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#YOU CAN'T TAKE THAT FROM US
xekstrin · 2 years
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trembling snapping snarling foaming at the mouth. nothing will ever compare to simoun because the ships are powered by queer kissing and they fight by making synchronized pretty patterns in the sky.
and they call it "prayer" because the ships and the patterns were used for ritual purposes until it was discovered they could be used as weapons and suddenly all these priestesses are conscripted into war and being used to defend their country.
and at first if you wanted to quit you could. and several priestesses DO. but by the end of the series they straight up ask "are we allowed to refuse these orders?" and they are told no. no they are not. they're not allowed to retreat. the time for that is gone.
and some of the girls-- for lack of a better word, even though none of them have a gender identity yet, they are considered and called maidens-- are there because they want to fight. and some are there because they want to die. and some are there because they love to fly. and some are there because they want to protect their home. and some are there because they're in love with their co-pilot. and some are there because they are still a priestess before anything else and they're afraid to be anything else. and nothing can take that from them.
and the ones who are priestesses at heart, at first, when they go on missions, they still call it "prayer" and "praying to the skies". This very intentional and specific denial of the reality of what they are doing. But slowly and heart-breakingly over the series you hear their language change to "going on patrol" and "attacking the enemy" and when prompted, "so you're not praying anymore?" they flatly don't respond or they agree. yes. that's what this is now.
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canisalbus · 2 months
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Real fan art is coming one day, but for now I really wanted to see if it was feasible to simplify their gradients into something that would fit a simple style like Bluey’s 😅
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thottybrucewayne · 16 days
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I think what I want to get into with the "Anyone can do harm." thing that I keep beating yall over the head with is that literally anyone, anyone at all can do harm it's not "in your DNA" to be an abuser or written in the stars that you'll be a predator. Whatever image you have of an abuser in your head, drop it and replace it with your favorite person in the world and you'll probably be closer to the truth than you realize. It's easy to address harm when it's coming from someone you already hate. I see it happen all the time. Someone you couldn't stand for no real reason does something heinous then all of a sudden here comes the avalanche of "I always knew they were a fucked up individual." No, you didn't. There is no possible way you could have known, you just already didn't fuck with them before they started doing something you could use to justify your hatred of them. I'm guilty of it too! I'm petty, mean, vindictive, and yes! I'm way quicker to believe something bad about someone I hate versus someone I love because I'm human. Still, y all gotta learn to move past that initial "Well, they were always nice to me!" gut feeling and understand that nobody truly knows anyone and anyone can be capable of anything. Even victims. Even you.
#thotty speaks#thotty rants#I was thinking about that Christine chan post and its like yeah yall really don't know how bad it got for her before she did what she did#It reminded me of that thing on tiktok where people take 'cringy' cosplayers videos (most of whom are literal children) and put racist or#bigoted text over it then reupload it to call them out then the og creator gets a flood of harassment mostly from people who hated them for#the crime of being weird on the internet but now they can use 'oh but they're a bigot!' as an excuse to tear them down until they come out#and say 'hey i didn't say this someone stole my shit' and nobody takes their vids down nor apologizes because they didn't fuck with them#anyway so wash rinse repeat#idk I just wish that people had the same smoke for people they actually like#mostly cause I'm tired of being accused of 'switching up' every time I cut people off or stop fuckin with an artist#like this is what we should be doing!!!! ACG ANYBODY CAN GET IT!#It should be smoke for ANYONE who does harm every your fave people!#otherwise you create this world where taking people to task for the harm they've done is less about the harm#and more about justifying our own actions#anyway keep that same energy across the board that's all I'm saying#cause if it comes out tomorrow that somebody close to me did some fucked up shit I'm out of there period#aint no talkin bout shit and that's on me growing up as a child told that certain grown folks can't be alone with me#but they allowed in my house...#Idk about yall but i'm ending that generational curse with me
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*tries to organize my thoughts*
