William Frederick Yeames (1835-1918)
"And When Did You Last See Your Father?" (1878)
Oil on canvas
Located in the Walker Art Gallery, Liverpool, England
The oil-on-canvas painting, depicts a scene in an imaginary Royalist household during the English Civil War. The Parliamentarians have taken over the house and question the son about his Royalist father (the man lounging on a chair in the centre of the scene is identifiable as a Roundhead officer by his military attire and his orange sash).
Yeames was inspired to paint the picture to show the crises that could arise from the natural frankness of young children. Here, if the boy tells the truth he will endanger his father, but if he lies he will go against the ideal of honesty undoubtedly instilled in him by his parents.
The boy in the picture is based on Thomas Gainsborough's painting The Blue Boy. It was modelled by Yeames's nephew, James Lambe Yeames. Behind the boy, there is a girl, probably the daughter, waiting her turn to be questioned. The girl was based on Yeames's niece, Mary Yeames. At the back of the hall at left the mother and elder daughter wait anxiously on the boy's reply.
The scene is neutral: while the innocence of the boy is emphasized by his blond hair, open expression and blue suit, the questioners are also treated sympathetically; the main interrogator has a friendly expression, and the sergeant with the little girl has his arm on her shoulder as if comforting her.
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John Moores Liverpool Exhibition 8, John Moores Painting Prize, Walker Art Gallery, Liverpool, 1972 [Exhibition: April 27 – July 2, 1972] [Room & Book, London]
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Break-up of the ice on the Seine, near Bennecourt.
Claude Monet, 1893
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Today’s Flickr photo with the most hits - a Lucian Freud portrait (detail) - which can be seen in Liverpool’s Walker Art Gallery.
Spot the smoker.
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Edward Middleton 1923 - 1987
Cow Parsley
1956
Oil on board
H 122 x W 122 cm
Walker Art Gallery, Liverpool
© the estate of Edward Middleditch, courtesy James Hyman Gallery, London. Photo credit: Walker Art Gallery
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Frederick Sandys (1829-1904)
"Helen and Cassandra" (1866)
"Helen of Troy" (1867)
Pre-Raphaelite
The scene depicts Cassandra berating Helen as Troy burns in the background with Helen chewing on a lock of hair in the manner of a spoiled child. This composition portrays the same sulky sideways glance and lowered forehead as seen in the illustration.
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Bibliography
Knight, C. (2006) ART REVIEW; Getting to the heart of Hockney: HOME EDITION, The Los Angeles times [online], 12th June 2006
Available at:
https://www.proquest.com/newspapers/art-review-getting-heart-hockney/docview/422060466/se-2?accountid=12118
[Accessed: 18th November 2023]
Matthew Sperling, Apollo Magazine (2017) The pull of Hockney’s pool paintings
[online]
Available at: https://www.apollo-magazine.com/david-hockney-pool-paintings/ [accessed 21/11/2023]
Melia, Paul (2007) David Hockney, Manchester University Press, Manchester
MyArtBroker, David Hockney's Splash: The Californian Pool Paintings [online]
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National Gallery of Australia, (2018) The Subversive Iconography of David Hockney, A Young Artists Dangerous Journey Towards Self Expression, Available at: https://medium.com/national-gallery-of-australia/the-subversive-iconography-of-david-hockney-81eb21c9545d
[Accessed: 9Th November 2023]
Roger Jones, British Journal of General Practice (2017), Exhibition: David Hockney and the BJGP [Online]
Available at: https://bjgp.org/content/67/660/316.full [accessed 17/11/2023]
Siegel, J. (1978). [Review of David Hockney by David Hockney, by N. Stangos & D. Hockney]. Art Journal, 38, 66–72.
Wilkinson, Isabel (2012). "Peter Schlesinger, David Hockney's Muse, Shows New Works in L.A." The Daily Beast.
Available at: https://www.thedailybeast.com/peter-schlesinger-david-hockneys-muse-shows-new-works-in-la [Accessed 17/11/2023]
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