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#Tonari
pulksten-blog · 1 year
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remember me forever
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skrimblo · 1 year
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silly doodle
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tonariofjananda · 2 months
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FNAE WIP/Sketch Dump!
I haven’t posted in a while but I have been drawing! I’m thinking that if I post some of these, I might be more inclined to want to draw or finish some of these lol. Check under the cut for the sake of not making a horribly long post lol
My First FNAE Sketches:
The experimental pages where I was still figuring out how to draw everyone. I just look at these pages and giggle at how much I struggled with March and Gugu’s mask lol. I loved to draw Fushi the most though (still do, I need to draw them more…)
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(I also just realized I haven’t drawn Parona in a while. I should remedy that lol)
Misc. First Time Drawings:
Figuring out how to draw all versions of Tonari; A Baron Springroll for fun while I messed around with Watercolors; From a random Messar doodle to a full art page (my hopes is to have Zeno sign that for me some day) I have some Kai and Hairo art around there but I couldn’t find it.. huh; And my first time drawing Eko… this continues to be my favorite drawing of her that I’ve done lol, despite how sad she is ;w;
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I was really starting to hit my groove with the characters here! I hated them at the time but I feel so warm seeing how nice Watercolor Bon is and how cool Messar looks! And how sad Eko looks ∠( . ; 」∠)_
Oh there’s a picture limit:
Here take a silly Fushi for now! I sent this on discord once but never posted it bc it was kinda spoilery
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Translation: Fushi pulled a power-up out of his ass and revived everyone (including Kahaku) “Come back to life motherfuckers, I’m shredded as fuck!!!” (Based on Jojo art by tanuki.boy99 on Instagram!)
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bestbonnist · 3 months
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@spectacular-supernova it's your girl!!
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mockscreens · 11 months
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please like/reblog if you save!
more totoro lockscreens here!
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sashamini · 14 days
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I drew a special boy
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"Fragile beings..."
art by @totallynotsilversora (@silver__sora on twitter)
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jpegmaestro · 30 days
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mimigoey · 1 year
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I had to take a break from the manga following Mizuha's death but yesterday I watched 3 episodes of season 2 and I felt so relieved ❤️
I will see my precious princess Alme soon ❤️
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Bon! looks so handsome 💕
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Tonari 💕
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I missed parona 🥺
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Kahak ❤️ precious boy
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And finally my dear Fushi I missed you so much ❤️
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myiayse · 2 years
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she is so urethral…
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77ebe · 10 months
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tonariofjananda · 1 year
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I think about this moment a lot.
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Like. It feels really rude that Fushi’s just brushing Tonari off like this, jerking his hand away as if he’s annoyed she even tried to touch him in the first place. The fact that we don’t even see his expression when he does this makes it feel extra brutal. But I think a lot of people see this scene as if Fushi rejecting Tonari’s ‘advances,’ so to speak, and I’m not convinced that’s what’s happening here.
Like, yeah we see that big love bubble at the corner of the panel while she’s telling Fushi how important he is to her, but Tonari’s just reflected on how she feels about him and ultimately rejected her own feelings. Romantic love is not something she wants to feel for Fushi. So I don’t think she was working her way up to a confession. At least, not intentionally (it’s not her fault Fushi’s an empath)!
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Instead I think this scene is supposed to be a parallel of the moment that happens between Gugu and Rean.
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Gugu doesn’t tear his hand away from Rean’s because he doesn’t want to hear her confession. He isn’t running away because he doesn’t love her back. Gugu pulls away from Rean because he’s rejecting the concern she has for him and his safety. He realizes there’s something greater that he needs to focus on, something he feels only he‘s strong enough to take care of. And he wants to take care of it to keep her and the people he loves safe. Gugu loves her, it’s just not the right time for him to indulge in it.
In my opinion Fushi feels similarly to Gugu (not the reciprocation part though). He appreciates Tonari’s concern and love for him- that’s why he smiles a little and thanks her- but it’s not the right time for him to indulge in that. He‘s still trying to prove that the world is at peace (something he’s doing because of her, for her), he doesn’t need or want her getting involved in his fight against the nokkers.
I wanna reemphasize that I’m not trying to argue that Fushi secretly reciprocates Tonari’s romantic feelings- he’s already said he’s never felt that way about anyone before. I just don’t think he’s outright rejecting them either.
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I think the hands in this scene are also what get people thinking this scene is a little more romantic than it is. It’s a standard cliche where one character stops another from leaving after all lmao. But this to me is what solidifies this as a scene that’s not inherently romantic.
Them grabbing at each other like this is a much older, a much deeper thing for them. Back when they were on Jananda, they’d often grab at each other’s wrists because they could never quite see eye to eye. Tonari specifically would grab at Fushi’s wrists a lot when trying to impose her will on him and drag him along. Once they start understanding each other, however, their hands actually touch (ex. Tonari pressing Oopa’s blow dart to the back of Fushi’s hand).
This scene is a little mix of the two. Tonari’s grabbing Fushi’s wrist to stop him from leaving (imposing her will on him) but her hand overlaps with his palm a little (trying to understand him). Tonari doesn’t know what’s happening completely, but she knows enough to know something’s wrong. In a way, Tonari grabbing for his hand is her appealing to Fushi to open up, to let her in, follow through on this connection that’s always been theirs.
