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#THEY REALLY DID IT I'M SCREAMING
sunsetandthemoon · 6 months
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"Do you still love him? If you don't know, why don’t you kiss him to find out? You might get the answer from that."
Only Friends (2023)
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Man.... I can't stop thinking about Pac and the Risus Pill arc
Pac saying he took the pills because he didn't have any other choice, he was so hopeless he wants to take them until he doesn't remember anything
Pac saying "At least I’m not crying in some random corner in the Island expecting my friends to come save me, and nobody comes save me"
And then the thing he said immediately before that: "I lost my friend, I lost my friend’s friend, I lost my Egg, I lost my child, I lost everything, I'm– I was completely hopeless– so yeah, maybe I wanna be drugged and live my miserable but happy life. At least I’m not in that saddest place anymore."
The blood at Chume Labs
The three graves at Chume Labs
The message he wrote to Cellbit asking Cellbit to kill him if things got too bad, then changing it and saying "lock me up" instead.
The conversation with Fit, Fit pleading with him, and Pac saying "I don’t want to go back to that bad and sad place."
Pac, despite his grief and depression, finding an antidote and saving himself (with the help of his friends)
Literally everything from the Risus Pill arc makes me so heartbroken
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cuubism · 1 year
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A little headcannon that has been stewing in my head for a while and has absolutely no proof from the cannon
Death has wings right? What if Dream used to have wings too but when his kingdom got invaded for the first time(that story he tells in the Overture) the invaders cut his wings off. That's the part of the reason why he crafted his helm and why's he so dependent on it. They took his wings so he took their skull and a spine, an eye for an eye kind of situation. Also, that's when Dream first started employing a raven. He still has scars on his shoulder blades that follow him to any form he takes. He's ashamed of them, sees them as a sign of weakness, a reminder of his failure and his flaws and goes to great lengths to cover them up. That's about it, but I'd love to hear what you think of it^-^
(Plus: Hob gently running his hands over the scars, showing Dream his own ones and reassuring him that there's nothing broken, or wrong with him)
NO BUT THIS IS SO ANGSTY I LOVE IT. i love suffering
i feel like a permanent injury like that would have to be done to dream's core essence, such as it is, rather than his 'physical form' - i don't know if dream's physical form in the waking world or other realms can even be hurt like that. it would have to be like, something that deeply wounds the dreaming, or the concept of dreaming, or just like the deepest core of dream as an 'entity' rather than it being a physical wound. (this is leading me on a mental tangent about injuries to large groups of dreamers also injuring dream, like, extinction events and such, but that's for another time).
you managed to rope me into it, congrats XD
content warning for blood, gore, violence, Things Done That Can't Be Undone, etc.
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There is not much, in his long life and memory, that Dream is able to forget. Thoughts do not drift into irrelevancy, into the past, the way they do for humans. He is able to hold much, all at once, in the cavern of his mind, eons of all that has happened hovering close enough to touch. It is a heavy weight more often than it is an aid.
But he forgets, sometimes, with Hob.
With Hob, the rare points of their contact stand out as singularly bright stars in the nebula of Dream's existence. All else within him fades. When Hob takes his hand Dream feels clear as a desert sky, when Hob kisses him for the first time, Dream is floating free in a great salt lake, hanging weightless.
He forgets.
It's only after, bodies pressed together with pleasing heat and sweat-tackiness, Hob tracing patterns over his back, that Dream begins to remember again.
"Dream..." Hob's fingers stutter over his shoulder blades. His voice catches with the hesitance he has often displayed with Dream since their reunion. I think you're here for friendship. Dream feels the echoes.
He kisses Hob's throat, tastes the salt tang of his skin, hides his face away there. The weight of embodiment returning. "Ask your question," he says. "I swear not to part from you now."
"Is this from...?" Hob's fingertips dance up the raised arcs of scar tissue over his back. Pain sparkles in the wake of his touch like the sharpness of a hand-drawn tattoo in the permanence of its inking. As humans imagine it. Dream is not truly physical and could not bear such a mark. Except for this.
