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kookie-doughs · 3 years

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Y/N L/N AND THE HALFBLOODS

Percy Jackson X Reader

-Y/N L/N met Percy Jackson and everything was now ruined.

CHAPTER 16: Mini Elvis

The war god was waiting for us in the diner parking lot. "Well, well," he said. "You didn't get yourself killed." "You knew it was a trap," Percy hissed. Ares gave me a wicked grin. "Bet that crippled blacksmith was surprised when he netted a couple of stupid kids. You looked good on TV." Taking the shield from Percy I shoved it at him. "You're a jerk." Annabeth and Grover caught their breath. Ares grabbed the shield and spun it in the air like pizza dough. It changed form, melting into a bulletproof vest. He slung it across his back. "See that truck over there?" He pointed to an eighteen-wheeler parked across the street from the diner. "That's your ride. Take you straight to L.A., with one stop in Vegas." The eighteen-wheeler had a sign on the back, which I could read only because it was reverse-printed white on black, a good combination for dyslexia: KINDNESS INTERNATIONAL: HUMANE ZOO TRANSPORT. WARNING: LIVE WILD ANIMALS. Percy said, "You're kidding." Ares snapped his fingers. The back door of the truck unlatched. "Free ride west, punk. Stop complaining. And here's a little something for doing the job." He slung a blue nylon backpack off his handlebars and tossed it to Percy. Inside were fresh clothes for all of us, twenty bucks in cash, a pouch full of golden drachmas, and a bag of Double Stuff Oreos. Percy said, "I don't want your lousy—" "Thank you, Lord Ares," Grover interrupted, giving him his best red-alert warning look. "Thanks a lot." I could see Percy gritting his teeth. It was probably a deadly insult to refuse something from a god, but I also didn't want anything that Ares had touched. Reluctantly, he swung the bag over his shoulder. I looked back at the diner, which had only a couple of customers now. The waitress who'd served us dinner was watching nervously out the window, like she was afraid Ares might hurt us. She dragged the fry cook out from the kitchen to see. She said something to him. He nodded, held up a little disposable camera and snapped a picture of us. Great, I thought. We'll make the papers again tomorrow.

