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#They put in effort to create content for you to consume; so it's only fair to give them da proper credit and exposure in return!!
hyperfixatedbastard · 2 months
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Hi, I'm Elliott (they/he) and I write shit sometimes! I'm a trans guy in college that's trying to get back into writing. I'm also super neurodivergent (Autistic/ADHD/prob other things idk), so I like writing fics that are inclusive to queer and neurodiverse folks :)
Please send in prompts or requests! Fair warning that I am a full-time college student that struggles a lot with procrastination and motivation. Thank you for all the love and support! <3
NOTE: NEW WORKS/PROMPT FILLS WILL BE TAKING A LITTLE LONGER!! I'm a full-time college student that's currently going through a very short-notice move, so writing is not one of my top priorities at the moment. I will do my best to get new stuff out, but fair warning that they will take longer and might not be as long as my previous works. Thank you for understanding!
Below are links to my Masterlist, details for Prompt Requests, a form for being put on a Taglist for my writing posts, and my AO3! Please read the rest of this post for rules and info about my blog. I'd appreciate it!
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Masterlist
Prompt Requests
Taglist Form
My AO3
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I might write NSFW in the future! Minors are allowed to interact with my regular SFW content, but NOT the NSFW. While I can't stop any of you from doing it anyways, this is a personal boundary. I don't want to get in trouble because people don't have common sense or self control. If I see that you interacted with one of my NSFW posts, I will check for an age in your bio. If your age is below 18 or is not listed at all, then I'll block you. (I won't check ages for everyone that follows me, only those that interact with the NSFW If you don't feel comfy putting your age in your bio, either don't interact with those posts or DM me, I guess. I just want to be cautious!)
As for proshippers, I honestly just don't want to deal with that whole can of worms, so as long as none of you ask me to write proship content or anything like that, you're fine ig. I just don't want to go through the effort of actively blocking people and checking accounts for that kinda stuff.
I DO NOT SUPPORT VIVZIEPOP. I like writing with characters she's made and I enjoy consuming content of Hazbin Hotel and Helluva Boss, but I do my best to avoid monetarily supporting either series. I don't expect all of you to do the same; I just wanted to make that clear.
Also, FREE PALESTINE. If you support Israel, get the fuck off my blog and reevaluate your worldview.
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The headers are created by me, but the dividers used in my posts are made by @saradika-graphics!
Credit for my profile picture goes to pepperjackets' picrew here!
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tottymatsuno · 1 year
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I went through the tags of that other post I reblogged and the universal answer was "if I like something it's just fine, if I reblog it then it's worth putting on my blog" which is another direct confirmation of the very thing I was paranoid of.
I also saw several "if you get your motivation tied up in the likes/reblog game then you're wrong" and advice on how reblogs are.... Advertisement? Or promotion? And not just how content is spread across the platform? Which was strange because literally if everyone only posted and liked, there would be no tumblr.
That isn't how people frame the likes and reblogs. When I reblog a post about Osomatsu’s long tits I'm not giving the op advertisement on Oso's saggy boobs? It's not like I'm promoting long cup bras 😭
Anyways, the entitlement of having new content to consume, and then not providing your half of the bargain in the way the OP would like - its at odds.
When i realized, and have been proven correct in the assumption that when a post is exclusively liked that means it isn't good enough to be reblogged
I didn't stop creating. I didn't stop writing or drawing, or really anything. There is a huge archive of things I've made that I just don't have the energy to post for 3 notes. Idk if yall ever tried to upload fics onto tumblr but it's not easy. The formsting and tumbles half baked 3 text post editors that don't accomplish anything on their own was a hassle and took forever.
I write for my friends, and I write for myself. Writing for myself was the big advice I'd been given, not to tie up my self worth with it, that I didn't need or shouldn't need the validation that came from comments & reblogs and that 4 notes was a fair exchange for four hours of effort.
But I always write & draw for myself. I just don't post it anymore. I remember people were begging me not to stop making things when the truth was they were begging me to POST what I'd been making. It felt very much like I was being a treated like a content mill instead of a person who they could be friends with. So now I have several friends I exchange/do trades for or just show my stuff too! it's pretty easy to become my friend and with just a little encouragement I'd share any and all of my works, but I upload what I don't care about or I upload stuff for my friends.
Anyways the post really reminded me that artists were correct in the assumption likes meant it wasn't good enough. Yall said so yourselves
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anonymousad · 9 months
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After reading through your apology, I genuinely think your heart is in the right place. I can imagine, from a consumer standpoint, that seeing these large production budgets essentially being made the audiences' problem is frustrating. But I'd like to at least explain why crowdfunds are the way they are, as someone on "the inside".
I get that your stance is "Capitalism is bad", but that doesn't mean we can ignore it outright. You said on you Shelterwood post "a "fair wage" is a capitalist idea that most don't benefit from", but does that mean people shouldn't be paid at all? Frankly, I disagree.
People deserve to be paid for their labor. Again, it's not fair that the budget has now become the audience's burden, but it's also not fair to say that the concept of a fair wage is bad, full stop. Especially for older content creators, we can't justify time for passion projects on shoestring budgets anymore. We can say capitalism is bad all we want, but while we're living in it, all your favorite content creators still have to play the game.
The money has to come from somewhere. Often, we crowdfund because the usual avenues of making money in podcasting isn't available to us. For what it's worth, how that's solved is a discussion many creators are having now. (This is why you'll likely see an increase in ads across the board, and I hope you have patience for shows that run ads when they happen.)
As I said, I think your heart is in the right place. And yes, there's a discussion that needs to happen regarding crowdfunding and what's realistic to expect from audiences. But I do want to make it clear that us creators aren't pulling these big numbers to swindle anyone out of their money. We just want to keep telling stories, and while we live in capitalism, we are need money to do it.
I don't know if this ask is from the same person, but either way thank you for hearing me out and giving me the benefit of the doubt in terms of my sincerity.
so I think that something that is happening here (which is something that I experience in my real life as a left-leaning person when I try to have these conversations with certain types of people) is that we are getting caught up in whether it's feasible to live within a capitalist system without being agents of it.
we are all victims to it AND victimizers. especially if you live in a "wealthy" nation (by the standards of GDP, not by the standards of how individual citizens are faring). if you shop at a chain grocery store, use Amazon, buy fast fashion, etc etc. a lot of things that are unavoidable to make it by, because doing otherwise is very expensive.
the point being, yes, we all have to survive under capitalism.
but I think where the viewpoint stated by this anon and my own differ is that we are trying to get that money to survive from different places. every content creator across all mediums (YouTubers, musicians, TikTokers, podcasters, etc.) has to figure out how to make it something that they can afford to do. things are not created out of nothing, they take time and effort and talent and MONEY.
where you are getting that money from and how you are distributing it is also really important though.
I am not against the concept of "fair wages", but the idea of this is something that exists in the realm of business. and if you are going to treat a production like a BUSINESS, then you need to actually think about what that means. a business needs to be able to support itself financially through the product it makes or service it provides. the problem is that within the context of audio drama that does not really exist as a path, it only works AFTER you have put in the un/underpaid labor to build a base of supporters.
obviously we don't really charge people to get to listen to podcasts, that doesn't work in our space unless you already have a massive base of support willing to trust blindly that it will be worth it. we kind of get around that through Patreon and Ko-fi by creators providing exclusive content, something much more akin to how a business operates. there are also now the "+" style subscriptions that some networks and apps like Apollo have started, but to me those are very similar in that they are basically aggregating the same content that people are posting to their Patreons in an attempt to be a more enticing proposition than supporting a single creator.
your podcast CAN'T be treated like a business until there is a sustainable way to support it like one, and crowdfunding just isn't going to be that.
we still need to think about what can be sustainable for the community, a point I made that you didn't really acknowledge here. crowdfunding cannot be a sustainable method in these high amounts, it is literally impossible. with campaigns this size every month, sometimes multiple at once, where is that money supposed to come from sustainably? especially in the context I've been pointing out about how people are struggling right now, something you can't ignore when the contributors to these kinds of campaigns are average people.
at that point what you are actually looking for is an investor, a very common business practice for a start-up. which is what these campaigns are basically attempting to be, so it is a logical method of getting the funds. especially when what is apparently needed is this high.
so, we need to be looking at who does have the money and would be willing to contribute to the types of things we make; groups that have the resources and connections needed to help these kinds of larger scale projects succeed.
and wouldn't you know it, there's a very obvious solution to this one problem: podcast networks.
podcast networks are a middleman in the space, seemingly collecting money with the only benefit being minimal promotion and advertising help, and of course slapping a recognizable name on there that maybe attracts a few more listeners because it has "network backing". what services are they providing with that money they are taking? it should be argued that if you are essentially paying part of your revenue to a network that they are using it substantially to help support your endeavors. I have not seen this level of support from any of them.
the closest we've gotten to this is when the Apollo app gave $10,000 to some creators last year to make something completely original and unique (for example, Ester Ellis, creator of Station Blue and The Goblet Wire, was able to create something completely unique and out of the box with Whale Song). to be honest, that obvious ploy to get into the community's good graces is more than any of the actual networks have done. it doesn't really matter that it was a calculated business decision that would benefit them, it also benefited US as creators.
