helen told Lucas something like: “I have to tell you something important... Your father...left me...a few weeks ago. I need to apologize for keeping it from you but I didn’t know how to bring it up...” and then probably responded to something Lucas said with a comment about how she’d talked to Elizabeth about it, or Elizabeth suggested she be honest about the situation because Lucas would find out eventually and it would be better if it came directly from her. I could definitely see Helen accidentally being too honest in a situation where she’s nervous about admitting the truth to her own son. She’s probably extremely embarrassed and ashamed, and the episode doesn’t really go into how Helen feels about it. They just jump into talk about love and how it needs to be nurtured and nobody ever asks Helen if she actually loved/loves her husband, let alone if he was a good man/husband to her. 

Not getting a scene where Helen confesses the truth weakens the entire plotline. I’m hoping they’ll just keep improving on this specific aspect of the show, and consider getting rid of unnecessary scenes or entire unnecessary storylines in favor of stronger, more complete stories.

I know their hesitation is based on the idea that not everyone cares about (for example) Lucas, so focusing really hard on Lucas’s relationship with his mother might feel Bad, but the entire “chair” plotline with Rosemary and Lee was unnecessary, as were the longer Florence and Ned scenes. Don’t get me wrong—I enjoyed them! But if they cut those out, or mostly cut them, then there would have been enough screentime for a full scene showing Helen telling Lucas about the truth.

And Chris McNally is clearly an actor who can handle an emotional scene like that, so it would have turned out well, and been well-received by the fans...even the ones who aren’t rooting for Lucas. Because what people who watch this show want to see is...depth, I think. So many relationships feel tacked on or fake. I’ve seen improvement this season, but they could definitely do more to bolster the “community” feel of the show.

--

As to the quality of the season so far...

@trash-god​ and I were chatting earlier this week about how wild it is that we’re both, like, actively looking forward to the next episode regularly. Sure, it’s still pretty early in the season, but we’re 25% of the way through. If the writing stays this consistently decent I think we’ll have the best season in a long time on our hands!

It’s funny because if you lurk on the WCTH subreddit, you’ll see most of the fans there are bored of this season, but I disagree with them in a bit way; this season is DEFINITELY better-written and smoother. As to where to place the credit, I think it’s worth considering the last few seasons and what the writers/writing teams have struggled with.

Season 4: They knew something was going to happen with their lead man so they tried introducing other things and in many ways had success. There were some REALLY GOOD scenes in S4, but there were also scenes or arcs that had a lot of potential that just fell flat. For example, they had that plot where Frank and Abigail got annoyed with each other over the fact that he’s kind of still living (mentally) as a carefree bachelor, and even though it wasn’t as thorough as it should have been, it was a pretty good and realistic storyline. But then later in the season, they introduced Carson, and Frank is suspicious of him for almost no reason (or at least, no solid reason), and then actively is...like a BAD PERSON for NO REASON. Two completely different plots, one was good and felt natural, and the other was awful and cringey. We also have the AJ plotline in S4. It started out super good because it was one of those plots that was genuinely built up to over the course of several episodes. We find out the accountant that was going to testify has withdrawn their statement, then we find out they’ve disappeared and we have a name. Bill discusses it with Abigail and Frank both, multiple times. He thinks it’s a payoff and he’s determined to prove it so he starts poking around. Eventually he gets a lead and follows it, and it’s revealed that AJ is a woman. Bill is annoying. AJ is a liar. I think conceptually this is one of the more interesting plots they’ve cobbled together, but in execution it was lacking toward the end of the story. Bill spent two episodes fighting AJ’s attitude and in the end he just lets her go with a smile? That isn’t like Bill at all. There’s a scene or two missing to make that reaction make sense. They don’t interact enough to give us the idea that Bill *understands* her, let alone would be okay with her literally breaking out of his jail ON HIS WATCH.

Season 5: They had to write Jack out of the story and had to rush a wedding in to “appease” the fans. They also had to write Shane, Philip, Frank, and Dottie off the show in this season (Dottie because the actress deals with a chronic illness and can no longer do acting work—I want to say she has Lyme’s). So they cobble this like, awkward storyline to write Frank out that doesn’t really make a lot of sense. They put this dramatic story together for Philip (when him just moving away would have been better/more interesting), and they try to bring AJ back for another 2-part episode, which sounded fun until we actually had to watch the episodes. It was at this point that I thought, “The people writing this show...think they’re writing a movie script.” It’s not that I think AJ isn’t pushy or emotionally blunt, but it definitely came across in those episodes that they wrote her that way specifically because the plot wouldn’t work out if she wasn’t. She does unreasonable things. For some reason Bill still has feelings even though she’s done nothing to earn them. (And vice-versa; he’s just so mean to her...why would she be interested?) Everyone was like :O when the AJ episodes weren’t very well-received. But like, I didn’t want AJ to come back for a huge dramatic rattlesnake bite scene. I wanted her back to see her emotional struggle with facing prison. I wanted to really see where they’d go with her seeing Henry Gowen. She says she wants to start over in Hope Valley after prison, but like...WHY? The only people who are nice to her are Dottie and Abigail! And then after this super dramatic poorly written set of scenes that pretty much ensured AJ would never be seen on the show again (because her presence was actively mocked by a lot of fans) they actually kill off Jack and try to have a deeply emotional and thoughtful episode.

The worst part is that...the post-death episode was good. The actors were great. Then you look back at the dramatic rattlesnake stuff and you’re just like, “What went wrong here?”