I imagined the headline: TWELVE-YEAR-OLD OUTLAWS BEATS UP DEFENSELESS BIKER. "You owe us one more thing," Percy told Ares, trying to keep my voice level. "You promised me information about our parents." "You sure you can handle the news?" He kick-started his motorcycle. "They're not dead." The ground seemed to spin beneath me. "What do you mean?" "I mean Percy's mom was taken away from the Minotaur before she could die. She was turned into a shower of gold, right? That's metamorphosis. Not death. She's being kept. As for yours, I saw them myself. Upstairs with the big guys. Why do you think you're causing one of the biggest uproar up there? They're refusing to tell who your parent is. No matter how much cut." He smirked. "What...?" Percy and the others must've seen something as they all held me back. "What are they doing to them?" I could feel the ground shake as Percy's grip on me tighten. We'll save them... calm down. Not the hero. Us. So calm down. "Calm down Y/N." Percy whispered. The ground stopped shaking and took a deep breath. "I will make you all kneel." I said. He looked at me confusedly. Then he shrug it off then laughed, "Oh yeah? can't wait, kid." Percy gripped my shoulder. "You're pretty smug, Lord Ares, for a guy who runs from Cupid statues." Behind his sunglasses, fire glowed. I felt a hot wind in my hair. "We'll meet again, Percy Jackson. Next time you're in a fight, watch your back." He revved his Harley, then roared off down Delancy Street. Annabeth said, "That was not smart, Percy." "I don't care." "You don't want a god as your enemy. Especially not that god." "Hey, guys," Grover said. "I hate to interrupt, but ..." He pointed toward the diner. At the register, the last two customers were paying their check, two men in identical black coveralls, with a white logo on their backs that matched the one on the KINDNESS INTERNATIONAL truck. "If we're taking the zoo express," Grover said, "we need to hurry." I didn't like it, but we had no better option. Besides, I'd seen enough of Denver. We ran across the street and climbed in the back of the big rig, closing the doors behind us. The first thing that hit me was the smell. It was like the world's biggest pan of kitty litter. The trailer was dark inside until Percy uncapped Riptide. The blade cast a faint bronze light over a very sad scene. Sitting in a row of filthy metal cages were three of the most pathetic zoo animals I'd ever beheld: a zebra, a male albino lion, and some weird antelope thing I didn't know the name for. Someone had thrown the lion a sack of turnips, which he obviously didn't want to eat. The zebra and the antelope had each gotten a Styrofoam tray of hamburger meat. The zebra's mane was matted with chewing gum, like somebody had been spitting on it in their spare time. The antelope had a stupid silver birthday balloon tied to one of his horns that read OVER THE HILL! Apparently, nobody had wanted to get close enough to the lion to mess with him, but the poor thing was pacing around on soiled blankets, in a space way too small for him, panting from the stuffy heat of the trailer. He had flies buzzing around his pink eyes and his ribs showed through his white fur. "This is kindness?" Grover yelled. "Humane zoo transport?" He probably would've gone right back outside to beat up the truckers with his reed pipes, and we would've helped him, but just then the trucks engine roared to life, the trailer started shaking, and we were forced to sit down or fall down. We huddled in the corner on some mildewed feed sacks, trying to ignore the smell and the heat and the flies. Grover talked to the animals in a series of goat bleats, but they just stared at him sadly. Annabeth was in favor of breaking the cages and freeing them on the spot, but I pointed out it wouldn't do much good until the truck stopped moving. Besides, I had a feeling we might look a lot better to the lion than those turnips. I found a water jug and refilled their bowls, then Percy used Riptide to drag the mismatched food out of their cages. He gave the meat to the lion and the turnips to the zebra and the antelope. Grover calmed the antelope down, while I used my knife to cut the balloon off his horn. Annabeth wanted to cut the gum out of the zebra's mane, too, but we decided that would be too risky with the truck bumping around. We told Grover to promise the animals we'd help them more in the morning, then we settled in for night. Grover curled up on a turnip sack; Annabeth opened our bag of Double Stuff Oreos and nibbled on one halfheartedly; I tried to cheer myself up by concentrating on the fact that we were halfway to Los Angeles. Halfway to our destination. It was only June fourteenth. The solstice wasn't until the twenty-first. We could make it in plenty of time. On the other hand, I had no idea what to expect next. The gods kept toying with me. At least Hephaestus had the decency to be honest about it—he'd put up cameras and advertised me as entertainment. But even when the cameras weren't rolling, I had a feeling my quest was being watched. I was a source of amusement for the gods. And it wasn't helping knowing they're hurting my parents. Here I was risking my life for them and what are they doing? "Hey," Percy cooed, "We'll save them. No matter what. I promised you that." "Okay." Percy pulled me closer until I was resting on him. Annabeth cleared her throat. "Hey, sorry I wasn't much help back at the park... I could've helped getting you guys out... It's just..." She shuddered. "Spiders." "Because of the Arachne story," I guessed. "She got turned into a spider for challenging your mom to a weaving contest, right?" She nodded. "Arachne's children have been taking revenge on the children of Athena ever since. If there's a spider within a mile of me, it'll find me. I hate the creepy little things." "We're a team, remember?" Percy said. "Besides, Grover did the fancy flying. All we did was grab the shield." I thought he was asleep, but he mumbled from the corner, "I was pretty amazing, wasn't I?" Annabeth, Percy and I laughed. She pulled apart an Oreo, handed me and Percy a half each. "In the Iris message... did Luke really say nothing?" I munched my cookie and thought about how to answer. The conversation via rainbow had bothered me all evening. "Luke said you and he go way back. He also said Grover wouldn't fail this time. Nobody would turn into a pine tree." Percy answered. In the dim bronze light of the sword blade, it was hard to read their expressions. Grover let out a mournful bray. "I should've told you the truth from the beginning." His voice trembled. "I thought if you knew what a failure I was, you wouldn't want me along." "You were the satyr who tried to rescue Thalia, the daughter of Zeus." He nodded glumly. "And the other two half-bloods Thalia befriended, the ones who got safely to camp..." Percy looked at Annabeth. "That was you and Luke, wasn't it?" She put down her Oreo, uneaten. "Like you said, Percy, a seven-year-old half-blood wouldn't have made it very far alone. Athena guided me toward help. Thalia was twelve. Luke was fourteen. They'd both run away from home, like me. They were happy to take me with them. They were... amazing monster-fighters, even without training. We traveled north from Virginia without any real plans, fending off monsters for about two weeks before Grover found us." "I was supposed to escort Thalia to camp," he said, sniffling. "Only Thalia. I had strict orders from Chiron: don't do anything that would slow down the rescue. We knew Hades was after her, see, but I couldn't just leave Luke and Annabeth by themselves. I thought... I thought I could lead all three of them to safety. It was my fault the Kindly Ones caught up with us. I froze. I got scared on the way back to camp and took some wrong turns. If I'd just been a little quicker..." "Stop it," Annabeth said. "No one blames you. Thalia didn't blame you either." "She sacrificed herself to save us," he said miserably, "Her death was my fault. The Council of Cloven Elders said so." "Because you wouldn't leave two other half-bloods behind?" Percy said. "That's not fair." "Percy's right," Annabeth said. "I wouldn't be here today if it weren't for you, Grover. Neither would Luke. We don't care what the council says." Grover kept sniffling in the dark. "It's just my luck. I'm the lamest satyr ever, and I find the two most powerful half-bloods of the century, Thalia and Percy." "You're not lame," Annabeth insisted. "You've got more courage than any satyr I've ever met. Name one other who would dare go to the Underworld. I bet Percy is really glad you're here right now." She kicked me in the shin. "Yeah," I said, which I would've done even without the kick. "It's not luck that you found Thalia and Percy, Grover. You've got the biggest heart of any satyr ever. You're a natural searcher. That's why you'll be the one who finds Pan. I mean, you found me despite my scentlessness... is that a word?" Percy muffled a laugh. I heard a deep, satisfied sigh. I waited for Grover to say something, but his breathing only got heavier. When the sound turned to snoring, I realized he'd fallen sleep. "How does he do that?" I marveled. "I don't know," Annabeth said. "But that was really a nice thing you told him." "I meant it." We rode in silence for a few miles, bumping around on the feed sacks. The zebra munched a turnip. The lion licked the last of the hamburger meat off his lips and looked at me hopefully. Percy didn't take long to fall asleep. Annabeth rubbed her necklace like she was thinking deep, strategic thoughts. "That pine-tree bead," I said. "Is that from your first year?" She looked. She hadn't realized what she was doing. "Yeah," she said. "Every August, the counselors pick the most important event of the summer, and they paint it on that year's beads. I've got Thalia's pine tree, a Greek trireme on fire, a centaur in a prom dress—now that was a weird summer...." "And the college ring is your father's?" "That's none of your—" She stopped herself. "Yeah. Yeah, it is." "You don't have to tell me." "No... it's okay." She took a shaky breath. "My dad sent it to me folded up in a letter, two summers ago. The ring was, like, his main keepsake from Athena. He wouldn't have gotten through his doctoral program at Harvard without her.... That's a long story. Anyway, he said he wanted me to have it. He apologized for being a jerk, said he loved me and missed me. He wanted me to come home and live with him." "That doesn't sound so bad." "Yeah, well... the problem was, I believed him. I tried to go home for that school year, but my stepmom was the same as ever. She didn't want her kids put in danger by living with a freak. Monsters attacked. We argued. Monsters attacked. We argued. I didn't even make it through winter break. I called Chiron and came right back to Camp Half-Blood." She wouldn't meet my eyes. "Please. I'm not into self-inflicted pain." "You shouldn't give up," I told her. "You should write him a letter or something." "Thanks for the advice," she said coldly, "but my father's made his choice about who he wants to live with." We passed another few miles of silence. "Luke actually told me about you two coming to camp already." "Really?" She looked at me amazed. "You two must've gotten close fast." "Well, I don't know. I feel like I had to talk to Luke. Like I had to be there for him. The same with Percy." We have to be there for both "You're not wrong. I'm not sure how I'd be without your help." Percy yawned. "Yeah, I wouldn't have been able to handle him." Annabeth glared at him. I laughed, "I think you two are cute." Both of them blushed and said some excuse to disprove me. Which then turned into them showing off who's better than who. "If I'm dating anyone it'll be Y/N!" Both of them huffed and glared at each other. I shook my head and smiled. At least I've gotten new friends out of this. "So," Percy trailed off. "If the gods fight," he said, "will things line up the way they did with the Trojan War? Will it be Athena versus Poseidon?" Annabeth put her head against the backpack Ares had given us, and closed her eyes. "I don't know what my mom will do. I just know I'll fight next to you." "Why?" "Because Y/N will and whether I like it or not you're my friend, Seaweed Brain. Any more stupid questions?" "That's all Mr. Peabody." "Shut up, Droopy." I felt her rest on my shoulder and she fell asleep. "Am I that comfortable?" "Yeah," Percy laughed as he rested on my lap. I had trouble following their example, with Grover snoring and an albino lion staring hungrily at me, but eventually I closed my eyes. ~~~ I woke with a start. I was second one awake. Grover was talking to the antelope. "Morning?" "Everyone had the Y/N privilege except me?" "You fell asleep first." I stroked both Annabeth and Percy's hair, which unfortunately woke up Annabeth. "Sorry about that." "It's fine." She yawned. She brought out some Oreo and handed me one. Until the truck stopped. "They're checking the animals aren't they?" Annabeth froze. I shook Percy's shoulder. "The truck's stopped," I said. "We think they're coming to check on the animals." "Hide!" Annabeth hissed. She had it easy. She just put on her magic cap and disappeared. Grover, Percy and I had to dive behind feed sacks and hope we looked like turnips. The trailer doors creaked open. Sunlight and heat poured in. "Man!" one of the truckers said, waving his hand in front of his ugly nose. "I wish I hauled appliances." He climbed inside and poured some water from a jug into the animals' dishes. "You hot, big boy?" he asked the lion, then splashed the rest of the bucket right in the lion's face. The lion roared in indignation. "Yeah, yeah, yeah," the man said. Next to me, under the turnip sacks, Grover tensed. For a peace-loving herbivore, he looked downright