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#Lee Yo-won
mofartumb · 11 months
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Kumpulan Foto-foto Lee Yo-won
Beberapa hari ini, saya memang tengah keranjingan mengumpulkan foto-foto Lee Yo-won. Wajah polos khas Asia, benar-benar terpancar darinya. Siapa Lee Yo-won ? Saya kira, kalau Anda menggemari drama korea, pasti tahu nama ini. Lee Yo-won adalah aktris top dari Korea Selatan. Namanya mulai dikenal sejak membintangi Blue Mist yang kontroversial, dan drama sejarah Queen Seondeok. Sebenarnya, Lee telah…
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kooriyuki · 2 years
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Final Review: Green Mothers' Club (JTBC, 2022)
Final Review: Green Mothers’ Club (JTBC, 2022)
Major Spoilers: Seo Jin-ha’s (Kim Gyu-ri) suicide was rumored to be due to Lee Eun-pyo (Lee Yo-won), as Jin-ha’s husband Louis Bunuel (Choi Gwang-rok) was Eun-pyo’s ex-boyfriend. Eun-pyo also had inferior complexity towards Jin-ha as she felt that Jin-ha was more talented, and was from a good family background, winning Eun-pyo in many areas. Eun-pyo only realized after Jin-ha’s death that Jin-ha…
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junkobato · 1 month
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Upcoming Kdrama May 2024 💚
1/5: Frankly Speaking with Go Kyung Pyo, Kang Han Na. 12 episodes; rom-com.
4/5: the Atypical Family with Chun Woo Hee, Jang Ki Yong. 12 episodes, fantasy, romance, action.
11/5: the Midnight Romance with Jung Ryeo Won, Wi Ha Joon, So Joo Yun. 16 episodes; romance.
13/5: Crash with Lee Min Ki, Kwak Sun Young, Heo Sung Tae. 12 episodes; thriller, mystery, comedy.
13/5: Dare to Love Me with Kim Myung Soo, Lee Yoo Young. 16 episodes; rom-com.
15/5: Uncle Samsik with Song Kang Ho, Byun Yo Han, Lee Kyu Hyung. 16 episodes; business drama.
17/5: the 8 Show with Ryu Joon Yul, Chun Woo Hee, Park Jong Min. 8 episodes; thriller, psychological.
22/5: Not Very Strong, but Attractive Homicide Squad with Park Se Wan, Kim Dong Wook. 12 episodes; mystery, comedy.
24/5: Bitter Sweet Hell with Kim Hee Sun, Lee Hye Young, Kim Nam Hee. 12 episodes; thriller, mystery, comedy.
24/5: Connection with Ji Sung, Jeon Mi Do, Kwon Yul. 16 episodes; thriller, mystery.
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Many new dramas! And so little time...
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moonlightsdream · 5 months
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Avengers Social Club 부암동 복수자들 (2017) — ep. 05 | the humiliation
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bubblegeon · 1 year
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userdramas​ event 05: women
favorite dramas of some of my favorite actresses 💝
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eveneechan · 1 month
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"That's a pretty name"
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A little bit late but happy second anniversary to Green Mothers' Club 💚👭
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candlewinds · 2 years
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BYUN YO-HAN as LEE BANG-JI Six Flying Dragons (2015)
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myka4hg-2021 · 2 years
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Green Mothers’ Club
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dilebe06 · 2 years
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My Top Male Characters 2022
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bittergrace · 2 years
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but you will be loved.
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fansof-heo · 2 years
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Oh Matsuura. Is this a good way to interrogate? 🤔 Find Kim Gu 🕵🏻‍♀️
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korelist · 10 months
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MR. SUNSHINE // KDRAMA DİZİ YORUMU
UYARI : Yazılar genel olarak spoiler içerebilir. İçermeyedebilir.
