#Video Production Agency New York | Explore Tumblr Posts and Blogs

marketingserviceking · 2 years

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Top-Notch Video Production Agencies

If you're looking for a top-notch video production agency in New York, you've come to the right place. Melty Cone is a video production company based in NYC. Since launching in 2013, they have been providing video marketing services to companies across the globe. They're successful because they've proven that video marketing works!

Good Brother

Whether you are in need of a brand video, a digital commercial, or a documentary, Good brother can help. The company specializes in creating branded and documentary videos that promote companies and products that improve people's lives. From conceptualizing ideas to shooting a commercial, they help companies connect with audiences and increase sales. Their team also shoots interviews and documentary-style videos, company promo videos, and virtual reality.

Shakespeare Media

Shakespeare Media is a full-service video production company NYC and Sydney, serving national and international brands, businesses, and agencies. We are passionate about producing high-quality videos that tell your story to the world. Our creative team of producers, directors, and production staff specializes in producing corporate videos, TV commercials, web videos, and multi-camera event coverage. From concept development through filming and post-production we work closely with you to make something amazing happen on screen.

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Studio Center

If you're looking for a video production agency in NYC, you've come to the right place. Studio Center offers a variety of services, including full-service corporate video production. They also specialize in producing branded content and short films. They have over ten years of experience in video production and have worked with hundreds of clients.

Flow Production and Post

Flow Production and Post specializes in TV commercials and high-end corporate videos. The company offers a variety of video editing services, including motion graphics, visual effects, color grading, and music editing. One of the company's clients was a digital agency. The video production team was responsible for handling client revisions and production logistics.

Melty Cone

Melty Cone is a video production agency located in NYC that creates videos for all types of media, including television, social media, and websites. The company produces videos from start to finish and helps clients reach a wide variety of audiences, including both current and prospective customers.

Highline Studios

Highline Studios is a full-service video production agency that specializes in corporate, branded, and entertainment videos. The company also provides post production services. Their creative team works with the latest technology to create compelling stories. They have worked with leading brands and advertising agencies on a variety of projects. Their services include drone filming, 6k and 8k cameras, image stabilizers, and a network of directors and stylists.

Collective Conscious Pictures

Collective Conscious Pictures is a full-service video production agency based in New York City, specializing in corporate and commercial videography. Their work ranges from feature-length movies to commercials and ENG news packaging. They've also created award-winning films such as Circle of Life and Parallax.

Videorize

If you are looking for a video production agency that will produce high-quality, effective videos, Videorize is the place to go. This team of creative people specializes in creating videos that will attract customers and promote your brand. They are equipped with excellent talent and creative processes, and they can handle any type of video production you need. Their work speaks for itself, as all of their videos are custom-designed and clearly communicate your message.

#full service video production #video editing service #corporate video production #nyc video production company #video production agency new york #Youtube

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engagingnewmedia · 2 years

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#video production agency new york

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shakespeareus · 7 months

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Shakespeare Media, a leading video production agency in New York City, brings your brand to life through the power of visual storytelling. Our passionate team of creative professionals is dedicated to crafting captivating videos that resonate with your audience, whether it's a compelling brand narrative, engaging promotional content, or impactful corporate videos. With a commitment to excellence and a flair for innovation, Shakespeare Media transforms ideas into visually stunning realities, delivering unparalleled video production services that elevate your brand to new heights.

#Video Production Company New York #New York City Video Production Agency #Full Service Video Production New York #Corporate Video Production NYC

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austinvisualsblog · 10 months

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Top Animation Studios in Texas for 2023 | Austin Visuals:-

Discover the top animation studios in Texas. From stunning CGI to classic hand-drawn artistry, these studios boast exceptional talent. Criteria for selection include strong portfolios, experienced animators, and proven success. Choose Austin Visuals for 2D and 3D animation, motion graphics, VFX, and more. Partner with them for quality, innovation, and competitive pricing.

#3d rendering services #video marketing agency in usa #animation studios in texas #animation studios los angeles #Animation studios in New York #Explainer video company #3d architectural animation #Industrial 3d animation #Austin video production company #Training video production companies #Medical Animation Studio #medical 3d animation company #Legal Animation Services in Austin #3d animation studio #3D animation services

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markatoonsmarketing · 10 months

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#Social Media Marketing Agency in New York #Top Digital Marketing Companies in Sydney #Best Digital Agency in Melbourne #Best Web Design Company in Bristol #Top 5 Search Engine Marketing Agency in Chicago #Ecommerce Website Making Company in Milwaukee #Video Production Company in San Francisco #Graphic Design Company in Brisbane #Web Development Company in Seattle #Best Web Consulting Agency in UK

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skyseoroundtable · 2 years

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Best Video Production Companies in New York City

We are visual storytellers that think there shouldn’t be any restrictions on creativity. We have the directions for every successful project launch, whether it’s finding new and better ways to sell your brand or innovating in a rapidly changing technology environment.

AWARENESS OF BRAND.

The idea that our work should always surpass industry norms and client expectations are ingrained in our company’s basis. It needs planning, experience, and a production firm that can dream big to capture each project’s vision. Every distinctive cinematic project develops into a long-lasting partnership with us from concept to creation. That is the philosophy of Simba Productions Associates LLC.

