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#The most underrated character
rowenas-my-fave-child · 5 months
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A sketchbook spread of some very cartoony paculiers
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Each page
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Close ups
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gideonthe9 · 2 years
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if bhumika has a million fans, i am one of them. if bhumika has ten fans, i am one of them. if bhumika has one fan then it is me. if bhumika has no fans, i am dead. if the world is against bhumika, i am against the world
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littleulvar · 2 years
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some older art of my favourite grave cleric
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hersweetrevenge · 1 year
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gendrie · 8 months
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arya underfoot is my fave sobriquet in asoiaf. i love love love it. arya is "dubbed" underfoot by her father's men. its a sign of affection between the men who served the starks and arya who took in interest in them. she had a close relationship with all of the people in winterfell and this name is an enduring part of that.
arya says fat tom came up with the name. its one of the last things hullen says with his dying breath. when his son harwin recognizes arya its what he calls her while holding back tears. even in adwd jon and theon both think of her as arya underfoot.
its a name arya likes which is why its frequently used in contrast with horseface - a name that made her feel like an outsider. arya underfoot, though, is a gesture of arya being embraced by her community. it really feels like the truest essence of her character.
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ladyhawke · 1 year
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CATELYN TULLY STARK + 6 lines/thoughts that didn’t make it to show and 1 that miraculously did
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sundogmaniac · 30 days
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crowbar in a dress ::3
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superxstarzz · 5 days
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do you think you could draw the sprites (like, erisol, arquius, fefeta, tavris) in their combined god tiers? if not, just the god tiers themselves..
OH. HELL. YES. AN EXCUSE TO DRAW THE SPRITES??? SIGN ME UP!!!!!
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adelrambles · 6 months
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Tips on Writing Bishop
I've been asked a couple times for advice on how to write a good (03-style) Bishop, and I'm well-aware he can be a bit tough to get a grasp on. As someone who's studied him specifically to learn how to write him as accurately as possible, I figured I'd compile some thoughts in case it'd be helpful to anyone else. I know a lot of Rise takes on him are basing off the 03 version, so maybe this could help generate ideas, too. SO!
Big Overall Points!
At the core of EVERYTHING Bishop does are two primary motivations. The first: the protection of the earth. What this means to him can get tricky, because it doesn't necessarily mean protecting the people, at least not all of them. But it will be better understood alongside the other:
The second: The protection of his sense of safety. Bishop has been deeply traumatized, and everything he does is born of a want to avoid that pain ever again. In his mind, earth is a safe area, a controllable factor, and anything outside it is a danger that must be eliminated. This is why he will still be willing to put himself and other people on the line in service of this; any sacrifice is worth the greater goal. (It's worth noting, Bishop will claim the first as his motivation freely, but is likely not consciously aware of the second.)
Bishop deals in Big Picture ONLY. Another reason Bishop will willingly throw away anything, including the lives of the people he claims to protect, is that he seems incapable of understanding things on a small, individual basis.
Bishop is a cold personality. He does not have strong displays of emotion. He does emote, but for the most part it's muted, so I recommend using emotional bursts very sparingly. (In my own writing, as an example, I try to limit my use of exclamation marks in his dialogue as much as possible.)
At his core, Bishop is afraid, and his response to fear is aggression. This also makes it particularly difficult to talk him down, if he's put in an emotional state. His response to not being in control is often violent retaliation.
With those basic tenants understood, let's move next to some major personality traits:
Bishop is a controlling personality. This is a direct result of his trauma response. Things that can be controlled are safe, therefore he must control everything. If something cannot be controlled, it's a threat that must be eliminated. If he doesn't know why something happened, he becomes angry (including even when it benefits him.)
Bishop is very low-empathy. When writing him, I try to keep in mind that he cannot put himself in the perspective of others. (Or if he can, he doesn't care to.)
Bishop is a sadist. He gets personal enjoyment from hurting others.
Bishop likes fighting, but only when he's winning. He will quickly leave if he can't see a guaranteed victory.
Bishop is paranoid. This is probably self-evident, but it's the reason he's often so well-prepared even when things don't go to plan.
Bishop genuinely seems to enjoy science. He's shown to be far more lenient with scientist characters than anyone else, and he seems to involve himself in his scientists' projects to a degree. Enough to, at the very least, understand their work. (Given he was the one set to dissect the turtles, it might also be argued he has some medical or biology background, himself.)
