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classic-asian-art · 4 months
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A White Cat, illustration from The Kokka magazine, published in Japan, 1896-7 by Lu Ji
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cupofmeat · 22 days
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A White Cat, illustration from The Kokka magazine, published in Japan, 1896-7 by Lu Ji.
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uwmspeccoll · 2 years
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Figure 1.  Jiang Qingji’s fan calligraphy, UWM Special Collections (cs 000092).
Graduate Research: Chinese Scroll and Fan Work, Part 11
Today we continue our exploration of calligraphic scripts in Chinese fan work, with further examples of Zheng vs. Qi approaches.
Figure 1 is a fan text written in a cursive script. According to Tai Jingnong (1902-1990), a scholar in Chinese poetry, calligraphy, and painting, cursive scrip first appear in the Han Ju Yan Wooden Slips, which were created from the Han (206 BCE-220 CE) to Jin Dynasty (265-420 CE).The cursive script from this period, such as that found in Monthly and Seasonal Records of Military Supplies from the Kuang-ti South Platoon in the Yung-yüan Era , originated from the hurried writing of the older clerical script (see my last blog).
In this fan, Jiang Qingji (1820-1880) copied a section of A Narrative on Calligraphy by Sun Guoting (646–691, see my blog on Zhang Jian), a very important treatise summarizing the esthetic values of Chinese calligraphy. However, the copying of the text is as far as the similarity goes. For Jiang 敏 in Figure 2 (a), the undulation of the brush breaks the stroke for a staccato thickening-and-thinning effect, whereas Sun’s counterpart in Figure 3 (a) is much more smooth and legato --- a typical characteristic of cursive script canonized by the calligraphic sage Wang Xizhi (303-361 CE, Figure 3 (b)). The variance, angularity, and exaggeration imbue Jiang’s brush with a strong sense of design.
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(From left to right): Figure 2 (a) : Detail from Figure 1 Figure 2 (b): Analysis of the Last Stroke in Figure 2 (a), made by Jingwei Zeng Figure 2 (c): Detail from The Stele of Xuanmi Pagoda  
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(From left to right): Figure 3 (a): Detail from Sun Guoting’s The Manual on Calligraphy Figure 3 (b): Detail from Wang Xizhi’s On the Seventeenth Day Figure 3 (c): Detail from Lu Ji’s Recovering from Illness Figure 3 (d): Detail from Liu Sha Zhui Jian
Jiang’s design is much more apparent in 敏’s last brush (Figure 2 (a)). The brush tip goes rightward first, creates an angle, then makes a circle before it goes back to form a sculptural stroke (see Figure 2 (b)). The bulging monumentality of this stroke is analogous to its counterpart in Figure 2 (c) from the standard writing The Stele of Xuanmi Pagoda --- another calligraphic masterpiece in Chinese history inscribed by Liu Gongquan (778-865) in 841. According to Wang Shizhen (1526-1590), a famous writer and historian in the Ming Dynasty (1368 - 1644), this stele is the most telling example of Liu’s penchant for rippling tendon and bone in his creations. In our fan, Jiang complicated his brush movement by introducing a contrived sculptural design from Liu’s standard writing. Since standard writing can also be called “Zheng” writing in Chinese (see my previous post), contrived design can be seen as the embodiment of Zheng style, a conservative form, relying on established styles and techniques.
The monumentality of Liu’s Zheng style is derived from the Four Masters of Tang (Ouyang Xun, 557-641, Yu Shinan,558-638, Chu Suiliang, 596-658, and Xue Ji, 649-713), whose works are utilized to glorify the peace and prosperity of the dynasty. In Tai Jingnong’s opinion, a calligraphic untrammeled naturalness (Yi, 逸, which is the correlative of Qi, a style of originality, challenging recognized norms) is compromised by this propagandistic self-aggrandizement.  
As a matter of fact, the last stroke in Sun’s original work (Figure 3 (a)) exhibits some untrammeled naturalness, as the end of last stroke does not have an obvious sense of design. A much more untrammeled and natural style can be seen in the similar strokes in Wang Xizhi’s On the Seventeenth Day (fourth century, Figure 3 (b)), Lu Ji (261-303)’s Recovering from Illness (ca.303, Figure 3 (c)) and Liu Sha Zhui Jian (ca. 98BC, Figure 3 (d)) --- they are guided by concepts of Yi & Qi. 