GENERATING SERVICES

We are a New York City-based full-service video production firm that offers assistance with concept creation, equipment, crewing, and production support. We have been in the industry for many years and have developed into a creative organization that can handle anything, from commercial production in the style of a movie theater to HD live broadcasting. Our team of talented directors, producers, and editors is honored to be able to assist our clients by bringing their original concepts to life in an engrossing and intriguing way.

Video and filmmaking skills

Advertising – Whether it’s a commercial, web video, or social media campaign, our team manages the process from concept to delivery.

Selling and marketing Numerous product demos and films have been created by Simba Productions Associates LLC.

Training and Education — In addition to producing hundreds of corporate and military training videos as well as thousands of medical training videos, we also develop JPAs. This technique has resulted in the development of efficient training programs.

Simba Productions Associates LLC provides support for live events both locally and nationwide. We provide live-switching packages, integrated camera systems, and support for both big and small events.

PRODUCTION AFTERWARD SERVICES

FROM CREATIVE STORYTELLERS, MASTERFUL POST-PRODUCTION

Our group of compulsive creators and finishers thrives on always pushing the boundaries to produce dramatic and powerful videos. We are a group of seasoned colorists, graphics & visual effects artists, and editors who work well together to cover the full range of expertise. Our creative approaches make us the best.

A TRACK RECORD OF EXCELLENCE

We have been the go-to producers and consultants for commercials, episodic content, and one-off deliverables for more than 20 years. Our honorable workforce has collaborated with Disney, HBO, Fox Sports, History Channel, and other organizations.

MODULAR POST-PRODUCTION

No of the length of the visual story—whether it’s 30 seconds, 30 minutes, or 30 episodes—we employ a full complement of technologies. Our editorial team has worked on everything, from original advertising campaigns to popular reality television programs, and everything in between.

Commercial postproduction

We are committed to these projects. The creation of digital content for companies and agencies is a special joy for us, while we like all we do.

Each brand has a unique narrative to offer. We think that relaying these stories ought to be entertaining even now. We can ensure that your message stands out from the millions of other ads in the world by taking this method.

Adding outstanding post effects is one of the ways we create memorable videos. The limitations of live-action production are overcome by these editorial additions to brand tales. Our goal is to reach your target demographic with a polished ad that has a unique and personalized voice.

HIGH VOLUME POST-PRODUCTION

We work with several long-term contract and retainer clients to push out high-quality, high volume content. A few of our most notable ongoing projects include:

VIDEOS FOR PHARMACY

thousands of pharmaceutical device demonstrations and educational tools for prescription drugs are being produced for use in web and native client applications.

TEACHING SERIES FOR MULTI-MEDIA

Live streaming and scripted commercial video production are part of the full range of production services provided to this customer. Annual lecture series, monthly conferences, and events are edited, captioned, and finished in our post department for video on demand.

Let’s Start a Project

Simba Production Associates, LLC

Whether you are a company, an artist, or an individual you have a story to tell. Let us help you tell that story through film and video production. From pre-production planning all the way through to release, we will translate your thoughts and visions into a concrete expression that can be shared with the world.

🌎 : https://simbaproductions.net/

📍 : 115 W 29TH STREET, SUITE 605 NEW YORK, NY 10001

📞 : (212) 216-9155

📧 : [email protected]

#video production agency New York City #video production studio New York City #video production company New York City

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envieuu · 5 months

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୧ ও THE MEMBERS OF ENVIE ଓ ৴

TW. ABUSIVE PARENTS

JANG MIJOO was born on February 20, 2000, in MOKPO, SOUTH KOREA to a religious family. She was raised with both her religion and school life as her top two priorities. However, during her childhood, she'd grown a love for singing. She would sing all the time, to the point the people around her would get annoyed of it. Though they couldn't deny that she had a beautiful voice. This is when her parents decided to make use of her talents by putting her in their services choir. Due to this, Mijoo and her family quickly became notable members of their church.

Although she enjoyed singing with her church, Mijoo saw something bigger for herself. She saw herself becoming a name that people would recognize. This was when she realized that she wanted to become a gospel singer. At the age of 13, Mijoo uploaded her very first video to YouTube of her singing a rendition of one of her favorite gospel songs. This would become a frequent for the young girl as she would go on to post multiple covers at least every two weeks.

Gradually, she would see a rise in views that would eventually lead to her discovery by HONEYMOON AVE Productions at the age of 16 years old. Mijoo went on to sign a contract with them and would gear up for a solo debut only a year later. She would release a few songs before going practically radio silent until 2020 when her contract was bought by FLEURY RECORDS. Following her new exclusive contract, Mijoo began her training with the Envie lineup and continued to debut as the group's MAIN VOCALIST

⋅˚₊‧ ୨୧ ‧₊˚ ⋅ THE BASICS

FULL NAME. Jang Mijoo

BIRTHDATE. February 20, 2000

ZODIAC. Pisces

BIRTHPLACE. Mokpo, South Korea

HOMETOWN. Mokpo, South Korea

ETHNICITY. Korean

⋅˚₊‧ ୨୧ ‧₊˚ ⋅ CAREER

OCCUPATION. Idol

GROUP. Envie

POSITION. Main Vocal

YEARS ACTIVE. 2016 - present

⋅˚₊‧ ୨୧ ‧₊˚ ⋅ PHYSIQUE

HEIGHT. 5'3" (161cm)

FACECLAIM. Kim Jiwoo

BODY MODIFICATIONS. Standard Lobe Piercings

YING JIALI, formerly known as POPPY, was born on June 7, 2000, in Huangzhou, China, but moved to NEW YORK, where she resided in QUEENS. She was raised in a household with her two sisters--one older, one younger--by her cook mother and her father who worked an office job. Her childhood wouldn't be described as ideal by anyone, as her father was abusive to her, her siblings, and her mother alike. Even though she would stay quiet and to herself in the house, she would receive majority of his lashings.