making deals with a network or outside funder is ACTUALLY "playing the game" of capitalism, getting it from individuals as part of an unsustainable crowdfunding campaign is not.
and again, it really matters that these resources are being EQUITABLY spread, but that is another conversation to be had if/when these things start existing for people to take advantage of.
additionally, it is worth pointing out that there are cities/states/countries that offer artistic grants. if your project needs major funding it is part of your due diligence to look into these things as potentially avenues. ignoring these opportunities is honestly negligent and disrespectful to fans who want to see the show get made by putting the entire burden of the cost on them.
you also mentioned advertisements, something that is an annoying but everyday part of our consumer society. for a lot of content creators I know it is the ONLY way to make money (note: I include sponsorship deals within the banner of advertising personally) and I do not begrudge them that because it's just how this shit works. yeah we all dislike getting interrupted by an ad, even between distinct episodes, but I don't think anyone should get upset at that stuff unless it's truly egregious (something like 3 minutes of ads for 5 minutes of actual content is just being shitty about the value of people's time).
this is actually an example of the right type of revenue stream to be chasing. residuals and passive income are important parts of making a business sustainable, especially a content creation business where the "product" is freely available. that is literally what ads were made for, it's how network TV makes money too. no, I don't think that this alone can sustain the costs of a production team, but I do think that it's things like this that need to be where the thought and energy goes when looking for ways to supplement it. hence the popularity of monthly support options, merch, sponsorships, etc.
I would also like to point out I am also an audio drama creator, I've been very open about that. whenever I get an idea for a new project or even just making my current ones happen I am also having to ask and deal with these questions of money. and I readily admit it isn't easy, money and compensation for non-tangible services and goods is not straightforward.
but that's why I make it a priority to work within my bounds while I figure it out. my first endeavor did not include asking for more money than some people make in a year, it was me investing in a microphone and asking people if they were interested in taking part even though it wasn't paid. I figured out how to make it work by using Freesound and Audacity and spending hours googling when I desperately needed one super specific thing. I recognized that 1) it was not something I could afford to spend money at the time, 2) I had not proven myself to the community such that I would feel right asking for money without any indication of the quality of product they would be receiving, and 3) that creative budgeting was always going to have to be part of how I did this.
I know the term "creative budgeting" may not be familiar to all kinds of people, but it is pretty much exactly what it sounds like. it's something that people have to do every day to pay their bills and buy groceries and keep their businesses afloat.
asking others to pay me a business-adjacent "fair wage" for an unprovable possible product is not being responsible with funds. there are a lot of resources available that can help ease costs and get rid of the less necessary expenses, and that is part of successfully allocating funds for any kind of project.
one last thing I want to address on here:
you talk about older people not having the benefit of passion projects. while I can empathize with what you are saying, this is kind of an ageist and ableist take and I want to address it so that you can have a better understanding of why it's problematic.
first of all, I think it's fair to say that everyone is financially struggling right now. it is a privilege to even have the time and energy to create instead of having to spend every ounce of yourself just surviving, one I recognize that I personally have.
we're at a stage where identifying as an "older content creator" might just mean "Millennial", and yeah that generation has suffered a lot financially due to Gen X and Boomers. but so has everyone born after them, it is no longer a uniquely Millennial problem to have money trouble. I know plenty of people in this age group who are tight financially, but not so tight that they are actively in danger. and I know people in that group who are barely scraping together enough to eat and keep a roof over their head.
I can say the exact same thing about Gen Z. if anything, Millennials have the benefit of the hardest times hitting AFTER getting degrees and those vital first jobs that create the lucrative "job experience" that every application after will be looking for. it's nearly impossible for some younger people to land "entry level" these days.
I'm really discussing a larger issue here, but by bringing up the difference in age as a contributing factor, it somewhat feels like you are saying that you are more worthy of those types of contributions and investments because of age. which is the kind of language we all grew up hearing from our parents and from policymakers and eventually from our bosses. it's an unhelpful stance to take when all of us are more or less in the same shitty situation.
the longer I've lived the more clear it's become that these generational divides from Millennial downward have been very intentionally placed to try and make us alienated from one another. I am somewhere in that vast swathe and that's how I identify; as part of the generations who were screwed. it doesn't matter which one, when you were born at this point only has an impact on how long you've already suffered, not how long you are going to.
which is fucking bleak, yeah. but an important reminder that solidarity is important in all things, especially when it comes to the arts and expression.
your age doesn't give you more of a right to be exploitative. that is not an accusation towards anyone, it's more of a general statement about the ways in which we let a lot of the older generations who have power get away with abusing everyone beneath them.
to much more briefly touch on why it is an ableist statement, I'm just going to point out that there are lot of factors that can impact someone's life regardless of age and make things more difficult for them. I know there is a lot of neurodivergence in the community, which can be disabling for some. I also know that there are some physically disabled creators who have talked about difficulties and barriers that people twice their age haven't had to deal with. it's something that I understand can be easy to forget if you aren't faced with it every day, I do not blame people for that. but that's why I think it is important to point out here so that eventually it will be something that everyone considers.
lastly, a couple of small notes that didn't fit in anywhere above, but I wanted to include
it is worth pointing out here that it is a privilege to be able to pay someone at all, one that a lot of projects don't have the luxury of. I don't think that's right, but it is a reality of making art.
"swindling" may be a harsh word for what I think is happening with these campaigns. I certainly think it is inequitably pulling resources towards individuals, but I don't believe that people are literally getting scammed
that's all I've got on this one, thanks for sticking with me and I HOPE we can spur some more conversations from this. namely, if you are part of a network you should ask them what they do to provide support for the community. make them sweat a little bit, it might benefit us all.
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zylem2020 · 9 months
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Sales Force Automation tool, a streamlined sales & marketing infrastructure may be built.
A company's sales and marketing efforts can only succeed if employees have ready access to up-to-date information, resources, and technologies that increase their effectiveness on the job. Our mission is to educate management on the importance of fostering strong customer relationships in driving revenue growth.
It is critical to enable sales and marketing efforts by providing your staff with timely access to the necessary information they can use to better engage and retain customers and create a wonderful brand experience.
The sales and marketing departments can work together more effectively with the support of a sales force automation technology that shares data between the two groups. Why Marketers Require sales force automation application
When it comes to essentials, sales, and marketing are now essentially synonymous.
One, they believe strongly in the concept of an "intended audience."
Those in marketing and sales should know who they're trying to reach. They need to be aware of the methods and strategies that have proven successful with distinct demographics of customers.
 Value propositions are being pushed to the forefront. 
The most compelling value propositions are those that speak directly to the problems faced by the target customer persona and demonstrate how the product or service in question can alleviate those problems. To do this, you must first gain a deeper understanding of your customers and the purchasing process they are currently undergoing.
 1. They make the conversation more engaging.
Sales and marketing professionals who put in the effort to develop a personalized message for their target audience are more likely to gain the patronage of those people.
They need automation very badly, which is reason number four.
Sales and marketing positions typically include a fair amount of routine work. Thus, it is preferable to automate these low-level duties so that these people may devote their time and energy to the higher-value tasks that allow them to flourish. 
Given the blurring lines between sales and marketing, using a sales force automation tool helps facilitate communication between the two departments.
 2. What Role Does SFA Play in Fostering the Capacity to Empower?
Features of effective sales force automation software should be geared toward maximizing the effectiveness of the sales team's resources.
SFA software helps to streamline the sales and marketing process in the following ways:
First, set up automated processes for the boring tasks.
If a sales crew is made to do boring tasks, productivity will plunge. Therefore, an SFA solution's objective is to automate the user's resource-draining processes.
A helpful hint is to take advantage of content management systems.
Using an AI-enabled sales force automation system, you can personalize your interactions with each lead. Content management systems make it easier to maintain brand consistency across several channels and comply with applicable regulations. Potential customers may move further along the sales funnel after engaging in more fruitful conversations with salespeople.
 3. The need for deeper interpretations and analyses
Businesses may better understand their front- and back-end sales processes with the help of sales force automation software. Managers in sales and marketing can utilize this information to better understand their consumers' behaviors, preferences, and responses to messages. Staff personnel can use this information to better address consumer concerns and adapt their practices.
 4. Management of Educational and Informational Resources
A further benefit of an SFA system is the capability to upload documents and videos to the platform, making them available to field salesmen and service employees at any time. Employees who are well-versed in a company's products can help boost sales. By centralizing and automating teams' ability to learn from one another, organizations can increase their overall product knowledge.
 5. Monitor your team's efficiency.
client acquisition, client retention, and other key metrics may all be tracked and incentivized with the use of a sales force automation system. The success or failure of a company is typically determined by the degree to which employees adhere to set procedures. Monitoring staff activities and commending those who go above and beyond is crucial.
 6. Raise Awareness of Your Brand
Until companies have insight into the time utilization of their sales personnel, they will be unable to optimize their sales process efficiency. The greatest sales force automation tool will give upper management a bird's eye view of the company in terms of staff performance, key performance indicators (KPIs), projects, and more. The effectiveness of sales representatives' visits and their closing rates can be tracked in real-time.
 7. Collaborative Efforts in Marketing and Sales
It could make a significant difference for customers if sales and marketing were in sync. By integrating data from both the sales and marketing divisions, SFA systems can improve customer service.
