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#Michael G. Coney
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Michael G. Coney - Mirror Image - DAW - 1972
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trashmagic333 · 13 days
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she said she can’t feel her face⭐️right now can’t feel my heart
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nelc · 2 years
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Frank Kelly Freas' cover for Monitor Found in Orbit by Michael G Coney
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headaches-blog · 2 years
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The warriors (1979)
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The Warriors is a 1979 American action crime thriller film directed by Walter Hill. Based on Sol Yurick's 1965 novel of the same name, it was released in the United States on February 9, 1979. The film centers on a fictitious New York City street gang who must travel 30 miles (48 km), from the north end of the Bronx to their home turf in Coney Island in southern Brooklyn, after they are framed for the murder of a respected gang leader.
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Starring
Michael Beck as Swan
James Remar as Ajax
Deborah Van Valkenburgh as Mercy
Marcelino Sánchez as Rembrandt
David Harris as Cochise
Tom McKitterick as Cowboy
Brian Tyler as Snow
Dorsey Wright as Cleon
Terry Michos as Vermin
David Patrick Kelly as Luther
Roger Hill as Cyrus
Edward Sewer as Masai
Lynne Thigpen as the D.J.
Thomas G. Waites as Fox
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Plot
Cyrus, leader of the Gramercy Riffs, the most powerful gang in New York City, requests that each of the city’s gangs send nine unarmed delegates to Van Cortlandt Park for a midnight summit. The Warriors, a multiracial gang from Coney Island, attend the summit. Cyrus proposes to the assembled crowd a citywide truce and alliance that would allow the gangs to control the city together, since they collectively outnumber the police by three to one.
Most of the gang members applaud this idea, but Luther, the unbalanced and sadistic leader of the Rogues, shoots Cyrus dead as police officers arrive to raid the summit. In the ensuing chaos, Luther realizes that one of the Warriors, Fox, appears to suspect him, and makes a false accusation which leads the vengeful Riffs to attack the "Warlord", Cleon. Meanwhile, the other Warriors escape, unaware that they have been implicated in Cyrus's killing. The Riffs put out a hit on the Warriors through a radio DJ. Swan, the "War Chief," takes charge of the group as they try get home, though the Warriors's main enforcer and brawler Ajax disagrees with Swan being leader over him.
The Turnbull ACs spot the Warriors and try to run them down with a modified school bus but the Warriors escape and board an elevated train. On the ride to Coney Island, the train is stopped by a building fire alongside the tracks, stranding the Warriors in Tremont. Setting out on foot, they encounter the Orphans, who are insecure about their low status in the gang hierarchy as they were excluded from Cyrus's meeting. After Mercy, the girlfriend of the Orphans' leader, instigates a confrontation, Swan throws a Molotov cocktail and the Warriors run to the nearest subway station. Impressed and desperate to escape her depressed neighborhood, Mercy follows the Warriors.
When the group arrives at the 96th Street and Broadway station in Manhattan, they are pursued by police and separated. Three of them, Vermin, Cochise and Rembrandt, escape by boarding a subway car. Fox, struggling with a police officer, is thrown onto the tracks and is fatally hit by a passing train as Mercy flees the scene. Swan, Ajax, Snow and Cowboy are chased by the Baseball Furies into Riverside Park but defeat them in a brawl. After the fight, Ajax sees a lone woman sitting on a park bench and leaves the group despite Swan's objections. When Ajax becomes sexually aggressive, the woman, revealed to be an undercover police officer, handcuffs him to the bench and arrests him.
Upon arriving at Union Square, Vermin, Cochise and Rembrandt are seduced by an all-female gang called the Lizzies and invited into their hideout. They narrowly escape the Lizzies' subsequent attack, learning in the process that the gangland community believes the Warriors murdered Cyrus. Acting as a lone scout, Swan decides to return to the 96th Street station, where Mercy joins him (although he spurns her promiscuity). After reaching the Union Square station, they reunite with the remaining Warriors and engage in a fight with a roller-skating gang, the Punks. Mercy proves herself formidable in combat. A member of a different gang visits the Riffs and tells them that he saw Luther shoot Cyrus.
At dawn, the Warriors finally reach Coney Island, only to find Luther and the Rogues waiting for them. Swan challenges Luther to single combat but Luther pulls a gun. Swan dodges his shot and throws a switchblade (taken from one of the Punks) into Luther's wrist, disarming him. The Riffs arrive, acknowledging the Warriors' courage and skill before apprehending the Rogues. As the Riffs descend upon him, Luther screams. The radio DJ announces that "the big alert has been called off" and salutes the Warriors with a song, "In the City." The film ends with Swan, Mercy and the rest of the gang walking down a Coney Island beach, illuminated by the rising sun.