murderous. The trucker threw the antelope a squashed-looking Happy Meal bag. He smirked at the zebra. "How ya doin', Stripes? Least we'll be getting rid of you this stop. You like magic shows? You're gonna love this one. They're gonna saw you in half!" The zebra, wild-eyed with fear, looked straight at us. There was a loud knock, knock, knock on the side of the trailer. The trucker inside with us yelled, "What do you want, Eddie?" A voice outside—it must've been Eddie's—shouted back, "Maurice? What'd ya say?" "What are you banging for?" Knock, knock, knock. Outside, Eddie yelled, "What banging?" Our guy Maurice rolled his eyes and went back outside, cursing at Eddie for being an idiot. A second later, Annabeth appeared next to me. She must've done the banging to get Maurice out of the trailer. She said, "This transport business can't be legal." "No kidding," Grover said. He paused, as if listening. "The lion says these guys are animal smugglers!" "We've got to free them!" Grover said. He and Annabeth both looked at Percy, waiting for his say. "Percy, open the lock." I snapped at his face. Outside, Eddie and Maurice were still yelling at each other, but I knew they'd be coming inside to torment the animals again any minute. He grabbed Riptide and slashed the lock off the zebra's cage. The zebra burst out. It turned to Percy and bowed. Grover held up his hands and said something to the zebra in goat talk, like a blessing. Just as Maurice was poking his head back inside to check out the noise, the zebra leaped over him and into the street. There was yelling and screaming and cars honking. We rushed to the doors of the trailer in time to see the zebra galloping down a wide boulevard lined with hotels and casinos and neon signs. We'd just released a zebra in Las Vegas. Maurice and Eddie ran after it, with a few policemen running after them, shouting, "Hey! You need a permit for that!" "Now would be a good time to leave," Annabeth said. "The other animals first," Grover said. I cut the locks with my knife which wasn't as easy as what Percy had done. Grover raised his hands and spoke the same goat-blessing he'd used for the zebra. "Good luck," I told the animals. The antelope and the lion burst out of their cages and went off together into the streets. Some tourists screamed. Most just backed off and took pictures, probably thinking it was some kind of stunt by one of the casinos. "Will the animals be okay?" I asked Grover. "I mean, the desert and all—" "Don't worry," he said. "I placed a satyr's sanctuary on them." "Meaning?" "Meaning they'll reach the wild safely," he said. "They'll find water, food, shade, whatever they need until they find a safe place to live." "Why can't you place a blessing like that on us?" I asked. "It only works on wild animals." "So it would only affect Percy," Annabeth reasoned. "Hey!" He protested. "Kidding," she said. "Come on. Let's get out of this filthy truck." We stumbled out into the desert afternoon. It was a hundred and ten degrees, easy, and we must've looked like deep-fried vagrants, but everybody was too interested in the wild animals to pay us much attention. We passed the Monte Carlo and the MGM. We passed pyramids, a pirate ship, and the Statue of Liberty, which was a pretty small replica, but still made me homesick. I wasn't sure what we were looking for. Maybe just a place to get out of the heat for a few minutes, find a sandwich and a glass of lemonade, make a new plan for getting west. We must have taken a wrong turn, because we found ourselves at a dead end, standing in front of the Lotus Hotel and Casino. The entrance was a huge neon flower, the petals lighting up and blinking. No one was going in or out, but the glittering chrome doors were open, spilling out air-conditioning that smelled like flowers—lotus blossom, maybe. I'd never smelled one, so I wasn't sure. The doorman smiled at us. "Hey, kids. You look tired. You want to come in and sit down?" I'd learned to be suspicious, the last week or so. I figured anybody might be a monster or a god. But my knife wasn't glowing so... I figured. Besides, I was so relieved to hear somebody who sounded sympathetic that I nodded and said we'd love to come in. Inside, we took one look around, and Grover said, "Whoa." The whole lobby was a giant game room. And I'm not talking about cheesy old Pac-Man games or slot machines. There was an indoor waterslide snaking around the glass elevator, which went straight up at least forty floors. There was a climbing wall on the side of one building, and an indoor bungee-jumping bridge. There were virtual-reality suits with working laser guns. And hundreds of video games, each one the size of a widescreen TV. Basically, you name it, this place had it. There were a few other kids playing, but not that many. No waiting for any of the games. There were waitresses and snack bars all around, serving every kind of food you can imagine. "Hey!" a bellhop said. At least I guessed he was a bellhop. He wore a white-and-yellow Hawaiian shirt with lotus designs, shorts, and flip-flops. "Welcome to the Lotus Casino. Here's your room key." I stammered, "Um, but..." "No, no," he said, laughing. "The bill's taken care of. No extra charges, no tips. Just go on up to the top floor, loom 4001. If you need anything, like extra bubbles for the hot tub, or skeet targets for the shooting range, or whatever, just call the front desk. Here are your Lotus Cash cards. They work in the restaurants and on all the games and rides." He handed us each a green plastic credit card. I knew there must be some mistake. Obviously he thought we were some millionaire's kids. But I took the card and said, "How much is on here?" His eyebrows knit together. "What do you mean?" "I mean, when does it run out of cash?" He laughed. "Oh, you're making a joke. Hey, that's cool. Enjoy your stay." We took the elevator upstairs and checked out our room. It was a suite with three separate bedrooms and a bar stocked with candy, sodas, and chips. A hotline to room service. Fluffy towels and water beds with feather pillows. A big-screen television with satellite and high-speed Internet. The balcony had its own hot tub, and sure enough, there was a skeet-shooting machine and a shotgun, so you could launch clay pigeons right out over the Las Vegas skyline and plug them with your gun. I didn't see how that could be legal, but I thought it was pretty cool. The view over the Strip and the desert was amazing, though I doubted we'd ever find time to look at the view with a room like this. "Oh, goodness," Annabeth said. "This place is ..." "Sweet," Grover said. "Absolutely sweet." There were clothes in the closet, and they fit me. I frowned, thinking that this was a little strange. I took a shower, which felt awesome after a week of grimy travel. I changed clothes, ate a bag of chips, drank three Cokes, and came out feeling better than I had in a long time. Search and find them Huh? Look for them and warn them I came out of the bedroom and found that Annabeth, Percy and Grover had also showered and changed clothes. Grover was eating potato chips to his heart's content, Percy looked like he was having a headache, while Annabeth cranked up the National Geographic Channel. "Percy you okay?" "Yeah it's just.... All those stations," he told Annabeth, "and she turn on National Geographic." "It's interesting." "I feel good," Grover said. "I love this place." Without his even realizing it, the wings sprouted out of his shoes and lifted him a foot off the ground, then back down again. "So what now?" Annabeth asked. "Sleep?" Percy and I looked at each other and grinned. We both held up our green plastic Lotus Cash cards. "Play time," I said. I couldn't remember the last time I had so much fun. I came from a relatively poor family. Our idea of a splurge was eating out at Burger King and renting a video. A five-star Vegas hotel? Forget it. I spent most of my time playing and... looking for someone I think. I bungee-jumped the lobby five or six times, snowboarded the artificial ski slope, and played virtual-reality laser tag and FBI sharpshooter. I saw Grover a few times, going from game to game. He really liked the reverse hunter thing—where the deer go out and shoot the rednecks. I saw Annabeth playing trivia games and other brainiac stuff. They had this huge 3-D sim game where you build your own city, and you could actually see the holographic buildings rise on the display board. I didn't think much of it, but Annabeth loved it. Percy was playing with Grover. I'm not sure when I first realized something was wrong. Probably, it was when I noticed the guy standing next to me at VR sharpshooters. He was about thirteen, I guess, but his clothes were weird. I thought he was some Elvis impersonator's son. He wore bell-bottom jeans and a red T-shirt with black piping, and his hair was permed and gelled like a New Jersey girl's on homecoming night. When he saw me he gave a smirk and invited me to play a game of sharpshooters together and he said, "Groovy, man. Been here two weeks, and the games keep getting better and better." Groovy? Later, while we were talking, I said something was "sick," and he looked at me kind of startled, as if he'd never heard the word used that way before. He said his name was Darrin, but as soon as I started asking him questions he got bored with me and started to go back to the computer screen. I said, "Hey, Darrin?" "What?" "What year is it?" He frowned at me. "In the game?" "No. In real life." He had to think about it. "1977." "No," I said, getting a little scared. "Really." "Hey, man. Bad vibes. I got a game happening." After that he totally ignored me. I started talking to people, and I found it wasn't easy. They were glued to the TV screen, or the video game, or their food, or whatever. I found a guy who told me it was 1985. Another guy told me it was 1993. They all claimed they hadn't been in here very long, a few days, a few weeks at most. They didn't really know and they didn't care. Then it occurred to me: how long had I been here? It seemed like only a couple of hours, but was it? I then tried to move, but I bumped into a girl. "I'm sorry!" She said. "Hey, no prob." "Oh... uhm... No prob?" "I--- No problem. Say Uh... I kinda lost track of date. What's the year again?" "Huh? It's 1930. Okay, I'm sorry I have to go. I'm looking for someone." Everyone is important in our story "Did you say something?" I go by Y/N L/N, you'll find the one you're looking for at the zombie shooting game. I left her alone and confused. I didn't know why. But I knew now this place is wrong. I tried to remember why we were here. We were going to Los Angeles. We were supposed to find the entrance to the Underworld. My parents... for a scary second, I had trouble remembering their names. I had to save them. I found Percy first. "There's something wrong." We said at the same time. "Years?" He asked. I nodded. We then looked for the others. We found Annabeth still building her city. "Come on," Percy told her. "We've got to get out of here." No response. I shook her. "Annabeth?" She looked up, annoyed. "What? "We need to leave." "Leave? What are you talking about? I've just got the towers—" "This place is a trap." She didn't respond until I shook her again. "What?" "Listen. The Underworld. Our quest!" "Oh, come on, Percy. Just a few more minutes." "Annabeth, there are people here from 1977. Kids who have never aged. You check in, and you stay forever." "So?" she asked. "Can you imagine a better place?" I grabbed her wrist and yanked her away from the game. "Hey!" She screamed and hit me, but nobody else even bothered looking at us. They were too busy. I made her look directly in my eyes. I said, "Spiders. Large, hairy spiders." That jarred her. Her vision cleared. "Oh my gods," she said. "How long have we—" "I don't know, but we've got to find Grover." We went searching, and found him still playing Virtual Deer Hunter. "Grover!" we both shouted. He said, "Die, human! Die, silly polluting nasty person!" "Grover!" He turned the plastic gun on me and started clicking, as if I were just another image from the screen. I looked at Percy, and together we took Grover by the arms and dragged him away. His flying shoes sprang to life and started tugging his legs in the other direction as he shouted, "No! I just got to a new level! No!" The Lotus bellhop hurried up to us. "Well, now, are you ready for your platinum cards?" "We're leaving," I told him. "Such a shame," he said, and I got the feeling that he really meant it, that we'd be breaking his heart if we went. "We just added an entire new floor full of games for platinum-card members." He held out the cards, and I wanted one. I knew that if I took one, I'd never leave. I'd stay here, happy forever, playing games forever, and soon I'd forget my parents, and our quest, and maybe even my own name. I'd be playing virtual rifleman with groovy Disco Darrin forever. Grover reached for the card, but Annabeth yanked back his arm and said, "No, thanks." We walked toward the door, and as we did, the smell of the food and the sounds of the games seemed to get more and more inviting. I thought about our room upstairs. We could just stay the night, sleep in a real bed for once.... Then we burst through the doors of the Lotus Casino and ran down the sidewalk. It felt like afternoon, about the same time of day we'd gone into the casino, but something was wrong. The weather had completely changed. It was stormy, with heat lightning flashing out in the desert. I ran to the nearest newspaper stand and read the year first. Thank the gods, it was the same year it had been when we went in. Then I noticed the date: June twentieth. We had been in the Lotus Casino for five days. We had only one day left until the summer solstice. One day to complete our quest.