Sales force automation software has the potential to boost both sales and marketing efforts for companies. Boosting the efficiency of your sales and marketing teams can enhance your conversion rates, the velocity with which deals are done, the amount of time spent selling, and your revenue.
With the help of sales force automation app, it could be less difficult to implement client-centricity and prioritize customers.
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barbarewjohnson · 2 years
Text
The Cost of Creating Content
If you’re a small business owner, you know that content is key to driving traffic to your website and growing your customer base. But what you may not know is how much it costs to create high-quality content. In this blog post, we’ll break down the cost of content creation so you can make an informed decision about whether or not it’s worth the investment.
Content creation can be a costly endeavor, with some estimates putting the price of a single blog post at $200-$300. However, there are ways to cut costs without sacrificing quality. For example, consider repurposing existing content instead of starting from scratch every time you need something new. You can also use free or low-cost tools like Canva for creating visuals.
Ultimately, the cost of content creation will vary depending on your needs and budget. But if done correctly, it can be a powerful tool for growing your business.
How much it costs to create content
If you’re thinking about hiring a content creator, you’re probably wondering how much it costs to create content. The answer is that it depends on a number of factors, including the type of content, the length of the piece, and the experience of the writer.
Generally speaking, however, most businesses can expect to spend anywhere from $100 to $500 per blog post. If you need more specialized content, like infographics or eBooks, prices can range from $500 to $5,000 or more.
Ultimately, the cost of content creation will vary depending on your specific needs and goals. But by understanding what goes into pricingcontent creation services , you can be sure to get quality content at a fair price.
The different types of content you can create
There are a few different types of content you can create, and the cost of each type will differ depending on what factors you consider. If you want to generate text-based content, such as blog posts or articles, you’ll need to factor in the cost of a writer (or your own time investment), editing, and possibly promotion. For visual content, like videos or infographics, you’ll need to account for the costs of production, designer fees, and distribution. And if you’re creating interactive content, like quizzes or polls, be prepared to invest in development time and any necessary licenses or plugins. The key is to understand what goes into each type of content so you can make an informed decision about which one is right for your business – and your budget.
Why creating content is important
Assuming you would like an expansion on the blog titled “Why creating content is important”:
In a world where attention spans are shorter than ever, it’s more important than ever to have strong, compelling content. Not only does this kind of content help to draw people in, but it also helps keep them engaged. That being said, creating quality content can be time consuming and expensive. However, the cost of not having quality content is even higher.
Think about it this way: if you don’t have anything worth reading on your website or blog, why would anyone bother visiting? Quality content is what will set you apart from the competition and make people want to come back for more. Investing incontent creation now will pay off tenfold down the road.
What factors affect the cost of creating content
1. The cost of creating content varies depending on the medium through which it is created. For example, a blog post might cost less to create than a video or an e-book. This is because the cost of production for different mediums can vary significantly. For example, a video may require the use of expensive equipment and editing software, while a blog post can be created using only a computer and an internet connection.
2. The length and complexity of the content also play a role in its creation cost. A shorter, simpler piece of content will generally cost less to create than something longer and more complex. This is because shorter pieces tend to require less time and effort to produce than longer ones.
3. Finally, the level of customization desired for the content can also affect its creation cost. If you want your content to be highly personalized and customized to your specific needs, it will likely cost more to create than if you are willing to accept generic or “off-the-shelf” content
How to save money when creating content
1. When it comes to content creation, one of the biggest cost concerns is hiring professional help. But there are ways to create high-quality content without breaking the bank. Here are a few tips:
2. Use free or low-cost tools: There are a number of great tools out there that can help you with the content creation process, and many of them are either free or have very affordable price tags. A little bit of research can go a long way in finding the right tool for your needs.
3. Get creative with your resources: If you’re not able to hire professional help, get creative with what resources you do have available. Ask friends or family members if they’re willing to lend a hand, look for interns or freelance writers who might be interested in working on your project, or see if there are any student discounts available that could help reduce the cost of hiring someone.
4. Do some legwork yourself: One of the best ways to save money when creating content is to simply do some of the work yourself. If you’re able and willing to put in the time and effort, you can significantly cut down on costs by handling some tasks yourself instead of delegating everything to someone else
Ways to create content on a budget
Assuming you want tips for content creation on a budget:
1. One way to create content on a budget is to repurpose old content. This could mean taking an older blog post and turning it into a video or podcast episode, or creating an infographic from data you’ve already collected. By breathing new life into old content, you can get more mileage out of the work you’ve already done and save yourself both time and money.
2. Another way to cut costs is to partner with other businesses or influencers in your industry. You can collaborate on blog posts, podcasts, webinars, or even co-host an event together. Not only will this help you reduce expenses, but it will also help promote your brand to a wider audience.
3. Finally, consider using free or low-cost tools and resources whenever possible. There are many great options available for everything from graphic design to video editing. Sometimes all it takes is a little creativity to stretch your budget further than you thought possible!
Conclusion
There are a lot of variables that go into the cost of content creation. The most important factor is probably time. How much time do you have to spend creating content? If you’re spending too much time, then it’s costing you money. There are other factors though, such as: the quality of your materials, the length of your pieces, how exclusive your access is to certain things, and so on.
All in all, the cost of content creation can be pretty high – but it doesn’t have to be if you manage your time and resources well.
The post The Cost of Creating Content appeared first on SwiftCreator.com.
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christophermraerdon · 2 years
Text
The Cost of Creating Content
If you’re a small business owner, you know that content is key to driving traffic to your website and growing your customer base. But what you may not know is how much it costs to create high-quality content. In this blog post, we’ll break down the cost of content creation so you can make an informed decision about whether or not it’s worth the investment.
Content creation can be a costly endeavor, with some estimates putting the price of a single blog post at $200-$300. However, there are ways to cut costs without sacrificing quality. For example, consider repurposing existing content instead of starting from scratch every time you need something new. You can also use free or low-cost tools like Canva for creating visuals.
Ultimately, the cost of content creation will vary depending on your needs and budget. But if done correctly, it can be a powerful tool for growing your business.
youtube
How much it costs to create content
If you’re thinking about hiring a content creator, you’re probably wondering how much it costs to create content. The answer is that it depends on a number of factors, including the type of content, the length of the piece, and the experience of the writer.
Generally speaking, however, most businesses can expect to spend anywhere from $100 to $500 per blog post. If you need more specialized content, like infographics or eBooks, prices can range from $500 to $5,000 or more.
Ultimately, the cost of content creation will vary depending on your specific needs and goals. But by understanding what goes into pricingcontent creation services , you can be sure to get quality content at a fair price.
The different types of content you can create
There are a few different types of content you can create, and the cost of each type will differ depending on what factors you consider. If you want to generate text-based content, such as blog posts or articles, you’ll need to factor in the cost of a writer (or your own time investment), editing, and possibly promotion. For visual content, like videos or infographics, you’ll need to account for the costs of production, designer fees, and distribution. And if you’re creating interactive content, like quizzes or polls, be prepared to invest in development time and any necessary licenses or plugins. The key is to understand what goes into each type of content so you can make an informed decision about which one is right for your business – and your budget.
Why creating content is important
Assuming you would like an expansion on the blog titled “Why creating content is important”:
In a world where attention spans are shorter than ever, it’s more important than ever to have strong, compelling content. Not only does this kind of content help to draw people in, but it also helps keep them engaged. That being said, creating quality content can be time consuming and expensive. However, the cost of not having quality content is even higher.
Think about it this way: if you don’t have anything worth reading on your website or blog, why would anyone bother visiting? Quality content is what will set you apart from the competition and make people want to come back for more. Investing incontent creation now will pay off tenfold down the road.
What factors affect the cost of creating content
1. The cost of creating content varies depending on the medium through which it is created. For example, a blog post might cost less to create than a video or an e-book. This is because the cost of production for different mediums can vary significantly. For example, a video may require the use of expensive equipment and editing software, while a blog post can be created using only a computer and an internet connection.
2. The length and complexity of the content also play a role in its creation cost. A shorter, simpler piece of content will generally cost less to create than something longer and more complex. This is because shorter pieces tend to require less time and effort to produce than longer ones.
3. Finally, the level of customization desired for the content can also affect its creation cost. If you want your content to be highly personalized and customized to your specific needs, it will likely cost more to create than if you are willing to accept generic or “off-the-shelf” content
How to save money when creating content
1. When it comes to content creation, one of the biggest cost concerns is hiring professional help. But there are ways to create high-quality content without breaking the bank. Here are a few tips:
2. Use free or low-cost tools: There are a number of great tools out there that can help you with the content creation process, and many of them are either free or have very affordable price tags. A little bit of research can go a long way in finding the right tool for your needs.
3. Get creative with your resources: If you’re not able to hire professional help, get creative with what resources you do have available. Ask friends or family members if they’re willing to lend a hand, look for interns or freelance writers who might be interested in working on your project, or see if there are any student discounts available that could help reduce the cost of hiring someone.
