Manu Rios photographed by Javier Biosca for Vogue Man Hong Kong, April 2023. Manu wears short-sleeved lambswool sweater, mohair wool pants, Eternal gold bracelet, Prada
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TTEOTM Creative Team: What else did they work on?
For those who are a bit underwhelmed by the summer drama options or still dreaming about TTEOTM! 😎
Kuk Kok Leung (Lead Director)
Kuk Kok Leung is a veteran director who started his career in Hong Kong's TVB. He's been nominated for the prestigious Magnolia Award and is known for wuxia and serious, warm-blooded historical dramas (he's adapted 7 out of 8 Jinyong novels). His works include...
Legend of the Condor Heroes (1983) as Assistant Director, with Felix Wong and Barbara Yung
The Duke of Mount Deer (1984), with Tony Leung & Andy Lau
Return of the Condor Heros (1983) with Andy Lau & Idy Chan
Legend of the Condor Heroes (2002) with Li Yapeng & Zhou Xun
Demi-Gods and Semi-Devils (2003), with Hu Jun, Jimmy Lin, and Liu Yifei
Water Margin (2011), nominated for Magnolia Award
Cool Sword (2013), with Julian Cheung & Wallace Chung
The Patriot Fei Yue (2013), with Huang Xiaoming & Ruby Lin
The Stand-In (2014), with Wallace Chung
The General and I (2016), with Wallace Chung and Angelababy
He's also a frequent collaborator and producer on Johnny To films, including Election, Election 2, Mad Detective.
So you get the picture. He makes TV for men who are ready to bleed for their country. This all makes him a really interesting choice for TTEOTM (and tells you a bit about the ambition and creative vision of the producers), especially since all his more recent idol dramas were widely panned.
Wang Haiqi, Director & Action Director
We don't know too much about Wang Haiqi because TTEOTM is actually his directorial debut. He started his career in stunts and has worked as the action coordinator on Ashes of Love (2018) and Immortality (unreleased) alongside Luo Yunxi. He was also a stunts man/double in a bunch of Hollywood films, including Mulan (2020) and the Foreigner (2017) through the Jacky Chan stunts team.
He's responsible for most of the action/battle scenes in TTEOTM, and his experience working on films probably explains why the fight sequences are unusually cinematic for TV.
Luan Hexin, Art Director
Luan Hexin is a Magnolia Award nominated art director best known for Huanyu productions, including Story of Yanxi Palace, Winter Begonia, and Royal Feast. He's a serious art guy, as you can tell from this interview.
(Note: Huanyu is Bai Lu's management company. There is a rumor that Luan Hexin is part of Bai Lu's "dowry", but the parties have since clarified that Luan was brought in after she was cast.)
He's also an interesting choice, having never worked on costume fantasies before and better known for his authentic representation of the look and feel of bygone eras.
Huang Wei, Costume Designer
Huang Wei is one of the most sought-after costume designers working today, especially for xianxias. She started her career as a Vogue China editor and was in fact the person responsible for TTEOTM's Dunhuang-inspired aesthetics.
Her better known works include A Dream of Splendor (2022), One and Only (2020), Love O2O (2015), Back from the Brink (2023) as well as a bunch of highly anticipated dramas like Immortality and The Last Immortal. (The joke on Chinese internet is that there is an "expensive" vs. "cheap" version of Huang Wei costumes - her design can be much simpler on lower-budget productions.)
I'd like to think that after designing 40 mostly white costumes for Luo Yunxi in Immortality, she decided to go nuts on color with Tantai Jin.
Tsang Ming Fai, Makeup Designer
Tsang Ming Fai is a big name in the xianxia circuit. He and his team of “students" have worked on a large number of costume dramas, including Ashes of Love (2018), Love & Redemption (2020), Under the Power (2019), Noble Aspirations (2016), Sword of Legends (2014), as well as the... wait for it... unreleased Immortality and Luo Yunxi's currently filming drama Follow Your Heart.
He's sadly been receiving a lot of hate in fan circles over the heavy makeup in TTEOTM (which may or may not have been his call). What I do appreciate is his ability to help actors craft distinct characters with varied hair and makeup choices. For example you can distinguish between different Luo Yunxi characters and their personalities with Runyu's clean cut tie-back half ponytail (ethereal & straight laced), Tantai Jin's slightly brown hair, messy bangs and heavy eye shadow (dark & sickly), Chu Wanning's angular eyebrows and geometric hair puff (strict & proud).
He also excels at creating unusual, iconic looks even for side characters, e.g. Chen Yao's dark lipstick paired with gothic jewelry in Immortality and Chen Duling's retro updo in TTEOTM.
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