"No," he tells Hob. Blame for many of Dream's recent ordeals can be laid at Roderick Burgess's feet, but not this one. "Much older than that."
"Oh." Hob keeps tracing the scar over Dream's right shoulder blade. The touch aches deep in Dream's being where those wounds originate, but he does not tell Hob to stop. Even like this, Hob's hands bring him back, and back, and keep him here.
Hob is waiting, leaving an opening for him to elaborate. Dream is not yet sure whether he wishes to.
"It is not a pretty story," he says.
Hob strokes through his hair. Dream keeps his head tucked under his chin and so feels each word as it's spoken. "Neither of us is a pretty story, darling. Tell it if you want to."
Dream has not spoken of this in many years. There are those in the Dreaming who have served him for millennia whom he has not told. He has taken lovers, had them see the scars during their lovemaking, and still not relayed the story.
"When I was young," he begins, "and still coming into my power, the Dreaming was invaded. My borders were not as strong, then. My realm, less populated. Ancient beings, older than I was at the time, hungered for my realm. Sought its power for their own."
"Older than dreams?" Hob asks.
"In their universe, there were no dreams," Dream tells him. "Perhaps it is what drew them to me."
"Alright. Wow." Hob sounds thoughtful. He rubs Dream's back, between his shoulder blades where it doesn't hurt. "Go on, love."
"I fought them. But the collective unconscious of this universe was young and undeveloped, as was I; I had not mastered all elements of my domain. I fought, but inelegantly, and struggled to counter dreamless beings when all my power was in the unconscious. They were wholly anchored in the present; I, in the space between seconds; we were poorly suited as combatants."
"What did you do?" Hob asks, quiet. He can sense, Dream thinks, the direction this is going, that Dream would not be so hesitant to tell the story of scars born of victory.
"I did not know," Dream admits, equally quiet, still shamed by it, his own failure, and its branching repercussions, "what to do. And the Eldest God, he who had first rent open the walls of my realm, pounced on my uncertainty, captured me, held me--"
The memory, never forgotten, always just within reach should he turn towards it, rises again -- the silk-smooth black sand on the shores of the Dreaming, crushed into his cheek; the warm waters lapping at his mouth, nose, eyes, drowning him; the impossible weight on his spine of the impossible dreamless creature holding him down, arms wrenched behind his back, the feral animal growl that had escaped him, the equally animal panic beating under his ribcage, the fragile spun dreamstuff of him held in the sharptoothed maw of cold reality, his wings--
"Dream?"
Dream comes back to himself. Comes back to Hob. The overwarm flannel sheets. The soft press of Hob's body. He's tapping something on Hob's arm, and hadn't realized he was doing it. It's the rhythm of an old song from before the time of men, the electrical beats passed along root chains from tree to tree to tree, all the way across the great forests that now exist only in scarce patches on the earth.
Dream shifts ever closer to Hob's body, slips a knee between Hob's thighs to tangle them, bare skin to bare skin, limb to limb, root to root.
"I had wings, then," he says.
--his wings, flapping frantically in the face of the thing that pinned him, feathers catching and tearing on jagged armor, held to the ground the way a creature of flight was never meant to be--
"Oh," breathes Hob. He touches the long scar over Dream's shoulder blade again and pauses there. The pain catches the story to Dream again like a hook and holds it there as he continues bleeding it dry.
"The Eldest God dug his claws into me and tore the wings from my body." Dream's voice doesn't shake but he does not manage more than a whisper. "I am not a physical creature, Hob, understand this, I cannot be so easily harmed, it was not a physical form that was damaged, rather, the Old Gods came from stone and earth and it was stone they harnessed as their claws, ancient stone to carve into my being and tear out my wings from the essence of me, root and stem, flesh and bone, air and feather and starlight."
All of this comes out in a continuous rush, and Hob kisses the side of his head, says, "Breathe."
He can still feel, if he but thinks back, the tearing of the claws. A cold so bright it felt like burning. His face ground into the sand to muffle his scream, the howling whiteout of pain overtaking all other noise, the crack of his shoulder joint as it was broken. Star stuff spilling out over the sand - Dream hadn't even known he could bleed until then. Hands that should never have touched in the first place releasing him. Collapsing, disarmed, to the ground. Every limb on fire, the ones that were left.
