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#MarkZuckerberg
pennsyltuckyheathen · 7 months
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Billionaires helping Republicans damage and destroy our democratic republic.  These four deserve a special place in hell.  
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moniquelewisofficial · 5 months
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AYF Style File | Rihanna as Monique.
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He ain’t never put no work in, he got soft hands. - Moneyman.
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walkinverse · 11 months
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Instagram, The Pedophile Network? Yes, It Seems That Way. It's Sickening. https://walkinverse.substack.com/p/instagram-the-pedophile-network
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lasseling · 4 months
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ariyanwork101 · 1 year
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Facebook Metaverse! What will the future be like?
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keithworkflores · 1 year
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Facebook Metaverse! What will the future be like?
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erasmoolson · 1 year
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Facebook Metaverse! What will the future be like?
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carloskinzer · 1 year
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Facebook Metaverse! What will the future be like?
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godigital10 · 10 months
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"Unlock Your Website's Potential with our Expert SEO Services"🎈
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uinterview · 10 months
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Elon Musk may have to watch his back if Mark Zuckerberg decides to take his cage match challenge seriously. Follow @uinterview for the latest exclusive celebrity videos & news!
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nftcenter · 1 year
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This is a powerful reminder of the importance of constantly striving for new and creative solutions. At its core, innovation is about pushing boundaries and challenging the status quo, and this is something that should be embraced in all areas of life. Whether you're an entrepreneur looking to disrupt an industry, a marketer trying to find new ways to engage with customers, or simply an individual looking to improve your own life, innovation is the key to achieving your goals. It allows you to see things from a different perspective, to identify problems that others may have overlooked, and to come up with novel solutions that can make a real difference. Of course, innovation is not always easy, and it often requires taking risks and stepping outside of your comfort zone. But the rewards can be enormous, not just in terms of personal satisfaction, but also in terms of business success and societal progress. At a time when the world is facing so many challenges, from climate change to inequality, innovation has never been more important. We need to constantly be looking for new and better ways to tackle these issues, and to create a better future for ourselves and for generations to come. 💡 Comment "CHANGE" for more tips on how technology and innovation can expand your horizons so you can stay ahead of the game! @zuck @meta @instagram @creators @facebook #innovation #future #technology #markzuckerberg #creators #entrepreneur #quote #web3 #decentive #progress #usa #america #quoteoftheday https://www.instagram.com/p/Cp_-mdWsOzF/?igshid=NGJjMDIxMWI=
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moniquelewisofficial · 5 months
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Me and the other real top girls saving the world. - ML
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boorat · 2 years
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Facebook can suck it... #facebook #facebookjail #facebooksucks #aifails #aigeneratedart #memes #jokes #markzuckerberg #freedomofspeech #freedomofexpression #dallemini #dalle #dalle2 #jimcarrey #jeffreydahmermemes #facebookhack #securityfail #stupid #meta #metaverse #ihatefacebook #zuckerberg #dumbass (at Huntington, Texas) https://www.instagram.com/p/CgJL5U4OGa4/?igshid=NGJjMDIxMWI=
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coinweek · 1 year
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Losses From the Metaverse Division in Meta were Significant
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Mark Zuckerberg put Horizon Worlds on quality lockdown late last year due to persistent bugs.
Upon its initial launch, the graphics were widely mocked, prompting the CEO to issue an apology.
At the time, Meta employees rarely used the metaverse platform despite orders to use it at work and home.
They later underwent a quality lockdown to address issues with Horizon World’s appearance and functionality.
Last year, Meta shared expectations that Reality Labs’ operating labs in 2023 would grow significantly annually.