Bishop is an opportunist and scavenger. He can roll with failures as long as he can find something to get out of it. If he's presented with an opportunity to stab someone in the back, and he has something to gain? He'll take it without a second thought.
Bishop is deeply self-blind. For all his perceptiveness and strategic prowess, Bishop is not very self-aware in the slightest. He is completely blind to his own hypocrisies, and thoroughly confident in his own righteousness.
Bishop adapts fast. He accepts situations for what they are and acts (Though he may still be angry about them, or what have you.) This is likely a skill developed via longevity; the world around him has changed rapidly, but he doesn't feel out of place at all.
Bishop will take extreme risks and thinks wildly outside the box. Also self-evident, if you're familiar with the plans he enacts throughout the show. He'll put a lot on the line if he thinks the reward is worth enough, and he's willing to go to extreme lengths to get what he wants, even if his plans would be considered crazy by normal standards.
Bishop is persistent. If he wants something, he won't stop until he gets it. If he fails, he'll retreat, make a new plan, and try again. It is very difficult to convince him to back down (and certainly not on moral grounds.)
Habits and triggers I've noted:
Being restrained of any sort puts Bishop in a panic. He is more likely to have an emotional response in these scenarios, and seems to have (an albeit muted) desperation to escape. (See: Leatherhead restraining him in the first encounter; His reaction to being trapped on the surgical table in Head of State.)
When being duplicitous or suppressing a reaction, Bishop will go to adjust his tie. This could possibly be considered his tell.
Bishop seems to have a particular fear of aliens blending in as humans. His slayer project was built around the assumption that this is a common threat. (Worth noting: This makes The Shredder the model of the exact threat Bishop is afraid of. Technically, Bishop himself may also fit the description of a threat shaped like a human.)
Writing considerations:
In 03's narrative, Bishop is EPF and EPF is Bishop. Narratively speaking, any organization Bishop is head of acts as if it is an extension of his will and character.
Bishop is shown to strike fear and/or discomfort into most characters he interacts with. Anything beyond this is an outlier, and will draw a reader's attention.
Dialogue-wise, Bishop is generally succinct and blunt. He does dabble in gloating, though, and especially likes to upset others. If he's given a chance to be mean, he'll usually take it. It can help to consider he has a Mission Mode and a Normal Mode. When it comes to Mission Mode, he gets straight to the point and hates unnecessary talking. Otherwise, he's still not very talkative, but will take the time to make pointed jabs or talk through a plan. A lot of his sense of humor seems to be rooted in how He's Better Than You (And You're Going To Die Painfully.)
It's a common pitfall that Bishop is depicted as seeking out the turtles. In 03, once he gets their DNA, he's done with them. Any encounters after that are incidental. Bishop does not care about anything that won't effect his greater goal. If he's targeting another character, it should have to do with a greater plan.
Bishop is an extremely competent combatant, shown to be able to handle up to 7 opponents at once. For a breakdown on his fighting style check out my other post on that!
Bishop is hard to kill, and oftentimes he accidentally contributes to his own defeat. (The hook from Bishop's Gambit is an example I get a LOT of mileage out of, as a perfect symbol of his self-defeating prophecies.)
We almost only ever see Bishop in the context of his work. While it could be construed that he depersonalizes himself, it's much more clear that the narrative depersonalizes him. As far as we, the audience know, Bishop's work is all that he is.
It's unclear if Bishop was released from his abduction or escaped. Depending on which you ascribe to, this can have ramifications for his mindset on how to deal with the alien threat. (Personally, because so much of his inability to cope hinges on a feeling of helplessness, I believe he was released. If he escaped on his own power, that undercuts it, somewhat.)
Thematically-speaking, Bishop parallels both his own torturers and his own victims at the same time. He has perpetuated the cycle that traumatized him in the first place by trying to fight fire with fire. (In that vein, I don't think he's capable of understanding that, not seeing aliens as people in the first place, just dangers. Considering how deeply ingrained his trauma is in his worldview and actions, it would probably ruin him, if he were ever able to actually grasp it.)
Bishop and EPF are likely a commentary on the military of the time 03 was coming out. This can be something worth keeping in mind, when figuring out his greater themes in your story, though it can just as well be discarded if it doesn't fit.