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sarifhidayatt · 4 years

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Al CappuccinoS01E30 : Season 1 Episode 30 Episode 30 Drama

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Al Cappuccino - Season 1 Episode 30 : Episode 30 Disaster is looming in gangland because of a murder case. Cheung Sai-lun, Chinese American drama fanatic, returns to Hong Kong to look for opportunities in showbiz. Sai-lun somehow encounters a policewoman called Koo Yan-yee, who gives him an important assignment that requires him to pretend to be an orphan of Big Boss of Union Gang. With the assistance of a seasoned decoy called Ko Bun, Sai-lun becomes Big Boss. Sai-lun then repeatedly offers help to gang leader So Tsz-shan and an actress by the name of Chong Ming-lai. You Ching-shui, lady boss of some nightlife venue, and a trio of unrelated fresh-faced ladies also keep clinging to Sai-lun. While Sai-lun is starting to venture into gangland, he and Ko Bun become amicable partners. And with absolute protection provided by formidable fighter Luk Chau, crises are overcome. But nobody is aware of some shocking scheme has been awaiting him behind the gang activities.

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moontheoretist · 4 years

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Some thoughts about The Witcher episode 1.

I never read the books, so I have only wiki page as a source, but isn't it weird that in the Netflix TV series the scene in which Stegobor says to Renfri that she can kill whole village wasn't even shown? Ok, it was from Geralt perspective mostly, not counting Ciri's perspective, so maybe it was impossible to pack Renfri's perspective as well, but it would give us more insight into Stegobor being a total fucking asshole who wanted to murder girls due to some cryptic idiotic curse which may not even be true at all. The scene in which he calls Marilka just to tell her that he wants her to bring cart shows how far in his ass he has people's safety, but I think including Renfri's perspective in the first episode could show him as evil as he was in truth and then the scene when he manipulates people on the streets to kick Geralt out would be more powerful, because we would know then that he didn't care about anybody in this town and saw them only as tools which he could use to save himself and his precious black sun curse research. I wish he will be eaten by something horrible.

I also learned from wiki that Geralt actually hypnotized Renfri during their conversation, and I have weird feelings about it being excluded, because now it looks as if Renfri hypnotized him, and he did nothing to her at all. If it was included this scene would come out more as equal hypnotizing opportunity instead of “I am gonna hypnotize you, Geralt, because I am a woman and women do such things to men, lol”. I mean to me this whole scene looked as if she did something to him during the night they spent together to put him to some long nice sleep, so she could prepare her ultimatum for him in the city.