*remembers i'm not in school and therefore beholden to neither heaven nor hell nor any man's grading system*
*joyously shredding & tossing all my carefully arranged 3x5 mental notecards into the air like so much beige confetti. raising my arms in victory, cheering raucously until i accidentally inhale bits of homemade confetti*
(*coughing up itty bits of paper like a cat evicting a hairball with a firm understanding of tenants' rights*) wait wat happens next
#i marie kondoed my thoughts and *i* feel great. but now my stream-of-consciousness has escaped containment#so many innocent bystanders at stake#every time i try to organize my thoughts i run out of plastic bins and have to make a trip to the container store where i get even more dis#racted so. you can't just hand me THIS brain and NO catalogue OR library classification system#and expect me to single-handedly sort through all this nonsense? bad form but fucking form not in my job description#aNYways. formal education sure did a FUCKING NUMBER on us huh#(a number i measure not in gpa or dollars of student debt.#but in the number of therapy sessions & medical debt it will take to recover.)#seriously folks. our education systems are...innately traumatizing for a huge number of students. and we NEED to address this.#the fact that it is culturally common for adults to have anxiety nightmares about school/exams...even decades later?#that is not cute. it is Alarming.#no one--much less entire generations--should be spending their developmental years in an environment of chronic stress & pressure & strain#and yet that is the reality for millions and millions of pre-teen and teenage and young adult students#this isn't healthy and it serves and empowers NO ONE#...except of course the many exploitative educational & financial & debt-collecting institutions thriving from the current balance of power#and of course it's a nefarious and powerful way to sabotage/erase the middle class#which billionaires and the wealth-inequality creators they finance couldn't possibly have any noteworthy interest in whatsoever#it's not like there's an elite group of people with huge financial incentives to drain/steal resources from the masses...#anyways sorry for going all Conspiracy Theory on you.#obviously the billionaires who control the vast majority of our resources and news and political campaign funding#are not tied to every single itty bitty social issue and i'm a silly billy to imply it#please tell elon musk to ignore this tweet i am so subservient and acquiescent#mr musky u r so good at inheriting slavery-built mining fortunes & buying other people's companies#& building rocket ships & fancy cars that do NOT explode/catch fire & also NOT running billion dollar companies into the ground#mr musky u r so talented genius billionaire playboy with 10 kids and ex-wives who find you creepy af babe u r basically iron man
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inkskinned · 2 years
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it is hard to explain without sounding vain or stupid - but the more attractive others find you, the more you're allowed to do. the easier your life is.
i have been on both sides of this. i am queer and cuban. i grew up poor. for a long time i didn't know "how" to dress - and i still don't. i make my sister pick out any important outfits. i have adhd in spades: i was never "cool and quiet", i was the weird kid who didn't understand how "normal" people behave. i was bullied so hard that the "social outcasts" wouldn't even talk to me.
i got my teeth straightened. i cut my hair and learned how to style it. i got into makeup. it didn't matter, at first, if i actually liked what i was doing - it mattered how people responded to it. like a magic trick; the right dress and winged eyeliner and suddenly i was no longer too weird for all of it. i could wear the ugly pokemon shirt and it was just "ironic" or a "cute interest."
when i am seen as pretty, people listen. they laugh at my jokes. they allow me to be weird and a little spacey. i can trust that if i need something, people will generally help me. privilege suddenly rushes in: pretty does buy things. pretty people get treated more gently.
i am the same ugly little girl, is the thing. still odd. still not-quite-fitting-in. still scrambling. still angry and afraid and full of bad things. of course it became my obsession. of course i stopped eating. i had seen, in real time, the exact way it could change my life - simply always be perfect, and things can be easy. people will "overlook" all the other things. i used to have panic attacks at the idea others would see me without makeup - what would they think? even for a simple friend hangout, i'd spend a few hours getting ready. after all, it seemed so obvious to me: these people liked me because i was pretty.
i worry about how much i'm being a bad activist: i understand that "pretty" is determined by white, het, cis, able-bodied hegemonies. if i was really an ally, wouldn't i rally against all of this? recently there's been a "clean girl" trend which copies latinx aesthetics: dark slicked-back hair, hoop earrings. i almost never wear my hair like that; i can hear the middle school guidance counsellor advising me that i might fare better if i toned it down on the culture.