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Original trailer
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https://archive.org/details/New_Writings_in_SF_16_1969
"Foreword" (John Carnell)
"Getaway from Getawehi" (Colin Kapp)
"All Done by Mirrors" (Douglas R. Mason)
"Throwback" (Sydney J. Bounds)
"The Perihelion Man" (Christopher Priest)
"R26/5/PSY and I" (Michael G. Coney)
"Meatball" (James White)
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clonemediaarchive · 8 months
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Compilation of cloning fiction. I’ll update periodically.
“The Bobiverse saga” by Dennis E. Taylor
A human turned Von Neuman probe (a self replicating space machine) makes independent copies of himself in the dead of space. Gave me a panic attack from the existentialism and I never finished it. For normal people, I’m sure it's great.
“Mickey7” by Edward Ashton
A space station creates copies of its workers when they perish. Titular character gets copied when he is presumed dead, leading to two of him. Sequel “Antimatter Blues” doesn’t focus on cloning.
“Duplicate” by Alex Feinman
Similar to Mickey7 but if the copies revolted against the space faring company. They create a crew after setting the machine to constantly clone themselves as they work to escape their shit situation.
“Liminal States” by Zach Parsons
A cowboy and his rival fall into an immortality ooze. They resurrect from it whenever they die, but occasionally it spits out a duplicate of either of them. Love cowboys.
“Kiln People” by David Brin
Society where temporary duplicates is the norm. Lots of dehumanization for these “golems”, who die after a day and whose only hope for continuation is having their memories absorbed. Pretty fucked up.
“Cube” by Michael Whetzel
Man gets duplicated (alongside his dog) by an anomalous cube, becoming three semi hive-minded clones. They go off to live separate lives.
“Snakeskins” by Tim Major
In this world rich people just spontaneously create duplicates(called “skins” I think) that rejuvenate their bodies. These duplicates are usual temporary, horrifically disintegrating moments after duplicating. Some rich folk’s clones don’t vanish though and they have a growing stockpile of duplicates.
“Mirror Image” by Michael G. Coney
An alien creature is found upon colonization that perfectly duplicates a person’s loved one. Those with enough of an ego create a duplicate of themself. This alien will even create composite personas when around multiple people. Super trippy and surprisingly sympathetic to the aliens.
“Parallelities” by Alan Dean Foster
Deals with the phenomenon of parallel universe selves meeting each other. Random people find exact doubles of themselves or slightly different versions.
“Scott too” by Victor Giannini
A regular ol guy gets duplicated one night without explanation. They diverge, one remaining lazy while the other grows to be better and more successful.
“Mysterious Strangers” by Dayle Courtney
The main characters, Eric and Allison, meet two amnesiac duplicates of themselves at the police station.
“Past Continuous” by K. Ryer Breese
A man meets parallel selves, becoming a partner in crime with one of them. Inevitably though he is forced to absorb them all.
“Cellmates” by Robert Alan Burton
Ten clones of the same man discover each other's existences. Some are completely identical in fashion and personality and some aren’t.
“Falling Sideways” by Tom Holt
Cloning vats are a seemingly mundane object in the world that one can spawn permanent duplicates from. The plot hinges on it, a vat controlled by a shady man with an enormous amount of clones of himself that come about due to him not being very careful with his own DNA around the vat. Also some characters are humanoid frogs, which was a strange and funny bit of worldbuilding. Idk why they are frogs.
“Annals of the Heechee” by Frederik Pohl
Doppels can be used in which a person is synthetically replicated, allowing them to be in two places at once. The Doppel of them is treated as expendable and is terminated once it has finished its task.
“Midas” by Wolfgang Jeschke
Copies of people can be produced. These copies are inexplicably tangled mentally with their originals at first, but the connection erodes with separation. There is still a sympathy that comes with interacting copies and originals.
“Target Silverclaw” by Simon Cheshire
Sir Godfrey meets an identical android of himself.
“View from another shore” by Ed. Franz Rottensteiner
A man, Trurl (weird name), creates numerous digital duplicates of himself to run research. He is quick to think he can easily dispose of them, but ethics is taken into consideration.
“Doomship” by Frederik Pohl and Jack Williamson
Main character, Ben Pertins, uses an interplanetary form of “transportation” that duplicates a person across the galaxy. Both the original and copy are considered “Ben Pertins” and are considered equally real. This can be seen when Ben’s wife worries about her other husband who is likely in danger despite being with his counterpart on earth.
“Clade” edited by Madison Scott-Clary
Universe in which people are uploaded. They can create branches of themselves. These duplicates can be reconverged or become indépendant. Clade is a collection of stories about that setting, my favorite being a writer who makes duplicates that focus on specific genres. Lots of furry stories too though, which is dépendant on the person if that’s a pro or a con
“The Man Who Folded Himself” by Davis Gerold
A man can do a strange mixture of time travel and parallel universe jumping. He forms a codependent relationship with the him that jumps back in time commonly to a day before, there always being a version of him that has been through that day before. There are also alternate selves.
“Cloned Again: An Absurd Short Story” by Shelley Dawn Siddall
A man, Marvin, is initially cloned once by his family while on a mission in deep space. After leaving that initial clone on a planet, they decide to clone Marvin again. They leave the cloning machine on and the clones decide to rescue the initial clone. Cloning seems super casual in this novel, which is funny.