From good things about women: The whole scene with naked women illusion walking around Stegobor’s tower was weird, but I appreciate that their bodies weren’t sexualized or displayed in the face of the audience. Camera tried to avoid seeing them for the most of the time of that conversation and that’s a plus. Also I really liked Ciri and Renfri. I empathize with them a lot and I dunno how much it is a work of the show and how much it was a work of the writer in the books, but they really came across as people which either are now or will be capable of doing great things, no matter if those things are good or bad. I am sad Renfri died though :/ Even if she was cursed she was cool and most of the things which happened to her were due to her step-mom hating her :/ Her story is like a story of Snow White, literally. Bad step-mother, gnomes, liver and heart bit even! The only things which is different is that she is a cool fighter. I wish she survived, but well, Sapkowski wrote it that way, so they couldn’t really go against it, no matter how much they would want to do so. It’s part of Geralt story, he is known for this fight. Speaking about the fight. It was like watching two equal fighters trying to outmatch each other, and I am so pleased it was that cool.

From things, I do not get: Marilka, why did you side with the townsmen!?

About other things: Everything bad was in the books and hence is also in the TV series. The Witcher was always a bit of sexist shit about brooding guy fighting monsters in a world in which all women are raped right and left, because nobody cares about them enough to forbid such thing by law. So, that’s why I didn’t say anything about Renfri’s rape. Because I know basically every woman in The Witcher universe is fucked up in some way due to this world being cruel and sexist. The only way to make this world better would be rewriting it from scratch and throw away all slavic stories it is based on, because a lot of them isn’t good, a lot of them ends badly, especially for women. A lot of humanoid monsters in The Witcher universe is also women-like and it’s mostly due to a lot of slavic mythological creatures being women-like. And because a lot of them in The Witcher universe is evil which Witcher fights with, you get the message which says a lot of shit. And I cannot stress how much it reeks of christian ideology.

#the witcher #renfri #witcher geralt #ciri

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alexsmitposts · 4 years

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Meet The Space Force: More Embarrassing Political Pornography On Jan. 3rd, 2019, China landed the Chang-e 4 rover on the far side of the moon. This was a dramatic accomplishment in terms of extraterrestrial activity. The mission had a concrete purpose, not merely in terms of scientific research, but also in terms of technology.Helium-3, the rare, non-radioactive isotope, is quite hard to find on earth. Due to its rarity, it costs roughly $40,000 per ounce. However, Helium-3 is highly abundant on the far side of the Moon. The Chang’e 4 is believed to be the first step, with China intending to send up Chang’e 5, which will land on the moon, load up, and return to earth with a cache of Helium-3, extracted from the lunar surface. Helium-3 is in high demand right now, as fusion energy research is taking off. Many believe that Helium-3 could be used in a fusion reactor that could be developed, and completely change life on this planet with abundant levels of new energy. Russian President, Vladimir Putin is a champion of these efforts, saying: “Potentially we can harness a colossal, inexhaustible and safe source of energy. However, we will only succeed in fusion energy and in solving other fundamental tasks if we establish broad international cooperation and interaction between government and business and join the efforts of researchers representing different scientific schools and areas. If technological development becomes truly global, it will not be split up or reined in by attempts to monopolize progress, limit access to education and put up new obstacles to the free exchange of knowledge and ideas…The International Thermonuclear Experimental Reactor (ITER) serves as a prime example of open scientific, technological cooperation. Scientists are now planning to use it to launch the process of controlled thermonuclear fusion…Our country is actively participating in this project, and is now prepared to suggest that they use Russia’s scientific infrastructure for joint research, joint scientific investigation, for the international scientific teams that are working in the sphere of nature-like and other breakthrough technologies, including unique mega-science installations.” The US space program originated with similar aspirations. NASA sought to advance human civilization, develop new energy sources, and make life better on earth by reaching for the stars. On Sept. 20th, 1963, US President, John F. Kennedy spoke at the United Nations and proposed that instead of having a “Space Race” that the United States and the Soviet Union work together. He said: “In a field where the United States and the Soviet Union have a special capacity–in the field of space–there is room for new cooperation, for further joint efforts in the regulation and exploration of space. I include among these possibilities a joint expedition to the moon.” 2020: Pornography Takes the Place of Politics When describing the years of 1907-1910, a period when Russia was gripped by hopelessness after the failure of the 1905 revolution, Vladimir Lenin wrote: “Depression, demoralization, splits, discord, defection, and pornography took the place of politics.” Such words accurately describe the current atmosphere within the United States. Suicide rates are higher than they have been in decades. Opioid addiction is also claiming lives at a very high rate. Roads across the country are being un-paved because municipalities cannot afford to maintain them. Water is not being properly purified. Demoralization and depression are abundant, and discord among the country’s different demographics and regions is also widespread. In terms of “pornography,” the US Commander in Chief, Donald J. Trump boasted about the size of his penis in during a Republican primary debate. Furthermore, the “October Surprise” from his detractors, which dominated much of the political debate in the lead up to his electoral victory, was the infamous “Access Hollywood Tape” of Trump describing lewd activities with women, in a manner many interpreted as advocating sexual assault. After Trump was elected, feminist activists poured into the streets, dressed in pink to oppose him in a series of “Women’s Marches.” Many of the marchers wore hats sewn specifically to look like female genitalia. As impeachment proceedings continue against Trump in the US Congress and hopes that he would be a non-interventionist have faded away after his rapid escalations against Iran, Donald Trump continued to press forward with one of his favorite projects: The Space Force. On January 27th, just over a year after China’s historical intergalactic accomplishment, Trump released the logo of the new branch of the US Armed Forces created by this year’s congressional defense spending bill. The logo of Trump’s “Space Force” was immediately met with mockery and laughter, because it bears an obvious resemblance to the insignia used in the Star Trek TV programs. Trump’s Space Force is not an extension of NASA or push to send humans to Mars. It is not part of Russia and China’s efforts to make breakthroughs in Fusion Energy. The Space Force is purely military. As Trump explained: “Our destiny, beyond the Earth, is not only a matter of national identity but a matter of national security.” The White House proposed that the new branch of the US military be required: “Strengthen America’s ability to compete, deter and win in an increasingly contested domain. Organize, train and equip our space warfighters with next-generation capabilities. Maximize warfighting capability and advocacy for space while minimizing bureaucracy.” “We don’t want China and Russia and other countries leading us. We’ve always led — we’ve gone way far afield for decades now, having to do with our subject today. We’re going to be the leader by far. We’re behind you a thousand percent,” Trump said when he announced the proposal. LARPing from the White House Indeed, if Trump were to push the Space Program as it had originally been intended, it would require massive reforms to the US educational system. Instead of importing engineers and scientists from across the planet, the United States would be forced to start providing its young people, who greatly trail behind in Math and Science, with a much higher quality education. In response to the Soviet launch of Sputnik in 1957, US government funding of education vastly increased. However, Betsy DeVos, Trump’s Education Secretary, favors dismantling public education, replacing it “schools for profit” Charter Schools, as well as schools run by religious institutions. While Betsy DeVos wouldn’t favor ramping up NASA, the Education Secretary and Billionaire Heiress, whose brother is none other than Erik Prince, founder of the Blackwater (Academi) Military contracting corporation, is most likely happy with Trump’s alternative move. The entire military industrial complex must be excited about expanding the highly profitable market for cruise missiles, bombs and drones into a whole new frontier. If the logo is any indicator, the Pentagon is probably on the verge of announcing new plans to develop phasers, laser beams, and lightsabers. The fact that the Space Force is intended to appeal to young voters, who tend to disfavor Trump, is no secret. In announcing the proposal Trump said: “A new generation of young people seeks to challenge — really challenge hard — to get their talent and their skill to work. And now we’re giving them a forum and a platform from which they can put that genius to work.” Indeed, many of America’s youth, young men, in particular, are probably quite excited about the Space Force. As young Americans find themselves stuck in low-wage, short term, service sector jobs, unable to earn a living, get married, buy a home, and have children, many are reduced to a kind of prolonged adolescence. Instead of raising kids and having fulfilling careers, many young people who are stuck making coffee or sweeping floors have found the world of Science Fiction and Fantasy as a place of solace. Many young Americans, who don’t seem to have much else to do, having been robbed of a fulfilling adult life, take pleasure in “LARPing” or “Live Action Role Play.” They dress in costumes like their favorite science fiction and fantasy characters, holding conventions and acting out scenes. While this LARPing subculture is new, Star Trek fans have been doing for decades. In the 1970s and 80s, the “Trekkies” were the object of mockery, but now their practices of dressing up in costumes and pretending to engage in outer space or medieval combat are much more respected. Oddly, a section of the new, white supremacist right-wing emerged that seemed to be somewhat reminiscent of the LARPers, though more dangerous. The group called itself the “Fraternal Order of Alt-Knights” and trained its members in using sticks, wearing helmets, and carrying shields of the purpose of street fighting. While images of the group’s members certainly look reminiscent of LARPers, their intentions are quite different. While the LARPers shy away from politics and are very clear that what they do is all play and pretend, despite the costumes, the Alt-Knights seem to be ready for a real confrontation as they rant and rave about “western civilization” and “cultural Marxism.” Many reports indicate that the Alt-Knight organization has effectively become defunct in the aftermath of the 2017 incident in Charlottesville. Outer Space Atlanticism in an Age of Pessimism Regardless, for millions of young people who spend their weekends pretending to be intergalactic fighters, Trump’s “Space Force” proposal sounds like their greatest hope. It is a chance to make their weekend fantasies come true. To paraphrase the old 1960s bumper sticker mocking US military recruiters, they can travel beyond the earth, meet new interesting people… and kill them. The Space Force seems to be yet another expression of Atlanticism. It fits the geopolitical trend of two different civilizational models. Societies based on Eurasian landmass have focused on building up industry and infrastructure, making scientific, architectural and mathematical breakthroughs. These Eurasian civilizations have been contrasted with the Atlanticist Empires, from ancient Rome to the 1800s British, who focused simply on control of the trade routes and extracting tribute at the point of a spear. One wonders if the American “Space Force” will seize the next Chang’e mission to the Moon, and demand it hand over some Helium-3 in exchange for crossing into extraterrestrial territory declared to be “ours.” Such a tragic event would fit the patterns that have played out since the dawn of agriculture, when some humans started to build cities to function as trading hubs, while others chose to remain in the forests, hunting animals and robbing travelers. The French philosopher George Sorel, himself an outspoken pessimist contrasted the two views as they were manifested in Ancient Greece, writing: “It seems to me that the optimism of the Greek philosophers depended to a great extent on economic reasons; it probably arose in the rich and commercial urban populations who were able to regard the universe as an immense shop full of excellent things with which they could satisfy their greed. I imagine that Greek pessimism sprang from poor warlike tribes living in the mountains, who were filled with enormous aristocratic pride, but whose material conditions were correspondingly poor… they explained their present wretchedness to them by relating catastrophes in which semi-divine former chiefs had succumbed to fate or the jealousy of the gods; the courage of the warriors might for the moment be unable to accomplish anything, but it would not always be so; the tribe must remain faithful to the old customs in order to be ready for great and victorious expeditions, which might very well take place in the near future.” Regardless, as pessimism is on the rise across the United States, Trump’s new sixth division of the US armed forces seems to capture the spirit of the times, LARP-style logo included. Despite celebrations amid the widespread mockery, no proposal to add a sixth wall to the Pentagon has yet been proposed.