“Beyond 2023, we expect to pace Reality Labs investments such that we can achieve our goal of growing overall company operating income in the long run,” they added at the time..............Read More
Source:- Coin Week
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bhavishya-gautam · 1 year
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⚜️ 👾 ⚜️ __ We asked AI what your favorite billionaires would look like imagined as ‘villains’ These images were entirely generated by a computer and they imagine what these billionaires would look like if they were a movie villain! Follow 👉🏼 @Wealth to learn more everyday! 👾⚜️✨ If You Are "Agree" Hit Like Button 🔘 - Follow @bhavishya_gautam_01 so you can turn your passion into a source of income, quit your 9-5 job, and live financially free. You won't regret it🔥 - Follow for more! ❤️‍🔥 👉@bhavishya_gautam_01 👉@bhavishya_gautam_01 👉@bhavishya_gautam_01 Credit: 👉 @wealth ⚠️ 𝘿𝙞𝙨𝙘𝙡𝙖𝙞𝙢𝙚𝙧 ⚠️ . ⭕️ Tʜɪꜱ ᴘʜᴏᴛᴏ/ᴠɪᴅᴇᴏ/ᴀᴜᴅɪᴏ ɪꜱ ɴᴏᴛ ᴏᴡɴᴇᴅ ʙʏ ᴏᴜʀꜱᴇʟᴠᴇꜱ. . ⭕️ Tʜᴇ ᴄᴏᴘʏʀɪɢʜᴛ ᴄʀᴇᴅɪᴛ ɢᴏᴇꜱ ᴛᴏ ʀᴇꜱᴘᴇᴄᴛɪᴠᴇ ᴏᴡɴᴇʀꜱ. . ⭕️ Tʜɪꜱ ᴠɪᴅᴇᴏ ɪꜱ ɴᴏᴛ ᴜꜱᴇᴅ ғᴏʀ ɪʟʟᴇɢᴀʟ ꜱʜᴀʀɪɴɢ ᴏʀ ᴘʀᴏғɪᴛ ᴍᴀᴋɪɴɢ. . ⭕️ Iғ ᴀɴʏ ᴘʀᴏʙʟᴇᴍ ᴍꜱɢ ᴜꜱ ᴏɴ Iɴꜱᴛᴀɢʀᴀᴍ ᴀɴᴅ ᴛʜᴇ ᴠɪᴅᴇᴏ ᴡɪʟʟ ʙᴇ ʀᴇᴍᴏᴠᴇᴅ. . ⭕️ Nᴏ ɴᴇᴇᴅ ᴛᴏ ʀᴇᴘᴏʀᴛ ᴏʀ ꜱᴇɴᴅ ꜱᴛʀɪᴋᴇ. . ⭕️ Credit/Removal Dm @bhavishya_gautam_01 . . . . . . .Tʜᴀɴᴋ ʏᴏᴜ. . . . . . . • Video Credits to respective owner 🙏 DM for Removal/Credit 🤝 Don't Report 🚨 Credit: 👉 @wealth DM us for credit (unknown) =============================================== ✅ Copyright Disclaimer : Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, commenting, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favour of fair use. ------------------------------------------------------------------------------------------- ✨ Believe In Yourself Never Give Up Your Dreams ✨ 💲💲💲💲💲💲💲💲💲💲💲💲💲 ✍️ • • • 💻 • • • ✍️ ================= | • #️⃣ Hashtags🔖 • | ================= #BhavishyaGautam 🤵 #billionaires #ai #aiart #artificialintelligence #wealth #jeffbezos #elonmusk #bilgates #operawinfrey #markzuckerberg #jackma #warrenbuffet #gautamadani #mukeshambani #bernardarnault #motivationalquotes #success #successtips #entrepreneurship #entrepreneurmindset #entrepreneurlife #entrepreneurquotes #billionairemindset #millionairementor #successfulmindset (at United States of America) https://www.instagram.com/p/CoAIT72yGlj/?igshid=NGJjMDIxMWI=
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birdietalksmovies · 2 years
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The Social Network (2010) and the female gaze
pt. 1/2
Facebook changed the world in more ways than even the creators could have guessed. Even before the current political scandal, the story of how Facebook became the social media behemoth that it is today was so full of controversy and drama, that it was made into a motion picture. The Social Network was written by screenwriting legend, Aaron Sorkin, and was picked up to be directed by the iconic David Fincher.  Fincher’s visual-lead cinematography pairs gorgeously with Sorkin’s detailed screenwriting, and the pace of the film runs at double time to mimic the real-life speed Facebook changed the world. Fincher is dedicated to the more Hollywood New Wave style, using editing, non-linear storytelling, a morally gray protagonist, and an unsatisfying ending to tell his story. Most interesting, though, is how Sorkin and Fincher work to use these techniques to portray their female characters.