"Dream."
He lost himself, and found himself again some time later curled in the shallows of the Dreaming sea, seeking shelter from the cold in the warm waters. Face half submerged, breathing as much salt water as air. Blood still spooling around him like leftover paint whirling in a water glass.
"Dream."
Even in those warm waters, he was shivering. Dream doesn't think he's ever been quite warm since; that cold latched itself in him somewhere and never left.
Hob's voice, now, against his ear. He's curled himself around Dream while Dream wasn't paying attention, Dream's back to the warm protection of Hob's chest. "You don't have to finish if you don't want to."
Dream will not leave a story unfinished, not even one such as this. "When I had regained my strength enough to fight back," he continues, "I was... not in control. I knew only survival. If the Old Gods had wished me to understand their world, they succeeded. I abandoned my powers and fought with my hands and my claws and my teeth, and I tore the Eldest God's skull and spine from his body. Both of us would be maimed, I thought; if he would have my dreams then I would have for my own the backbone upon which he held his earth. I listened to him scream. I watched each rib pry up from his chest and snap, my hands slick with his blood, his with mine, and felt nothing but the raw satiation of a wolf setting upon meat. I have told you, Hob." He takes his first breath in a while and feels it rattle, hollow, around his ribcage. "It is not a pretty story."
"No." Hob's hand finds Dream's against his middle, tangles their fingers, holds him. His breath is shaky in Dream's hair, words more so. "No, darling, it's not. I'm sorry."
They rewrote the story of the Dreaming, Dream recalls saying to Destiny, after. Before he had come to know, truly, what Destiny was. Kneeling in his garden, blood still draping his raw back like a shroud, Dream had sought meaning, answers, reason. Foolish, in retrospect, to even consider asking for succor.
Destiny had said that the Dreaming had seeped too far into the Waking world. That what had happened was a necessary rebalancing.
Had Dream not been forbidden from physical violence against his siblings, he would have bitten off one of Destiny's hands with his own sharp teeth and asked if he felt more balanced then.
"Now you know what vicious creature you lie with, Hob Gadling," Dream says. The words are heavy in his throat, but he can't find it in himself to slip from Hob's hold. Now you know the jagged turn at the beginning of my story.
He wonders, sometimes, what the Dreaming might have been like had it continued on the other branch of Destiny's forking path. What he might have been like. There is so much space between a winged creature and a once-winged creature. The entire sky.
"I know." Hob bites at the back of Dream's neck, light but sharp, then kisses that same spot. The nip of pain is unexpectedly soothing. Hob too knows what it is to bite and claw and writhe and maul. “I know. I’ve known your darkness, honey. Don’t you worry.”
“They fled me,” Dream tells him. “The Old Gods. After. I did not understand why at the time.” He had stood, bloodied, shaking, over their Eldest one, bones grasped in his hands, and watched them disappear. These beings that could still have shredded the Dreaming and swallowed it, but chose to run. “Now, I imagine it is like the way men will flee from an animal that is so much smaller than them but has gone rabid. The wrongness. The danger of irreparable madness. They saw me ruined and wished not to catch it, saw the Dreaming—”
This wound has dulled over time and become but a throbbing ache at the base of his skull, a reminder of something missing. But it never disappears.
“The Dreaming, changed, from what they had wanted.”
Dream’s back has never been quite right, since. His anatomy is meant for two sets of joints, not one. But it is only a fitting marker of the permanent damage done that day.
“Changed?” says Hob, so gentle now, lips brushing his skin.
“There was once more,” Dream says. “The collective unconscious was once more… collective.”
“Wait. D’you mean…?”
“Yes. There was more interconnection between minds when I was young. There were not human minds in the sense that you would know them, not yet. But there was communication, and knowing, back then.”
Vestiges of it still linger. In the vast underground networks of the trees, the paired spins of distant atoms. The matched steps of lovers finding perfect synchronicity in a dance. But—
“That was sundered with my wings.”