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tingnistsancli-blog · 4 years

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thearkhound · 5 years

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Muneki Ebinuma’s commentary on various Technos projects

The following is a translation of various bulletin board posts that were allegedly posted by Technos Japan designer (and motion capture actor) Muneki Ebinuma on the now-defunct 喫茶ダブドラ/Kissa Dabudora (Double Dragon Teahouse) fansite back in the early 2000′s. Some of the inside stories he brought up he would later bring up in his Super Double Dragon and Double Dragon Advance commentaries he later wrote for the site Game Kommander, so these posts seem pretty legitimate.

Source: http://web.archive.org/web/20010305081410/http://www2.tkcity.net/~kissa/itadakimo.htm

Anecdote #1

When Kunio-kun no Jidaigeki Dayo Zen’in Shūgō! [a 1991 Famicom game. The title loosely translates to ”It’s Kunio-kun’s Historical Drama Play, Gather Everyone!”] was reaching the end of its development, I wrote a plan starring the Double Dragon brothers. It was basically the same gameplay system as Jidaigeki, but it took place in a kung-fu movie setting. It was supposed to be a Kunio-kun game, but it probably deviated a bit too much from the rest of the series. Development ended up being abandoned due to the strong popularity of the Kunio-kun sports game in our surveys, but I really wanted to make it. The Double Dragons were supposed to appear alongside Ryuichi and Ryuji [a pair of characters from the Downtown Nekketsu series modeled after Billy and Jimmy. In River City Ransom they were renamed Randy and Andy], since the project was intended to be a “festival of Technos” (of course, other guest characters would have also appeared). I was even planning to have Kunio perform the “shadowless kick” technique using a wire.

Anecdote #2

There’s quite many inside stories, so feel free to ask any questions you might have. Me nor Mr. Mitsuhiro Yoshida [co-director of Downtown Nekketsu Monogatari and many of the Downtown Nekketsu games alongside Mr. Hiroyuki Sekimoto] won’t mind.

The arcade version of Double Dragon started development as a sequel to Nekkketsu Kōha Kunio-kun and since we were aiming for the U.S. market this time, we started development using the graphic image of Renegade as a basis[the export version of the original Kunio-kun]. I heard that Kunio and Riki were supposed to be the Twin Dragons themselves, since they wore gakurans [a type of Japanese school uniform] with dragon embroidery within their jackets. The Kunio-kun series afterward then became console-centric [after the first two arcade games].

The arcade version of Double Dragon 3: The Rosetta Stone was not developed in-house by Technos, it was outsourced. However, the NES version [titled Double Dragon III: The Sacred Stones outside Japan] was made in-house. Personally the first two games were my favorite. Double Dragon II in particular was perfect for me. The story was pretty good too.

The Super NES version [Super Double Dragon, released in Japan as Return of Double Dragon in a slightly revised version] was supposed to be a port of the arcade game using an 8-Megabit cartridge, which was the largest ROM size at the time, but we were not familiar with the hardware and we didn’t know how to compress the size of the sprites, so it was impossible to match the character sizes of the arcade version. The Technos Arcade Team were responsible for the graphics and programming, so they had a peculiar roughness to it.