4. Do some legwork yourself: One of the best ways to save money when creating content is to simply do some of the work yourself. If you’re able and willing to put in the time and effort, you can significantly cut down on costs by handling some tasks yourself instead of delegating everything to someone else
Ways to create content on a budget
Assuming you want tips for content creation on a budget:
1. One way to create content on a budget is to repurpose old content. This could mean taking an older blog post and turning it into a video or podcast episode, or creating an infographic from data you’ve already collected. By breathing new life into old content, you can get more mileage out of the work you’ve already done and save yourself both time and money.
2. Another way to cut costs is to partner with other businesses or influencers in your industry. You can collaborate on blog posts, podcasts, webinars, or even co-host an event together. Not only will this help you reduce expenses, but it will also help promote your brand to a wider audience.
3. Finally, consider using free or low-cost tools and resources whenever possible. There are many great options available for everything from graphic design to video editing. Sometimes all it takes is a little creativity to stretch your budget further than you thought possible!
Conclusion
There are a lot of variables that go into the cost of content creation. The most important factor is probably time. How much time do you have to spend creating content? If you’re spending too much time, then it’s costing you money. There are other factors though, such as: the quality of your materials, the length of your pieces, how exclusive your access is to certain things, and so on.
All in all, the cost of content creation can be pretty high – but it doesn’t have to be if you manage your time and resources well.
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antountoubia · 2 years
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Antoun Toubia Simple Lead Generation Advice Not Found Elsewhere Online
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sunny-sings-sooth · 3 years
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Daphne
Words: 4.5k
TW: Sexual assault, abuse
Here's my retelling of the myth of Apollo and Daphne! Highly experimental, as I usually write in first person and not so poetically. Hope you enjoy, and if anything doesn't make sense lemme know and I will add some context here. (Also FYI some of the dialogues are pulled directly from Homer's narration)
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Phoebus Apollonas had been alive too long.
He was young by god standards, barely over a millenia old, and still one of the youngest Olympians. And yet he had grown exhausted. He’d been suffering the curse of life long enough to see the boy he used to be -- Phoebus -- die. The demise of the boy began when, in attempt to protect his sister Artemis, he had committed his first murder and thereby lost her forever. The boy decayed further when he’d held the corpses of his sons in his arms. And he’d finally killed the boy with his own hands when he turned his grief-fueled wrath on mortals. Phoebus, the bright, the innocent, the golden prince of Olympus, was dead. All that remained was Apollonas, the destroyer, the terror, the monstrous god of plague.
Except he no longer wished to be Apollonas. Apollonas was addicted to alcohol, drowning himself in it so that he wouldn’t have to face the memories that had murdered Phoebus. Apollonas had struck his younger brother Hermes, the only friend he had left, in drunken rage. Apollonas was despicable and deserved death. He could never be Phoebus again; that he knew and had accepted. But perhaps he could rid himself of Apollonas and become just Apollo. That did not mean erasing Apollonas; he had too many crimes to pay for, and running away would be a dishonor to all those who had suffered at his hands. He would repent for everything he had done as Apollonas, and thereby recreate himself as Apollo.
The first thing he needed to do was to break alcohol’s hold on him, which meant distancing himself from Dionysus. He didn’t want to abandon his youngest brother, but the temptation to drink was too strong in his presence. He hoped Dionysus would understand, and that he would one day be strong enough to bridge the gap of his creation.
He had been clean for three whole days. It didn’t seem like much -- blink of an eye in the lengthy lives of gods -- but that alone had taken him all his willpower. In the absence of the gallons of drink he had been consuming daily, not only was he plagued by memories and sheer self-hatred, he suddenly became highly attuned to the gossip that trailed him. Every moment on Olympus, hundreds of eyes were trained on him, and the whispers never escaped his sharp ears. It wasn’t that he was not used to being the center of attention, but rather the harsh truth of their statements. Phoebus Apollonas is a murderer. He flayed Marsyas alive for daring to challenge him. He curses anyone who questions his authority. He has killed thousands with his plague arrows. He is a monster. He knew these were all true and that he deserved to be pierced by such words, but the anxiousness caused by his withdrawal made them unbearable, and he had to escape to the woods. Here he found solace. Here he could work to slowly put himself together again until he was strong enough to face those who he wronged.
If he hadn’t been so lost in thought, then perhaps he would’ve heard the flap of wings before Eros was standing before him. He nearly dropped the silver bow that he’d been restringing and looked up to meet the other god’s gaze. Eros was the only man Apollonas considered a possible competitor in terms of beauty; his fair skin was smooth as a pearl, his wings the color of one, his features the aspiration of every artist’s portrait. And yet there was something unnerving about the other god. Perhaps it was his hair that, while comparable to a young maiden’s blush, was also the same shade as blood. Perhaps it was the deep red hue of his eyes, made of crushed hearts and rubies. And perhaps it wasn’t his appearance at all, but the mystique that surrounded him; he was the fourth being to come into existence and was old as time itself, and that was one of the only two things Apollonas knew about him.
“Phoebus Apollona,” Eros stated in greeting, and Apollonas hated how wrong it sounded, though he couldn’t tell if it was the names themselves or simply the one who spoke them.
“What do you want?” He couldn’t hide his irritation. The other thing he knew about Eros was that he was the god of love, and love had only ever caused Apollonas pain. He had no reason to like the god nor felt the need to veil his displeasure. All he wanted was the solitude necessary to rework himself.
“I was simply admiring your bow, oh He Who Shoots From Afar.” There was no missing the mockery in Eros’s voice, and his eyes gleamed as he gazed at the weapon. “Why, your skill is almost comparable to my own! Perhaps with some effort, you can become the greatest archer in the land.”
“Are you implying that you are the greatest archer?” Eros nodded, and one glance at the winged god’s slim arms and the modest bow slung across his back sent Apollonas into a fit of laughter. It was many moments before he could calm himself enough to speak. “What have you to do with the arms of men, you feeble thing?”
“I am merely suggesting I may be god of archery as you are god of plague.” Apollonas’s head snapped up at the idea, and his hands curled into fists as he stood, towering over the shorter god. If Eros was a painter’s fantasy, then Apollonas was a sculptor’s. His toned body was the epitome of perfection, the ideal balance between strength and beauty. He was well aware of this fact, and though he rarely preferred to use his appearance for intimidation purposes, Eros’s insult necessitated such action.
“Do not lay claim to my honors,” he hissed, his sky blue eyes glinting with divine power. Archery was the one constant he could always rely on. With his bow and arrows, he could protect and punish, wound and save. It was the one part of him that stayed no matter if he was Phoebus or Apollonas or whoever, and he’d be damned if he allowed this worthless winged wretch to even suggest taking that from him.
“Let us put it to test, then,” Eros declared, unfazed by the archer’s anger. What would the ancient deity have to fear from the youth? He was well aware of his capability, and little did Apollonas know he was falling into another trap, his emotions and naivety deceiving him once more. He was but a pawn in Eros’s game. “What say you to a battle of skill?”
Apollonas did not grace the other with an answer, lifting his weapon and drawing an arrow from his golden quiver in response. The toned muscles of his back flexed as he pulled back the string and released, and the arrow had barely gone forth an inch before he sent forward another, and then yet another. His arms were but a blur as arrow after arrow went flying, striking the most minuscule of targets: the pupil of a fly’s eye, the thread of a spider’s web, the stem of a single olive. Apollonas did not stop until his quiver lay empty, and he took in the perfect shots before him that seemed almost artistic by his hand. No matter how low he may have descended in these past years, there was no denying the masterpiece he created from the most basic of weapons. This was his domain. He couldn’t keep his lips from curling in conceit as he turned to Eros.
“That gear becomes my shoulders best,” he declared, setting his bow back beside his quiver to draw emphasis to the weapons that had adorned him for centuries. “I wound my enemies; I wound wild beasts. My countless arrows slew the bloated Python, whose vast coils across so many acres spread their blight. You and your loves!” Apollonas couldn’t hold back his scoff at the mention of Eros’s inferior work. “You have your torch to light them. Let that content you. Never claim my fame!”
“Your bow, Phoebus Apollona, may vanquish all, but mine shall vanquish you. As every creature yields to power divine, shall your glory yield to mine.” At Eros’s threat, an enraged response was making its way up Apollonas’s throat, but before it could spill off his tongue, the love god drew his own golden-tipped arrow. In the blink of an eye, he shot it forth right into the other god’s heart before taking flight.
Apollonas stumbled back, a gasp more of shock than pain escaping him as he clasped his hands over his chest, fingers fumbling for the arrow. However, it had already dissolved into him, its magic making its home in his body. He felt something ooze into his heart and bloodstream, shoot up his spine, ensnare his mind. He turned his attention inward, trying to identify the invader, but he could not locate it, nor could he compare it to anything he had ever felt before. What had Eros done? He lifted his head, searching for the god, but instead his gaze fell upon another figure altogether.
There, a few feet away, stood the sweet river nymph Daphne. He knew her -- he knew the names of many of the nymphs that resided in these woods -- but beyond a passing glance and a murmured greeting, she had never caught his attention. But now… he couldn’t seem to look away, his lips parting in awe as he stared at her, dumbfounded. Had she always been so breathtaking? How could he have missed such a beauty? Her dark locks flowed down like a waterfall of ink. What it would be to hold that silky hair between his fingers, to braid it and adorn it with flowers and beads! Her eyes were a startling shade of not blue, not green, but something between the two, and he could spend hours drowning in their depths. Her figure had the slightest curve to it, the outline of a river, and he imagined that her body had been crafted to fit against his perfectly. He saw her, loved her, wanted her.
