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thedepartmentofdiscoveries · 7 months

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#the australian women's weekly #1970 #sophia loren #wigs #wig #green hair #italian actress #Alexandre of Paris #alexandre of paris wigs #Tazio Secchiaroli photography #Tazio Secchiaroli

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nobrashfestivity · 1 year

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Tazio Secchiaroli David Hemmings and Veruschka von Lehndorff in “Blow-Up” (directed by Michelangelo Antonioni) 1966 Filmstill Source: BFI stills, Art Blart © New Visions Film Distribution GmbH / Turner Entertainment Co. – A Warner Bros. Entertainment Company. All rights reserved.

#tazio secchiaroli #michelangelo antonioni #blow-up #photography

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kitsunetsuki · 2 years

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Tazio Secchiaroli - Sharon Tate for the film “Eye of the Devil” (1965)

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fashionbooksmilano · 3 months

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Paparazzi Fotografi e divi dalla Dolce Vita a oggi

Photographer and Stars: from the Dolce Vita to the Present

a cura di Walter Guadagnini, Francesco Zanot

SilvanaEditoriale, Cinisello Balsamo 2017, 136 pagine, 190 illustrazioni, 23x28cm, ISBN 9788836637874, Brossura con alette,

Italiano, Inglese

euro 38,00

email if you want to buy [email protected]

Pubblicato in occasione della grande mostra a CAMERA – Centro Italiano per la Fotografia, il volume ripercorre la storia e la leggenda dei “paparazzi”, fenomeno fotografico e di costume nato negli anni in cui Roma era diventata “Hollywood sul Tevere”. Attraverso oltre 190 immagini, si susseguono le figure dei protagonisti di quella stagione, soprattutto i divi e le divine del cinema, e i racconti fotografici delle notti brave di Via Veneto tra gli anni cinquanta e sessanta. Le fotografie di Tazio Secchiaroli, Marcello Geppetti, Elio Sorci, Ron Galella e di tanti altri protagonisti di quelle vicende compongono – insieme alle pagine delle riviste in cui furono pubblicate – un affresco della comunicazione popolare del tempo. Terminata la stagione eroica dei paparazzi, quel linguaggio diviene un codice, utilizzato in diversi contesti artistici e commerciali, come dimostrano le immagini di protagonisti della scena fotografica odierna come Alison Jackson, Armin Linke e Ellen von Unwerth, che chiudono il volume.

Torino, Camera, settembre 2017 - gennaio 2018

08/03/24

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sleepydrummer · 2 years

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Sophia Loren and Richard Avedon Rome, Italy Tazio Secchiaroli crédit: Art Book

#italo zannier #sophia loren #richard avedon #tazio secchiaroli #italian photography #italy #rome #1966 #photographer #photography #coke-bottle glasses #1960s

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sarahcusniriuc0 · 2 years

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Connect

F5.6 1/500

The Connect building in our innovative campus facilitates a “one stop shop” approach to student administration, co-locating academic management with student services. In this exercise, I discovered valuable insight into what photographers' call “Exposure”.

Personally, I believe that the building has an unusual and unique appearance. From the architectural structure to the large, misshapen and bright stained glass, the Connect building is portrayed as an open and friendly environment. It could possibly even resemble a place of comfort in some sense, as everything is transparent, and like a greenhouse, everything inside is warm and flourishes. No problem remains unsolved.

Through this exercise, I have learnt about the ‘reciprocal nature between Shutter Speed and Aperture and how they affect exposure.’ I found it very interesting how different combinations of the two will give the photographer different or the same result in exposure. For example, I took this photo at F5.6 and shutter speed at 1/125. That is because it was a bright sunny day, and I didn’t want the photos to be over-exposed. If I was to bump up the aperture by +1 Stop, then my photo could have been under-exposed.

Panca Colorata

F5.6 1/80

The campus is speckled with radiant benches. Looking at them coated with fresh water drops gave me a refreshing feeling, almost as if I could feel the cold water against my palm, as I would swipe the water away. I appreciate the addition of colour because it reminds me of my childhood. I remember studying on these boring, brown benches that made studying more miserable than it had to be. I think that with a splash of lively paint, inspiration ca also be splashed in the lives of students studying on these benches. I used a longer shutter speed to achieve a brighter result.

It was an exciting experience, because with all this new information, I saw my horizon and opportunities in photography be brought up to a new level. Now I would have the possibility to control the feel and look of the resulting image. In one photo I can create a more nostalgic, bright, dream-like photo, and in another I could make it dark, eerie and mysterious.

Paparazzi

F5.6 1/100

Paparazzi were known as “intrusive photo” by the late 1960s. In the 1950s, Via Vaneto in Rome was the hottest place for all movie actors around the world. One Time magazine reporter called it the “The Hollywood on the Tiber”. All the profit ‘Cinecitta’ was making from movies stayed in Italy, so they invested it all in more movies. Tazio Secchiaroli was one of the first freelance photographers to start taking pictures of celebrities, because he realized that scandal pays.

I learnt that stops are the doubling or halving of the amount of light let in when taking a photo. Therefore, if you were to increase the exposure by 1 stop, you are going to capture twice as much light as on the previous shot. The same goes for when you decrease the exposure by one stop. To be more practical, I understood that you must turn the dial on the back of the camera three times to change by one full stop.