the problem is that i can take pretty on and off. that i have seen how different my life is on a day where i try and a day where i don't. i told my therapist i want to believe the difference is confidence, but it's not. and when you have seen it, you can't unsee it. it lives inside your brain. it rots there; taunting. i get rewarded for following the rules. i am punished for breaking them. end of story.
pretty people can get what they want. pretty people can feel confident without others asking where they got their nerve from. pretty people can be weird and different. pretty people get to have emotions; it's different when they get aggressive, it's pretty when they cry with frustration.
of course people care about this. of course it has crawled into you. of course you want to be seen as attractive. it's not vanity: it's self-preservation.
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introspectivememories · 4 months
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mister lewis hamilton, sir, how are you gonna go on live television and talk about about how your karting days were the best times of your career and still never say nico's name? not once but multiple times??? oh you mean the karting your did with your childhood best friend nico rosberg? that karting? the karting where you met him? the karting where your families became friends? the karting where you spent months in italy together? the pizza eating contests and torn up hotel rooms? the frosties? the unicycling? that karting???? "i'm over the divorce," says man who is soo not over the divorce.
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a2zillustration · 21 days
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The final day
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bluespiritshonour · 2 months
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here's 18-19 year old aang sketches. been hearing aang is ugly discourse—no he ain't. he was just 12.
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lord-squiggletits · 3 months
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I think the key component to my personal reading of post-Delphi Pharma is that he's trying to be a horrible person on purpose. Not "on purpose" in the way that people have free will to exercise their own choices, but in that Pharma's "mad doctor" persona is a performance he puts on to deliberately embrace how much everyone else hates him. Basically, if people already think you're a "bad Autobot" and a horrible doctor who just kills his patients for fun, why try to prove otherwise to people who have already made up their minds about you? Just fully embrace the fact that people see you as an asshole. Don't try to change their minds. Don't plead for their forgiveness or understanding. Just stop caring. If you're going to be remembered as a monster, you might as well be a memorable monster, and eke as much pleasure and hedonism as you can out of it before karma catches up to you and you inevitably crash and burn.
I mean, I guess you could just go the route of "Oh, Pharma was always a fucked up creepy guy and Delphi was just him taking the mask off," but I really don't like that interpretation because, for one, it feels really wrong to take a character like Pharma becoming evil under duress and going, "Oh well clearly he did the things he did because he was evil all along," as if somehow Pharma breaking under blackmail/torture/threat of horrible death was a sign of him having poor moral character. As opposed to, you know, suffering under the very real threat of horrible death for himself and everyone he cares about while being manipulated by a guy who specializes in psychological torture.
The second reason is that it just doesn't make sense to write Pharma as having been evil all along. I mean...
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Occam's Razor says that the best argument is the one with the simplest explanation. Doesn't it make way more sense to take Pharma's appearances in flashbacks, his friendship with Ratchet, his stunning medical accomplishments, and the few we see of him speaking kindly/sympathetically (or in the least charitable interpretation, at least professionally) towards his patients and conclude "This guy was just a normal person, if exceptionally talented." Taking all of these flashback appearances at face value and assuming Pharma was being genuine/honest is a way simpler and more logical explanation than trying to argue that Pharma for the past 4 million years was just faking being a good doctor/person. I mean, it's possible within the realm of headcanon, but the fact is Pharma's appearances in the story are so brief that there simply wasn't room in the story for there to be some sort of secret conspiracy/hidden manipulation behind why Pharma acted the way he did in the past.
I just can't help but look at things like Pharma's friendship with Ratchet (himself a good person and usually a fine judge of character) and the fact that even post-Delphi, pretty much every single mention of Pharma comes with some mention of "He was a good doctor for most of his life" or "He was making major headways in research [before he started killing patients]" which implies that even the Autobots themselves see Pharma's villainy as a recent turn in his life compared to how for "most of his life" he "used to be" a good doctor.
