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#academy award nominations
christinaroseandrews · 3 months
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A lot of people are talking about how Disney didn't get nominated for their flagship 100th animated feature, Wish. Which is a big deal, I am not disputing that. This was a stellar year for animation and the academy had a glut of good options that did not include Wish. (I would have liked makoto shinkai's Suzume to be nominated but...)
But I want to talk about something else that is probably sticking in Disney's craw.
None of their Animated movies, in particular Wish, were nominated for "best original song."
Starting in 1940 with "when you Wish upon a Star", Disney's animated features could be counted upon to receive a nomination for best original song often winning the Honor. This includes movies such as Bambi; Saludos Amigos; Cinderella, and that racist mess that Disney would like you to forget, Song of the South. Even during the years after Walt's death a bunch of songs were nominated from things like Pete's Dragon and The Rescuers. But it wasn't until The Little Mermaid and the animation Renaissance that Disney's almost stranglehold and expectation that they're animated films would get nominated for an Oscar for best song really came into the forefront.
Take a walk through the best song nominations from 1989 to now and pretty much the majority of Disney and/or Pixar movies put out in those years has a best song nomination. There are a few exceptions, there always are, but generally when Disney includes original songs in its Animated properties it gets nominated.
That makes this year so odd. Disney technically has a nomination with Diane Warren's song for Flamin' Hot, which I suspect has more to do with the fact that the academy loves to nominate Diane Warren and then never give her the Oscar. ~_^ The big thing I noticed was that there were no nominations for Wish or even Elemental. And even more crucially, there was no one setting up a hue or cry that these movies (particularly Wish) didn't get nominated for best song.
Wish had all of the ingredients to be both an Oscar Bait for best animated feature and best original song. And the academy ignored it.
And frankly, I think this is 100% deserved. Wish was an okay movie. It wasn't good it wasn't bad it was just okay. And it's songs were forgettable.
Worse than that, in my opinion, they were unsingable. And what I mean by that is the songs were so complex so lyrically and musically difficult that a four-year-old in a princess dress would struggle to sing them. There were too many jumps and the lyrics were incredibly tongue twisty and they even sounded difficult for an accomplished singer like Ariana DeBose to sing. Seriously, the chorus of This Wish has so many jumps and drops that it is almost impossible to stay on key and also follow the melody. The music is just there.
When I walked out of the theater, I couldn't remember any of the songs. I still can't. And as most of my friends can tell you I have a bloody musical memory. I remember songs.
The first time I saw Barbie, I had three of the songs (What was I made for, I'm just Ken, and Pink) wrestling for dominance over who was going to be my earworm for the day. The same thing was true with Frozen, Moana, Encanto, beauty and the Beast, and even Tarzan. I still can't remember the music from Wish at all. To even write this, I had to go on YouTube and listen to the songs. And after listening to them, I still can't sing them. But just typing "I'm just Ken" has put that song in my head.
So rather than just celebrating Wish being excluded in a very good year for animation (it was so good, y'all) we should also be laughing and pointing that the Disney's attempts at getting a best song nomination for that movie also went unheeded.
Because I sure am.
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dicapiito · 3 months
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Okay, Margot Robbie is a rich white woman who got to star in Barbie. This whole white feminist nonsense of her and ‘ the injustice of it all’ of no nomination when Black and brown actresses and directors being snubbed literally every year is annoying shit.
Gosling and Clinton should’ve kept those letters because it’s dumb as shit to act like a movie like that was something groundbreaking when there were other actresses of color who had eons better performance than a blonde white woman discovering men suck.
Where were these crackers when Angela Bassett and Stephanie Hsu saw a white nepo baby win for a cameo appearance ? Oh right SILENT. And they STAY SILENT when it comes to Black Women and being snubbed for stellar performances. Along with the fact America Ferrera is not being praised even though she was also in Barbie so frankly, it’s why I have been tuned off by the movie as a whole. White women are insufferable about how they show up for only themselves.
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keepingchrometabs · 1 year
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Tár - dir. Todd Field - (2022)
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austinslounge · 9 months
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neverendingcomplaints · 3 months
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Amid all the outcry,
I just wanna go ahead and say that Ryan Gosling absolutely deserves that nod for acting. He was the standout in that movie 100% and he 100% was Ken. He played it to the hilt. If Johnny Depp got a nod for being Captain Jack Sparrow, then Ryan Gosling deserves to be there. It's nice to see the Academy give credence to great performances in comedy and break up all the dour Oscar-bait performances with a little levity.