The cold that had washed over Dream when that realization hit had been worse than the pain of losing the wings in the first place. How he had failed the dreamers under his care. Let things fracture and tear and separate when they were meant to be together.
Hob sighs against the back of his neck. “I’m so sorry, Dream.”
“I am sorry,” Dream says. “It should never have happened.”
“No, it shouldn’t,” Hob agrees, and it’s sweet pain sliding between Dream’s ribs, for Hob to press his fingertips to the rawness of him and say, yes, failure, failure, I see it now.
But Hob kisses the point of his shoulder, the ever-tense muscles of his upper back, the hard curve of his scapula and the calcified line of another almost-joint, lost to time. His lips find the uneven scar tissue and press there, which is its own sweet pain, but sliding towards sweet, a sharp bite to kissed lips.
“It shouldn’t,” Hob whispers, and the words vibrate to the core of him. Hob does not see his failure, will not; Dream had forgotten Hob’s charity towards him, how he will see the blood on Dream’s hands and wipe it away instead of asking how it got there. Dream’s failures have stolen something from him he does not even know to miss, and still.
Now Dream does wish for Hob’s hands slipping under his ribs. Hob would find the aching wretched thing within him that had been loosed that day and hold it in his palms, wash the blood from it with careful strokes. Would that Hob could have held him then, submerged him deep in the waters of the Dreaming sea until the dark and the warmth and the strong hold of his arms had soothed the flayed and violated creature that Dream had become back to sanity. Before the gnashing rageful part of him had turned predator and fully grown its claws.
Perhaps there is succor to be found, after all. How quickly Hob Gadling has become it.
“I wish that I could have…” Hob sighs. It sounds mournful, longing. “I don’t even know. Helped you. Held you. Futile, I know.”
“I would not have you feel badly. It is long past and cannot be undone,” Dream says, as if Hob’s words don’t mean more to him than he could possibly know.
“Nothing can, sweetheart,” Hob says. His hair brushes Dream’s shoulders. It is terribly soft now, in this day and age. Dream suspects it was not always so. Human lives have rarely been soft on their bodies. He appreciates the softness of Hob’s body now, and how it cradles him. Dream himself has long been unchangeably hard-edged. “But I would still help you.”
“Sweetheart,” Dream repeats. Dream might have been sweet, once, at the end of a different story. “You would call me this, at the end of this tale?”
Hob turns him so they are facing each other once more. A tear has gathered in the corner of his eye, and slips down to wet his pillowcase as Dream watches. Tears for Dream. Warm salt water. He smiles at Dream anyway.
“You’re my sweetheart. My dear one. You think I would think anything about this other than sadness for you?”
“Dear one,” Dream echoes. “Always good to me, my Hob.”
“‘Course.” Hob squeezes his hand. Hands that too have known violence, but soft for Dream, always. “Is there anything I can do for you? Anything at all?”
“Only what you have already done,” Dream says. “Be a cavern where I can shelter from the cold.”
Hob kisses him, hot and lingering, and pulls the blankets up over their heads.
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bumblingbabooshka · 7 months
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In 'vis a vis' Janeway doesn't mention B'Elanna in the list of people who're worried about Tom which implies that B'Elanna didn't report the fact that "Tom" grabbed her arm, called her a disappointment and broke up with her (as Janeway definitely would have mentioned it as evidence of him acting strange if she knew about it) which makes sense on several different fronts but also makes me scream and cry loud enough to break glass.
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hazzybat · 2 months
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Please if anyone has footage of Bojan talking to the Aussie girl last night at the Riga gig please tag me cause that was me and it was insane.