Even in the strife, Jiali found her passion. She was in love with dancing and would use it as an escape from her challenging domesticity situation. With an idea of how she could get away from her father, she snuck out on several occasions to auditions for dance teams. Somewhere along the lines, Jiali found out about K-Pop and was inspired by senior groups like GIRLS' GENERATION and FLOE&HAIL. This is when she would stumble upon advertising for global auditions at FLEURY RECORDS, which excited her because it happened to be the agency that housed the group mentioned prior. She would sneak out once again and audition for the label and luckily was accepted.

In one night, she would quickly leave her family behind, writing notes specifically for her sisters and mother. She vowed to provide for them once she makes it where she wants to be in life. She began training with Fleury and was even sent to participate in the 2018 survival show PRODUCE 48 as POPPY where she would ultimately rank #18, unfortunately not making it into the lineup. Although disappointed, this would later work out in her favor when she would be able to debut as Envie's MAIN DANCER, LEAD RAPPER, and SUB-VOCAL.

⋅˚₊‧ ୨୧ ‧₊˚ ⋅ THE BASICS

FULL NAME. Ying Jiali

ENGLISH NAME. Briella Ying

BIRTHDATE. June 7, 2000

ZODIAC. Gemini

BIRTHPLACE. Huangzhou, China

HOMETOWN. New York City, New York

ETHNICITY. Chinese

⋅˚₊‧ ୨୧ ‧₊˚ ⋅ CAREER

OCCUPATION. Idol,

GROUP. Envie

POSITION. Main Dancer, Lead Rapper, Sub-Vocal

YEARS ACTIVE. 2018, 2021 - present

⋅˚₊‧ ୨୧ ‧₊˚ ⋅ PHYSIQUE

HEIGHT. 5'7" (170cm)

FACECLAIM. Shen Xiaoting

BODY MODIFICATIONS. Standard Lobe Piercings, Upper Left Arm Tattoo, Tragus Piercings

LEE KIYEON was born on July 1, 2001 in SEOUL, SOUTH KOREA to an orthodontist father and psychiatrist mother. It's safe to say that she was raised in a wealthy household, her upbringing never being one in struggle of finance and bathing in luxurious items. From the time she was 4 years old, she pursued a serious career in ballet. Her mother, in spite of being a psychiatrist proved to take a serious mental toll on her daughter as she seemed to live vicariously through Kiyeon. She was unhealthily attached to her life and often pressured her in her ballet career. Though at her prestigious studio a lot of her peers despised her, and the competition was dire, Kiyeon's own mother probably served as her biggest enemy.

Somewhere along the lines, she was deemed something close to a prodigy by her instructors and peers alike. She would go on to score lead roles in a large sum of the institution's productions, but this wouldn't come without heavy competition between her and one of her friends at the company that would last for years and be a detrimental to her psyche. Either way, because of her performance quality, she would be scouted by a talent agent at Fleury and become a favorite among the trainees. After training with the ensemble, she would debut as Envie's beloved MAIN VOCALIST, LEAD DANCER, and VISUAL.

⋅˚₊‧ ୨୧ ‧₊˚ ⋅ THE BASICS

FULL NAME. Lee Kiyeon

BIRTHDATE. July 1, 2001

ZODIAC. Cancer

BIRTHPLACE. Seoul, South Korea

HOMETOWN. Seoul, South Korea

ETHNICITY. Korean

⋅˚₊‧ ୨୧ ‧₊˚ ⋅ CAREER

OCCUPATION. Idol, Ballerina

GROUP. Envie

POSITION. Main Vocal, Lead Dancer, Visual

YEARS ACTIVE. 2005 - 2018, 2021 - present

⋅˚₊‧ ୨୧ ‧₊˚ ⋅ PHYSIQUE

HEIGHT. 5'6" (167cm)

FACECLAIM. Kim Minjeong

BODY MODIFICATIONS. Standard Lobe Piercings, Upper Right Arm Tattoo

KANNIKA SHINAWATRA, professionally known as YANA or YANA SHINAWATRA, was born on September 13, 2002, in CHIANGMAI, THAILAND to an acupuncturist father and an actress mother. From a very young age, Yana knew what she wanted to be: a star. She looked up to her mother as a little girl who was a popular actress in Thailand and often wished to be adored just like her mother. Yana began getting recognized once she got a little older and was often casted for small roles as a child actress for advertisements and tv series. However, acting wasn't really a passion for Yana. It was performing that inspired her most.