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Jamie Lee Curtis: So there’s a redemption. And a reconciliation. And a healing.
Colin Farrell: It’s so beautiful. Because the only two things I know as certainties are, we’re going to die and we’re going to make serious mistakes. Whether we atone for our mistakes.
Throw back - Variety interview with Jamie Lee Curtis and Colin Farrell discussing, acting, sobriety and their Oscar nominated movies - Everything Everywhere All At Once and The Banshees of Inisherin.
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Deirdre Beaubeirdre is one of the best characters ever!
Trivia - The appearance of Jamie Lee Curtis's character Deirdre Beaubeirdre is based on a stock photo of an IRS worker. The photo by Mike Simons, captioned, "Kathleen Malone works on tax returns at the Cincinnati Internal Revenue Service Center April 8, 2005 in Covington, Kentucky" shows an IRS worker with an identical hairstyle, yellow turtleneck, light yellow knit vest, glasses and necklaces (IMDB).
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Colin Farrell summed up the story as "the disintegration of joy". Padraic starts the movie, "Like he's just won the lottery; he's so happy and content and connected". But by the end, he has turned into "someone who believes there is a place for violence in the world, and that it doesn't even need to be justified... and he can't find any of the joy that he once had in his life".
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They were the best two movies from this year’s awards season (2023).
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filmspun · 1 year
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2023 Oscar nominations :
Best Picture
“All Quiet on the Western Front,” Malte Grunert, Producer
“Avatar: The Way of Water,” James Cameron and Jon Landau, Producers
“The Banshees of Inisherin,” Graham Broadbent, Pete Czernin and Martin McDonagh, Producers
“Elvis,” Baz Luhrmann, Catherine Martin, Gail Berman, Patrick McCormick and Schuyler Weiss, Producers
“Everything Everywhere All at Once,” Daniel Kwan, Daniel Scheinert and Jonathan Wang, Producers
“The Fabelmans,” Kristie Macosko Krieger, Steven Spielberg and Tony Kushner, Producers
“Tár,” Todd Field, Alexandra Milchan and Scott Lambert, Producers
“Top Gun: Maverick,” Tom Cruise, Christopher McQuarrie, David Ellison and Jerry Bruckheimer, Producers
“Triangle of Sadness,” Erik Hemmendorff and Philippe Bober, Producers
“Women Talking,” Dede Gardner, Jeremy Kleiner and Frances McDormand, Producers
Best Director 
Martin McDonagh (“The Banshees of Inisherin”) 
Daniel Kwan, Daniel Scheinert (“Everything Everywhere All at Once”) 
Steven Spielberg (“The Fabelmans”) 
Todd Field (“Tár”) 
Ruben Östlund (“Triangle of Sadness”)
Best Lead Actor
Austin Butler (“Elvis”) 
Colin Farrell (“The Banshees of Inisherin”) 
Brendan Fraser (“The Whale”) 
Paul Mescal (“Aftersun”) 
Bill Nighy (“Living”) 
Best Lead Actress
Cate Blanchett (“Tár”) 
Ana de Armas (“Blonde”) 
Andrea Riseborough (“To Leslie”)
Michelle Williams (“The Fabelmans”) 
Michelle Yeoh (“Everything Everywhere All at Once”)
Best Supporting Actor
Brendan Gleeson (“The Banshees of Inisherin”) 
Brian Tyree Henry (“Causeway”) 
Judd Hirsch (“The Fabelmans”)
Barry Keoghan (“The Banshees of Inisherin”) 
Ke Huy Quan (“Everything Everywhere All at Once”) 
Best Supporting Actress
Angela Bassett (“Black Panther: Wakanda Forever”) 
Hong Chau (“The Whale”) 
Kerry Condon (“The Banshees of Inisherin”) 
Jamie Lee Curtis (“Everything Everywhere All at Once”) 
Stephanie Hsu (“Everything Everywhere All at Once”)
Best Adapted Screenplay
“All Quiet on the Western Front,” Screenplay by Edward Berger, Lesley Paterson & Ian Stokell
“Glass Onion: A Knives Out Mystery,” Written by Rian Johnson
“Living,” Written by Kazuo Ishiguro
“Top Gun: Maverick,” Screenplay by Ehren Kruger and Eric Warren Singer and Christopher McQuarrie; Story by Peter Craig and Justin Marks
“Women Talking,” Screenplay by Sarah Polley
Best Original Screenplay
“The Banshees of Inisherin,” Written by Martin McDonagh
“Everything Everywhere All at Once,” Written by Daniel Kwan & Daniel Scheinert