There were many ideas that ended up being cut since I was young and inexperienced at the time. There were texts and images that were being made for cutscenes that were inserted into the game’s ROM, but ended up being unused. The ending and sibling confrontation were even programmed into the game, but I was forced to patch it out due to fears that it would end up bugging the game. We were given priority to meet the announced release date given by the company. Thinking about it now, I believe I was disqualified as a provider. Shodai Nekketsu Kōha Kunio-kun [a 1992 Super Famicom game that came out only in Japan. The title translates to “The Original Hot-Blooded Tough Guy Kunio”] also had a troublesome development as well, since that game was also being made by people with no prior experience working on the Super Famicom. It was a very brief development period of around six months. I ended up learning things the hard way and that earned me a reputation of sorts within Technos. The sound test [in the Japanese version] has music tracks that isn’t played anywhere else in the game, like the boss theme. Actually, the boss theme was supposed to start playing during the unused conversation sequences with the bosses. Marian, the game’s heroine, doesn’t even appear in the game at all [despite being depicted in the Japanese version’s manual].

During the development of Hybrid Wrestler [a 1994 wrestling for the Super Famitsu endorsed by actual wrestler Masakatsu Funaki], I asked one of the designers to draw Billy and Jimmy Lee in the same size as the Street Fighter II characters. He also drew Abobo lifting a large rock. However, we ended abandoning that plan to assist in the development of Popeye on the Super Famicom and the arcade game Shadow Force. There were also plans to port Shadow Force to the Super NES, but they were canceled. If American Technos hasn’t asked us to prioritize the development of Popeye, then maybe Shadow Force and Double Dragon fmight had been made. [Other Double Dragon fighting games were later made, but the project Ebinuma is talking about here seems to be unrelated to either of those].

Personally I want to make a perfect port of the arcade game with some additional content. [Ebinuma would later get his wish with Double Dragon Advance]. If it wasn’t for that particular programmer and designer, that sense of roughness would had never been born. I was blessed to have such a staff. A good team is capable of creating a masterpiece. I think a game can be even more interesting if you know the joy of bringing out one’s imagination and creativity. I hope new game creators will be born out of the people who are familiar with Technos games. I’m looking forward to such a game that will entertain me.

Actually there are some larger-than-life people making games. Everyone has great potential. Please do your best in your various fields. Make an effort and realize your dreams.

Anecdote #3

If I remember correctly, I was taken to the vacation home owned by Mr. Yoshihisa Kishimoto [director of the original Nekketsu Kōha Kunio-kun and the Double Dragon trilogy] and his family around the time the scenario [screenplay] for Kunio-tachi no Banka [a 1994 beat-’em-up for the Super Famicom. The title translates to “The Eulogy of Kunio and Friends] was being finalized, where he told me various stories. The screenplay was bulky like a movie screenplay, in which every character and line was thoroughly described on every scene.

He told me he wanted to take the image of the original Kunio-kun arcade and upgrade it for consoles. Unfortunately, Mr. Kōji Ogata, the character designer of the original Kunio-kun, was unavailable due to another project he was assigned to, so the character designs ended up being very different from the conceptual stages. I though the characters looked on paper, but when they appeared on-screen within the game, they were not well-received within the company. It was neither, realistic nor comical, but somewhere in-between. It was really regrettable. But I remember being really happy when I was shown the animation of Kunio doing the Bruce Lee backfist. There was also a stage that was drafted that ended up being cut, as well as a scene that was planned out that didn’t make it, as well as a scene that was impossible to realize due to technical difficulties. Other than, Kishimoto-san was pretty satisfied with the final product.

Instead of Mr. Kazuo Sawa, the usual composer for the Kunio-kun series, the music was instead composed by Mr. Kazunaka Yamane, who did the music for the first two Double Dragon games.

The pixel art for the backgrounds were exceedingly good too. And punching sound effects sounded painful too. It was pretty interesting that familiar characters from the original arcade game appeared too. The enemy’s A.I. programming was a bit different though. There were some aspects of a fighting game that could be seen there, but it was also different.

The TV commercial, which was shot in live-action, featured weapons that was brought in by the company’s staff. The nunchaku there was mine! Mr. Kishimoto was once again really proud of that work. I really another Nekketsu Kōha to be made.

An illustration from a 1991 pamphlet featuring various Technos Japan characters.

#Technos Japan Corp.#Double Dragon #Kunio-kun #River City Ransom

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narkinafive · 5 years

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more essay updates

what’s currently most interesting/annoying is how much context i give for each example. at what point am i just summarizing events? how much is too much or too little? is any of this even... relevant

anyhoot, under a cut, read and critique at your leisure my bros ❤❤❤❤❤❤🤟🤟🤟🤟💯💯💯

Few franchises can match the breadth of Star Wars, and fewer still can claim to be as iconic. Not only have the characters, dialogues, settings, and aesthetics been directly referenced and lovingly parodied across all genres, so too has John Williams’ music. Yet Williams’ music is perhaps most referenced, riffed on, and remixed within the franchise itself; it is difficult to find a piece of Star Wars media which does not contain any number of Williams’ leitmotifs, such as the bombastic “Main Title” fanfare, the sweeping majesty of the Force theme, or the foreboding, villainous “Imperial March.” Within the many, many Star Wars related properties, composers for the franchise’s “lower tier” [properties], i.e. any property outside of the nine-film “Skywalker Saga,” are presented with a difficult challenge: how does one emulate and reference Williams’ original, titanic score, keeping a coherent sonic aesthetic, without copying him directly, and allowing space for the composer’s own musical language?

The larger Star Wars chronology can be broken into three general eras: the Original Trilogy era (OT), which focuses on the time represented by the films A New Hope, Empire Strikes Back, Return of the Jedi, and Rogue One, the Sequel Trilogy era (ST), which is comprised of the films The Force Awakens, The Last Jedi, and The Rise of Skywalker, as well as the TV series Star Wars: Resistance, and the Prequel Trilogy era (PT), as represented by the films The Phantom Menace, Attack of the Clones, Revenge of the Sith, and Solo, as well as the TV series The Clone Wars. Of these properties, Williams has obviously scored the lion’s share of the films; Rogue One’s soundtrack was composed by Michael Giacchino, Resistance by Michael Tavera, Solo by John Powell, and The Clone Wars by Kevin Kiner.

Kiner’s other work for Star Wars was the score of another TV series, Star Wars Rebels. Rebels occupies an interesting place within the greater Star Wars chronology, qualifying as a prequel due to taking place before the events of A New Hope, yet both aesthetically and narratively more aligned with the OT, rather than the PT. Though Rebels is nominally a prequel, Kiner’s musical language sets it firmly within the OT era, with frequent sonic callbacks to Williams’ score, with each aesthetic connection serving not only to link the viewer to the OT era, but also, through its absences and deviations, highlight the narrative differences between Rebels and the original films. This is particularly exemplified in the parallels and contrasts between the heroes of Rebels and the OT, Ezra Bridger, and Luke Skywalker.