Talent agents recognized Yana's natural star power and often tried to scout her for multiple opportunities. But there was one thing that stood in the way of her dream, her mother. Her mother found her charisma and talent cute when she was younger but seemingly started to sabotage her own daughter. She would purposely ruin her chances to claim fame and get big. Yana's mother felt as though because she was getting older and receiving less attention, her daughter was beginning to steal all of her limelight. Her jealousy caused much conflict between the two, many extreme arguments conspiring almost every day within the household.

This led to Yana finding a manager of her own instead of her mother playing the role. Due to this, she was given the chance to seek labels that would be able to house her best. She would then audition for Fleury and ultimately be accepted, where she would begin her training with Envie, eventually debuting as the charming MAIN RAPPER, LEAD DANCER, LEAD VOCAL, and MAKNAE.

⋅˚₊‧ ୨୧ ‧₊˚ ⋅ THE BASICS

FULL NAME. Kannika Shinawatra

BIRTHDATE. September 13, 2002

ZODIAC. Virgo

BIRTHPLACE. Chiangmai, Thailand

HOMETOWN. Chiangmai, Thailand

ETHNICITY. Thai

⋅˚₊‧ ୨୧ ‧₊˚ ⋅ CAREER

OCCUPATION. Idol

GROUP. Envie

POSITION. Main Rapper, Lead Dancer, Lead Vocal, Maknae

YEARS ACTIVE. 2021 - present

⋅˚₊‧ ୨୧ ‧₊˚ ⋅ PHYSIQUE

HEIGHT. 5'4" (166cm)

FACECLAIM. Anatchaya Suputtipong

BODY MODIFICATIONS. Standard Lobe Piercings, Lower Back Tattoo, Outer Conch Piercings, Right Helix Piercing, Upper Lobe Piercings

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fredseibertdotcom · 28 days

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Next New Networks, Part 3

I’m going to try, in as few posts as possible, to create a coherent timeline of the short, eventful life of Next New Networks, an early, consequential moment in streaming video history.

From Part 1: Emil Rensing and I, with a huge assist from future Tumblr creator David Karp, stumbled into the brave new world of online video without much of a plan.

From Part 2: Our friend –my former partner at Hanna-Barbera Cartoons, and our future Next New Networks partner– Jed Simmons introduced us to Spark Capital in Boston, who wanted to partner and fund Next New.

Part 3: Late 2006

What do we do now?

Once Spark signaled their interest, we needed to get serious. I still had Frederator Studios, my successful and increasingly busy independent cartoon production company, but the excitement of this opportunity was overwhelming. Even if I was significantly older than the typical internet entrepreneur, I felt that my background in media and production could be meaningful. The first phase of the consumer internet required deep engineering skills because the infrastructure was still somewhat nascent. Web 2.0 had developed enough tools that even someone with my limited skills could participate. Besides, I had Emil on my side, someone who had a unique understanding of the state of the tech world.

By summertime, after a variety of conversations and meetings, Emil and I settled on a co-founding team. Jed Simmons, of course. Emil had a start up friend –Tim Shey– who’d sold his DC based, interactive agency and moved to New York where he was consulting with some early stage video companies. I was stretched to thin to have an operating role in the joint, so we all agreed that my childhood friend and adult colleague Herb Scannell –former Vice Chairman of MTV Networks and CEO of Nickelodeon– would be a perfect CEO. Luckily, he agreed, and our management line up was in place. (David Karp would be our founding developer, until he launched Tumblr several months later, of course).

We can leave the machinations of filling out the A-round of investment aside. Suffice to say, many venture capitalists were uninterested in any idea that didn’t have unique software attached –we didn’t– but we put together an investor group and board of directors that were excited with our vision.

Next New Networks posters designed and illustrated by Frank Olinsky

Our vision? ah. yes. By the time we were on the road pitching our wares, we had taken the basics of VOD Cars and Channel Frederator and put together a plan that was based on “communities of interest,” which we felt would be the engines of viewership and growth. As Tim Shey later wrote:

Next New Networks popularized the ideas of videoblogging and advertiser-supported online video, and pioneered the multi-channel network (MCN) business model and the concept of audience development, assembling a diverse and successful portfolio of original programming including hit channels Barely Political, VSauce, and ThreadBanger, and a network of independent creators such as The Gregory Brothers—racking up over 2 billion video views and thirteen Webby Awards, more than any online media company at the time.

Virginia Heffernan of the New York Times was probably the writer that caught onto what we had accomplished better than most.

By March 2007, we were fully funded with our first round, expanded past the Frederator/NY office into a larger space in the same building on Park Avenue South, and started to put together an amazing start up staff that could actually execute. At least, what we’d morphed our vision into. Super distribution!

(More to come.)

#Next New Networks #2006 #2007 #Spark Capital #Fred Seibert #Emil Rensing #Jed Simmons #Tim Shey #Herb Scannell #David Karp

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riphuntertimemasterlegend · 10 months

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Dream Show Challenge 2023

New Beginnings

Starring:

Karen Gillan - Melody, married to Ripley. An astute and brilliant promoter, she flits about in the episodes, helping to promote her husband's production.

Keith Szarabajka - Peter Turner, recently retired from the top ad agency in New York City, a bit of a mentor to Melody. His passion is his writing and he's had a few modest successes on off, off, off, off, off Broadway. Now he's written what he hopes is a winner and his play is being mounted on Broadway. Will he make it to the big time?