“The Fabelmans,” Written by Steven Spielberg & Tony Kushner
“Tár,” Written by Todd Field
“Triangle of Sadness,” Written by Ruben Östlund
All Quiet on the Western Front”, James Friend
“Bardo, False Chronicle of a Handful of Truths,” Darius Khondji
“Elvis,” Mandy Walker
“Empire of Light,” Roger Deakins
“Tár,” Florian Hoffmeister
Best Documentary Feature Film 
“All That Breathes,” Shaunak Sen, Aman Mann and Teddy Leifer
“All the Beauty and the Bloodshed,” Laura Poitras, Howard Gertler, John Lyons, Nan Goldin and Yoni Golijov
“Fire of Love,” Sara Dosa, Shane Boris and Ina Fichman
“A House Made of Splinters,” Simon Lereng Wilmont and Monica Hellström
“Navalny,” Daniel Roher, Odessa Rae, Diane Becker, Melanie Miller and Shane Boris
Best Documentary Short Film 
“The Elephant Whisperers,” Kartiki Gonsalves and Guneet Monga
“Haulout,” Evgenia Arbugaeva and Maxim Arbugaev
“How Do You Measure a Year?” Jay Rosenblatt
“The Martha Mitchell Effect,” Anne Alvergue and Beth Levison
“Stranger at the Gate,” Joshua Seftel and Conall Jones
Best Film Editing
“The Banshees of Inisherin,” Mikkel E.G. Nielsen
“Elvis,” Matt Villa and Jonathan Redmond
“Everything Everywhere All at Once,” Paul Rogers
“Tár,” Monika Willi
“Top Gun: Maverick,” Eddie Hamilton
Best International Feature Film 
“All Quiet on the Western Front” (Germany) 
“Argentina, 1985” (Argentina) 
“Close” (Belgium)
“EO” (Poland) 
“The Quiet Girl” (Ireland) 
Best Original Song 
“Applause” from “Tell It Like a Woman,” Music and Lyric by Diane Warren
“Hold My Hand” from “Top Gun: Maverick,” Music and Lyric by Lady Gaga and BloodPop
“Lift Me Up” from “Black Panther: Wakanda Forever,” Music by Tems, Rihanna, Ryan Coogler and Ludwig Goransson; Lyric by Tems and Ryan Coogler
“Naatu Naatu” from “RRR,” Music by M.M. Keeravaani; Lyric by Chandrabose  
“This Is a Life” from “Everything Everywhere All at Once,” Music by Ryan Lott, David Byrne and Mitski; Lyric by Ryan Lott and David Byrne 
Best Production Design 
“All Quiet on the Western Front,” Production Design: Christian M. Goldbeck; Set Decoration: Ernestine Hipper
“Avatar: The Way of Water,” Production Design: Dylan Cole and Ben Procter; Set Decoration: Vanessa Cole
“Babylon,” Production Design: Florencia Martin; Set Decoration: Anthony Carlino
“Elvis,” Production Design: Catherine Martin and Karen Murphy; Set Decoration: Bev Dunn
“The Fabelmans,” Production Design: Rick Carter; Set Decoration: Karen O’Hara
Best Visual Effects
“All Quiet on the Western Front,” Frank Petzold, Viktor Müller, Markus Frank and Kamil Jafar
“Avatar: The Way of Water,” Joe Letteri, Richard Baneham, Eric Saindon and Daniel Barrett
“The Batman,” Dan Lemmon, Russell Earl, Anders Langlands and Dominic Tuohy
“Black Panther: Wakanda Forever,” Geoffrey Baumann, Craig Hammack, R. Christopher White and Dan Sudick
“Top Gun: Maverick,” Ryan Tudhope, Seth Hill, Bryan Litson and Scott R. Fisher
Best Animated Feature Film 
“Guillermo del Toro’s Pinocchio,” Guillermo del Toro, Mark Gustafson, Gary Ungar and Alex Bulkley
“Marcel the Shell With Shoes On,” Dean Fleischer Camp, Elisabeth Holm, Andrew Goldman, Caroline Kaplan and Paul Mezey
“Puss in Boots: The Last Wish,” Joel Crawford and Mark Swift
“The Sea Beast,” Chris Williams and Jed Schlanger
“Turning Red,” Domee Shi and Lindsey Collins
Best Animated Short Film
“The Boy, the Mole, the Fox and the Horse,” Charlie Mackesy and Matthew Freud
“The Flying Sailor,” Amanda Forbis and Wendy Tilby
“Ice Merchants,” João Gonzalez and Bruno Caetano
“My Year of Dicks,” Sara Gunnarsdóttir and Pamela Ribon
“An Ostrich Told Me the World Is Fake and I Think I Believe It,” Lachlan Pendragon
Best Costume Design 
“Babylon,” Mary Zophres
“Black Panther: Wakanda Forever,” Ruth Carter
“Elvis,” Catherine Martin
“Everything Everywhere All at Once,” Shirley Kurata
“Mrs. Harris Goes to Paris,” Jenny Beavan
Best Live Action Short
“An Irish Goodbye,” Tom Berkeley and Ross White
“Ivalu,” Anders Walter and Rebecca Pruzan
“Le Pupille,” Alice Rohrwacher and Alfonso Cuarón
“Night Ride,” Eirik Tveiten and Gaute Lid Larssen
“The Red Suitcase,” Cyrus Neshvad
Best Makeup and Hairstyling 
“All Quiet on the Western Front,” Heike Merker and Linda Eisenhamerová