Adding to that, Bishop has an extensive american military background. His skills and knowledge will reflect that.
Bishop also plays on and references a number of real-life alien conspiracies. It can be worth digging through conspiracy history to drum up ideas and themes, too.
The ethical and philosophical quandaries of Bishop's body-hopping and humanity tend to not hold too much weight, because Bishop, himself, doesn't seem to care.
If I think of more I'll certainly be adding on to the reblogs of this post! Or, if you have more thoughts, please feel free to add! If you're in the mood for more Bishop ramblings, that's practically most of this blog atm, but this post is a particular favorite. If you're interested in Fast Forward!Bishop, specifically, consider this post! (also read Taking Pawns. slipped in that self-promo, nice.)
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andradrawsstuff · 1 month
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She’s funny
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But soooo underrated
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616witch · 2 months
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it's not the powers that set us apart, but the courage that binds us together.
(not a ship edit, just a tribute to an underrated work-dad and work-daughter duo)
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infamous-if · 1 year
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O kay okay okayaoakayasysayas Since Rowan isn't going to be a LI can we please get his POV reaction (deep crush stage) of MC going over to him to tell him that MC is in love with one of the other ROs? Pleasee I need the angst and I love Rowan and am sad we won't be able to romance him!!
I was listening to favorite crime and kind of went a bit overboard. Please excuse this lengthy and angsty-ish drabble. Aha.... 🤒 ill keep it short next time
The soft notes of Rowan's guitar--affectionally dubbed 'Betty'--rises above his head, filling the silence of his hotel room. He strums aimlessly, absently, his fingers having a mind of their own as they move, creating a random melody that's oddly soothing. Or maybe it's the very essence of his guitar--he always feels more grounded, centered, with Betty in his hands.
Rowan's gaze remains unfocused as he plays, his head tilted, legs crossed on the balcony that overlooks the sleepy streets of their latest tour stop. A soft, pleasantly warm wind curls around the messy strands of his hair, locks sweeping across his forehead like a caressing hand. As the melody takes hold, going from mindless practice to something that sounds like it can be the bones of a real song, he closes his eyes.
Rowan has never been a good singer, but you don't need to be a good singer to make people feel something. He's learned that from the best of them.
I wonder if MC would like this.
The thought of his best friend makes a low groan sound in his throat, and with a huff he pauses the recording of his phone. Suddenly Betty's romantic notes feel like a taunt, a blade to his heart with every reminder of what he and MC are not. They're not together. They're not anything more than friends.
They're not what he wants them to be.
He knows he shouldn't feel this way about them. They're friends. They've been friends since he still thought fart jokes were funny and he had no bass in his voice. That's all they've always been and all they will be: friends.
The word has never sounded so terrible.
Still. If only...
His phone buzzes with a text and he sets Betty down. That blade in his heart only twists when he sees who it's from.
Of course. Did my thinking manifest them? The thought induces both a laugh and a sharp hint of misery from him.
He reads the text: Open your door.
He turns his upper-body to face his door, bursting up once the realization flows through him. He glances at himself in the mirror on his way there, making sure his pajamas are at least semi-presentable. It's MC; they've seen him in worst states, but level of comfortability changes when you want someone to see you in ways they've never seen you before.
In other words, he needs to look good.
Rowan heaves a breath before swinging open the door, remembering to keep the easy smile on his face. MC still looks good even at twelve a.m. after an entire day on the road. It's almost unfair.
"Heyyyy." He grins, trying to appear light. "To what do I owe the pleasure?"
MC rolls their eyes. "You're not busy, are you?" They lean over to peek behind Rowan's shoulder, their eyes settling on an abandoned Betty. "Working on something?"
"Nah." He scratches his neck, self-concious. "Just fooling around. What, you need to talk about something?"
MC pushes past Rowan's shoulder to breeze inside, throwing themselves on the bed with a huff. "Iris and Devyn are out and I need to talk to someone."
Rowan takes a seat next to them, snorting. "So I'm the third choice?Wow."
They prop themselves up on their elbows, strands of hair falling in front of their face. Rowan has the terrible urge to lean over and push them away. "You're not exactly the 'serious talk' kind of person."
"Serious talk?" He gapes. "Yes, I am! I'm capable of being serious, you know. I'm not an asshole."