Adrian Pasdar - Nate Turner, younger brother of Peter. He's always been a believer in his older brother and he and his wife Cherie have lined up a group of backers so Peter's dream can come true.

John Kapelos - George Fitzgerald, began working at the ad agency at the same time as Peter and they became fast friends. He worked his way up and now runs said agency.

Aldis Hodge - Thaddeus Norman Turner, known as T.N.T. Son of Peter and Catherine ("C.T.") Turner, he's returned to NYC, lured in by Ripley and Roranicus to be the main face of their videos, interviewing people and showing off everything interesting in the city. He's just moved into a condo in the same building as his parents.

Kari Matchett - Cherie Turner, married to Nate Turner. she was born into wealth and met Nate at university. She likes discovering new and exciting things and bringing them to the attention of the masses, trying to bring some joy to their lives.

Michelle Hurd - Catherine Turner, known as "C.T.", she met Peter at university and they became inseparable soon after. She's highly in demand as a director of on and off Broadway shows and talked her husband into hiring her to direct his play.

Also starring

Arthur Darvill - Ripley and Roranicus, creators of Centurion Productions, they have a vision and know T.N.T. is the man to bring it to the people.

Amy-Louise Pemberton - Gia, wife of Roranicus, she's an entertainment lawyer and is quite helpful when any entertainment situation arises, helps the twins whenever she can.

Episode 1:

You Can’t Go Home Again

T.N.T. has just moved into his new place and has a stream of visitors, demanding his attention. As T.N.T. unpacks and settles in, Ripley and Roranicus Miller go over his itinerary for the week, what their entertainment highlights for each day will be, subject to change. A gala at a museum one night, a concert in Central Park the next, Richard III performed off Broadway the third night, really selling diverse activities for tourists.

Melody drops by talk about the publicity blitz currently streaming and talking up their project, about to debut. After a while, she lures Ripley away. Gia arrives to go over the final version of their contracts, having caught Ripley on his way out. She leaves with her husband, Roranicus.

Just as he’s about to relax, T.N.T.’s parents arrive, carrying his favourite food to welcome to their building

Episode 2

Sunday at the Museum with T.N.T.

As T.N.T. covers the gala at the museum, designed to raise money to help pay for renovations and interviews the movers and shakers of New York City who are attending, Ripley and Roranicus alert him of changes, an interviewee running late, last minute changes of what needs to be emphasized, his father attends his retirement party at the ad agency where he’s been working since shortly after graduating university. Flashback to last year student Peter meeting first year student Catherine, quickly becoming inseparable. Brother Nate and best friend and now former boss George Fitzgerald.

High jinks ensue as T.N.T. has to roll with small mishaps and keep everything rolling along and entertaining. Gia and Melody hang out behind the scenes with their husbands, helping to keep the show going.

As Peter gets ready for bed, he pulls out his script to read again.

Episode 3

Transitions

Peter’s play is rehearsed as we flashback to a younger Peter working at the ad agency and hustling at night to finish his first play and sell it, to be performed off, off, off, off, off-Broadway. His brother, Nate, has a little influence and brings the play to the attention to the men who can say yes. C.T. brings the play to life with her direction.

In the present, Cherie is looking after one of their backers, who’s having doubts that the play will be successful. T.N.T. and the twins filmed in Central Park and learn to deal with streaming live in an uncontrollable space.

Backer doubtful about the success of the play portrayed by Timothy Hutton:

Episode 4

My Kingdom For A Horse

T.N.T. conducts short interviews with Roranicus and Ripley, who’d staged a shortened performance of Richard III at Glastonbury and short Q&A with the cast as available.

Flashbacks of C.T. directing the cast of her husband’s play and Peter worrying over the production, making a few changes on the fly.

Episode 5

Beginnings

Flashbacks to the Roranicus and Ripley meeting T.N.T. and how they convinced him to become their front man, and how Peter and C.T. met and fell in love, with Peter putting his dream of becoming a successful playwright on hold as he meets George and they join the ad agency as a team.

Episode 6

Opening Night

The big night has arrived, and Peter Turner’s play is opening on Broadway. C.T. has prepared the cast as well as she can and the two wait in nervous anticipation for the play to begin.

T.N.T. is covering the opening the opening for Centurion Productions. Melody arrives with Patrick Miller, who has flown over from London specifically to see this play and the coverage provided by Centurion Productions. He strides over to the twins and greets them warmly, calling them Bartholomew and Matthew. Roranicus and Ripley want the floor to open up and the earth to bury them as everyone looks at them, shocked. Patrick continues, surprised they’re still using those ridiculous names from their favourite comic book as kids, “The Traveller and the Centurion” and for goodness’ sake, if anyone had had a modicum of sense, the Centurion would have been named Roranicus, not Ripley and how could they still like that dreadful tripe after all this time.

The digital camera starts rolling and T.N.T. is ON, interviewing his parents as if they were strangers, as the biggest backer (Timothy Hutton) of the play settles in with Cherie, Nate and George.

(The play is an instant hit, and Peter and C.T. become the toast of Broadway as T.N.T.’s viewing numbers continue to soar.)

Special guest star Michael Maloney as Patrick Miller, father of the twins.