“L’Énigma de Givreuse” by J.-H Rosny. Translated and adapted by Brian Stableford as “The Givreuse Enigma”.
One of the first written instances of duplication of a character (ignoring old old stuff like the Monkey King). A soldier is duplicated in two during a battle and comes home as two. They like each other’s company, feeling like halves of one another.
“11 of me” by Jiae Go and Jaeyeong Yeong
A very well made WEBTOON that follows a man using an antique Time Machine to produce paradox duplicates rather than time travel much. They all live together and share a life.
"Replica" by Paul Jenkins and Andy Clark
A high quality comic about a man who accidentally orders a large amount of clones. These clones help him with his detective work and have a large variation in personality.
"Galaxy Trucker Double Trouble" by Jason A. Holt
A novel written to subverse clone infighting tropes. This man gets duplicated, immediately befriends his clone and works to share his life with him. They even enter into a throuple with their wife and start a family. Very wholesome.
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nearmidnightannex · 9 months
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Shootin’ at the walls of heartache, bang bang...
I ... genuinely cannot imagine what this could possibly look like.
'The Warriors' Is Lin-Manuel Miranda's Next Broadway Musical (collider.com) BY BRITTA DEVORE 4 August 2023
It’s been nearly a decade since Lin-Manuel Miranda released a new stage musical, but according to the New York Post, he’s at it again. Sticking to his native New York City roots, the In the Heights and Hamilton creator is moving forward with a stage adaptation of Sol Yurick’s 1965 novel, The Warriors, a story that has already been given the big-screen treatment through Walter Hill’s 1979 feature of the same name. Set on the gritty streets of New York City during the 1960s, the tale follows rivaling gangs as they make their way from the Bronx to Coney Island while duking it out with one another to ensure their own survival...
The 1979 film by director Walter Hill featured a young Michael Beck, James Remar, Deborah Van Valkenburgh, Brian Tyler, Terry Michos, Thomas G Waites, Dorsey White, David Patrick Kelly, Tom McKitterick, David Harris, Marcelino Sanchez, Lynne Thigpen (sadly, RIP), Roger Hill & Mercedes Ruehl as an undercover policewoman.
And for those of you who have no idea what movie they’re even talking about:
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I mean ... I guess a musical could be kind of like “West Side Story”, but with probably less tragic romance and more baseball bats and shirtless guys in leather vests? And far more highly choreographed balletic fight scenes.
(NB: the title of the post has nothing to do with the movie, or book, or musical. It’s just the first thing that comes to mind when I hear that title. The olds among us will know of what I speak.)
(And speaking of the olds: from 2015 -  Watch ‘The Warriors’ Recreate Their Last Subway Ride Home (rollingstone.com) and as the video has become disconnected from that article - the actual (abbreviated) video of that ride. (”This movie has inspired real gangs” is frankly one of the more appalling things I’ve heard.) )
Allegedly, there was going to be a TV remake of the film in 2022, possibly by Hulu, but it doesn’t seem to have happened. 
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science70 · 4 years
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Michael G. Coney, Monitor Found in Orbit (DAW Books, 1974).
Cover art: Frank Kelly Freas
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the25centpaperback · 5 years
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Rax by Michael G. Coney, cover by Josh Kirby (1977)
For this French translation of Michael G. Coney's novel the publisher chose to print Josh Kirby's illustration on a silver foil cover. The entirely predictable consequences of this choice was that Kirby's intricate and evocative painting printed on fragile silver foil was damaged easily by shelf wear. The book looks in real life even worse than this scan does. For a better version of Kirby's cover, see the earlier DAW edition of the novel.
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scifi2feature · 6 years
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paperbackben · 7 years
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Syzygy by Michael G. Coney
Cover Art: Gene Szafran
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theglintoftherail · 7 years
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Review: The 1972 Annual World's Best SF
For years and years, I’ve been collecting editions of the Annual World’s Best SF anthology series edited by Donald A. Wollheim, which ran from 1972 to 1990. A couple of years ago I decided to commit to reading or rereading every single one of them - and to reviewing every single story in each of them on Goodreads. As of now, I’ve gotten through 10 of them and reviewed a total of 107 stories, which can all be found here!
I’m doing this partly to expose myself to a wide range of SF in order to grow as an SF author, and partly  because there are so many great SF authors whose work didn’t just stick around in public consciousness for one reason or another. I’ve found so many authors that I absolutely love and had never heard of before. (And because those authors are not widely read, it makes me feel like a total SF hipster, which is perversely enjoyable.)
Here are the reviews of the stories from the 1972 edition:
The Fourth Profession, Larry Niven
Well what do you know. I’ve read a few things by Larry Niven and straight-up disliked most of them, but this one was very fun. A few mysterious aliens have landed on Earth, and a bartender happens to get one of them way too drunk and is given pills that essentially give him superpowers. It’s well-paced and funny, with likeable characters and surprisingly high stakes. The ending didn’t quite live up to the rest of the story, but I still liked this a lot.