“Daphne.” Apollonas whispered her name, marvelling at the nectar-like flavor that coated his tongue. If just her name was so sweet, then how must her lips taste? Looking was not enough. The urge to find out was unbearable, the earlier argument stolen from his mind entirely as he found himself tossing aside his bow and quiver. What did archery matter when he could master the bow of her lips instead? He would claim it, make it and the rest of her his and his alone. He took a step forth, a giddy smile alighting his features.
“St-stay back,” the nymph stammered, icy fear coiling in the depths of her stomach. She could read his intentions clearly on his face, from the crazed look in his eyes to the wolfish grin he wore to the way his hands reached towards her. Daphne knew all too well what this man planned to do with her, and that should she fall into his grasp, she would not be able to stop him from having his way. So when he took another step forward, she turned and ran as fast as her legs could carry her. Apollonas gaped only a moment before rushing after her, an arrow released from its bow.
“Daphne, please wait! I am no foe! You don’t need to fear me!” he cried out after her. Daphne did not answer him, her thoughts only on escaping. Thorns and brambles tore at the bare skin of her calves, yet she refused to slow down. “You run as if I am a wolf and you a lamb, but that is not so! It is love that spurs me! Don’t fly so fast, lest you fall and wound yourself!”
“Leave me be, you horrid man!” she shrieked, not stopping even as her dress got caught on the surrounding plants and began to tear, revealing her to him little by little. Apollonas’s brows furrowed in worry at the sight of bloodied cuts on her legs. From within him a voice called out: What are you doing, Apollona? Why are you tormenting this poor girl? Leave her be! You will not have your way with her! But before the voice could say more, he caught a glimpse of the bare skin of her thigh, and everything left his mind. His conscience was once more bound and gagged by Eros’s power, forced to watch it all in horror. Speaking of the god of love, he also watched, flying unnoticed above them, yet he felt only amusement from the sight. The sheer terror that had contorted Daphne’s face and drawn panicked tears from her eyes made him smirk, and Apollonas’s frantic yelling drew out peals of laughter. They had both bent to his will so easily, and he was eager to see how this played out.
“You run because you do not know. I am no peasant, no shepherd!” Apollonas called out to her again. She was only afraid because he didn’t know who he was. He knew the moment she realized his true identity, she would stop and turn to him with a blessed smile. “I am the son of Zeus, prince of Olympus, lord of Delphi. By me things future, past and present are revealed. I shape the harmony of songs and strings. You will be happy as my bride, dear Daphne! I will see that your every wish is granted and that no desire goes unfulfilled. Please stay!”
“No! My only desire is to escape you!” Yet this would not be granted, as her body was beginning to fail her. Try as she might, she could not outrun Apollonas; he was strong from years of training and battle, and though she was swift and sure-footed, she had used up all her limited mortal strength. Her legs trembled with every step, her lungs two pits of fire in her chest. And so her traitorous body came to a stop as she gasped for breath, and Apollonas finally had her. He held her hip tightly, freezing her in place. Had he been in his senses and had control over his own body, he’d never have done this, and his conscience screamed within him. But he was deaf to it, the lust coursing through him silencing all else. His eyes soaked in her bare skin when he would’ve shielded them, his hands pulled her closer when he would’ve let her go, and he was ready to claim her when he would’ve done anything but this crime.
“My love.” His warm breath brushed against her ear as he leaned down, pressing his lips against the pale column of her neck. Daphne gasped and tried to pull herself away, but his grip was too strong, utterly unbreakable. How could she escape a god? She was helpless and frail, trapped and alone. There was no one to aid her, no one to stop Apollonas from running his hands down her body and forcing himself against her. And then he was turning her around, wishing to taste her lips, and a final plea escaped her.
“Help me, Peneus!” she screamed for her father. She knew her father could do nothing against an Olympian, but perhaps he could do something to her, and she would accept any escape from this fate. “Open the earth to enclose me, or change my form, which has brought me into this danger! Let me be free of this man from this moment forward!”
Daphne’s prayer was answered, and she was changing.
A stiffness had taken over her body, the swiftness that had protected her for so long sacrificed to escape Apollonas. Her arms lifted of their own accord, her fingers elongating up and her feet rooting into the ground. The dark waterfall split into a hundred streams that lightened to a soft green. Her curved figure fell away as her body thinned into a single arc, her legs fusing and her hands reaching higher and higher. Bark was creeping up from her extremities, down what were now branches and up what had transformed into a trunk. It conquered her shoulders, her chest, her neck. A soft sigh, her last breath, escaped her just as her lips were encased.
Apollonas’s lips met rough bark that cut at his soft skin. With a small gasp, his eyes flew open and he looked straight into Daphne’s piercing eyes. The waves in them had finally calmed, as the storm that had tormented them could no longer ripple its waters. He stared into those beautiful orbs, breathing her name, and watched as they shut forever.
Apollonas couldn’t tear his gaze away, his mind still unable to process the transformation that had unfolded before him. His hand trembled as he raised it, placing flat against the trunk of the tree. A steady pulse graced his fingertips -- a heartbeat. Daphne’s heartbeat. She was this tree, this sorrowful laurel tree, lost from him forever. His legs gave out beneath him as he wept, wrapping his arms around her and leaning his head against her bark. And yet the lust hadn’t left him, and he was kissing the wood over and over, whispering her name and an endless string of apologies as the skin of his lips tore and blood dripped down his chin.
“Oh, Daphne. My Daphne,” he cried, yearning what could’ve been. He thought the image of her smiling sweetly at him, kissing his cheek and calling him ‘husband’, was a vision, a prophecy promising that he could be the source of her happiness until the end of time. But he was wrong. It had been a fantasy, a dream that had slipped out of his grasp. And now she was gone. His sobs doubled in intensity as grief wracked him, and he didn’t notice Eros approaching until he spoke.
“Isn’t this a beautiful sight?” the god of love asked, his lips twisting into a smirk. “Phoebus Apollonas, broken and filthy inside and out. A slave to his desires. Do you accept defeat, oh lustful one?”
Apollonas turned to the other god, and the grief in him sharpened to rage. His beautiful Daphne, the love of his life, had been stolen from him, snatched right out of his hands, and the cause of it all was simply standing there, taking amusement in his loss. He reached for his bow only to find it missing, and so he lunged forth and tackled Eros to the ground, wrapping his hands around the smaller man’s thin neck.
“You monster,” Apollonas growled, his sky blue eyes glowing with divine power. This horrid creature had taken his Daphne from him and deserved nothing less than death. Apollonas would deliver him to the gates of Tartarus himself if necessary. The man must pay for his crimes. He increased the pressure, causing the other god to choke under his iron grip. “You did this!”
“Oh no, Apollona. I merely gave you a nudge. The rest was all you,” Eros gasped out, managing to laugh even as his windpipe threatened to collapse altogether. The sun god’s brows furrowed at the statement, and Eros subtly waved his hand, calming the effects of his magic. “And who knows what you’ll do next if I keep nudging you forth? You’ll be giving your father quite the competition, won’t you?”
The spell finally broke, and Apollonas’s grip slackened as the lust drained out of him and the truth became clear. He had chased Daphne. He had chased Daphne with the intention to force himself on her. He had tried to kiss her and claim her as his own with no care for her terror. He pushed her so far that she thought it better to lose her humanity than to be his. Oh Fates, what had he done? You are the most wicked person to live, Phoebus Apollona. You are no better than your father. You did this to that poor girl. You ruined her.
“N-no,” he whispered, backing away from Eros and clamping his hands over his ears, but it was in vain. The voice came not from outside but from within, where his conscience was finally free to reclaim its owner. And so Apollonas relived the incident that had just taken place. He saw himself chase after her just as Python had chased him and his family, heard his plans to ruin her just as he believed Orion had intended with Artemis, felt himself force himself upon her just as Zeus did to his mother Leto. Never in his life had something been so achingly clear to him as this truth: while he had spent his whole life painting others as wicked, he had been the most terrible monster all along. Apollonas doubled over, spilling his insides onto the earth as though he could purge the maliciousness from his body. But alas, he could not; he was born the destroyer, and he had truly lived up to his name. He could not tell if his scream remained in his soul or ripped out of him. He didn’t know if it was tears or fire spilling from his eyes. All he knew was the terrible truth that he has been blind to all his life.
“You are weak, boy. But I can make you strong,” Eros declared, towering over the hysterical god. He wondered how Olympus would react to seeing their golden heir broken on the ground, sobbing like a spoiled child. He could only imagine they’d be just as entertained as he. Still, the time for games was over. Making sure to avoid the pool of vomit, he crouched down and placed a thin finger under Apollonas’s chin, forcing the young god to meet his gaze. “Here is my offer to you: vow to me on the river Styx that you will follow my every command, and I will save you from further humiliation and heartbreak.”
“What, so I can spend my life blind and deaf, a mindless slave to a heartless man?” A dry, humorless laugh slipped out of Apollonas’s lips. He had seen and tasted truth, and he would not give that up to become Eros’s puppet. He scowled and spat at the love god’s feet, glaring into those blood-red eyes. “That is what I think of your offer.”