#RABCL Dream Show #Dream Show Challenge #Dream Show Challenge 2023

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kuampinc · 3 months

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Film Advertising Company | Commercial Production Studio - KUAMP Inc

Elevate Your Brand with KUAMP Inc – The Pinnacle of Film Advertising and Commercial Production

Step into the spotlight with KUAMP Inc, where your vision meets cinematic excellence. Our film advertising company and commercial production studio are at the forefront of crafting compelling narratives that captivate audiences and amplify your message. Join forces with KUAMP Inc and let's produce not just commercials, but landmarks in visual storytelling!

For more information, Book an Appointment ☎️ 347 770 0483 or [email protected]

#Digital Creative Production Studio #Black Owned Creative Production Studio #Black Creative Agency #Creative Production Company #Film Partnership Agency #Digital Content Production Studio #Film Advertising Company #Commercial Production Studio #Creative Production House #Creative Producers Group #Creative Film Production Company New York #Creative Film Company #Creative Video Agency NYC #Top Black Commercial Directors #Full Service Post Production Agency #Black Owned Commercial Production Company #Black Owned Creative Agency #Video Production Agency New York #Corporate Video Production Company #Full Service Advertising Agency in New York #Professional Video Production Services #Social Media Content Creation Agency #Video Production Service Near Me #Commercial Video Production Services #Top Commercial Video Producer New York #Creative Video Studio

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iamnotdame · 2 years

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Doing Too Much, Caring About Too Many People - How I Went From Humble to CEO

Taking a look back on everything since 2014, what has been on my shoulders?

In 2014, I prayed & cried to God for 45 minutes and expressed how passionate I was about helping others. In that prayer, I shared with God that I didn’t know how I could help people, or who I could help, I just knew that I had a dying passion in my heart to pour myself into others.

Less than a year later, God blessed me with an opportunity to fly to New York City to visit a music school… during this visit, I started to think of all of the things right & wrong with music education and made a promise (on video) that, “when I got back to LA, I would show music creatives how to be proper professionals in the music industry…” I spent the rest of my New York trip, which was about 2 additional weeks, sitting in a hotel, dreaming, fantasizing, drawing up ideas & plans on how I could start doing ‘small’ music workshops in LA, introducing aspiring music professionals to what it really takes to be successful in today’s music industry.

This wasn’t an idea to make money. I didn’t do this for notoriety. I did it because I wanted to help. I did it because I felt there was a dire need for it. I wanted to pour my ideas and passion for helping into people. I took this as, “God is showing me where and how I can help”, since this is what I asked him for back in 2014. I took this as a mission, a duty to provide a wholesome service to complete strangers.

My steps moving forward from this point were purely heart-driven and have been up until today, 8 years later.

So, let’s go back to the initial question:

Taking a look back on everything since 2014, what has been on my shoulders?

I requested something from God, he gave it to me, now I have to move forward as a serviceman.

I had to turn my passion into ideas, ideas into a physical concept, a concept into a product, create organizational structure behind this product, define who could benefit from this product, create the actual product, test the product with a particular audience, use the feedback from this audience then make the product live, set dates, create an environment for consumers of this product that provided results, and success, then repeat, scale and expand.

I had to learn how to share my ideas, vision and plan with people I trusted and respected.

I had to consult with my peers and use their feedback, both positive and negative to create sureties within myself.

I needed to gain more confidence.

I needed money.

In 2015, I applied to over 80 jobs and came up empty. I applied to a temp agency and they told me they would call me if something came up. In the meantime, I applied to other A level, B level & C level jobs, with C level jobs paying minimum wage and being the only companies who actually offered me opportunities being that I had spent my entire career in the music industry as a producer, with no current relevant experience to any of the jobs I was applying to. Albertsons called me and offered me a position as a Bagger, starting at $9.75. My pride was like “Hell no”, but I swallowed that pride and quickly accepted the position.

I bagged groceries. Retrieved grocery carts from the parking lot, swept store aisles and cleaned the store bathrooms once/twice a day.

I worked there for 10 days and they fired me, because I questioned a manager for training us to do one thing, and watching them practice another… I was confused, like what was the point in all of this, literally crying because now I’m back at square one, with no money… that’s when the temp agency called me 2 days later with a 60-day Internship at corporate relocation company in Huntington Beach. I quickly accepted, even though one of the requirements was having a car, and I didn’t at the time, but agreed to catch the Bus and never be late. I bought a mountain bike on Craigslist for $150 and rode 5.5 miles to work (one way) every day. I lost 20 lbs riding 11 miles to work and back everyday to this job, and looked at it as a blessing because I was in the best shape of my life.

As I approached the 60-day mark of this Internship, my worries started to re-visit me because this company only offered positions to 5% of their Interns… they offered me a full-time position with a starting salary of $58,000, and of course I accepted. Now I had the financial resources to pour into my ideas, vision and plans to “help others” in music. My plan was to use all of my money to start my music workshops, and I did, to a fault… this new job was HARD and demanded every minute of my time, and did not really allow for extra-curricular activities, especially in the first 6 months. They flew me to Pittsburgh, Pennsylvania for a 7 day corporate training, all expenses paid, and what did I do? I used the trip as an opportunity to schedule Music Focus Groups at all of the local Universities in Pittsburgh through Facebook events months prior to going to Pittsburgh.