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                                       Figure 4. Titian’s Danaë
The contrast between premeditated design (Zheng) and the untrammeled naturalness (Yi & Qi) can be seen in the Western art, too. In Titian’s famous work Danaë (figure 4), the body of the woman to the left is derived from Michelangelo's female figure in the sculpture at the Medici Chapel entitled Night, possessing a great designing effect and sculpturality (similar to Jiang and Liu’s Zheng style); on the contrary, the white satin under her body is sketched by the bold slash of the brush (similar to Wang, Lu, and Liu Sha Zhui Jian’s Yi & Qi style), suggesting an unbridled idiosyncrasy, thereby foretelling the arrival of Baroque art. 
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(From left to right): Figure 5 (a): Fu Shan’s imitation of Wang Xizhi’s Letter Written in the First Lunar Month Figure 5 (b): Liu Sha Zhui Jian
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(From left to right): Figure 6 (a): from Figure 5 (a) Figure 6 (b): from Figure 5 (b) Figure 6 (c): from Figure 5 (a) Figure 6 (d): from Figure 5 (b) Figure 6 (e): from Figure 5 (a) Figure 6 (f): from Figure 5 (b)
Fu Shan (1607-1684), who was the master for Qi’s style, considered premeditated Zheng’s design as a bete noire and he preferred untrammeled naturalness in his art. In Figure 5 (a), though it is Fu’s imitation of Wang Xizhi’s work, it bares greater resemblance to the wooden slip Liu Sha Zhui Jian in Figure 5 (b). Fu and Liu Sha Zhui Jian employed an unmodulated linearity (Figure 6 (a) and (b)), an untrammeled leisure (the “丿” in Figure 6 (c) and (d)), and an unembellished naturalness (the last horizontal line in Figure 6 (e) and (f)). Both of them epitomized Qi & Yi concepts. 
It is worthwhile mentioning that Fu never had the chance to see Liu Sha Zhui Jian, which was excavated in 1906-1907 (see my previous Zheng Xiaoxu’s post), around three hundred years after Fu’s time. The striking similarity between Fu’s work and Liu Sha Zhui Jian testifies Fu’s inimitable capacity to imagine the broken part of the art history by tracing the path of calligraphic evolution.  
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                       Figure 7: Huang Binhong’s Landscape Painting 
Fu’s Qi legacy is carried on by Huang Binhong (1865-1955), an extraordinary Chinese modern landscape painter whose brushwork is characterized by raw, unmodulated, and untrammeled naturalness. The brushwork of Huang’s painting in Figure 7 bears a strong correlation to Fu’s brush in Figure 5 (a) and the satin of Danaë in Figure (4)---they are ad-libbed in the spur of the moment, implying an ephemeral yet highly-spiritualized transcendentalism. 
According to The Petty Sayings of Painting, a famous thesis on Chinese painting esthetics, Chinese landscape painting is similar to the writing of cursive and running script --- the creation should not be restrained by rigor and workmanship (i.e., premeditated design, or Zheng). Dong Yuan’s (c. 934-962) interplay of voids and solids (see Figure 8, Dong’s The Rivers of Xiao and Xiang), Mi Fu’s (1051-1107) smoky mountains improvised by horizontal dots, Mi’s son Mi Youren’s (1074-1153, or 1086-1165) The Ink Play of Cloudy Mountains (see Figure 9), and Huang Gongwang’s (1269-1354) withered trees and lean mountains (see Figure 10, Huang’s Nine Submits after the Snow) exhibit a feeling of untrammeled naturalness. On the contrary, “only the vulgar artisans will deliberately create the meticulous paintings in order to please the audiences’ eyes.” The paintings made by this pleasing servitude is “drab and dour.”
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                        Figure 8. Dong Yuan’sThe Rivers of Xiao and Xiang
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                     Figure 9. Mi Youren’s The Ink Play of Cloudy Mountains
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                 Figure 10. Huang Gongwang’s Nine Submits after the Snow
Yi & Qi also happens under Cezanne’s (1839-1906) hands. In Montagne Sainte-Victoire (Figure 11), Cezanne did not choose a refined brush to design remote mountains; instead, he created a simple calligraphic line as his abstract rendition of the landscape. For all these artists, mastering a skill of unpremeditated and sophisticated disegno (Zheng) is not difficult (and indeed, they did so when they were young); what challenged them most was how to get rid of formulaic design and create a free, simple, and impromptu Yi & Qi effect. By doing this, they presented their own characters rather than representing the rules and regulations of traditional and formulaic style.  
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                       Figure 11. Cezanne’s Montagne Sainte-Victoire
View more posts from the Zhou Cezong Collection of Chinese scroll and fan work.
– Jingwei Zeng, Special Collections graduate researcher.