“I expected the god of intellect to be wiser than this, but I now see the difference between you and Athena.” Eros sneered, wrinkling his nose at the sorry display. “Do not be hasty, godling, and ponder my words carefully. I am offering you invulnerability. I will harden your heart to stone so that none may hurt you. Without your greatest weakness, you will be unstoppable. You will never have to feel such pain again.”
Apollonas paused for a moment, considering Eros’s claim. To never feel this soul-tearing agony again? To be free of the organ that rebelled against his mind at every moment? Now that he contemplated it, the offer was quite tempting. Without his heart, he would only have to rely on his body and mind, both of which were immaculate. He would indeed be unstoppable, finally the golden heir of Olympus he was expected to be. And yet… his gaze moved to the laurel tree, and a single leaf drifted down before him. Apollonas caught it in the palm of his hand, carefully tracing its pale green veins. If he were to remove his heart, to lose his ability to feel, would that not be a dishonor to Daphne? After all he had put her through, did she not deserve to be mourned and remembered? And what about all the others, every mortal that had suffered at his hand? He would be spitting on their graves by choosing to run away from the pain that, in the face of what torment they had lived through, was nothing. And so Apollonas rose to his feet, stretching to full height and then kneeling down so that his face was merely inches from the love god’s. “Rot. In. Tartarus.”
“You really should have chosen the easy path,” Eros muttered, the smirk sliding off his face as he grit his teeth. Apollonas wanted to regret? Then he’d give him reason to regret. His hands flew to Apollonas’s temples, freezing the younger god in place. Eros’s eyes glowed, twin pits of lava, and his voice boomed as he invoked his ancient power. “I curse you, Phoebus Apollona. May love be your enemy and your heart a traitor. May you be powerless to control the whims of your desire, and may you be the cause of pain to those you love, over and over until the end of time itself.”
Apollonas fell to the ground once more, struggling as the curse rooted itself deep in his soul, at the very essence of his being. By the time his throat had grown too raw for him to continue screaming, Eros had already flown away, leaving behind nothing but punishment. He found himself crawling back to the laurel tree, to Daphne, leaning his forehead against her trunk as he wept. He wept for her, for those before her, and for those after her.
“I’m sorry, Daphne,” he whispered, holding on so tightly the bark dug into his skin and realizing how powerless he really was. “I’d change you back if I could, sweet nymph, but I cannot. Instead, I swear by the river Styx, I won’t let you be forgotten. I bless you so that your leaves are never shed and instead will be woven in wreaths that will become a symbol of honor, the very thing I tried to steal from you. Let mankind see me to be the monster I am if that means your memory will live on. And even if your name no longer forms on the lips of men, they will live on eternally upon my own. This I vow to you.”
With this, he lay one last touch upon the tree before turning away, trudging his leaden feet back to Olympus. He heard the whispers as he arrived in the city, but he paid them no mind and made way to his house. Barely moments after he entered, his fingers scurried over the wall until they found the loose brick that he yanked out and tossed aside. His hands trembled in a moment of hesitation before reaching in. He grasped the bottle of his poison, his secret, his solace. Apollonas lifted it to his lips, tears running down his face, and drank his worries away.
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capitainelevi · 3 years
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For @pufferssss, happy late birthday!! ❤️
Waiting for sunrise
Words: 2968
The first and last time Levi visits Petra`s grave.
Levi arranged his cravat again, self-conscious at the thought of visiting her for the first time. He stood frozen in place, with a bouquet of orange lilies in his hand. Her favorite flowers. Just a mere coincidence, not an effort on his part, of course. He never imagined he would visit her here so early on. Staring at the newly carved headstone, he tried to set aside the nagging thought that the earth underneath it only held an empty coffin.
What should he say to her?
“Your dad came to see me after the mission, and I had to tell him that I don`t even have a body to bring back home to him”?
“I failed in getting justice for you and the guys”?
“I miss your tea”?
The only words he could spurt out were “Hi, Ral.”
He groaned at his awkwardness and settled on presenting her with the flowers he chose for her. He could feel his hands getting sweaty from anxiousness, much to his confusion. He had nothing to be nervous about. It was just Petra in front of him. His subordinate. Petra, who fought by his side for years. Who swore to devote her life to him. Just his Petra.
Levi sat on the ground next to the gravestone, unconcerned about the dirt he would have to clean out of his clothes at the end of the day. “I hope you can hear me, wherever you are. I like to think you`re listening.” He never spent much time concerning himself with death and the life that supposedly followed it, but ever since losing them as well, he found himself wishing they were happy. He knew that those brats would be wasting the rest they earned to look over him, no matter how much he objected.
“I hope you like the spot I chose for you. It`s sunny, but you also get some shade from the tree. I thought you`d like listening to birds singing." On their free days, he could always spot Petra with a book on her lap, under the shade of the oak tree in their yard. He never dared to bother her, worried he would disturb the angelic aura of the image, content with being fortunate enough to catch a glimpse of it. He never dared get so close to the sun.
"I`m going to bring some flowers we can plant next time I visit. I know you had a green thumb.” Levi omitted in letting her know it only took a month for the plant in his office that she cared for years to wither away in his care. Or maybe it just knew Petra would never be back.
Levi closed his eyes, lulled to sleep by the quietness around him and the feeling of the afternoon sky on his skin, considering if someone would bother him if he moved to the tree trunk to nap. He craved some peace.
“I`m sorry I didn`t get to come earlier. You missed a real shit show in Sina.” He took a glance at his wounded leg and sighed. “It`s not as bad as it looks, no need to mother me.”
Without raising his eyes from the ground in front of him, Levi admitted to her in a hoarse voice- “I kept calling out orders for you, and Erwin had to remind me that you`re not here anymore. Like I could ever fucking forget.”
Despite the emptiness in his chest, he went on- “Eren misses you. I really wish you could help me manage that brat. You always knew what to say to him. Hange misses you. I… everyone misses you.” They left a hole behind that he doubted he would ever patch.
Levi cleaned off some dust from her headstone before promising her he would be back as soon as he could.
As promised, the second time Levi visited her, he got her some daisies to plant next to her resting place. After wiping his hands clean on a rag, Levi sat down against the tree trunk to admire his work. He was sure Petra would be proud of the progress he made regarding gardening. He had even gotten a new plant to replace the one on his desk.
“Tch, not talkative today, are we? That`s alright, you know I always talk a lot.”
Visiting her calmed his restless spirit. His anxiety over the plan, his worry over Erwin`s wellbeing, his longing to have his old squad by his side again, they were all pilling up for the last few days. Levi found himself losing even more sleep lately. But he would never tell her that since it would most likely end in another one of her scoldings.
“You`re missing it, the final push. The brat`s finally going to do it, he`s going to seal the Wall.” Levi hoped that they would be able to carry out the mission. That his squad`s sacrifice to keep Eren alive would not have been in vain.
“You`re not being fair, are you? You already know what we will find in the basement, and yet you keep it all to yourself. Tch, be like that.” Would it all be worth it? The pain, the countless sacrifices, and the lives lost along the way? He wished Petra could answer that for him.
He never wanted to upset her, but Petra always encouraged him to let others help him carry the burden. Levi took a deep breath before speaking again- “I think Eren misses you. He`s been going on about how he wants to visit you again. Bring you flowers. To help me maintain this place clean." Levi rolled his eyes again and the memory. "Like I would ever need his help with that.”
Levi took the ribbon out of his pocket and started fiddling with it, ignoring the slight pang of guilt at how he came into its possession.
“I hope you won`t mind I took that.” The first night he spent without them, Levi found himself roaming the empty corridors of the castle. When his steps took him in front of Petra`s door, the urge to hold on to something physical to remember her overtook his sense of shame. He was aware that her belongings would go back to her parents in the next few days, but he hoped the red ribbon Petra used to tie her hair with would not be missed.
“I took your patch at first. I was going to keep it in my breast pocket. To have a reminder of your sacrifice. But when I saw that kid eaten up by guilt, I knew what I had to do. I knew what you would have wanted me to do with it.” He had no regrets about that. It was the perfect way to honor the kindest soldier the Survey Corps ever had.
When the light began to fade, Levi got up from his spot and left without saying another word to Petra. He did not want to say goodbye to her. Levi felt no need for it since death could be in his cards the next day. And he could get to see her again sooner than he thought.
The third time Levi visited her, it was not with a flower bouquet in his hand but with a bottle of cheap alcohol he found on Moblit`s desk. That night, Levi allowed grief to consume him.
"Erwin died. But I have a feeling you know that already, don`t you?" Levi wiped his nose with the back on his hand, too absorbed in his anger to even care about the disgusting habit.
"Are you mad at him? Are you mad that he chose to sacrifice your life?"
But only silence greeted him.
"Are you mad that I didn`t even question it?"
No answer again. The rage burning inside him overtook him, and Levi smashed the bottle against the headstone.
"Shit. I`m sorry, I shouldn`t have done that." Levi crouched down and collected the pieces of the bottle into his handkerchief. The grief, the anger, and now the shame for denigrating her place of rest were eating him alive.
"We found out the truth, you know? It`s a shitty world out there, Ral. But I have a feeling not even that would have cut off your wings."