While all of the other employees who were also flown out to Pittsburgh for training were getting together after training to meet at bars and talk about the job, family and kids, I was taking Ubers to PITT & Duquesne University for Focus Groups I scheduled in their libraries, despite having no idea where the campuses were lol. 3 people showed up… I walked through the campuses and universities interviewing random students, asking them about their thoughts on college, chasing your passion, dropping out of school, dreams, etc, just to make sure I didn’t waste my time there. (I still have all of this footage and have never shared it. One day I will, especially after writing all of this.)

Here I am, in 8-hour corporate training classes, for one of the biggest corporate relocation companies in the world, in Pittsburgh for the first time, drawing up plans for music classes in the notebooks provided for writing notes about our corporate protocol & processes. I’m pretty sure you guys can all tell that I didn’t last long at this job.

I worked the internship from May - July of 2016, accepted the full time position and was officially hired in August of 2016, flew to Pittsburgh in September 2016, and was fired on December 12th/13th of 2016, because my mind was not there at all. I had already completed 2 of my music workshops by this time (September 2016 and November 12th 2016). I was printing copies and music workshop flyers on my jobs corporate printers. One day, they asked me why I printed 120 copies, and of what… smh. I was printing flyers to pass out in LA at all of the local music schools to promote my upcoming music workshops.

They gave me a $4,800 severance check 1 week before Christmas… I told myself that I was going to put the entire check into my new company, Monster Sessions and schedule classes in January, February & April of 2017. If the classes worked, I’d keep going, if they didn’t, I would find another job.

They worked. No one showed up to the January class though, so I moved it to February. 5 students came to the February class, with 2 students saying “this was the best music class I’ve ever been to in my life” and providing me with the ultimate confidence to schedule an even larger class for April 2017.

This April 2017 class shattered all plans and projections with 21 students paying for the class and 16 of them flying/driving to LA to attend. Monster Sessions became an official company by August 2017.

Now I am a “CEO” by default, but I still have the mind of a humble servant of God that just wants to help music creatives.

Now all classes are full, an hour after posting them online. Now it’s real… really real.

I don’t have any income coming in, and I’m not business minded or money driven… but it had to be God, because now I have people offering me hundreds of thousands of dollars to do classes away from Monster Sessions, I have people offering me hundreds of thousands of dollars to expand Monster Sessions, to the point where I stopped doing Monster Sessions classes by the end of 2017.

In September of 2017, a German company paid me $185,000 to stop doing Monster Sessions classes, and to start filming virtual classes for a new dead project called “The Elite Producer”, or something like that. This was a disaster and was not worth any of the money they paid me. All momentum I had built up for Monster Sessions over a year had been halted and never rolled the same, ever. But these type of money opportunities did not stop coming, I just refused to accept any after The Elite Producer.

I now have a large core of loyal students and subscribers who believed in Monster Sessions, aspiring music professionals from all over the world, that I catered to on my hands & knees. I cared about them because I felt they cared about me.

I stopped publicly promoting Monster Sessions and just offered classes to our internal group of students who had already been to workshops and classes. Remember, my vision was small to begin with, so I shifted to helping this small group, instead of expanding, because the unknown was scary.

But Idk. I’m thinking that it was how accessible I was to my students, how much opportunity I provided them for free or for barely any money, how much advice I lended them all, how much I empowered everyone, I started to feel taken advantage of, unappreciated, walked over and stepped on, by the same people I gave my life towards helping. Because of this, I kept coming up with ways to give more, thinking this would make people finally appreciate me. I’d draw up clearer roadmaps for students to reach their ‘goals’ as subscribers to my services, because it didn’t seem like they really understood what it took, even after attending multiple classes… but it all just got worse.

Once again, “taking a look back on everything since 2014, what has been on my shoulders?”

I am now a teacher.

I provide REAL placement opportunities, but none of the students (with the exception of maybe 2-3, out of hundreds) have the talent or ability to secure them, but people are judging the legitimacy of the company and service on how many placements I secure, not the current state, or lack of talent in the music community and pool of music creatives subscribing to services like mine, that actually deserve REAL opportunities, or my help, advice or time.

… but I committed to this, so I have to do what I asked God for back in 2014.

Now I need help. I need to build a team. Now I’m creating Internship programs with local high schools and universities (USC, UCLA, LMU, LBSU, UCI, etc), while allowing current Monster Sessions students to fly to LA to work for me. Now I have a different responsibility. I have to make sure people who are flying in to help me, are good mentally, physically, financially…

I’m helping students with everything but music, their resumes, with moving to LA, finding apartments, jobs, family counseling, talking them out of depression, out of suicide, offering financial advice, helping them to learn which music gear they should invest in, all while helping them to be music professionals as students of Monster Sessions.

I am fielding partnership opportunities with corporate music companies: AVID, Arturia, Native Instruments, Focusrite, Waves Audio, Ableton and others. I am now friends with Presidents of these companies and music products I used as a kid, because they believe in Monster Sessions, like what??!

I am responsible for all Marketing efforts. Web design. Flyers. Promo. If we set a date for a music class, all seats need to be filled. How, with no marketing budget? Photoshoots, camera equipment, camera angles, picture & video editing… now I need Photoshop & Final Cut, AND I need to learn how to use them, while I’m on 1-2 hour personal phone calls with music students from around the world.