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And although Pharma doesn't know this, we as the readers (and even other characters like Rung) know about Aequitas technology and the fact that it actually works, so... if Pharma really was an unrepentant murderer, why couldn't he get through the forcefield too? The Aequitas forcefield doesn't require that a person be completely morally pure and free of wrongdoing or else how could Tyrest get through, just that they feel a sense of inner peace and lack feelings of guilt. Pharma has murdered and tortured people by this point, and put on quite a campy and theatrical show of how much he sees it as a fun game, so why then can he not get through?
It circles back to my headcanon at the start of this post that the "mad doctor" persona is just that-- a persona. Delphi/post-Delphi Pharma's laughing madman personality is just so far removed from every flashback we saw of him and everything we can infer based on how other people see/saw him before that, to me, the mad doctor act is (at least in large part, if not fully) a persona that Pharma puts on to put his villainy in the forefront.
To avoid an overly simplistic/ableist take, I don't think Tarn tortured Pharma into turning crazy. To me, it's more like the constant pressure of death by horrific torture, the feeling of martyrdom as Pharma kept secret that he was the only one standing between Delphi and annihilation, the physical isolation of Messatine as well as the emotional separation from Ratchet, being forced to violate his medical oaths (pretty much the only thing Pharma's entire life has been about), etc. All of that combined traumatized Pharma to the point that the only way he could avoid cracking was to just stop caring about all of it. Because at least then, even if he's still murdering patients to save Delphi from a group of sadistic freaks, Pharma doesn't have to feel guilty and sick about doing it. As opposed to the alternatives, which were probably either going off the deep end and killing himself to escape, or confessing to what he did and getting jailed for it.
In that light, Pharma becoming a mad doctor makes sense. It avoids the bad writing tropes of "oh this character who was good his entire life was actually just evil and really good at hiding it" as well as "oh he got tortured and went crazy that's why he's so random and silly and killing people, he's crazy" and instead frames Pharma's evil as something he was forced into, to the point where in order to avoid a full psychological breakdown and keep defending Delphi, he just had to stop caring about the sanctity of life or about what other people might think of him.
Then, of course, the actual Delphi episode happens, and Pharma's own lifelong best friend Ratchet basically spits in his face and sees him as nothing more than a crazy murderer who went rogue from being a good Autobot. Then Pharma gets his hands cut off and left to die on Messatine. At that point, Pharma has not only been mentally/emotionally broken into losing his feelings of compassion, he's received the message loud and clear: He is alone. Everyone hates him. Not even his own best friend likes him any more. No one even cared enough about him to check if he actually died or not. He will only ever be remembered as a doctor who went insane and killed his patients.
So in the light of 1. Having all of your redeeming qualities be squeezed out of you one by one for the sake of survival and 2. Having your reputation and all of your positive relationships be destroyed and 3. People only know/care about you as "that doctor who became evil and killed his patients" rather than the millions of years of good service that came before.
What else is there to do but internalize the fact that you'll forever be seen as a monster and a freak, and embrace it? People already see you as a murderer for that blackmail deal you did, so why not become an actual murderer and just start killing people on a whim? People already see you as an irredeemable monster who puts a stain on the Autobot name, so why beg for their forgiveness when you could just shun them back? You've already become a murderer, a traitor, and a horrible doctor, so what's a few more evil acts added to the pile? It's not like anyone will ever forgive you or love you ever again.
Why care? Why try to hold on to your principles of compassion, kindness, medical ethics, when an entire lifetime of being a good person did nothing to save you from blackmail and then abandonment? Why put yourself through the emotional agony of feeling lonely, guilty, miserable, when you could just... stop caring, and not hurt any more?