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lanwangjihouse · 4 months
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sgdlr-asdfghjkl · 3 months
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Link Click Musical content 107
(ayo it's been a while since I saw Ji Xiaokun play CXS and oh boy, he is so back ✨)
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Recently Ji Xiaokun has been quite active on weibo and posting behind the scenes photos. He takes most of them himself and is clearly having fun with it, so check them out:
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look, isn't it basically live action Cheng Xiaoshi running around, taking pictures of his friends and Lu Guang? im sobbing
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240121 lineup was: Deng Xianling, Ji Xiaokun, Guo Hongxu
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🥹😭💖
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I honestly don't know who crushed my heart harder today
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hachiibun · 30 days
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hello hello!! not necessarily snz related but i wanted to ask, since youre into genshin, if youre into honkai star rail as well? and if you are who are your favorite lil guys!! >:D
Sorry for taking my time replying to this, but I certainly am! H/y/v has me in their grasp...
I do have some fav characters in a vanilla-only sense, but for here I'll share some sketches of the ones who I wanna see sneeze! Click on 'em for a better view! Enjoy!
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Hope you like my little snz headcanons in drawing form! Also credit where credit is due, I got the idea for Sunday's wing-cover-thing from this vanilla artist (the art is so, so good so kindly admire from afar!)
If you like my drawings, and are willing and able to do so, please consider commissioning me, pledging to my Patreon, or donating through ko-fi ☕! You're not obliged to, but every bit helps to keep me living decently and I really do appreciate it!
❗ PLEASE NO REBLOGGING TO NON-KINK BLOGS ❗
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365filmsbyauroranocte · 3 months
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The Shadowless Tower (Zhang Lu, 2023)
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luckiestplant · 4 months
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do you guys understand the vision
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ambedo-nicki · 7 months
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Why am I still doing this so many years after this show came out? Idk. Here’s a lesson from your friendly neighborhood language nerd:
守信 - to keep one’s word
失信 - to break one’s promise
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saelterlude · 1 month
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lc musical clip list pt.4! i'm calling this one, the birthday special!!
(pt.1, pt.2, pt.3, and pt.5 here)
Why is this the birthday special, well because of this:
51. 28/02/2024, Happy BDay Guo Hongxu! I don't usually upload promovid but uhh he's so cool in this one so, here. Sidenote, Shu Rongbo is very hyper and cute this performance. And Qian Anqi's cute english plss i love her.
52. 03/03/2024 night, Happy BDay Zuo Yiping! Watch also, Cao Muzhi penguin walk across the table, Wu Yihan please watch your steps and don't poke other people's cake!!
(funny coincidence, I happen to watch a Santa Lucia/Mio Fratello clip of Cao Muzhi-Wu Yihan just a couple days before this)
53. 10/03/2024 night, Happy Bday Shu Rongbo and Wu Yihan!! Hehe the way Qian Anqi knocks their heads together and insisted to sing them happy birthday is so cute. Wu Yihan said 'Happy Birthday' before their customary Guiding Light hug. And pls someone translate (or at least transcribed) the closing speech for me, there's a lot of laughing involved, I'm curious. Also, have this bonus stage door clip.
Some funfacts. Since last year they play in the same 4 musicals including Link Click and out of those 4 plays they shared 2 roles. Shu Rongbo played a total of 9 roles while Wu Yihan played 7. (Yes, I am at that level of hyperfixation)
54. 11/03/2024, HBD Teng Chunpeng! LMAO It's you, so of course your promo video would be great! His face during the sofa choreo though. And why are both him and Du Guangyi stomping and jumping on the table so hard. You menaces, please you're gonna break it. The couch trio is also looking cute behind them.
Moving on from the birthdays starting with this special one,
55. 11/03/2024 Valentine's day special, <- Official ver. Forgive my language TENG CHUNPENG DU GUANGYI YOU FCKING TEASE! YOU GEM OF A HUMAN BEING! Have this fancam with the superior angle.
(This makes Du Guangyi the first and only actor who have played all 3 roles in that scene. Congrats!)
56. Special Encore rehearsals/BTS! Special mentions to Teng Chunpeng's fashion sense, Wu Yihan's cute act, Ding Xingchen's falling wig, Zhang Jiahao's IDGAF mood, and Wang Minhui's violent tendencies.
57. 26/02/2024, when I say Cai Qi and Wang Minhui have the best dynamic, this is what I meant.
58. 29/02/2024, watch Ji Xiaokun and Guo Hongxu's "Oi!" "Oi."