Gleepsite, Joanna Russ
The editor’s intro to this one recommended reading it twice or even three times, and I’m glad it did, because it’s pretty much impenetrable on the first read – but once I figured out what was going on, it was really cool and fairly chilling. It packs a huge amount of worldbuilding and characterization into about five pages. I’d hate to spoil it so I’ll just say, it opens on a woman with bat wings pedaling dream machines in a polluted dystopian wasteland where most of the men on Earth have died, and goes all sorts of even weirder places from there.
The Bear with the Knot on His Tail, Stephen Tall
Eh. Maybe it’s just that this story is closing in on 50 years old, but it was really just a bog-standard ‘humans discover the first alien life and oh no they’re in trouble’ story. I really thought there was going to be an interesting twist at the end – I even thought I could see how they were setting it up – but nope.
The Sharks of Pentreath, Michael G. Coney
In the near-ish future, overpopulation has resulted in a system where at any given time, two-thirds of the population is kept in Matrix-style tanks and can interact with the outside world via tiny robots, and people swap out on regular schedules. The story’s about an innkeeper at a popular tourist destination who is currently in non-Matrix-mode and who is kind of a dick. I always like SF where the speculative part is just a backdrop to a character-based story, but there was something about the whole concept that just didn’t feel quite right to me - and honestly, the main character was just too much of an asshole for his ‘I learned a lesson’ moment to ring true for me.
A Little Knowledge, Poul Anderson
Three human criminals stranded on a planet of extremely pacifistic aliens kidnap an alien space pilot so that they can sell forbidden technology to a warrior race. I loved everything about the premise, the characters, the worldbuilding, the plot resolution, etc – but the pacing was bizarrely bad, particularly when compared to how strong everything else was. Huge exposition dumps, lengthy scenes that were interesting but have little plot importance followed by rushing through much more significant events, more exposition, etc. Still worth reading, but man, somebody should have taken a scalpel to this thing.
Real-Time World, Christopher Priest
A group of research scientists in an enclosed space station are secretly being manipulated by the people who sent them there, via carefully controlled feeds of news and information personalized for each of them. I loved this at the beginning, but then a bunch of additional SF concepts and twisty plot elements were added in, and then more, and then more. Which could have been cool, but in practice it just wound up making kind of an incoherent hash of what could have been two or even three good stories.
All Pieces of a River Shore, R. A. Lafferty
Perfect from start to finish… almost entirely. An eccentric Native American collector of Old West and Native American artifacts has run across a few impossibly detailed, several-foot-long paintings of the banks of the Mississippi River. He has a theory that there are even more of them out there, and that they might actually depict the entire span of the river when put together. I loved everything about this – but the final cymbal-crash line that explains the mystery pretty much requires you to have had personal experience with 1970s information storage technology. I had to google the story to figure out what the hell was going on, and once I did, it was like “Oh! I see, awesome!”
With Friends Like These . . . , Alan Dean Foster
Hundreds of thousands of years ago, there was a galactic war in which the humans, fighting on the side of the good guys, destroyed the enemy so thoroughly and terrifyingly that the rest of the galaxy forced them all back to Earth and barricaded them in there. But now the bad guys are back, so the other good guys plan to free these mythical monstrous warriors. I wasn’t mad at this, but I personally dislike the trope of ‘humans are the most exceptional race in the galaxy.’ (Also, in general I feel like 70s SF throws a lot of psychic abilities shit around when there’s no real need or justification for it, so that aspect was also annoying.)
Aunt Jennie's Tonic, Leonard Tushnet
A research chemist interviews his old-country hedge-witch-style aunt in order to discover the secrets of her medicines. There was a lot I liked about this, but the main character was just too much of an idiot for me to be fully immersed in it. “I’m purposefully not even writing down the parts of these processes that I think are bullshit, even though there’s no real reason not to” plus “I didn’t make any backup copies of my notes on this incredibly valuable medicine recipe” equals how the hell did you ever manage to become a research chemist in the first place.
Timestorm, Eddy C. Bertin
Did you know that changing the past in a way that you’d think would be beneficial might actually cause something terrible to happen? A guy gets transported to a future place where aliens are doing things to Earth’s past that seem bad, he stops them, oh no they were actually helping. Like the third story, this was either unoriginal at the time or feels unoriginal now that we’ve seen it a million times. And the collection of things that the aliens were manipulating was weirdly arbitrary – stopping the birth of Hitler and the birth of… the Marquis de Sade? Really? And of course, since this was written in 1971, it opens on the assassination of JFK.
Transit of Earth, Arthur C. Clarke
Ok, well this almost made me cry. A Mars exploration mission is doomed and they’re going to run out of food/oxygen, so everyone but one man takes suicide pills early in order to give the man enough time to record a rare astrological phenomenon before he dies. The story is written as a combination of his notes of the transit of Earth plus his personal reflections on life and death. It’s really great. (There is also an almost completely throw-away suggestion that maybe just maybe there are also aliens on Mars, which added absolutely nothing to the plot and probably should have been edited out.)