Season 6: They decided they were going to introduce a love triangle, so they start doing that, but then Abigail’s character AS WELL AS CODY’S CHARACTER has to be cut from the show, so they edit those out. I still think doing this was the right thing—Abigail as a character was literally UNBEARABLE throughout most of S5—but I also can’t deny that it probably brought the cohesiveness and overall quality of the season down by a bit, particularly with Abigail acting as a buffer between Nathan/Lucas and Elizabeth. I have no way of knowing if they edited other characters into those roles (it’s possible Bill became a buffer between Nathan and Elizabeth, for example), but the editing still gave us some scenes that just didn’t...quite work, like the one where Elizabeth comforts Henry, or when Lee becomes Bill’s confidant regarding the position of judge being offered to him.

Season 7: In their attempt to make Lucas seem “mysterious” they accidentally made him come off almost creepy. More than once. They had some good ideas in this season, but the writing felt a bit choppy and isolated from episode to episode. Of course Nathan’s father was innocent. Of course it was resolved in five minutes. You could see they were trying REALLY hard for cohesiveness at certain points (Elizabeth tried talking to Henry about his attitude; Jesse mentioned Frank; Dottie was mentioned), but each episode felt very isolated from the others, almost as if most of them were written completely separately from the rest.

And you’ll notice in S4, 5, and 6, we kind of have a similar problem, where some plots feel like they were written or inserted into the story independent of the other plotlines. Frank breaking into Carson’s room at the saloon to snoop through his stuff was one of the worst things in the season (literally cringey—and not in that “character is doing something in character that is hard to watch” way, but rather, “this character would literally never do that” way). The AJ storyline in S5 felt like the person who wrote it watched AJ & Bill’s interactions in S4 and absorbed ONLY the fact that they bickered a bit (and then didn’t know how to write that dynamic in a pleasing way). Writing Abigail out of the show was for the best, but it forced cracks in the plotlines that weren’t necessarily filled, as well as gave us interactions that didn’t feel quite right.

And I think S7 was trying to get on the right track, but wrote episodes in a very disjointed, haphazard kind of manner. There were good things about it, yes, but there were also some very...bad things. 

And overall the problem almost universally was that it felt like some of the episodes/interactions were written as if they were part of a movie, as part of a one time deal, instead of something that would need to be carried forward. If you go back and look over some plotlines you can start to see where the writers...didn’t know how to write fanfiction. S5 AJ is not the same character as S4 AJ. She doesn’t feel the same. She’s not written with S4 AJ in mind. She’s not a natural version of the character that exists a year later in the storyline...and then she was given a storyline that they had to force the character to fit, instead of tailoring a storyline to match the character. And they continued this trend...over...and over...and over...and over.

And now, finally, it feels that they may actually have a head writer who knows how to write television, who knows that in order to write a successful television series, you have to go back and watch the early episodes. You have to see how the characters have evolved. You have to consider how they’ve gotten to where they are, and where they will LOGICALLY go from here based on things that happen to or around them.

I don’t want to state this as Fact too early, but I definitely think it’s a factor. We’ll see how the rest of the season plays out, but I hope the quality continues to be as good as it is.

I saw your answer about Kazetsuyo and I agree with every description about Kakeru and Haiji as characters, Haiji is one of the best characters I've seen lately. The more time passed the more I came to love and appreciate the characters, the anime was so refreshing and beautiful. BTW it is based on a book by Shion Miura that I'm dying to read (though they made it much gayer in the anime, but I'm still into whatever kakehai dynamic) However, there isn't any English edition. So I'm still waiting..

Ah yes it is just one of the best shows out there, I love it so much! The novel is honestly still pretty gay, tbh - Miura is a BL manga fan and has actually published a collection of essays about yaoi so even though the book itself isnt outright romantic, I really don’t think she was oblivious to her own subtext! There are some INTENSE lines about what Kakeru and Haiji mean to each other and how they changed each other that made me super emotional, like, please look at this excerpt:

[“When you ran past me on the street that night,” Kiyose calmly spoke. “I thought to myself, there it is… I wanted to cry out, ‘That’s the shape of my dream right there!’ I chased after you on my bicycle, because I recognised that you were Kakeru Kurahara from Sendai Josei High School. I knew exactly who you were, yet I still did all I could to drag you into this.”  

Why would you tell me this now?

To Kakeru, Kiyose’s candidness was both laughable and cruel.

Before, you said you called out to me because you thought I was running so freely and happily. You even told me you had no idea who I was… you could have just lied to me…  

“Haiji…” Kakeru turned to Kiyose. “You gave me a place to belong to. You showed me the way to go. It was you who taught me to think about these things.”

The train had started to slow down again. They were almost at Yokohama station.

Kakeru got up and took Haiji’s arm, pulling him from his seat.

“I just want you to know, I’m grateful for everything you’ve done for me.”

Kakeru and Kiyose alighted at Yokohama station and headed for the east exit via the underground tunnel, squeezing together with the sea of people.

“Hey, Haiji…” Kakeru leaned in and whispered to Kiyose, as if sharing an important secret. “Tomorrow, let’s run and set the best record we’ve never achieved before.”

Whatever misunderstandings they have had in the past, or whatever truth had come to light… there is nothing that could happen from here on that would erase their feelings and the trust they have built between them.

No matter what demons lie ahead, they will not run away again, nor will they cower in fear.

The day where their dream has taken shape has come. The only thing left to do now is to run with all their heart.  

“Yeah. Let’s do this, Kakeru.”

Eyeing each other, a gentle smile broke across their faces. And then, not knowing who had prompted it, the two sprinted down the road and ran towards their hotel.]

LIKE????????? i have goosebumps, it is so beautiful i cannot stand it T_T Excerpt is from this blog post here!

I’ve never found a full translation, but there are good ones on tumblr of important scenes, like that one, plus more context from the novel (Kakeru’s character is quite different in the novel as well and a lot of translators have really good notes on his character depth). There is the blog that excerpt came from and they work their way through many of the pivotal moments as well as this blog that has more in-depth translations of the first couple chapters!