“The Batman,” Naomi Donne, Mike Marino and Mike Fontaine
“Black Panther: Wakanda Forever,” Camille Friend and Joel Harlow
“Elvis,” Mark Coulier, Jason Baird and Aldo Signoretti
The Whale,” Adrien Morot, Judy Chin and Anne Marie Bradley
Best Original Score 
“All Quiet on the Western Front,” Volker Bertelmann
“Babylon,” Justin Hurwitz
“The Banshees of Inisherin,” Carter Burwell
“Everything Everywhere All at Once,” Son Lux
“The Fabelmans,” John Williams
Best Sound
“All Quiet on the Western Front,” Viktor Prášil, Frank Kruse, Markus Stemler, Lars Ginzel and Stefan Korte
“Avatar: The Way of Water,” Julian Howarth, Gwendolyn Yates Whittle, Dick Bernstein, Christopher Boyes, Gary Summers and Michael Hedges
“The Batman,” Stuart Wilson, William Files, Douglas Murray and Andy Nelson
“Elvis,” David Lee, Wayne Pashley, Andy Nelson and Michael Keller
“Top Gun: Maverick,” Mark Weingarten, James H. Mather, Al Nelson, Chris Burdon and Mark Taylor
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disarmluna · 1 year
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Jessie Buckley @ Oscars95 
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wakandaiscoming · 1 year
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Angela Bassett is Oscar (tm) nominated for being Queen Ramonda and generally queen. I am happy.
I am also sad Hannah Beachler did not get nominated for production design.
But happy Ruth Carter got another nomination for costume design. Especially with the Talokanil costumes looking great underwater. She is amazing.
Rihanna got best song but the score got nothing.
Mixed feelings.
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eisoj5 · 1 year
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Riz Ahmed and Alison Williams present the nominees for the 2023 Academy Awards on 1/24/23
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katnissmellarkkk · 1 year
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muadweeb · 1 year
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LESGOOOOOOO EEAO NOMINATED FOR 11 ACADEMY AWARDS!!!!!!!!!!
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wyntr-thyms-2sh1ne · 1 year
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As someone who is a movie nerd seeing the Oscar nominees this year was heartbreaking and maddening.
If you're like me, seeing the best animated features being nominated exclusively for animation DESPITE the fact that the academy has nominated those EXACT directors for more categories... It's maddening!!!
The academy gets hard at everything Del Toro makes but violently disagrees with everything he says and promotes about animation as a MEDIUM.
"Animation is not a genre for kids. It's a medium for art, it's a medium for film, and I think animation should stay in the conversation." - Guillermo del Toro 2023
Down below I'm going to put a pole of opinions I've seen circulated on letterbox and online. How many of you guys support the animation medium and its integrity as art?
Let me know of any more you yourself believe about this issue, comment it! I'd love to read your opinions.
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onthesublime · 1 year
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B-3 : Oscars 2023 Predictions - A Film fan's perspective (Part - 1)
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The 95th Academy Awards, a.k.a. The Oscars®, will take place on March 13 at 5:30 AM IST. The celebrations of the Oscar season are at their peak. Amid the fun and excitement, here's a look at the movies categories and our predictions of the winners:-
Best Picture
Nominations: 
All Quiet on the Western Front
Avatar: The Way of Water
The Banshees of Inisherin
Elvis
Everything Everywhere All at Once
The Fabelmans
TAR
Top Gun: Maverick
Triangle of Sadness
Women Talking
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Prediction: The Fabelmans
The Academy might favor a movie that exhibits the love for cinema through the eyes of one of Hollywood's most-respected directors - Steven Spielberg. Either originally-written movies like Everything Everywhere All at Once and The Banshees of Inisherin can give tough competition.