With a laugh, MC rolls over on their stomach and groans into Rowan's pillow. Now his curiosity is officially piqued. What could have MC so...like this?
"What's up?" Rowan's following laugh is both nervous and amused. "Did something happen with Seven?" Seven and MC have been a bit...all over the place since the beginning of the tour. He hardly knows what to call it. "Or did Orion lecture you again?" Orion is another one. That man has been relentless since tour started.
MC shoots him a look before sitting up, copying Rowan's position. His eyes flicker down to where their knees touch, to the proximity that's gone from the size of the bed to none at all.
They've been close like this before. No, scratch that. They've been closer, but this is different. This is different because everything is different.
"You know you're my best friend, right?" MC says, putting their hands on Rowan's.
He clears his throat, the skin under theirs burning with their touch. "Yeah...?"
"And we can tell each other everything?"
"Yeah." He quirks a brow at them, trying to stifle their humor. "Are you dying? Please don't tell me you're dying. You haven't even gotten rich yet to leave me anything in your will."
MC laughs but it comes out a bit uncertain. High-pitched. Rowan knows them. The same way he knows Iris and Devyn. He knows all of them like the back of his hand. So it only takes him another second to realize it.
MC is nervous.
His heart does a weird somersault in his gut.
"I have a secrettttt," MC sing-songs. Even as a joke they still manage to sing with perfect pitch.
The four words are enough to shake his very world, but he manages an eye roll. "Fucking hell, we're not twelve. Just spit it out."
"Sorry." MC palms their face, a nervous laugh escaping them. God. This must be serious for MC to be nervous in front of him? Rowan has never really gave anyone the impression of a harsh judge. Hell, he's always been an open book. "I just...I'm in love with [RO]."
He wished he didn't rush them. He wished he didn't hear those words at all. He's half tempted to grab it from the air and shove it back into MC's mouth so they can pretend it never happened.
"What?" is all the fuzz in his brain can spit out.
MC throws their self back, a wildly breathless laugh escaping them. The sound is even better than Betty's notes. "WHEW. That felt good to say it. Is anyone hot in here? I know I am."
MC keeps babbling but all Rowan could hear is a white noise in his head. MC is in love with RO. MC is in love with them.
MC is in love with someone that's not him.
"I just needed to let that out." MC huffs, gazing around the room. "You should invite me next time you play. You know I like seeing you finger Betty."
Rowan can't even laugh at the dirty inside joke they've had between them since he bought Betty years ago. It suddenly makes him feel wholly small and largely ridiculous: Rowan will never be the person for MC. He will always be the goofy best friend that makes stupid, childish jokes about fingering his dumbass guitar and the one MC goes to when Devyn and Iris aren't available.
He's not even the second choice. He's the fucking fourth.
As if noticing the change in atmosphere, MC awkwardly purses their lips and says, "I should probably get back to my room and get some sleep. We have an early start tomorrow."
He blinks, managing a small nod. "Uh-huh." He runs a hand through his hair, feeling naked without his hat. "Right."
They stand and shoot Rowan a final look. "Thank you," they say after. a moment, "for being my friend."
He's really starting to hate that word.
But he smiles anyway. "Yeah. Ditto."
MC grins, spinning on the heel of their foot to leave the room. Rowan follows, waving lamely at them and watching as they disappear down the hall, whistling a merry tune. It's true; it does feel like a weight was lifted of their shoulders. They walk with a hop in their step. Rowan hates knowing it was RO that is responsible for that.
With a sigh he closes the door, leaning his forward against it. Spinning on his shoulder, he looks up at the ceiling.
"I need to get laid," he mumbles.
Though he has a feeling that won't do much to solve the problem in his heart.
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palecryptid · 9 months
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wyll wants to talk 💜✨
(commission for @bladeofavernus)
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ssaraexposs · 27 days
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Lucy my dear Lucy
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kagoutiss · 1 year
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what if undercover sheik au had a cute sheik/malon subplot….more likely than u think………
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k4pp4-8 · 1 month
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Who's your fav out of Rad, KO and Enid?
RADICLES!!!! I love KO and Enid but Rad has always been my favorite out of the three!! Mostly bc I think he's the funniest one and I'm enamored by his patheticness and his :3 smile
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