#squiggposting#pharma apologism#i'm sure the doylist reason for the writing is just that pharma was a designated villain#so since he's a villain and 'crazy' it's fine for everyone even the good guys to treat him like complete trash#i just think from a watsonian perspective taking a sympathetic approach is way more interesting and logically consistent#what i mean is like. from a meta perspective one of the best ways to show that a character is super evil and not worth saving#is when even the good guy heroes. the ones who are supposed to be kind and compassionate and wise. see him as dirt#and this is also kind of a necessity in most plots bc TF is the kind of series that just needs action villains and long-term antagonists#so not every villain is written or has a plot to be made redeemable. and pharma is one of these bc he's not important or a legacy character#so from a doylist (meta) perspective you could read the autobots' disregard of pharma as a sign of#'this guy is not meant to have your sympathy as a reader. pay no attention to him'#but from a watsonian (in universe) perspective it paints a miserable picture of pharma being utterly forsaken by the ppl he served alongsid#and like yeah i'm super autistic about pharma so of course i view him with sympathy but like#the idea of being a loyal and good person for years only to be subjected to a Torment Nexus of#being blackmailed into breaking all of the oaths you held sacred. under threat of you and all your comrades dying horrible torturous deaths#then when your comrades find out about it they focus solely on the 'harvesting organs' and not on the 'blackmail' part#and then you get literally left for dead by your comrades and best friend hating your guts#and then you get rescued by a guy who uses you as a test subject for his evil machine#this is a fucking nightmare scenario like pharma could hardly be suffering more if the author TRIED to make him suffer#and for me it's like. the evil pharma did can't be decontextualized to what drove him to that. as well as the question of like#how easily ppl can write someone off as evil and turn a blind eye to (or even find satisfaction in) their suffering bc theyre evil#and either brought it on themselves or it's just karma paying a visit#like. i feel like if pharma WERE a shitty doctor and a terrible person his whole life then the delphi situation would feel like karma#but the way it's written and the lore retroactively put in makes it feel more pharma getting thrown in a torture carousel#and THEN becoming evil. but then being treated as if he was always evil or was some sort of bad apple#bc like i'm not opposed to LOLing when a villain gets a karmic torture/death related to the wrongs they committed#but in pharma's case it feels less like karma and more like endless torture + being abandoned by ppl who should have been more loyal
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mycanite · 1 month
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Still uber duper proud of this
Backgrounds be hard man, especially with a limited colour palette and complex lighting. Brother what was I thinkin!
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spllwys · 1 month
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A Message from Sleep Token ☼ The Heavy Music Awards 2021 — the message | background footage | font | sleep token logo | all messages
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whoever this beloved anon was I am so touched by your kindness! You definitely didn’t have to do this but I am so happy you enjoy this idea and I will happily expand upon it for you!
this is just a collection of word vomit bullet points for the time being but I will happily answer any and all questions about this pair!!
warnings: violence, angst, child death (Sarah Miller), foul language, the same warnings that apply to tlou, reader is Sarah's mom and described as having similar features to her. 
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So the general Idea is that you and Joel are happily married before the outbreak. 
You had been Sarah's mother, his high school sweetheart he got pregnant when neither of you were old enough to have any reaction to the pregnancy test other than a fucking panic attack in one another’s arms. but you made it work 
you both worked but made time for one another and your sweet girl, going to museums every other weekend and joel insisting on swooping you off for a date every now and then 
nothing special. He knows you’re more of a diner gal than anything too fancy that makes you both feel out of place. 
On his birthday in 2003, you had planned to tell him that you were pregnant again. But the memories of your own fears of motherhood from all those years ago begin to swirl through your head again and you get cold feel. deciding to tell him the morning after
it is his birthday afterall, you want to focus on him. 
but when you’re woken up in the middle of the night because tommy needs to get bailed out, Joel kisses you sweetly one last time before promising he’ll be back and you can’t shake the feeling that something bad is happening. 
its you that shakes sarah awake that night. shouting at her to put on her shoes when she’s still rubbing the sleep from her eyes because you’ve been listening to the radio for the past two hours, calling joel again and again and again praying for him to fucking pick up but to no avail. 