Gehenna, K. M. O'Donnell (aka Barry N. Malzberg)
This was gorgeous. It’s three vignettes about characters with intersecting lives – all of them go to the same party, and their meeting there changes their lives in various ways, but each story also takes place in a just slightly different world. It uses parallel universes as a metaphor for how everyone’s experience of the world and their conception of themselves is totally different from what other people see. The fact that the stories are taking place in parallel universes is established at the beginning of each vignette by a device that I thought was really cool – each character takes the subway down from Times Square to get to the party, and the stations they pass are all numbered differently. (I looked up another review of this and the reviewer described it as ‘funny’ and ‘an amusing puzzle,’ which is hilarious to me – I thought “how could we have read it so differently” and then realized that that’s exactly what the story is about…)
One Life, Furnished in Early Poverty, Harlan Ellison
Earlier in this project I read Jeffty is Five, also by Harlan Ellison, and this is so similar that I would have known immediately that it was the same author even if I wasn’t already aware. You can never go back to your lovingly-described childhood which specifically involves a lot of comic books and radio dramas and delicious no-longer-produced candy, but you desperately want to because your adult life is boring, but if you try to, it will have terrible consequences, because childhood is delicate and precious. This story is good on a technical level but that theme just doesn’t do anything for me at all, so I didn’t love it.
Occam's Scalpel, Theodore Sturgeon
The mysterious head of a shadowy criminal organization is about to die, and his personal doctor is worried about the right-hand man who is primed to replace him, so he goes to his brother for help… but what kind of help? There are a couple things in this story that are awfully convenient, and it does rely on a super-genius being tricked in a way that an actual super-genius would almost certainly see right through, but I liked the concept enough to overlook those things.
Favorites: Gleepsite, All Pieces of a River Shore, Transit of Earth, Gehenna
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70sscifiart · 2 years
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1974 Frank Kelly Freas cover art for Monitor Found in Orbit, by Michael G. Coney
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bluebuzzmusic · 3 years
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Women Rule the Night at 2021 GRAMMY Awards [WINNERS LIST]
The 2021 Grammy Awards winners are in…
Women ruled the ceremony as Beyoncé and Taylor Swift had record-breaking nights, Billie Eilish and H.E.R. took home awards in top categories, and Megan Thee Stallion won Best New Artist.
Bey made history by earning her 28th Grammy, becoming the most-awarded woman ever. Most notably, her Juneteenth release “Black Parade” brought home Best R&B Performance. She also won Best Rap Performance and Best Rap Song for her “Savage” remix with Megan Thee Stallion and Best Music Video for “Brown Skin Girl.”
Meanwhile, Swift became the first woman to win Album of the Year three times with her eighth studio album Folklore. She was nominated in five other categories.
Kaytranada swept dance categories, winning Best Dance Recording for “10%” featuring Kali Uchis. The DJ/producer also won Best Dance/Electronic Album for his second studio album Bubba.
Imanbek‘s “Roses” remix for SAINt JHN earned him Best Remixed Recording.
Congrats to all winners and nominees in all categories. See below and peep the full list here.
2021 Grammy Awards Winners
Record of the Year “Black Parade,” Beyoncé “Colors,” Black Pumas “Rockstar,” DaBaby Featuring Roddy Ricch “Say So,” Doja Cat “Everything I Wanted,” Billie Eilish — WINNER “Don’t Start Now,”Dua Lipa “Circles,” Post Malone “Savage,” Megan Thee Stallion Featuring Beyoncé
Album of the Year Chilombo, Jhené Aiko Black Pumas (Deluxe Edition), Black Pumas Everyday Life, Coldplay Djesse Vol. 3, Jacob Collier Women In Music Pt. III, Haim Future Nostalgia, Dua Lipa Hollywood’s Bleeding, Post Malone Folklore, Taylor Swift — WINNER