Students in other countries can talk at 3pm their time, which is 4am my time, so I have to schedule Skype calls to teach them how to effectively sell beats online, only for them to totally not listening to anything I said during our 1.5 hour free call, them not see any results, as I predicted, now their depressed and want me to give them advice on how not to take their own life…

Now I have a migraine because I’m thinking about a producer in Switzerland, hoping he doesn’t die because he told me he wanted to.

Taking a look back on everything since 2014, what has been on my shoulders?

Now it’s 2019, and I’ve totally forgotten about, ME. I’m sick. I’m in the hospital twice a month because, I’m overwhelmed but can never show it because, I need to be there for them… the people I asked God to allow me to help back in 2014. I can’t complain because I asked for this.

I made a commitment to “die over this” if I needed to, and I was planning that… I felt like, my honor, integrity and commitment to my prayers is what would carry my “legacy” if I were to drive myself into a grave… but I’m now realizing, that is not at all how any of this works.

Let’s just totally skip 2019, COVID, post-COVID…

Today, September 22, 2022:

Taking a look back on everything since 2014, what should be on my shoulders going forward?

Exploring and discovering what “I” actually want for myself.

My health.

My happiness.

Still honoring my commitment to God, but with all that I’ve endured and experienced, learning how to honor my commitment as a true CEO and Director of a successful company, without the void of feeling like I need to give myself as a sacrifice for the betterment of complete strangers who don’t give a flying frick about ME.

Learning how to be human, and not feeling like I need to be a selfless robot to make God proud.

Learning how to be selfish.

Saying “NO”.

Caring less about what people think.

Finding and walking in the confidence I keep trying to bury.

Embracing my different.

Setting a price for myself and making people pay above and beyond that.

As incomplete as this blog may be, I feel a lot better for not stopping halfway through and publishing 70% of how I feel about the answer to this self-provoked question, “Taking a look back on everything since 2014, what has been on my shoulders?”

Thank you, God, for everything.

I know I will live for many years healthy and well, and I look forward to the next steps that you place in front of me.

Monster Sessions is still the future, and I look forward to it helping THOUSANDS of music creatives who need it, but don’t realize it yet. I also look forward to working with future business partners and creatives.

#life stories #damemonster #who is dame taylor #life of a writer #life of a ceo #quit your job #how i became successful #success story #life lessons #inspiration

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usafphantom2 · 1 year

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Iran closes agreement with Russia to buy Su-35 fighters

Fernando Valduga By Fernando Valduga 03/11/2023 - 11:15 PM in Military

Iran has reached an agreement to buy advanced Su-35 fighter jets from Russia, Iranian state media said on Saturday, expanding a relationship that saw Iran-made drones used in Russia's war against Ukraine.

"The Sukhoi-35 fighter planes are technically acceptable to Iran and Iran has finalized a contract for their purchase," said the IRIB broadcaster, citing Iran's mission to the United Nations in New York.

The report did not bring any Russian confirmation of the agreement, the details of which were not disclosed. The mission said that Iran also asked about the purchase of military aircraft from several other unidentified countries, IRIB reported.

Su-35 Flanker Hunt. (Photo: Dmitry Avdeev/Wikicommons)

“Russia announced that it was ready to sell them” after the end, in October 2020, of the restrictions on the purchase of conventional weapons by Iran under UN Resolution 2231, said the statement released on Friday by the official IRNA news agency.

Russian President Vladimir Putin met with Iranian supreme leader Ayatollah Ali Khamenei in Tehran last July, emphasizing closer ties in the face of Western pressure on the war in Ukraine.

The reported agreement could include the 24 Su-35SEs once destined for Egypt before the threat of U.S. sanctions and an offer of F-15s.

Kiev accuses Tehran of providing Moscow with "kamikaze" Shahed-136 drones used in attacks on civilian targets since the Russian invasion of Ukraine in February last year - an allegation that the Islamic republic denies.

Iran has acknowledged the sending of drones to Russia, but says they were sent before the Moscow invasion of Ukraine last year. Moscow denies that its forces use Iranian-made drones in Ukraine, although many have been shot down and recovered there.

The United States expressed concern about the growing military cooperation between Iran and Russia, with Pentagon spokesman John Kirby warning in December that Russia would probably sell its fighters to Iran.

Kirby stated that Iranian pilots were learning to fly Sukhoi warplanes in Russia and that Tehran could receive the aircraft next year, which would “significantly strengthen Iran’s air force in relation to its regional neighbors.”

Iran's air force has only a few dozen attack aircraft: Russian jets, as well as old U.S. F-4 and F-14 models acquired before the Iranian revolution of 1979.

In 2018, Iran said it had started production of the locally designed Kowsar fighter for use in its air force. The jet is a copy of an F-5 first produced in the United States in the 1960s.

Tags: Military AviationIRIAF - Islamic Republic of Iran Air Force/Iran Air ForceRussiaSu-35 Flankersukhoi

Fernando Valduga

Aviation photographer and pilot since 1992, he has participated in several events and air operations, such as Cruzex, AirVenture, Dayton Airshow and FIDAE. He has works published in specialized aviation magazines in Brazil and abroad. Uses Canon equipment during his photographic work throughout the world of aviation.