Sarah, bless your little girl’s bleeding heart is the one who insists you check on the adler’s against your better suspicions and when you find the eldest looming over her daughter, blood and sinew dripping from her mouth, you grab your daughter hand and burst into a full sprint until something slams into your back and sends you tumbling onto their front lawn
its how joel finds you, struggling to keep the once sweet old woman, whose now nothing more than dead eyes and gnashing teeth straining to snap at your pulse point as you push against her while sarah shrieks before your husband runs forward and cracks her skull with a wrench. 
there’s hardly a moment of pause, just enough for him to pull you up and into his arms before he’s ushering you both into the car with an urgency. 
when the truck crashes, you get separated from them. Perhaps at Tommy’s side when the flames rise and create a wall, separating you from your husband, or maybe pulled into the mob of chaos when trying to escape from those already infected-
all joel knows is that you promise you’ll find him: just get sarah to safety and you’ll meet him at the river
Poor thing is already so frightened, held in her father’s arms with tears streaming down her face insisting they can’t leave you they just can’t but her father kisses her forehead and reassures her its going to be okay 
“we just need to be brave, okay babygirl? Your mama’s real tough, she’s gonna be alright.” 
he isn’t sure if he’s saying it to his daughter or himself. 
but when he comes to the river you aren’t there. Only a soldier who points a gun at the scared little girl in his arms and then he loses everything
its when the light is gone from his daughter’s eyes that he realizes. His voice cracked and raw from sobbing that he looks around to see his brother with drawn in shoulders and tears in his eyes but his wife is nowhere to be found. 
Tommy says you got lost in the chaos. Everything was so loud, so sudden that he turned around and suddenly you weren’t there. 
Joel wants to go back but its Tommy that stops him, that dulls the red in his vision to a sad faded pink because his brother points at the orange horizon not too far from them, so much of the city is already in flames. 
“We’re gonna find her, but not there.” 
So Joel searches. for the first year spent in the world post-outbreak its all he did. 
He became a smuggler because of it. 
Information came at a price and he needed to be able to fucking pay it, whether it be in blood or ration cards. He was willing to do anything to find you or any thin thread that lead your way. 
But it’s Tommy that asks him to give up. Not in those words of course. 
The youngest Miller knows better than to say something so cruel that would make his brother, the only person he has in this world turn on him. 
But his voice is worried when he asks him one night in Boston when he hasn’t even had the chance to wash the blood from his knuckles 
“You think she would have wanted this for you?” 
the fight that followed his words was brutal. Vicious insults and scarred fists slamming against each brother until they're both too tired and bloody to continue. Each leaning against a wall for support and Tommy’s wavering voice breaking the silence. 
“I don’t know where she is, Joel. But I do know you're gonna get yourself killed if you keep lookin’ for her.” 
All he can do is nod. 
It’s a few days later when he meets Tess. Who has heard plenty of stories about the elder miller’s brutality and wants him to put that muscle to good use for some extra profit. 
It begins his new life. One that empty and cold but one he can live. 
Until of course, Ellie comes along. The sweet and incredibly opinionated girl that makes him become something akin to the man he thought died twenty years ago. 
its when he’s traveling with Ellie, that it happens. When a warm familiarity has settled between the two because so much blood and pain has been shared he can’t help but see her as something close, something bright even though all he can force himself to utter in her reference is “cargo” 
when theyre traveling through the woods as Ellie chatters away, probing his memory about a movie that may or may not have existed thirty years ago because her descriptions of the plot are incredibly odd he hears a voice shout for them to stop and finds himself staring at a man- no, a boy- pointing a gun at them. 
Ellie stills, but Joel can see enough to know that from the lanky figure and dimpled face that he’s young. Maybe twenty, twenty-two at the oldest, but his eyes dart from Joel to Ellie with a pinprick of fear that allows Joel the time to charge forward and slam him to the ground before wrestling the gun from his hands. 
He has enough to time to tuck it under the stranger’s chin before he hears the sound of the safety being turned off and finds himself looking up and seeing a gun just inches from his face. 
Joel’s head whips around when Ellie’s voice calls out his name in fear, he turns to see another stranger holding her a gun point, shoulders drawn back and a shadow cast over their face by the had obstructing their identity. 