Levi found himself craving touch. Her touch. And for the first time in his life, he felt the need to be comforted. He smiled to himself bitterly. How cruel must the deity who created him be for making him desire the impossible?
The fourth time Levi visited her, he brought a special gift for her. A small, odd thing that Armin called seashell.
“We saw the sea today. Just a big old pile of saltwater. But you would have loved it.”
Seeing the brats play in the water with carefree smiles on their face made him yearn for a glimpse of amber hair in the picture. He missed them all dearly.
“I would have to pull you out of it by the collar of your shirt, I bet.” For as devoted and strict as she was, Petra always seemed to cause him distress. Not that he minded it, of course. Levi found himself wishing to hear her timid knocks on his door again, even in the middle of the night. He longed for those times, where she shyly approached him after needing his help in whatever problem she found herself stuck in again.
While that was not his intention when he first came to her, his heart was heavy with words he never said to her. "The world hates us, Ral." He could never imagine how someone would ever detest someone as kind as Petra just for the blood running in her veins. But if he had to be true to himself, a part of him hated Petra as well.
"Maybe I hate you too."
Petra broke his promises to him, after all. Two years ago, when death was imminent on an expedition, and Petra put down her swords in acceptance, Levi fought with her. He made her promise she would make it to the end. That she would be by his side the day they kill the last titan.
"Do you remember your promises to me? Such bullshit. Never thought you were a liar, Petra."
But Levi knew she would have never left him had she had a choice. That she would have fought for even just a second more by his side. But it never dulled the pain of losing her.
With a heavy heart, Levi said his goodbye for the evening, guilty for blaming her for things out of her control.
The fifth time Levi visited her, it was snowing outside.
It was always a wonder how someone radiating light and warmth could be a winter child. But Levi was sure he memorized the date right. It was an important one for him, after all. Levi fought to make sure he had enough time to get ready for celebrating her birthday. She deserved nothing more than a perfect day. Hange had been more than understanding, the wound left by losing Moblit still fresh in their heart.
Levi put the bouquet of twenty-two golden roses on the frozen ground. “Happy birthday. Twenty-two, huh? You`re turning into an old woman, Ral.” The irony of his words made a slight pang of guilt rise in his chest. The passing of time would never touch her again.
“I have your favorite”- he said, lightly shaking the box containing a small vanilla cake. Sugar was a rarity, but getting a cake was an unspoken rule in his squad. Their lives were too short to worry about the money. The first thing Levi noticed about Petra was the faint flower smell emanating from her. The first thing after setting his eyes on her clean nails, of course. On her first birthday that they celebrated as a squad, Levi gifted Petra a bottle of scented body lotion. And some high-quality cleaning rags, of course. But she did not pay attention to that. She and the rest of the Survey Corps never knew how to appreciate the finer things in life. But Levi did not miss the way her face lit up when he noticed something she enjoyed.
“I could never understand your sweet tooth, but today, I`m going to have a slice of cake.” Levi always refrained from indulging in this vice. Having grown unaccustomed to sugar, the idea of sweetness was unappealing to him. He always felt bad for disappointing her each year when she sat in front of him, with a small piece of cake she had cut for him. “Or two slices. Two is more appropriate anyway. If I get cavities, it`s on your ass.”
The ground was too cold for him to sit down on, and Levi made a mental note to build a small bench close to her headstone. He opened the box and eyed the cake wearily, considering if he should change his mind. He took a small bite of the cake, and he almost choked on it. “Oi, this is so damn sweet. How the fuck could you eat so much of it?” But it did not stop him from finishing his slice.
Levi expected to find some flowers lying in the snow or at least some tracks leading up to her grave.
“Does your old man still come around? I`ve never crossed paths with him since the expedition.” Sometimes, when he closed his eyes at night, he could still recall Mr. Ral`s pained expression when he realized there was no one left for him to wait for.
“Maybe it`s for the best. I bet he doesn`t want to see me again.” To see the face of the man who was supposed to protect his daughter. The face of the man his daughter wanted to devote her life to. The man who could not even bring him a body home to bury.
“I`m a shit. Ruining your birthday with talk like this.” Levi was never good at this. In his spot, Eld would have teased Petra about her first expedition. Tell her how now that she was a big girl, she ought to refrain from soiling herself again. Petra would turn red from embarrassment and elbow Eld in the ribs. Gunther would point out that despite their age, they are still children. And proceed with teasing Petra himself. Oluo would try to defend Petra`s honor to gain her attention, which would make him the target instead. Levi gave a small smile at the thoughts. He missed them dearly, more than he would ever care to admit.
Levi crouched down and cleared the layer of snow covering her headstone. He ran his finger alongside the letters of her name, wishing he would have had more opportunities to write it down.
“Happy birthday again, brat.”
The last time he visited her, Levi had company. Gabi and Falco did not give it another thought before offering to help him see her again before they would all leave for a new life. A better life, he hoped. But without her by his side, it was never going to be perfect. Gabi set down the flowers before they gave him privacy. While they never asked him about who she was, they knew Levi must have cared for her a great deal.
"Hi, brat. It`s been a while."
He had so much to say to her, and yet, he did not know where to start. A part of him expected to join her during the last battle, but fate always had something new in store for him. Levi was uncertain if it was luck by his side or a curse to watch everyone he ever cared about die. But life was looking brighter, and Levi promised himself he would never lose anyone again.
"Are Hange and Erwin with you now? How about the guys?" He wished for nothing more than to be there by their side. But Levi knew they would never forgive him if he did not try to live the remainder of his life to the fullest. And for them, he would try.
"Does Oluo still bite his tongue? Did he try to flirt with you again? Is Eld still teasing you? Does Gunther still treat you as a little sister?" Levi chuckled at the memory of their antics. He learned the hard way that he never appreciated them enough before he lost them.
"I hope there is an afterlife. I hope it`s peaceful. You all deserve it. Such a shitty end..." He closed his eyes and sighed at the words coming out of his mouth. "I`m sorry, I didn`t mean it. But you already knew that. I was always an open book to you."
Levi felt guilty for leaving the home they bled for behind, but if he were truthful, it had not felt like home to him for years. With no one left by his side, nothing was keeping him in Paradise anymore. While neither of them voiced it out, he had dreamed of a future with Petra by his side. And for her, he would try to live a long and happy life. Before he got to be with her.
"I`m sorry... for the future I never got to offer you. The one you deserved. I`m sorry for the house I never got to build for us, for the vows we never got to take, for the brats that will never play in my backyard." Levi knew Petra would encourage him to find love, but he never would again. He could never imagine a future by someone else`s side.
Levi glanced back at her grave for one last time before he set out for the remainder of his life- "I`ll see you soon. Wait for me."
ao3
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mediapasta · 1 year
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How Google Ads pump your SEO efforts
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dailybayonetta · 2 years
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what are your thoughts on gifmakers having a ko-fi? do you feel like it's profiting off of someone else's work? (whether it be movies, shows, animes, video games, etc) a mutual of mine is considering creating one but is afraid of the potential blowback. what do you think?
I mean, technically, people do this all the time, like, look at youtube essays and all that with their patreons, artist selling prints of a fanart, it isnt illegal to monetize your content even if it's a property based - unless you got copyright striked or DMCAed from a start, or you originally know the owners of said property copyright anything they see (look at most anime owners or Nintendo who's very strict with fan games and all that, or Genshin devs who require for you to fill what you do and how you do and where u sell it). Fair use does exists after all and gifs, I as much I know, do fairlu fall under that category. To the point that to promote stuff nowadays with gimmick accounts on twitter, that do make gifs for people to use and make gifs with official watermarks and etc, even though that’s what tumblr usually does but for free or hence it might even be just stolen content but people still like to speak as if this site is dead
And, I still think that kind of way (patreon/ko-fi/donations) of profiting IS miles better than what tumblr tried to do with it's subscrtiption posts and else. Like of all sites there it shouldn't be a thing, it's this one (hell, it's not even working properly 80% of the time). Not only tumblr is probably not going to protect you on your fair use, but overall the way your work isn't secured is like... whatever. At worst you'd probably got deleted and be done with it.
Honestly, back in the day (flash to stuff before 2017, as i got into making this blog) I would probably say that people trying to profit off gifs is silly or that it's not going to happen, but simply because I was giffing for fun and my works were usually pretty simple.
But once I started doing more complicated stuff and trying running dedicated blogs and being part of networks, I released how much of the time it takes put the actual sets on the consistent basis (along with answering to people, because I felt like talking too), hell, even on weekly basis it's was time consuming, you know? Finding good footage (or recording as i did to make it crisp as possible, or if it's shows for example getting somewhere bluray/DVD version, or taking time to restore old stuff so it would look GOOD), writing subtitles with no mistakes, making sure that gifs didn't scaled past 4MB (ah, old times), hoping that gifs would appear in the tag, or making something specific that barely few people would reblog but you still would make that because u just want and many more things people while giffing, despite staff constant efforts of making their tagging system and site worse. 
Like, I’d still probably wouldn’t do it, but I can totally get behind and see why people would open ko-fi or take donations, like it’s still just like the art posting, or video editing and different kinds of work and considering that users of this site like to ignore reblog button, always did, but in recent history even more, I can’t even be upset in any way and kind of sympathise with people who would probably open a patreon and ko-fi or something. 