My sign said - I flew from Australia to see my first concert and hear the demoni scream
I gota fucking Ona dedicated to me hold shit and I got the demoni scream I'd love evidence of that
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canonicallyanxious · 9 months
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i'm stupid so i absolutely did not put together Conrad Schintz as "conscience" until i saw someone in the tag point this out but now that it's in my dumb brain i can't stop thinking about it. Alex's choice to portray Conrad as this softspoken never speaks up but still has to do Something boy who is kind and thoughtful to a fault. pitch perfect character choices!!! but also this tiny quiet boy somehow being pegged by the heads of the city as the BIGGEST DISTRACTION to the big guy's goals and ambitions!! and then his choice of the important article to pay attention to being the culmination of Elias' months and months of research - specifically for the goal of, as Conrad put it, getting it before the "big wigs" could get to it. WHAT is Elias Hodge DOING for Gobstopper Industries??????
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arkiwii · 6 months
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Kristen Arknights is giving me brainworms this cannot continue
Before Lone Trail, I was really convinced that "ah yeah so she's really evil", like what, she approved and conducted the Diabolic Experiment? She approved the experiment at Site #359 and was probably looking at the giant Hub from her window, presumably while eating popcorns, and when Saria arrived to scream at her "WHAT THE FUCK" Kristen just replied "Oh hey I knew you would solve it"? She also funded Loken's Watertank and collected his data on children experiments after he got arrested??
Any sane person would be calling her an egoist, a betrayer, a seeker, a loner
And yet, she was a pioneer.
Lone Trail dropped and now, I don't even know what to think anymore of this character. Like I don't approve what she has done, but also, I don't hate her. She put me into a state of mind I can't think straight anymore. This dog is TRULY fucked up.
She was obsessed, truly obsessed by her dream. She wanted to achieve what her parents had failed to do. She wanted to honor her family, to prove something to the world. To find the truth. To break the sky.
And she fucking did it. She absolutely did. She achieved it, she had done what nobody has ever done before. Regardless of the methods, regardless of morals and ethics, what she did was HUGE. That night, everyone on Terra looked up at the sky. She made a huge step forward, she revolutioned and changed things. The moment she pierced the starpod, a page in the history of the world had been turned, a new era has started. This event was major. And countless scientists will look up upon her, and for ages, her name will be praised.
And she did at what cost? Everything. Her own life, her friends.
I can't stop thinking about how much she tried to keep Saria away from her. I thought that Kristen was using Saria, that she didn't care about her, but actually it's... Something else. She does care about Saria, but it's Saria who was completely obsessed with Kristen. It's Saria who refused to let go. Of course, Saria devoted her life to protect Kristen, she wanted to stay with her until the very end. Kristen did not wanted it, she wanted Saria to continue to live on. It's her dream, and she's ready to die to achieve it. Not Saria's. Nor Muelsyse's.
I can't stop thinking about how she tried EVERYTHING to stop Saria. She studied her Arts, found ways to supress them, created Power Armors to neutralize them, she showed coldness to Saria to keep her away. But god, Saria was clingy as hell. If Kristen had to get to install a trap door in her spaceship SPECIFICALLY for Saria, that's to say how much Saria did not want to let go.
Saria was ready to die for Kristen, she was ready to stay with her until the very end. But Kristen always had in mind to go alone.
And in the end, she had to show Saria that she deserves to live, to continue, that there's still people who need her. Rhine Lab needs her. Ifrit needs her. Silence needs her. Rhodes Island needs her. She can't join Kristen like that. She can't die yet.
Even if Kristen was obsessed by her dream, she was still able to care enough for Saria and the people around her.
And god fucking damn I'm crying
Kristen is absolutely the best antagonist of all Arknights there's absolutely no way we can't do better, I'm standing on my ground
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maxsix · 7 months
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allofthebeanz · 8 months
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About the central conflict in motb:
Ray's perspective: This tension in our relationship stems from your lack of self-preservation, thus endangering both of our lives; your fear of vulnerability is interfering with your ability to trust me, which makes me feel like you see me as inferior or expendable
Fraser's perspective: you wanna fuck me so bad it makes you look stupid
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mrs-gauche · 2 years
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OK BUT WAIT A GODDAMN MINUTE
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So.. “Dread Wolf” has always been an anagram for “Fade World”....
Meaning that somehow, for almost eight friggin years, no one noticed, UNTIL it became ONE flippin word!
GUYS
THAT in itself is the meaning!!