“You hurt one of mine, I hurt one of yours. That a fair deal?” 
Its takes him a moment to recognize you. It’s been so long since he’s heard your voice, the sweet tease when you would poke at him each time he woke up late despite the fact that you reminded him to set his alarm the night before, the times you’d chide him with a harsh “Joel Miller!” whispered in public anytime he was able to grab you a bit too passionately to be appropriate in public but the laughter in your voice let him know you were never truly mad at him. You didn’t know how to be. 
But that sweetness is buried under a cold rasp that cuts through the air as you point a rifle at the scared little girl in front of you.
“You think I won’t?” You’re older now, skin covered in scars from a life he didn’t know you got the chance to live and your eyes are cold as they regard your husband. “Put the gun down and get the fuck off of him, I won’t repeat myself.” 
Joel mumbles your name in awe. The woman he loved, the woman he mourned the one he fought so hard to find stands before him like some sort of hallucination and suddenly the world feels like its spinning until you bark orders at him again. 
“You’ve got five seconds Joel, make a fucking choice before I make it for you.” 
He looks down and realizes the boy under him, the one with the bleeding nose and snarling face has your eyes and his dimples. 
“One.” 
The one above him has Sarah’s hair. Soft brown curls that shine under the sun. 
“Two”
Wait. No, they both do.
“Three.” 
Twins. Jesus fucking Christ you had twins. 
“Four.” 
Joel holds the rifle up above his head and the one boy standing snatches it from his grasp, tossing it to the ground and kicking it far from his reach. He slowly stands, allowing your son- dear god your son- to scramble to his feet. 
Your voice softens just for a moment. “You okay, Duke?” 
Blood stains the bottom half of his face from where Joel slammed his fist into the boy’s nose just moments before, but he nods nonetheless. 
Now, they both stand on one side of you and he can see the resemblance clear as day the same way he would whenever Sarah was by your side.
When you order him to hand over his bag, he does so without question before telling Ellie to do the same. 
She watches him with wide eyes, her hands still up in the air but gaping at her companion as if he had grown a second head. 
“Joel!” “Just do it, alright?”
He doesn’t miss the way you watch their interaction with narrowed eyes until she tosses her bag to you and you slowly lower your gun. 
“Now, you want to tell me what the fuck you think you’re doin’ at my home?” 
#joel miller x reader#joel miller x you#i had an idea of something similar for tommy but on outbreak night he uh. abandons you instead of getting separated from you#because. angst :D#people say nice things#this was incredibly generous of you anon thank you so so much!#i may get myself a little starbucks drink this week now because I havent had starbucks since like january 1st lol#joel reeling from taking in all this information and also realizing he suckerpunched HIS OWN KID#id like to apologize for all the grammatical issues with this. this is just a bulletpoint word vomit to get my thoughts on the page before-#-beginning the actual fic. also I have to do a midterm tonight and this is my treat to myself hehe#but yes. joel getting separated from his wife on outbreak night and having to accept that shes probably dead#meanwhile youve lived this entire life without him because you think HES dead ad raising your boys all on your own#which just- further digs into his insecurities about failing in his role as a protector#he couldn't save sarah. he can't save ellie and he couldn't even save you#he thinks about you pregnant and alone. fending for yourself in a world full of infected and raiders and his chest grows tight again#this is all followed by Ellie going >:O 'you KNOW THIS PSYCHO?'and then joel immediately snapping at her to WATCH HER MOUTH#because that kid has no filter and he has to explain that youre his wife#anyways joels wife is a badass mfer who also maybe has a little garden and some chickens that you and your boys take care of <3 yeah .#reunion tag#ill be using that for this specific couple because I dont have a fic title yet but if anybody has suggestions!
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phoenixcatch7 · 11 months
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Cap should be allowed to teleport to the rock with his transformation lightning. I mean that's where it's coming from, after all.
He would use it to get out of so many situations XD.
Batman: captain, do you have a minute to stay after this meeting?