But he doesn’t. Fushi rejects it.
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I think the chapter image shows it all pretty well too. They’re both reaching out for each other. But while Tonari’s solid in her attempts to reach him, Fushi's all fuzzy. It's as if these are his emotions. Like, subconsciously he wants to reach out, but he can't. So close, yet so far…
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bestbonnist · 1 year
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Chapter 171.1
The battle between the immortals is played for laughs, but the way that each of their arguments is connected to their core character traits makes me think it's indicative of more deeply ingrained conflicts. Let's break it down!
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Tonari's same old same old. She feels indebted to the people she loves, Fushi especially, and believes that if she wants to be around them, she needs to be able to pull her weight. She doesn't think she has any helpful skills apart from a base level of poison resistance, so that's what she focuses on. Tonari puts a lot of emphasis on how "useful" it is when she dies, on whether or not her death helped her friends or not. She puts herself down and uses herself like a tool for the sake of the people she loves.
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Gugu is similar to Tonari in that he uses his body like a tool for the benefit of his friends. As an impoverished, abandoned child—also very similar to Tonari—Gugu thought his only attribute was physical labor, especially after he had his accident and from his point of view, lost his humanity. Gugu got into his accident in the first place because he put himself in harm's way to save Rynn. It's a mark of how little he values his safety.
The main difference between Gugu and Tonari, in this case, is that Tonari sees herself the same as other people, which is to say: bad. Humanity is all a bunch of assholes, and she's no different. Her friends are the rare exception. Whereas Gugu sees all of humanity as fundamentally good. And Gugu, being a monster, is below them. So Gugu is willing to lay down his life for everyone, and Tonari is willing to do it for the people she loves (yes I know she literally says she does it "for everyone" but she's only talking about the people in the park with her).
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Messar says that he's enjoying his life but he keeps dying in horrible ways. He froze to death nine fucking times and hasn't learned his lesson. Is that really enjoyable? It seems more like he's disguising a disregard for his own well-being as freedom. And as Hylo says, he has no purpose, so he's just kind of stagnant right now. It's, uh... It's giving depression.
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If Messar is too hedonistic, then Hylo is too restrained. By setting goals for himself, like saving all of Renryrr or becoming a baker, he's able to get a sense of satisfaction and fulfillment that makes him happy. But he has no chill. Those goals are the will to live that he thinks are so important. Without those goals, he's no different than Messar. Only Messar is able to find the worth of moments spent doing nothing.
This is also literally the same shit they said in Chapter 165.1. This argument has been going on for five hundred years.
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Messar "left unhappiness back in Renryrr," referring to when Alme died. His reason for living was to protect her, he was literally unable to move after she died and got killed by a knocker. Moving on is all well and good, but if his recklessness is any indication, he hasn't moved on at all, he's just trying not to think about it. As Hylo—who has actually done the work to move forward after the loss of his foster mother—points out, you can't really call that happy. Hylo is so harsh on Messar because he used to be aimless as well. But Hylo found something to pursue in the Renryrr arc and Messar isn't even looking.
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In her first life, March agreed to be sacrificed because it was the way to keep the most people safe. She didn't want her friend or her little sister and their parents to be hurt, so she went along with Hayase's plan. She also died saving Parona's life. At this point in time her idea of a good life/good death was similar to Tonari's and Gugu's—that is, to use her death to make the people she loves happy. But as a ghost, she saw firsthand how much her death affected Parona. Being dead wasn't better for the people around her like she thought it was. Now the way she doesn't make everyone sad is by staying alive. She encourages others to do the same, as seen in this chapter when she chastises Messar for not taking care of himself.
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March also takes this into account during important decisions, like when Fushi consults their friends on whether they should take the Beholder's powers or not and she calmly tells them that the choice is theirs. A huge difference from the time she freaked out when they told her they would be losing consciousness indefinitely at the end of the previous era. March's way of living is at odds with Tonari and Gugu's way of dying, but they're all dedicating themselves to the people they love.
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Bon doesn't get involved in arguments, ever since the Renryrr arc he's relegated himself to a mediator/advisor role. He avoids having any contrary opinions and goes with what will placate the most people. I can't say much more about him because he almost never gives away what he's really thinking (sadly he is not a perspective character anymore), but this is definitely a continuing pattern. It's a shame because he's actually pretty good at decision making, although he stepped down due to the number of poor choices he made during the Renryrr arc.
Kai, and Eko don't care very much about the best death argument, which doubles as a "whose life has the most meaning" argument. I wonder if it's because they found a reason to live by working as mechanics and transferring their good points to people within the system, so they don't feel as insecure about it.
Well, that's that! I think their squabbling was a neat way to introduce the issues that'll be explored in this arc and to show how Fushi's friends have adjusted to immortality. The doll point blank asks them why they're alive, and in a roundabout way she gets an answer: they're alive to die.
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friendlyfoxpal · 2 years
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Relationships
Fushi has all kinds of relationships! Some good, some bad. On top of that mix him with a bit of wolf and some mini giant Regardless i had fun drawing these hehe! (c) To Your Eternity
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nhacnhac · 6 months
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Tonari - Fumetsu no Anata e
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liliumsmangacaps · 2 years
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