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#Anita Ekberg
hotvintagepoll · 1 day
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Just found out that Anita Ekberg once pulled a bow and arrow on the paparazzi when they wouldn't leave her alone and if that doesn't make her iconic as hell I don't know what does.
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This was brought up in a previous round but it's so good so here it is again. Anita Ekberg vs Xia Meng
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gatabella · 1 day
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Anita Ekberg, 1950s
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emeraldexplorer2 · 2 days
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atomic-raunch · 6 months
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Anita Ekberg by Andre De Dienes, 1955
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20th-century-man · 1 month
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Anita Ekberg / photo by André de Dienes.
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vintage-every-day · 7 months
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Anita Ekberg by Andre de Dienes, 1954.
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metropolicinema · 1 month
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silver-screen-divas · 2 months
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habit-forming · 4 months
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Anita Ekberg
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hotvintagepoll · 3 days
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Propaganda
Xia Meng, also known as Hsia Moog or Miranda Yang (Sunrise, Bride Hunter)—For those who are familiar with Hong Kong's early cinema, Xia Meng is THE leading woman of an era, the earliest "silver-screen goddess", "The Great Beauty" and "Audrey Hepburn of the East". Xia Meng starred in 38 films in her 17-year career, and famously had rarely any flops, from her first film at the age of 18 to her last at the age of 35. She was a rare all-round actress in Mandarin-language films, acting, singing, and dancing with an enchanting ease in films of diverse genres, from contemporary drama to period operas. She was regarded as the "crown princess" among the "Three Princesses of the Great Wall", the iconic leading stars of the Great Wall Movie Enterprises, which was Hong Kong's leading left-wing studio in the 1950s-60s. At the time, Hong Kong cinema had only just taken off, but Xia Meng's influence had already spread out to China, Singapore, etc. Overseas Chinese-language magazines and newspapers often featured her on their covers. The famous HK wuxia novelist Jin Yong had such a huge crush on her that he made up a whole fake identity as a nobody-screenwriter to join the Great Wall studio just so he can write scripts for her. He famously said, "No one has really seen how beautiful Xi Shi (one of the renowned Four Beauties of ancient China) is, I think she should be just like Xia Meng to live up to her name." In 1980, she returned to the HK film industry by forming the Bluebird Movie Enterprises. As a producer with a heart for the community, she wanted to make a film on the Vietnam War and the many Vietnam War refugees migrating to Hong Kong. She approached director Ann Hui and produced the debut film Boat People (1982), a globally successful movie and landmark feature for Hong Kong New Wave, which won several awards including the best picture and best director in the second Hong Kong Film Award. Years later, Ann Hui looked back on her collaboration with Xia Meng, "I'm very grateful to her for allowing me to make what is probably the best film I've ever made in my life."
Anita Ekberg (War and Peace, La Dolce Vita)— I'm going to be frank with you. Every time I look at this woman, I lose my ability to form sentences.
This is round 4 of the tournament. All other polls in this bracket can be found here. Please reblog with further support of your beloved hot sexy vintage woman.
[additional propaganda submitted under the cut.]
Xia Meng:
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Anita Ekberg:
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“I haven't seen much starring her (YET) but the scene of her in the Fontana di Trevi in La Dolce Vita is some of the most jealous I've ever been of Marcello Mastroianni maybe and that's saying a lot. Cinema history. Historical.”
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gatabella · 11 hours
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Anita Ekberg, 1950s
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l-o-t-m · 5 months
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Anita Ekberg
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dadaonice · 6 months
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Audrey Hepburn and Anita Ekberg on set of War and Peace, 1956
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atomic-raunch · 7 months
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Anita Ekberg
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hellooldsmelly · 5 months
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fanta30 · 4 months
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Anita Ekberg
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