Sous le Pot de Fleurs

F8 1/80

I found the white Surfinias’ very sweet. The way light bounces off the feathery petals gives the picture a dreamy look, almost like a scene from a fairytale transition. My mother would garden every spring, and the new influx of vibrant and exotic flowers would decorate our home. I would feel like a character from the Studio Ghibli movies! In this photo I played with different values of aperture and shutter speed to explore how the exposure can be maintained at the same level but with different values.

To maintain the same exposure with different Shutter Speed and Aperture values, you must change both in equal and opposite directions. For example, if I have my manual settings at F8 and my shutter speed at 1/30, I could change the aperture by +1 stop and the shutter speed by –1 stop. That would give me F11 and shutter speed 1/15. Though if there are moving objects in my image, they may come out blurred as the sensor is exposed for longer. In that case, you could change the values the opposite way, aperture by –1 stop and shutter speed by +1 stop. That would give me F5.6 and shutter speed 1/60.

In short, I had a great time with this exercise of exploring the world of exposure. It’s amazing how light and darkness can affect the way we perceive the world, not only what we can visibly see and describe, but also what we feel and understand. They have the power to inspire us to do great things but also have the power to make us question ourselves, our intentions and values in life.

Here are some links that I used as inspirational sources:

Paparazzi – Nerd Writer:

youtube

Guide to Full Stops – Tata Rossi:

How colours make you feel – Allison S. Gremillion:

https://99designs.ie/blog/tips/how-color-impacts-emotions-and-behaviors/#:~:text=Strong%2C%20bright%20colors%20and%20neon,stand%20out%20from%20their%20surroundings.

#Youtube

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deletedx56 · 4 years

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Federico Fellini by Tazio Secchiaroli

#Tazio Secchiaroli #Federico Fellini #8 1/2 #la dolce vita #cinematography #italian #black and white #photographer #photography #film photography #photoblog #photoshoot #fellini #amarcord

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serafino-finasero · 5 years

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Claudia Cardinale, 1961 | photo Tazio Secchiaroli (Italian, 1925--1998)

#Claudia Cardinale #1961 #actress #film #Italy #Tazio Secchiaroli #actrice #actrice italienne #window #fenêtre #profile #photography

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thegoldenyearz · 6 years

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Brigitte Bardot on the set of Le Mépris directed by Jean-Luc Godard, 1963. Photo by Tazio Secchiaroli

#brigitte bardot #le mepris #jean-luc godard #Tazio Secchiaroli #1963 #1960s #60s #black and white picture #black and white photography #black and white portrait #B&W Photography #b&w picture #b&w portrait

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bwf71 · 6 years

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by Tazio Secchiaroli

#tazio secchiaroli #black and white #photography #vintage

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kitsunetsuki · 3 years

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Tazio Secchiaroli - Sophia Loren for Alexandre de Paris (Vogue 1970)

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pitturafotografiafilm · 6 years

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SOPHIA LOREN E RICHARD AVEDON, 1966 di Tazio Secchiaroli/David Secchiaroli

“come un buon cane da caccia non corre. Non saltella a vuoto. Aspetta con pazienza. Ma con tutti i sensi allertati che arrivi quell'attimo.” - Sophia Loren

#Pittura Fotografia Film #fotografia #photography #cinema #cinema italiano #sophia loren #tazio secchiaroli

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fashionbooksmilano · 1 year

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Bellissime

modi di essere della bellezza femminile a Roma nella fotografia del’900

da un’idea di Vittoria Carli e Natalia Paganelli

Testi di Federico Fellini, Massimo Di Forti, Antonio Mancinelli, Natalia Paganelli

Idea Books, Milano 1989, 40 pagine, 20 foto b/n, brossura, in 8°, ISBN 978-8870170696

euro 15,00

email if you want to buy :[email protected]

Mostra promossa dal Consorzio Moda Roma - Fiera di Roma Dal 4 al 23 aprile 1989

Questo libro presenta dei ritratti in bianco e nero di figure femminili che sono passate da Roma nel grande periodo degli studi di Cinecittà : da Lina Cavalieri a Ornella Muti, passando da Gina Lollobrigida, Ava Gardner, Anita Ekberg, Silvana Pampanini, o anche Anna Magnani, Isabella Rossellini, Allegra Caracciolo, Domitilla Ruspoli , tra le altre.

20/01/23

orders to: [email protected]

ordini a: [email protected]

twitter: @fashionbooksmi

instagram: fashionbooksmilano, designbooksmilano tumblr: fashionbooksmilano, designbooksmilano

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paolo-streito-1264 · 4 years

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Claudia Cardinale, 1961 , Tazio Secchiaroli #photography.

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eugenelacroix · 4 years

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Reposted from @photographersphotographed 📸 Richard Avedon and Sophia Loren by Tazio Secchiaroli, Rome, 1966 _ #richardavedon #taziosecchiaroli #portrait • #photographersphotographedrichardavedon #photographersphotographedtaziosecchiaroli #eugenelacroix1 #photography @eugenelacroix1 #sofialoren #blackwhitephotography https://www.instagram.com/p/CDMNrmpH0_I/?igshid=11xwdzunn8hxw

#richardavedon #taziosecchiaroli #portrait #photographersphotographedrichardavedon #photographersphotographedtaziosecchiaroli #eugenelacroix1 #photography #sofialoren #blackwhitephotography

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miss-rosen · 5 years

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Sophia Loren with wigs designed by Alexandre de Paris (2) | photography by Tazio Secchiaroli (Italian, 1925–1998) for Vogue US, April 1970

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