Song of the Year “Black Parade,” Denisia Andrews, Beyoncé, Stephen Bray, Shawn Carter, Brittany Coney, Derek James Dixie, Akil King, Kim “Kaydence” Krysiuk & Rickie “Caso” Tice, songwriters (Beyoncé) “The Box,” Samuel Gloade & Rodrick Moore, songwriters (Roddy Ricch) “Cardigan,” Aaron Dessner & Taylor Swift, songwriters (Taylor Swift) “Circles,” Louis Bell, Adam Feeney, Kaan Gunesberk, Austin Post & Billy Walsh, songwriters (Post Malone) “Don’t Start Now,” Caroline Ailin, Ian Kirkpatrick, Dua Lipa & Emily Warren, songwriters (Dua Lipa) “Everything I Wanted,” Billie Eilish O’Connell & Finneas O’Connell, songwriters (Billie Eilish) “I Can’t Breathe,” Dernst Emile II, H.E.R. & Tiara Thomas, songwriters (H.E.R.) — WINNER “If The World Was Ending,” Julia Michaels & JP Saxe, songwriters (JP Saxe Featuring Julia Michaels)
Best New Artist Ingrid Andress Phoebe Bridgers Chika Noah Cyrus D Smoke Doja Cat Kaytranada Megan Thee Stallion — WINNER
Best Pop Solo Performance “Yummy,” Justin Bieber “Say So,” Doja Cat “Everything I Wanted,” Billie Eilish “Don’t Start Now,” Dua Lipa “Watermelon Sugar,” Harry Styles — WINNER “Cardigan,” Taylor Swift
Best Pop Duo/Group Performance “Un Dia (One Day),” J Balvin, Dua Lipa, Bad Bunny & Tainy “Intentions,” Justin Bieber Featuring Quavo “Dynamite,” BTS “Rain On Me,” Lady Gaga with Ariana Grande — WINNER “Exile,” Taylor Swift Featuring Bon Iver
Best Pop Vocal Album Changes, Justin Bieber Chromatica, Lady Gaga Future Nostalgia, Dua Lipa — WINNER Fine Line, Harry Styles Folklore, Taylor Swift
Best Dance Recording “On My Mind,” Diplo & Sidepiece “My High,” Disclosure Featuring Amine & Slowthai “The Difference,” Flume Featuring Toro y Moi “Both of Us,” Jayda G “10%,” Kaytranada Featuring Kali Uchis — WINNER
Best Dance/Electronic Album Kick I, Arca Planet’s Mad, Baauer Energy, Disclosure Bubba, Kaytranada — WINNER Good Faith, Madeon
Best Rock Performance “Shameika,” Fiona Apple — WINNER “Not,” Big Thief “Kyoto,” Phoebe Bridgers “The Steps,” Haim “Stay High,” Brittany Howard “Daylight,” Grace Potter
Best Metal Performance “Bum-Rush,” Body Count — WINNER “Underneath,” Code Orange “The In-Between,” In This Moment “Bloodmoney,” Poppy “Executioner’s Tax (Swing of the Axe) — Live,” Power Trip
Best Rock Song “Kyoto,” Phoebe Bridgers, Morgan Nagler & Marshall Vore, songwriters (Phoebe Bridgers) “Lost in Yesterday,” Kevin Parker, songwriter (Tame Impala) “Not,” Adrianne Lenker, songwriter (Big Thief) “Shameika,” Fiona Apple, songwriter (Fiona Apple) “Stay High,” Brittany Howard, songwriter (Brittany Howard) — WINNER
Best Rock Album A Hero’s Death, Fontaines D.C. Kiwanuka, Michael Kiwanuka Daylight, Grace Potter Sound & Fury, Sturgill Simpson The New Abnormal, The Strokes — WINNER
Best Alternative Music Album Fetch the Bolt Cutters, Fiona Apple — WINNER Hyperspace, Beck Punisher, Phoebe Bridgers Jaime, Brittany Howard The Slow Rush, Tame Impala
Best R&B Performance “Lightning & Thunder,” Jhene Aiko Featuring John Legend “Black Parade,” Beyoncé — WINNER “All I Need,” Jacob Collier Featuring Mahalia & Ty Dolla $ign “Goat Head,” Brittany Howard “See Me,” Emily King
Best Traditional R&B Performance “Sit on Down,” The Baylor Project Featuring Jean Baylor & Marcus Baylor “Wonder What She Thinks of Me,” Chloe X Halle “Let Me Go,” Mykal Kilgore “Anything For You,” Ledisi — WINNER “Distance,” Yebba
Best R&B Song “Better Than I Imagine,” Robert Glasper, Meshell Ndegeocello & Gabriella Wilson, songwriters (Robert Glasper Featuring H.E.R. & Meshell Ndegeocello) — WINNER “Black Parade,” Denisia Andrews, Beyoncé, Stephen Bray, Shawn Carter, Brittany Coney, Derek James Dixie, Akil King, Kim “Kaydence” Krysiuk & Rickie “Caso” Tice, songwriters (Beyoncé) “Collide,” Sam Barsh, Stacey Barthe, Sonyae Elise, Olu Fann, Akil King, Josh Lopez, Kaveh Rastegar & Benedetto Rotondi, songwriters (Tiana Major9 & EARTHGANG) “Do It,” Chloe Bailey, Halle Bailey, Anton Kuhl, Victoria Monet, Scott Storche & Vincent Van Den Ende, songwriters (Chloe X Halle) “Slow Down,” Nasri Atweh, Badriia Bourelly, Skip Marley, Ryan Williamson & Gabriella Wilson, songwriters (Skip Marley & H.E.R.)