Billy, going to be late for school if he doesn't hup to: um haha sorry the wizard wants me back at the rock I'm already pushing it hahaSHAXAM
The wizard, looking up from his orb: *raises an eyebrow*
Cap, transforming back with more lightning and rushing for his bag: I'm sorry I'm sorry Mrs Ermine is going to KILL me if I'm late again this week!
The wizard, to his rapidly retreating back: this is the seventh time this month you've used me as an excuse.
Billy, halfway down the hall of sins, voice echoing: I said I'm sorrrryyyyyyy!!
Batman, left all the way on the watchtower: :|
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natjennie · 5 months
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i think mostly we as a culture need to stop pretending media is for us and instead recognize that it's for the people making it. "the show didn't do the thing I wanted it to" is so not the point. did it do what the people making it wanted it to do? did it tell the story they were trying to tell? than it was successful. if that doesn't align with what you wanted to happen, don't get up in arms about it. don't badmouth the creators and throw a tantrum. that's what fan works are for. the text is the text, and it told the story it was telling. you wouldn't be like "ugh shakespeare is insane for act v btw like there was no reason for juliet to kill herself she should've just waited and then her and romeo could have been together wtf this ruined the whole play" like no!!! the themes were there the set-up was there the foreshadowing was there shakespeare did what he intended to. just because it wasn't a happy ending and just because you thought it should've went differently doesn't mean it was bad. read a fic where juliet lives and move on.
#this is about ghosts but honestly fandom in general#stop pretending the creators of things owe you certain story lines. they're making it not you#i explained it like this to my sister:#imagine you're reading a book and there are sort of hints and scenes that you take to interpret a character as gay#you cite quotes and talk about the themes and the impact of your interpretation#and then at the end of the book the character comes out as asexual.#and then a lot of those scenes and quotes that you were using as evidence for your interpretation-#now they could be construed to have been pointing towards them being ace all along#just because it wasnt the end you fabricated in your head based on your understanding of the hints#doesn't mean it wasnt always the writers plan from the beginning.#AND it doesnt mean you can't keep imagining a world where they're gay instead#it just means that the writer was leaving those clues to point you towards the ending#and you interpreted the clues differently#bbc ghosts#ghosts spoilers#bc like. if last resort was the ending#you could 'read' the whole series with the understanding that they weren't going to leave the house#and the foreshadowing would add up#but now with the special. you can go back and 'read' the series with the understanding that they leave#and it still all adds up. the foreshadowing was there it just meant something different than you thought.#stories have beginnings middles and ends#you predetermined the ending while still in the middle and got mad when you weren't right.#does that make sense?
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lgbtlunaverse · 9 months
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Life as a JGY stan is so hard because sometimes I want to make posts about the ways his very justified paranoia turns against him sometimes, rare moments where I think being more trusting or vulnerable would have helped but he felt like it couldnt, or talk about how his brutal survival instinct intersects with society's existing bigotries in a such a way that most of his violence is actually aimed at people lower on the ladder than him, with people like Jin Guangshan being the exception not the rule. Because he's a fascinating character and these parts of him are interesting!
But when I do that I have to live in perpetual fear of the moment that it escapes its target audience and someone takes it to go "Yeah he's a monster who fucked over everyone and is incapable of love! I wish he was killed earlier and his death was a thousand times more painful 🤪"
I mean, take my last example. Due to existing hierarchies it is, at any point, easier and safer for jgy to harm people less powerful than him instead of more powerful than him, even if the more powerful are the ones threatening his safety in the first place. Even knowing how it harms him and while working against it, Jin Guangyao is not immune to internalizing the mindset of the world he lives in. Even when killing Jin Guangshan- one man- it ends up costing the lives of 20 sex workers. You think I can bring up the sex workers in this fucking fandom? You think that will go over peacefully? The well has been so thoroughly poisoned here it feels like any conversation around morality automatically turns into a courtroom to determine a sentence for this fictional fucking character who's already dead.
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athina-blaine · 22 days
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genuinely don't understand people who gripe about someone getting into dunmesh for m/m pairings as opposed to f/f when none of them are even close to being the main point of the series
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