Dreadwolf became ONE
Just like the WORLD and the FADE will become ONE again when the Veil comes down afjksjkkldfld
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It also means that THIS moment on the Gamers for Groceries stream was a flippin hint all along AND SOLAS’ THIGHS ARE THE ANSWER TO EVERYTHING AND I’M LOSING MY MIND
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PATRICK
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softesttangerines · 6 months
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As someone who LOVES a good old time travel au, and after seeing amazing fanart of kid!Mihawk i have to let it out!!
I just wanna read a time travel fic where baby Mihawk wakes up and finds himself in the world of adult Mihawk and he's like wtf is going on?
And word goes around that a kid that looks exactly like Hawkeyes and carries the same cross knife as him is roaming around this island and rumors say it's the son he abandoned to fend for himself.
And so, marines and every pirates he ever wronged come after him for revenge and the little guy is just thinking why is everyone trying to get me? While doing his best with his cross dagger to rid of them.
And Shanks, good ol' shanks could have sworn that if his old rival had an 9years old, he would know about it (also he refuses to let the bitter taste in his heart take over unless his own eyes see) so he's skeptical about the whole thing and that's the only thing that gets him to leave his hideout in a reclused ghost island waiting for whatever is his big plan to take place.
News say Red Shanks is on the move after being mia for a few years and everyone got their panties in a twist, what could have raised the emperor from the dead.
He follows from island to island because apparently the young boy knows how to avoid the marines and pirates coming after him.
Till one night, on their stop at some bar on an island that wasn't really on the plan, he sees the boy. Just outside the bar in an alley, where he went to empty his guts from the booze overfilling his body, there stood bloody faced, cross dagger in one hand, a tiny version of his old rival with a bounty hunter's body at his feet.
The boy furrows his eyebrows even more at the new arrival and strikes another pose in case the new guy tries something funny. But Shanks, drunk ass Shanks, who knows his rival by heart is a 100% sure the little guy is in fact his rival for whatever magical reason, there he stands in front of him in the form of an 9years old and Shanks giggles at that -to which the child takes great offense- and just say "hey kid, i'm a friend of your dad's, want me to take you to him?"
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#mishanks#Ok so here I'm running with the fandom's theory that rayleigh is mihawk's dad#And after getting all these murder attempts on his person he's just so fckn tired of anyone that approaches him So he's completely on guard#when this red haired dude comes out of nowhere n tells him he knows his dad#Which no one did before all they did was charge at him screaming HAWKEYES YOU'RE GONNA REGRET WHAT YOU DID#And here's the thing#he may be inclined to believe the red haired guy because no one knows his relation to rayleigh#so this guy must really know his dad and he's tired of running all the time he just wants his bed and parents#so cut him some slack when he follows a random one armed red haired pirate#On the other hand the crew is equally creeped out and charmed by the little fella because even young he still installs the chills in them#How can he be as equally as skilled as he is cuuuuute#They try their best not to say it to his face because he threatens to stab them at any given chance but they cant HELP IT#it's Dracule Fucking Mihawk as an 9years old!!!! Ofc he's cute#Shanks cant fucking wait to get his adult Mihawk back to tease the shit out of him about the little version of him lol#When they got him to rayleigh he fckn cried because that's his fckn son znd the last time he saw hus baby that way was more than 30years ag#Mihawk is just confused as fuck why is his dad's grey n have much more wrinklesBut it's still one familiar face so he just sticks to him#The red haired pirate keeps telling him that he should look for him when he gets home but he doesn't understand!!!#He also keeps challenging shanks on a duel once he discovers he's a swordsman and keeps on losing#And truth be told shanks is embarrassed as fuck because it took him his rival being a child for him to win over mihawk#opla#one piece#mihawk#dracule mihawk#red haired shanks#shanks
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dumping-ideas · 2 months
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I decided to go on a Hiatus because I want to step back from prsk fandom buat I need to say something about this take (warning for Ensekai leaks)