Best Progressive R&B Album Chilombo, Jhené Aiko Ungodly Hour, Chloe X Halle Free Nationals, Free Nationals F*** Yo Feelings, Robert Glasper It Is What It Is, Thundercat — WINNER
Best R&B Album Happy 2 Be Here, Ant Clemons Take Time, Giveon To Feel Love/d, Luke James Bigger Love, John Legend — WINNER All Rise, Gregory Porter
Best Rap Performance “Deep Reverence,” Big Sean Featuring Nipsey Hussle “Bop,” DaBaby “What’s Poppin,” Jack Harlow “The Bigger Picture,” Lil Baby “Savage,” Megan Thee Stallion Featuring Beyoncé — WINNER “Dior,” Pop Smoke
Best Melodic Rap Performance “Rockstar,” DaBaby Featuring Roddy Ricch “Laugh Now, Cry Later,” Drake Featuring Lil Durk “Lockdown,” Anderson .Paak — WINNER “The Box,” Roddy Ricch “Highest in the Room,” Travis Scott
Best Rap Song “The Bigger Picture,” Dominique Jones, Noah Pettigrew & Rai’shaun Williams, songwriters (Lil Baby) “The Box,” Samuel Gloade & Rodrick Moore, songwriters (Roddy Ricch) “Laugh Now, Cry Later,” Durk Banks, Roget Chahayed, Aubrey Graham, Daveon Jackson, Ron LaTour & Ryan Martinez, songwriters (Drake Featuring Lil Durk) “Rockstar,” Jonathan Lyndale Kirk, Ross Joseph Portaro IV & Rodrick Moore, songwriters (DaBaby Featuring Roddy Ricch) “Savage,” Beyoncé, Shawn Carter, Brittany Hazzard, Derrick Milano, Terius Nash, Megan Pete, Bobby Session Jr., Jordan Kyle Lanier Thorpe & Anthony White, songwriters (Megan Thee Stallion Featuring Beyoncé) — WINNER
Best Rap Album Black Habits, D Smoke Alfredo, Freddie Gibbs & The Alchemist A Written Testimony, Jay Electronica King’s Disease, Nas — WINNER The Allegory, Royce Da 5’9″
Best Country Solo Performance “Stick That in Your Country Song,” Eric Church “Who You Thought I Was,” Brandy Clark “When My Amy Prays,” Vince Gill — WINNER “Black Like Me,” Mickey Guyton “Bluebird,” Miranda Lambert
Best Country Duo/Group Performance “All Night,” Brothers Osborne “10,000 Hours,” Dan + Shay & Justin Bieber — WINNER “Ocean,” Lady A “Sugar Coat,” Little Big Town “Some People Do,” Old Dominion
Best Country Song “Bluebird,” Luke Dick, Natalie Hemby & Miranda Lambert, songwriters (Miranda Lambert) “The Bones,” Maren Morris, Jimmy Robbins & Laura Veltz, songwriters (Maren Morris) “Crowded Table,” Brandi Carlile, Natalie Hemby & Lori McKenna, songwriters (The Highwomen) — WINNER “More Hearts Than Mine,” Ingrid Andress, Sam Ellis & Derrick Southerland, songwriters (Ingrid Andress) “Some People Do,” Jesse Frasure, Shane McAnally, Matthew Ramsey & Thomas Rhett, songwriters (Old Dominion)
Best Country Album Lady Like, Ingrid Andress Your Life Is a Record, Brandy Clark Wildcard, Miranda Lambert — WINNER Nightfall, Little Big Town Never Will, Ashley McBryde
Producer of the Year, Non-Classical Jack Antonoff Dan Auerbach Dave Cobb Flying Lotus Andrew Watt — WINNER
Best Remixed Recording “Do You Ever (Rac Mix),” Rac, remixer (Phil Good) “Imaginary Friends (Morgan Page Remix),” Morgan Page, remixer (Deadmau5) “Praying For You (Louie Vega Main Remix),” Louie Vega, remixer (Jasper Street Co.) “Roses (Imanbek Remix),” Imanbek Zeikenov, remixer (SAINt JHN) — WINNER “Young & Alive (Bazzi vs. Haywyre Remix),” Haywyre, remixer (Bazzi)
Best Music Video “Brown Skin Girl,” Beyoncé — WINNER “Life Is Good,” Future Featuring Drake “Lockdown,” Anderson .Paak “Adore You,” Harry Styles, “Goliath,” Woodkid
Best Music Film Beastie Boys Story, Beastie Boys Black Is King, Beyoncé We Are Freestyle Love Supreme, Freestyle Love Supreme Linda Ronstadt: The Sound of My Voice, Linda Ronstadt — WINNER That Little Ol’ Band From Texas, ZZ Top
  Source: Billboard | Photo courtesy of Coachella
This article was first published on Your EDM. Source: Women Rule the Night at 2021 GRAMMY Awards [WINNERS LIST]
source https://www.youredm.com/2021/03/15/2021-grammy-awards-winners-list/
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fuckyeaharthuriana · 4 years
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Update to the list of arthurian books, now there are 668 books
I finally updated the whole list of arthurian books! While I am pretty confident of part 1, part 2 and part 3, the new part 4 is... a tentative list, because nowadays everyone can publish anything.