Before I get started, it is important we acknowledge a few truths; analyzing the story structure of a biopic is hard. It being about real people makes this more confusing, but these are still exaggerated characters with simplified goals and insecurities in order to tell a satisfying story. Jesse Eisenberg’s interpretation of Mark Zuckerberg is that the character spent years developing Facebook to appeal to a girl who dumped him, when in reality Zuckerburg was seeing his now wife, Priscella Chan, for a majority of the time depicted in the film. Eisenberg is a caricature, not a replica. In its most basic form, The Social Network (2010)  is about a privileged white man and his privileged white friends making a website to try and get girlfriends.
Because of this, the film is hard to study under any critical race or gender theory. The film lacks diversity and will come across as bluntly sexist; the women are all narrative devices used to either be symbolic sex toys or wise moral compasses to push the main male characters forward in their journey. As described by Laura Mulvey in her essay Unmasking the Male Gaze; “ this theoretical perspective was right to argue that sex and sexuality, however, censored, were key to the American film industry. "Woman as spectacle" and "narratives of desire" were close to the heart of studio system Hollywood.” However, just like how the film’s protagonist is a caricature of Zuckerberg’s actual self, the female characters are as well. The girls could be written stronger and with more agency, but that would be disingenuous to the point the filmmakers are trying to make. Instead, all the female characters work as tools to further all of the male character’s journeys, which in turn highlights the stupidity of the journey itself.
In the opening scene, Mark sits with his soon-to-be ex-girlfriend, Erica. In typical Sorkin fashion, the conversation is quick, dense, and confusing even to the characters themselves. Usually, directors add energy to Sorkin’s stylistic, heavy dialogue by having them walk and talk; see Amy Schumer’s Fast Food sketch where she parodies his style as an example. Fincher, being a more visual filmmaker, instead relies on the editing to build tension in the scene. It isn’t too flashy, he sticks with a shot-reverse-shot and doesn’t break the 180-degree rule (a rule in filmmaking where the side of the frame the character is on must be kept consistent between shots). For example, in the beginning the conversation is smooth; Mark speaks, Erica speaks, Mark speaks, Erica speaks. Cuts are logical and economic, cutting perfectly in rhythm with the dialogue while the characters are in their comfortable rhythm.  When Erica asks a question that offends Mark, this rhythm is cut and the quick-editing pauses on a close-up of Mark showing how he is hurt. Their familiar pattern is broken, and we are about to see something new. The editing gets slower, hanging on characters even after they finished speaking. As the tension builds, the cuts become quicker, reactions more important than the words themselves. Visually showing what the words imply is actually a better way to film Sorkin’s writing, as he relies on the subtext in his dialogue and dresses it in Shakespearean phrasing and allusions to pop culture. When Mark attempts to console Erica by saying, “I wasn’t making a comment about your appearance,”; it implies Mark believes Erica prioritizes her appearance. He does not consider that the thing that offended her was that he didn’t think she could ever be successful enough to be around the people Mark would “potentially introduce her to''. The entire conversation is a great example of building tension through editing, but also building character with what is unsaid in the conversation. Erica leaves Mark at the table, taking his hand and telling him; “You’re going to go through life thinking girls don’t like you because you’re a nerd….It’ll be because you’re an asshole.”
It is revealed after the scene that the whole conversation was a flashback, as narrated by Erica’s testimony of the situation as told years after the night. The film is being told non-linearly, cutting between two different courtroom hearings in which Mark is being sued in both. In both hearings, we are told through flashbacks the chronological history of how Facebook was created. Because these flashbacks are told from the point-of-view of whoever is speaking, there are slight differences in Mark’s character depending on who is telling the story. In the opening scene, Mark is portrayed as rude, ignorant, and incredibly awkward because it was from Erica’s perspective. The rest of the film is told through Mark’s enemies’ testimony or Mark’s own account, which means his actions are described by the male gaze. The Winklevoss twins see him as manipulative, which in a way they respect him for. Mark’s best friend Eduardo sees him as a traitor, someone who would put the company before his most loyal subjects. The only time we hear a female point of view is Erica’s testimony is the opening, where we see Mark as he really is; awkward, childish, and scared. The scene where Mark is the least impressive is the one where the woman is describing him.
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