Answering your question - I would probably say it would only backfire if your mutual is doing Disney shows/content or something (which I also doubt), do seen plently of people doing it and so far no big problems whatsoever. 
And just like I said, considering twitter is just a bunch of tumblr stolen content (the amoung of times I’ve seen gifs from my blog being reposted there, as if it’s original post or something, with no appreciation whatsoever or recongising mutuals gifs because i remember their URLs and twitter doesn’t even bother) and not mention that people just straigh up screenshot your gifs and post it to instagram (I’ve even been asked by someone if they are allowed to do so), I think people sure can be allowed to get something in return. For sure. 
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baconpal · 3 years
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pokemon rant time
this one’s about the 2 new things, and is at least slightly intended for people actually excited/interested in them, click keep reading or perish
Gonna try and keep stuff short cus there's a lot of topics this time and I've already gone off about how pokemon Isn't meant for me or meant to be a good video game anymore, but gamefreak is right back on their bullshit, so I feel I need to at least point it out.
I'd like to preface all this with, if you are a fan of pokemon still, please realize you can ask for more out of this series. Expect perfection, even if you don't think you'll get it anytime soon. Pokemon won't go anywhere, the old games won't go anywhere, and gaming is a hobby, not a necessity; don't accept low quality products from a company just because you feel like you're supposed to.
With this next wave of pokemon games, gamefreak is clearly testing how little they can put in to a $60 game while still keeping the 2 major audiences they've cultivated. By responding to the most obvious and vocal complaints from the community, gamefreak is aiming to make games that seems like what most players want, without having to put in the work on quality products.
GEN 4 REMAKES Pokemon BS (I am not calling this shit BDSP) is intended for the audience that put up with let's go and RS remakes. The most vocal and obvious complaints for these games is their failure as definitive versions of the games they are remakes of, such as missing features/content, or drastically changed story/dialogue/style. In a way, the recent remakes are inferior versions of incredibly old games, which shows a lack of improvement in pokemon as a whole.
To address these issues, BS is very, very, VERY clearly aiming for a more 1-to-1 recreation of the DS games, but with fully 3d graphics. Clearly the map layout has been transferred exactly, and gen 4 already had mostly 3d environments to begin with, and everyone knows about the future-proof pokemon models at this point, so the amount of effort required to create something like this is absolutely minimal. Assuming dialogue, trainer teams, move lists, etc. are also lifted directly from DP, then this game could be developed in basically no time at all, leaving the team time to ensure the product is of decent quality and includes ALL of the content of the originals, if not more, like the earlier pokemon remakes did to ensure they were truly definitive versions of the games. That being said, it is unlikely the team behind BS has been making use of this saved time to improve the game.
One failing already clear is that the quality is not very good, at least graphical quality. The footage we have shows environments lacking in color compared to the original, with messy, unpleasant textures that contrast poorly with the simplistic environments. The characters especially do not work. As cute and fun the fanart of tiny dawn has been, BS dawn and all other characters look awful. They have gorilla arms that reach down to the floor and lifeless faces, as well as incredibly stiff/simplistic animations. As it stands, BS is a visually inferior game to DP, though most consumers will simply see it as 3D>2D without any understanding of what an artstyle is, so this might not be a problem for many, but that doesn't mean you should accept it.
What remains to be seen is what content will be added/missing from pokemon BS. It is very possible that massive parts of the game, such as the underground, variety of online modes, postgame areas, and content from platinum could be missing entirely. We also do not know if pokemon from after gen 4 will be worked into the region, or even supported. Gen 8 still currently does not support a large number of pokemon, and the remakes may continue this limited dex trend.
Even assuming the remake includes everything from the DS games and doesn't add anything that slows down the story or harms the experience, it will still only be an exercise in forced obsolescence. The main reason people can't really play DP still is that the online isn't supported anymore. If BS turns out to be exactly the same as DP, then you're buying the same game for at a higher price, only to play it until the online service goes away again, or the next game comes out, if both don't happen at the same time.
Don't let yourself buy a 13 year old game at twice the original price.
GEN 4 NOT-REMAKE KIND OF NEW THING On to legends now, gamefreak is targeting the people who put up with sun/moon and sword/shield. The obvious problem with those games to most people was simply a lack of change from the standard pokemon formula. Even when changing the gyms to trials or stadiums, most people still understand that the format and story structures are mostly unchanged. Of course, this problem has seemingly been addressed by changing the game structure a fair bit, but almost entirely by removal.
Trainer battles, and by extension, gyms and tournaments/elite 4 have been confirmed to be absent, meaning all battles are only vs single pokemon, in spite of the player likely having a team of 6 pokemon. Even if battle difficulty is increased to compensate (doubtful), this will still drastically increase the simplicity of combat and make it even less likely for the game to include any meaningful challenge. Exploring towns and meeting NPCs is also seemingly missing, as the game is confirmed to have only a single village, which frankly looks incredibly boring and we've yet to see a single NPC inhabiting the village.
Battles now use an ATB format instead of a turn-based format (for those of you who don't know what that means, it basically means nothing, it's still turn based, it just means the speed state determines who gets more turns instead of who goes first, that's it), but beyond that there seems to be no noteworthy changes, pokemon learn 4 moves with limited PP, type advantage will still definitely be the most important aspect to battle, and the player being able to walk around during battle provides no meaningful impact. While the little dash the pokemon do to approach each other is cool, it is already a sign that gamefreak will not be addressing the issue of lacking animations for pokemon battles, as they can't even be assed to animate and program pokemon walking around the environment during combat, and lucario doing 1 kick for a move described as a series of punches isn't a great sign either.
On the topic of lacking animations, the new "pet simulator feature" for legends seems to be an advancement on the ride system from sun/moon, which presumably people missed from sword/shield. Being able to ride on your pokemon to do stuff sounds cool, but in all likelihood, this system will be limited to only a select few pokemon who will each do a select few actions, and is not a reasonable replacement for all the other pet raising features that have been removed in the past. Similar to BS, the total number of pokemon included may also be limited arbitrarily, in spite of the fact that no new pokemon need to be added, as these games are not claiming to be a new generation.
The largest issues I personally have with this new game is the horrible technical quality and gameplay quality shown in the initial trailer. Unfortunately, these types of problems seem to be difficult to explain to the average consumer, even though the issues seem incredibly obvious and inexcusable to people like me.  Most people were able to understand the problem with the berry trees in gen 8, because it was easy to explain, "this tree doesn't look like the other trees, and it sticks out, isn't that weird?", and so gamefreak has eliminated any immediately obvious issues like that, sticking with a very consistent artstyle for legends, making it almost impossible to easily explain its faults to the average pokemon fan.
People have been really quick to compare legends to BoTW; the game that invented grass, trees, and mountains. In spite of these comparisons, nobody seems to point out that legends looks dramatically worse than that almost 5 year old game from the previous generation. Plants are stiff and lacking in energy, draw distances are poor, colors are drab, and textures are messy. Many parts of legends seems to ape BoTW on just the surface, essentially just following market trends. Even the controls seem to follow after modern 3rd person shooters/stealth games, including a seemingly pointless roll and a clunky looking ball lobbing arc that feels unfun before even getting to play it myself.
The largest issue, painfully obvious to some, and impossible to explain to others, is the framerate. The trailer clearly was ran on actual switch hardware, and not prerendered, which would be a good mark for gamefreak if it didn't result in a trailer that never once hit 30fps. Even with empty fields, with only 1 or 2 characters on screen, the game was incapable of meeting the target speed, and had to resort to optimizations like reducing the frame rate of pokemon only inches away from the player to stop-motion levels of choppy. If situations with almost nothing going on result in slow-down, how will the game perform during actual gameplay? Even though slow-down is something everyone can feel, many people aren't capable of identifying it.
The major things to wait and see for legends is if the removed aspects of the series are made up for by some additional systems or content, and definitely wait to see if the performance improves. As with BS, preordering a game like this only shows that gamefreak only has to market the game by saying it's different, not improved, like they've been doing for years now.
TL;DR FUCK GAMEFREAK One major thing of note is that gamefreak is releasing 2 games based on gen 4 at the nearly the same time, meaning they have no obligation to design new pokemon or even include pokemon not from sinnoh, and also that the sales of each game can be used as an indicator for which of their 2 audiences is more loyal to them. Both BS and Legends are in a position to be pushes aside if they fail, but if either succeeds, gamefreak can continue in the direction of the more successful game and reap the benefits, without any need to innovate, improve, or adapt to criticism.
The last thing I feel I have to remind people about is that gamefreak is a company; you don't need to be "grateful" to them. I've seen that word thrown around far too much by people who seem to buy pokemon games like its a tax, and not something they want to do. You don't have to suck up to a company that made games you liked as a kid if the games aren't what you want anymore. Pokemon is so wildly successful that it can't possible die, so don't buy the games out of pity, or out of some feeling of obligation. Buy the video games you want to play and nothing more.
Basically, if you are considering getting any of these new games, please wait until the games are out before purchasing them, and decide for yourself if they are worth your money, and more importantly, your time. Preordering these games only lets gamefreak know their audience will buy and put up with anything. They have no real competition at the moment, so the only thing the audience can do to encourage improvement is show some of restraint.
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