THE ENTIRE LIST IS HERE
PART 4 (the new one) is now here
the rest of the update is under the cut
1954 - Half Magic (Edward Eager) [gr] 1967 - Page Boy of Camelot (Eugenia Stone) [gr] 1976 - A World Called Camelot (Arthur H. Landis) [gr] 1979 - Gawain and the Green Knight: Adventure at Camelot (Y. R. Ponsor) [gr] 1981 - Three Romances: Love Stories from Camelot Retold (Winifred Rosen) [gr] 1982 - Bride of the Spear (Kathleen Herbert) [gr] 1995 - The Sword of Camelot (Gilbert L. Morris) [gr] 1998 - Fang the Gnome (Michael G. Coney) [gr] 1998 - [1-4] Macsen's Treasure (Kathleen Cunningham Guler) [gr] 1998 - Quest for Camelot: Digest Novelization (Gardner, Vera Chapman) [gr] 1999 - The Lovers: The Legend of Trystan and Yseult (Kate Hawks) [gr] 1999 - [1-5] Merlin's Descendants (Irene Radford) [gr] 2007 - [1-10] Sir Gadabout (Martyn Beardsley) [gr] 2008 - Arthur and Guen: An Original Tale of Young Camelot (Koons, Igor Oleynikov) [gr] 2009 - [P] The Quest of Merlin (Richard Hovey) [gr] 2009 - Carnal Camelot (Anny Cook) [gr] 2009 - [AU] Two Knights in Camelot (Charlene Teglia) [gr] 2010 - [P] The Marriage of Guinevere (Richard Hovey) [gr] 2010 - [1-2] [AU] Shades series (Carol Oates) [gr] 2011 - [AU] King Arthur and the Dragon of Camelot (Frances Collier-Iovell) [gr] 2011 - [AU] A Hard Day's Knight (Simon R. Green) [gr] 2011 - Vampires of Camelot (Joanne Padgett) [gr] 2011 - Romance at Camelot (Mervyn Whittaker) [gr] 2011 - The Other Side Of The Mist (Kristi Lavery) [gr] 2012 - [1-5] Camelot Prophecies Series (Lady Antiva) [gr] 2012 - Arturius - A Quest For Camelot (David F. Carroll) [gr] 2012 - Shard of Galahad: The Camelot Prophecies (Lady Antiva) [gr] 2012 - Full Moon Over Camelot (Edward G. Talbot) [gr] 2013 - [1-3] New Camelot Series (Torie N. James) [gr] 2013 - The Crownless King (Phil Williams) [gr] 2013 - A Visit to the Kingdom of Camelot (R. L. Greenwood) [gr] 2013 - The Fearless Coward (Phil Williams) [gr] 2013 - Erotic Nights of Camelot (Lana Swallows) [gr] 2013 - Christmas in Camelot (Brenda Jernigan) [gr] 2013 - Mordred (Justine Niogret) [gr] 2013 - Countdown to Camelot (Bruce S. Hart III) [gr] 2013 - The Shadow of Camelot (Wendy Leighton-Porter) [gr] 2013 - The Werewolf of Camelot (Peter Joseph Swanson) [gr] 2014 - [1-3] [AU] Forever Camelot (J. Lynn McCoy) [gr] 2014 - Camelot Shadow (Sean Gibson) [gr]   2014 - The Prince of Camelot (Napoli St. Croix) [gr] 2014 - [AU] The Keepers of Camelot (Cheryl Pierson) [gr] 2014 - [AU] Time and Again: The Round Table Reincarnated (Jeremy Hone, Aadland) [gr] 2014 - [AU] The Quest for Camelot (Angela Schroeder) [gr] 2014 - [1-4] Legendary Saga (L. H. Nicole) [gr] 2014 - [1-3] [AU] Albion's Circle (Jessica Jarman) [gr] 2014 - The Robed Pretender of Mordred Castle (Fred La Lone) [gr] 2015 - Camelot's Enchantress Book One: The Blacksmith (Alexandria St. Claire) [gr] 2015 - Murder Comes to Camelot (Tim Ellis) [gr] 2015 - [AU] Blind Devotion: The curse of Camelot (McKendrick) [gr] 2015 - King Arthur - A Pantomime Adventure in Camelot (Paul Reakes) [gr] 2016 - Finding Camelot (Arthur - The Story of a King, #1) (C. G. Rucker) [gr] 2016 - [1-5] [AU] New Camelot (Sierra Simone) [gr] 2016 - [1-4] Britannia Series (Ana Alonso, Pelegrin) [gr] 2016 - [1-2] Camelot Returns (Heather Cimino) [gr] 2016 - Morgawse (Lavinia Collins) [gr] 2016 - The Once and Future Camelot (Felicity Pulman) [gr] 2016 - [AU] Once Upon a Time in Camelot (James Patrick Hunt) [gr]
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katzenkrieg · 3 years
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This one's interesting! I think that's fungi with a face, not a statue. From Michael G. Coney's The Hero of Downways, 1973.
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