From the outset, several parallels can be drawn between Ezra Bridger and Luke Skywalker: both are orphans from provincial areas of the galaxy, both are accidentally caught up in insurrectionist rebel activity against the Empire, and both discover that they can wield the powers of the Force. They are even roughly the same age, born within days of each other. Contrasts do abound, however. Ezra receives several years of Jedi training from a former Jedi, while Luke receives very little; Ezra is actively involved with the Rebel Alliance from the very beginning, while Luke has to be drawn into it due to personal tragedy; Ezra’s primary motif is connected to the twin moons of his home planet of Lothal - this, in contrast to the famous scene of Luke Skywalker gazing into the twin sunset of his planet of Tatooine; and so on. [more parallels]

Set five years before the events of A New Hope, the backdrop of Rebels depicts the formal declaration of the Galactic Alliance, the establishment of the famous rebel base on the planet of Yavin IV, and numerous references to the secret construction of the Death Star, alongside several integral character cameos, including Lando Calrissian, Princess Leia, and Obi-wan Kenobi, while the main thrust of the story centers on the crew of the Ghost, an early rebel cell, and the journey of its newest crew member, Ezra Bridger. Described by Dave Filoni, Executive Producer and creator of Rebels, as a con artist, and Taylor Gray, the character’s actor, as a [street smart thief], Ezra happens upon the crew of the Ghost as they commit a minor act of terrorism against the Galactic Empire, stealing several crates of supplies. Rather than pick a side in the conflict, Ezra elects to steal a crate of the same supplies for himself, outrunning the comedically incompetent Imperial police force, and dodging the members of the Ghost crew as they try to get the supplies back, until Ezra is forced to seek refuge on the Ghost to escape the marginally more competent TIE figher pilots. After helping the crew in distributing the supplies - namely, food - to a nearby refugee camp, Ezra is convinced by the Ghost’s pilot and leader, Hera Syndulla, to assist in a rescue mission. Despite his initial capture and subsequent escape from Imperial custody, Ezra chooses to see the rescue mission through to the end, and witnesses the Ghost’s second-in-command, Kanan Jarrus, wield a lightsaber, revealing himself as a survivor of the presumed-extinct and quasi-legendary Jedi Order. Recognizing that Ezra has the same gift as him, Kanan offers to train him to wield the Force in order to continue fighting against the Empire, dispelling any notion that the Jedi are gone with a triumphant declaration, “Not all of us.”

Initially, Ezra joins the Rebellion not because it is the right thing to do, but because it is convenient to him at the time; the Ghost functions as a roof over his head, its crew members as a new set of parents and siblings, and its missions as a source of food and income, along with the added bonus of learning how to use an incredibly powerful, specialized weapon, despite the target it paints on his back. Filoni himself states [need src] that Ezra decides to join the Ghost not only to learn how to use a lightsaber, but because he is in need of a family, having lost his own parents at the age of seven, when they were arrested for their underground, anti-establishment radio broadcasts. Part of Ezra’s journey over the course of Rebels is re-learning how to think beyond himself, and sacrificing himself for the greater good of everyone, and not just the good of his family and friends--but, as one would expect, at the very beginning of his story, he is far more selfish than selfless. It is more than halfway into the first season before Ezra begins to truly comprehend the Jedi lessons Kanan has attempted to teach him, beyond lifting rocks with his mind, as he finally admits and begins to face his fears while in the middle of a vision quest (presided over by the disembodied voice of Master Yoda).

Over the course of the series, Ezra has frequent, deep brushes with the “Dark Side” of the Force, becoming more inclined to fight, hurt, or even kill in the name of pragmatism and gaining victories for the Rebel Alliance.

Luke’s introduction to the Rebel Alliance is equally accidental, though arguably far more heroic. When his uncle and adoptive father Owen purchases a pair of droids for the farm, Luke discovers a secret message hidden within one of them: Princess Leia’s plea to a mysterious Obi-wan Kenobi for aid. Luke’s first instinct is to help her, seeking out the reclusive loner Ben Kenobi for more information. [more]

These parallels are further underscored by their respective musical motifs. Consider Luke’s theme, the “Main Title” fanfare. [GL quote, SWO 2, 20 min in]. Comprised primarily of perfect intervals, the theme begins with an ascending fifth, an opening salvo so famous that music students everywhere, yours truly included, use it to identify perfect fifths in other contexts. As Lucas notes, the principal instrumentation is in the brass section, immediately conferring an old-world heroic air to Luke. [SWO hero’s journey quote]. [insert sheet music here, recap] As a theme, it is punchy, energetic, deliberately and intrinsically tied up in the “Rebel Fanfare,” and generally underscores moments of onscreen heroism and valiant derring-do. [explain] [example] [example] [example]

By contrast, while Ezra’s theme is also played by the horns, they are muted, thinner, ringing out more softly over shimmering, sustained strings. [insert sheet music here, recap] Ezra’s theme mostly serves to underscore the character’s moments of emotional reflection, rather than his superhuman action. The first iteration of Ezra’s theme, in contrast to the above, plays as Ezra observes the crew of the Ghost handing food supplies from afar. His whole worldview has clearly been shaken; rather than abscond with the supplies stolen from Imperials--supplies that, Ezra’s presence notwithstanding, were difficult to steal--the crew of the Ghost chooses to give most of them away (though a crate of weapons is sold to a shady businessman for income). Ezra’s first instinct had been to sell them himself, to any number of the black market dealers with which he has become familiar growing up. Of the many confusing aspects of this situation, one thing which must be puzzling him is why the crew had even offered him refuge on their ship. Surely if they were like any other thief or smuggler, they would have left him behind to be killed by the TIE Fighter pilot, either as a punishment for stealing the crates in the first place, or simply to get him out of the way. (Later, he will be even more shocked that they turn around to rescue him from an Imperial Star Destroyer, one of the Empire’s largest and most heavily guarded space vessels, despite having accidentally left him behind earlier in their haste to escape.) Now, however, this emotional confusion, coupled with a handy tug from the Force, compels him to sneak aboard the Ghost and snoop, where he stumbles on Kanan’s lightsaber and holocron, a treasure trove of Jedi information that only Jedi can open, which he promptly steals.

Ezra was born on “Empire Day,” the day that the Clone Wars were ended and the Galactic Empire was declared by Palpatine, formerly Senator, then Chancellor, and now Emperor. (It was that same day that the Emperor launched his assault on the Jedi Order, wiping nearly all of them out in one overwhelming blow. It has been theorized that this mass slaughter resonated throughout the Force, causing unborn Force sensitive children to panic and induce early labor in the mother. Incidentally, Luke Skywalker and Leia Organa were born two days later.) For Ezra, Empire Day comes with its own baggage--this day is also the anniversary of his parents’ arrest for treason, which left him homeless and alone. This Empire Day, however, Ezra is not alone, but instead has joined up with a rebel cell determined to cause some mayhem and headaches for the Imperial occupiers. With Imperials distracted by preparations for a local parade, and their search for a particular Imperial data-worker named Tseebo, Ezra and the rebels happily ruin the parade, and, while hiding in the abandoned apartment which used to be Ezra’s childhood home, discover Tseebo already there. Tseebo was, by Ezra’s admission, a friend of his parents, though Ezra himself wants nothing to do with Tseebo now, who “went to work for the Empire, after they took my parents away.” (While it is left intentionally vague, there is a distinct possibility that Tseebo had a hand in his parents’ arrest and imprisonment.) In the years since, Tseebo had allowed himself to be implanted with cybernetic enhancements in order to increase his productivity, before downloading several caches of Imperial secrets, and attempting to flee. With all of the information in his head, Tseebo is little more than catatonic, able to walk and spout random information, but not truly understanding what is going on around him--until some turbulence aboard the Ghost appears to knock him back into consciousness. Seeing and recognizing Ezra, and perhaps knowing that he has a limited amount of time, Tseebo frantically tries to tell Ezra that he knows what happened to his parents, who had been presumed dead all this time.

Unfortunately, Tseebo cannot remain lucid for long, and Ezra must go and lure the pursuing Imperials off of their tail, in order to get Tseebo to Hera’s rebel operative, the mysterious Fulcrum.

#essay tag

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