Best Director
Nominees:
Martin McDonagh, The Banshees of Inisherin
Daniel Kwan and Daniel Scheinert, Everything Everywhere All at Once
Steven Spielberg, The Fabelmans
Todd Field, TÁR
Ruben Östlund, Triangle of Sadness
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Prediction: Steven Spielberg
Spielberg would be the rightful winner for it. If it happens, he would be the third person to win three directing Oscars - after Frank Capra and William Wyler.
Best Original Screenplay
Nominees:
The Banshees of Inisherin – Martin McDonagh
Everything Everywhere All at Once – Daniel Kwan and Daniel Scheinert
The Fabelmans – Steven Spielberg and Tony Kushner
Tár – Todd Field
Triangle of Sadness – Ruben Östlund
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Prediction: The Banshees of Inisherin/Everything Everywhere All At Once
Unlike the first two categories, the Daniels and Martin McDonagh would be fighting for this award. It's the fight between the battle of multiverses & the conflict between two friends.
Best Adapted Screenplay
Nominees:
All Quiet on the Western Front – Edward Berger, Lesley Paterson, and Ian Stokell (based on the novel by Erich Maria Remarque)
Glass Onion: A Knives Out Mystery – Rian Johnson; based on characters created by Johnson and the film Knives Out
Living – Kazuo Ishiguro (based on the original motion picture screenplay Ikiru by Akira Kurosawa, Shinobu Hashimoto, and Hideo Oguni)
Top Gun: Maverick – Screenplay by Ehren Kruger, Eric Warren Singer, and Christopher McQuarrie; Story by Peter Craig and Justin Marks; based on the film Top Gun written by Jim Cash and Jack Epps Jr.
Women Talking – Sarah Polley (based on the novel by Miriam Toews)
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Prediction: Women Talking
Women Talking would be the ideal winner for the film adaptation of the atrocities by men against women (inspired by the Manitoba Colony, a remote and isolated Mennonite community in Bolivia).
Best Actor
Nominees:
Austin Butler – Elvis as Elvis Presley
Colin Farrell – The Banshees of Inisherin as Pádraic Súilleabháin
Brendan Fraser – The Whale as Charlie
Paul Mescal – Aftersun as Calum Paterson
Bill Nighy – Living as Mr. Rodney Williams
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Prediction: Austin Butler/Colin Farrell/Brendan Fraser
Fraser's portrayal of an obese, depressed man can bring the Academy in his favor. He would compete with Austin Butler's portrayal of the King of Rock n' Roll & Farrell's character of an Irishman betrayed by his best friend (both actors won this year's Golden Globes).
Best Actress
Nominees:
Cate Blanchett – Tár as Lydia Tár
Ana de Armas – Blonde as Norma Jeane Mortensen / Marilyn Monroe
Andrea Riseborough – To Leslie as Leslie Rowlands
Michelle Williams – The Fabelmans as Mitzi Schildkraut-Fabelman
Michelle Yeoh – Everything Everywhere All at Once as Evelyn Quan Wang
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Prediction: Cate Blanchett/Michelle Yeoh
It'll be the fight between Blanchett's complex character of an orchestra conductor & Yeoh's role of a superwoman protecting the multiverse from her daughter.
Best Supporting Actor
Nominees:
Brendan Gleeson – The Banshees of Inisherin as Colm Doherty
Brian Tyree Henry – Causeway as James Aucoin
Judd Hirsch – The Fabelmans as Boris Schildkraut
Barry Keoghan – The Banshees of Inisherin as Dominic Kearney
Ke Huy Quan – Everything Everywhere All at Once as Waymond Wang
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Prediction: Ke Huy Quan
This one's gonna go to Indiana Jones' sidekick - Short Round, i.e., Quan - for playing a kind and friendly person to his wife in different universes.
Best Supporting Actress
Nominees:
Angela Bassett – Black Panther: Wakanda Forever as Queen Ramonda
Hong Chau – The Whale as Liz
Kerry Condon – The Banshees of Inisherin as Siobhán Súilleabháin
Jamie Lee Curtis – Everything Everywhere All at Once as Deirdre Beaubeirdre
Stephanie Hsu – Everything Everywhere All at Once as Joy Wang / Jobu Tupaki
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Prediction: Angela Bassett
All hail the Queen Mother!!! Bassett's likely to take the trophy home for portraying the grieving mother of the late Chadwick Boseman's T'Challa.
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