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Translation is fucking hard
What's impressive about this scene is Tsukasa specifically use BOKU (僕) and not his preferred pronoun ORE (オレ) to call himself
The emphasis is there so the JP readers could understand how impactful the fact that Tsukasa is not even using his preferred first pronoun because he's actually not being himself but being RIO EVEN IN HIS OWN HEAD
Tsukasa isn't being himself. On the contrary, he's completely, 100% become Rio at that moment
While English has a lot of third person pronouns, Japan has a lot of first person pronouns (compared to English measly "I"). Just like Western has their preferred pronouns, so does Japanese (of course their 1st person pronoun is interchangeable in the context of social interactions). Too bad that this nuance for Tsukasa's dialogue can't be replicated in English. I argue that putting emphasis on the "I" actually do Jack Shit because the emphasis is on the DIFFERENT PRONOUN IN JP. It's like when you hear someone calls a person as a "he" for a long time but then one person suddenly calls that person as "she" (I think, I know western are kinda sensitive on their pronouns but I can't really relate). Anyway it's THAT jarring
The second line is where the tl team kinda needs to wrack their brain, 届かない. No subject, no object. The scene before the sentence flashed back to Tsukasa crying after remembering how he felt how unreachable his own Phoenix is, and it's how he understands Rio's helplessness right at that moment. Using "it" actually makes the sentence sounds pretty vague. What does "it" refer to? "The level that he wants to reach?" It only applied to Tsukasa and not Rio. "The phoenix"? Kinda rude to call the phoenix as "it" though. Besides, using EN pronouns, Tsukasa's phoenix is a "he" while Rio's phoenix is a "she". That's why JP can have that sweet ambiguity while the EN translators need to think super hard about the implied object here.
There's two nuances happening here, and the Ensekai tl team decided to translate it by context of Tsukasa AS Rio: "I can't reach her". I'm guessing that they agreed that the flashback to that scene in chapter 7 means that Tsukasa at that moment completely understands Rio, HE'S RIO BECAUSE HE USES 僕, so they decided that it's Rio's thought and not Tsukasa even though the text box says Tsukasa and the JP implied that Rio and Tsukasa become one. I think the the EN line is okay, kinda missing some deep nuances but that's what translation is. You can't expect to be able to translate all those cultural nuances.
Maybe the alternatives might be "I can't reach my/the phoenix?" More straightforward but we can have a nice title drop lol
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seaofashes · 3 days
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The Underworld Saga did something to my brain actually
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aubadeempress · 3 months
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After more than 10+ years of shipping, that one ship I've been rooting for in a certain fighting game series has finally gotten more canon content AND IN THE MAIN STORYLINE (not just the character endings).
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anna-naray · 2 months
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This beautiful person, @isaidmeeh made ✨THESE!!!✨
I'm *scream* speechless and totally in love!! You're amazing my friend and I invite everyone to look at her amazing artworks!! ❤️🔥
You can find her also here (⁠☞゚⁠∀゚⁠)⁠☞ Instagram and VK
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starsh0cked · 3 months
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okay so. two things!! first of all, over the course of january (and the beginning of february) i participated in the kirby oc secret santa, which was wonderfully hosted by @/moonverc3x. i was lucky enough to be the santa for @/starflungwaddledee, and ended up with two of my best pieces so far!!
these were CHALLENGING, though. which is where the second thing comes in!! under the cut, i'll be going over some of the sketches, drafts and phases of either piece! there's also a speedpaint. exciting!!
i'll be starting with my starstruck piece! the theme here was wanderlust - literally one of the most whimsical words i know - and generally anything to do with the stars. i had a few things in mind, but considering how long it sometimes takes to make artwork, i decided to roll with what inspired me the most.
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this is the final sketch compared to the final artwork. certainly one of the crazier transformations i've done. i had a mental image of most parts of the artwork, from the material of starstruck's bow to the lighting cast by the stars. everything except for the grass (i hate grass!!) i ended up rendering the grass and background first, anyway.