59. 01/03/2024, Look at them stumbling through singing "Guiding Light" and it's a Wu Yihan-Shu Rongbo duo which means hug! Also Wu Yihan, why are you a menace at holding hands, this time with Zou Ziyue.
60. 03/03/2024 day, why is there a piglet??? Why are you seasoning the piglet??? Why are you stepping on the piglet?? Why is the piglet bowing?? piglet??
61. 04/03/2024, Bai Zhuoming being extra sassy and playful on the couch makes me so happy. Of course Cai Lu also becomes playful in response. Typical Guiding Light mistake also causes Wang Minhui to crack.
62. 07/03/2024, Guo Hongxu putting up the wrong foot and stumbling on the sofa choreo.
63. 07/03/2024, same performance as above, Ji Xiaokun being annoying <3. When other pairs hug, they wrestle.
64. 10/03/2024 day, Mooom! Cai Qi and Wang Minhui are fighting instead of doing rock-paper-scissors again.
65. 09/03/2024 day, uuuhh Wu Yihan sitting on the counter like that with those lights and shadows during Guiding Light is creepy.
66. 09/03/20204 night, love me some Du Guangyi shenanigans, the way he just gives up on the handshake and walk off the table plss and him teasing Deng Xianling during the closing speech. Speaking of, she brings out the bat and forces their arms to form the heart. Then there's Bai Zhuoming being cute and the little shimmy dance he does.
67. 09/03/2024 night, bonus to the one above. Du Guangyi last minute adlib was unexpected but very enjoyable. Also, I love the contrast between his and Bai Zhuoming's tutting.
That's all for now!
Bonus clip with Bai Zhuoming! The song "Number 7" from "Fan Letter" musical is really good, I'm obssesed. But special performance where they're joined by their alternate cast? And his alternate cast is, Shu Rongbo? Even better!! They're kinda in their own world too. Here's a close up. Their voices go so well together!
(I swear they're playing something on that paper, and that makes it 3 musicals I know where they share the same role. Is it time I made a venn diagram?)
so at which point do i admit this brainrot is slowly but surely turning from linkclick focused to actor focused?
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holyfandango · 4 months
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hello there!! my name is rina and i really really want to find people who will like and enjoy my drawings;;
so here's my favourite works from this year.
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gulongming · 8 months
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七时吉祥 LOVE YOU SEVEN TIMES (2023) 1.04
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kdram-chjh · 8 months
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Cdrama: Love You Seven Times (2023)
Gifs of Intro of cdrama “Love You Seven Times”
【FULL】 Love You Seven Times EP01: Xiangyun and Chukong Accidentally Fall in Love | 七时吉祥 | iQIYI
Watch this video on Youtube: https://www.youtube.com/watch?v=Xyp7WQ07NNA
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sgdlr-asdfghjkl · 2 months
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Link Click Musical update 130 🎉🌟
(The 100th performance and 2 special encore videos, also I cried from joy and it's not an offtop)
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@elaraqwq attended the 100th play, gave away the postcards we made to the audience and SOMEHOW delivered them to the trio actors 😭🧡💙💕 As an absolute legend she is, she sent me the pictures as a proof 🙇‍♂️ So I lost my mind about the loveliness of it all and took a while to chill o7 💝
But enough of that! Lemme tell you abt today's events ✨
Feb 25th, noon performance: Ji Xiaokun, Guo Hongxu, Cai Lu, Guo Zhenyan, Li Zexi
For special encore they did full version of 'You can forget about it' ('Rock, paper, scissors song') but sung is 3 different dialects: from Hebei, Shandong and Shanghai (lowkey foreshadowing).
TW:CXS's dramatic ass once again puts on the noose, so if it makes you uncomfortable, be warned~
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If you've been listening to this song over and over again (like me), you should be able to hear the difference in pronounciation. It's as if they changed the lyrics completely ><
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Feb 25th, night, the 100th performance: Cai Qi, Wang Minhui, Deng Xianling, Zhang Jiahao, Zhu Jiayan
It's full version of 'As the saying goes' (earthquake arc mom and son quarrel) with Cai Qi in place of Cheng Xiao and Wang Minhui as his mom. Joined by the rest of cast :>
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I called the earlier encore foreshadowing bc (like in dongua) the earthquake arc characters speak in Sichuan dialect (the province where the plot takes place). And despite the role swap Wang Minhui used Sichuan as well.
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⬆from Zhu Jiayan's weibo
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⬆ @/渲染KL不加糖_瑾家 posted this picture on weibo with caption: 'Chicken run'. And I think it's the funniest joke ever ><
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Check the replies for both videos 💙🧡 And I hope you'll have just as good time watching it as I did ^0^
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