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doing the background before the rest of the artwork helps define the lighting and shadows! if i decided to draw starstruck before the background, i'd have to draw it according to the lighting.
weird explanation, but in summary: background before character helps the character look like a part of the environment! character before background means extra steps need to be taken before the character fits in the environment!
starstruck's bow was also a decent challenge! i'm a fan of bows and satin, so a satin bow sounded like a good idea. it was, but i've never drawn satin before. the workaround was an active satin study! i stared at a satin bow i found on pinterest and tried to understand how light spread over the material. it's quite interesting!!
you might notice that i flipped the direction of the shooting stars. this is for composition reasons!! i wanted to make starstruck the obvious focus, and while the contrast between her warmer palette and the background's cooler palette easily achieve that, i wanted to cement it. i also added little hand drawn sparklies everywhere. because i like it.
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of course, i have to talk about the eyes!! if anything, i noticed that in all of starflung's drawings of starstruck, she had really glittery eyes. literally adorable. so i made it my mission to capture her feelings in her eyes!! i had a lot of fun making them super shiny and adding little stars in there. i also needed to pay attention to the subtle gradient, though - they fade from blue to pink if you zoom into starflung's artworks - and decided to keep it vibrant.
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okay. thats all for this one!! i'd like to mention that in the original sketch for this specific pose, bandee was in the background. i really regret scrapping that now. oh, well!
time for morpho dee! i'll be starting for with the speedpaint for this one, mainly because it sort of explains some of the process by itself.
i restarted the shading... three or four times at least? so yeah. i was losing it on this piece. i'll be completely honest, i contemplated dropping it for the sake of meeting the deadline. it wasn't stressing me out, but i had studies to worry about too, and i was worried that it wouldn't be of great quality? but after some advice from my beloved older sister, i managed to turn the tide!!
this is a first for me, but everything here was a challenge. if you scroll through my account and the few artworks i've posted, you'll notice that i draw gijinkas far more than orbs. now, you may be wondering why this didn't pose so much of an issue for my starstruck piece! it's mainly because i chose a far simpler pose for her than i did for morpho over here.
for morpho, the artwork needed to be dramatic. i draw cutesy things - while i've always wanted to draw something dramatic, i've never pushed myself to do it. until this artwork! i went for a dynamic pose which would (hopefully) pull the viewer's eye towards morpho dee. that's what's up with the foreshortned spear! i also realised that the plcement of his feet would be quite significant to the artwork. you might not know this, but feet are my greatest enemy. i'm still trying to figure out how best to draw them for people or orbs, but i'm getting there.
after 'lineart' (which really ended up being a cleaned sketch - this was supposed to be linelessly rendered, but i gave up on that) the pose was no longer a problem. because the shading was! hooray!!
nothing has quite bewildered me like metal shading has. i've shaded gold. satin. cotton, fluffy scarves, shiny things, grass. yet metal shading continues to elude me! this was, hands down, the most difficult part of this artwork. i struggled to make sense of how the lighting was supposed to work, even with references. and every time i thought it made sense, i ended up with something i didn't like the look of. the solution? long breaks, more references and pinterest tutorials. i have no clue how i managed this, but we got here anyways. i finished it off by colouring the lineart according to the shading.
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i have experience with drawing fire, at least! it was three or four years ago in an old artwork, but i have experience! i simply had to figure out how to work it into the atmosphere. for the glow, i duplicated the layer, gaussian blurred it and used a slight glow layer! i did something similar for the durst particles, but i used motion blur instead.
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i also want to talk about the spear a little bit. you might notice that i added a bit of ambient glow around the blue gem. that was with the light intensity in mind, but also for a sense of realism! i also had to keep the pink light in mind, though. so i ended up using an airbrush to create a base for the lighting and i continued from there. i added a few scratches on the handle just to give it a bit more life, too.
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and, finally, a one-to-one comparison between the sketch and the final! i have literally no idea how i pulled either of these pieces off, but i'm quite proud of them.
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i recommend you drop by @/kirbyoc-secretsanta for other artworks! a total of 75 artists participated, so there are plenty of super cool ocs to adore over there and new artists to find!! this was my first secret santa experience, and @/moonverc3x made an amazing host (thank you for hosting, by the way!!) bye bye!!
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