İmdb puanı : 8,7 Benim puanım: 10
Drama: Mr. Sunshine (English title)
Hangul: 미스터 션샤인
Director: Lee Eung-Bok, Jung Ji-Hyun
Writer: Kim Eun-Sook
Date: 2018
Language: Korean
Country: South Korea
Cast: Lee Byung-Hun, Kim Tae-Ri, Yoo Yeon-Seok, Kim Min-Jung, Byun Yo-Han, Jin Goo, Kim Ji-Won, Lee Jung-Eun, Shin Jung-Keun, Jo Woo-Jin, Kim Kap-Soo, Lee Seung-Joon, Choi Moo-Sung, Lim Chul-Soo
2019 (55th) BaekSang Arts Awards - May 1, 2019
Best Actor (Lee Byung-Hun)
Son zamanlarda izlediğim diziler ile kıyaslanmayacak tek kelime ile mükemmel bir diziydi. Güney Kore’nin en başarılı senaristlerinden Kim Eun Sook’un kaleminden çıkan unutulmaz bir hikaye. Daha nasıl anlatayım ne diyeyim bilmiyorum. Kim Eun Sook dizileriyle birçok kez kendini kanıtlamış bir senarist. Secret Garden, Descendants of The Sun, Goblin, The King: Eternal Monarch gibi dizilere imza atmış. Ne kadar övülse az diye düşünüyorum.
Bu dizi için çekimler başladığında başrol oyuncusu Lee Byung-Hun için bir sürü olumsuz eleştiri varmış. Kendisi Kore dışında tanınan nadir oyunculardan olduğu için birçoğuna sanırım Kore dizisinde oynaması garip gelmiş. Ama rol tam anlamı ile onun için yazılmıştı. Ben yine pırıl pırıl bir kafayla bütün bu dedikoduları bilmeden 2018 dizisini 2022 de izledim. Mis gibide oldu. Zaten o zamanlar izleseymişim, bu kadar kore dizisi izleyemezmişim diye düşünüyorum. Bu diziden sonra uzun bir ara bir şey izlemeye elim gitmedi. Lee Byung-Hun’un da biraz dedikodusunu yapacak olursam, kendisi Song Joong Ki’nin eski eşi Song Hye Kyo ile bir süre beraber olduktan sonra yürütememiş, aşkı Lee Min Jung’da bulup evlenmiş. Daha sonrasında karısı ile birtakım olaylar yaşanmasından dolayı medyaya düşmüş. Bu tarz olaylarda Kore’de hemen linç yenildiği için uzunca bir süre sevilmemiş. Buna rağmen Oskar ödül töreni sunan ilk Koreli oyuncudur.
Başrolü 3 erkek 2 kadın gibi düşünüyor olabilirsiniz ama çok yanılıyorsunuz. Dizideki herkes başroldü. Yok abartmıyorum. Dizideki heeerkes başroldü. Dizi bittikten sonra kalitesiz bir yapım izleyemeyeceksiniz. Bir nevi sizin zevkinize de level atlatacak. İlerleyen günlerde zevkiniz tekrar körelebilir, panik yapmayın.
Köle bir ailede dünyaya gelen Choi (Lee Byung-Hun) 5-6 yaşlarındayken ailesinin öldürülmesine şahit olur ve kaçar. Bir şekilde çok küçük yaşta Amerika’ya gitmeyi başarır. Orada orduya katılır ve Amerikan askeri olarak ileriki yaşlarında ülkesine görev icabı gönderilir. Ama geldiği yer, küçükken kaçtığı yer değildir. Ülke dört bir yandan kuşatılmış, farklı milletlerin sömürgesi halinde yaşanmaktadır. Dizinin konusu aslında Joseon'un dört bir taraftan kuşatıldığı bir dönemde, bağımsızlık Ordusunu anlatıyor. Kıyısından köşesinden gerçek insanlara gerçek olaylara dayanan bu hikaye daha en başından üzücü bir hikaye olduğunu bas bas bağırıyordu.
Eugene Choi gelir gelmez bağımsızlık ordusunun bir ferdi olan Go Ae-Shin(Kim Tae-Ri) ile karşılaşır. Ae-Shin o sırada suratında bir maske elinde bir silah ile çatılarda koşuyordur. Bu karşılaşma onların kaderini de yazmış olur. O sırada sahneye benim favori karakterim giriş yapar. Gu Dong-Mae (Yoo Yeon-Seok) kasap dedikleri en alt tabaka bir aileye sahip olan bu genç adam. Aynı Choi gibi küçük yaşta ülkesinden kaçmak zorunda kalmış. Amerika değil de Japonya’ya sığınmış. Bir şekilde tekrar ülkesine dönmüş ama o da Ronin olarak dönmüş. Ronin’ler “sahibi olmayan samuray”lar bir nevi kiralık katiller. Aslında Kore’nin alt tabasından kaçıp Japonya’nın alt tabası olarak büyümüş. Kılıçları bellerinde, sokakta yürüdüklerinde herkesin çekildiği korkutucu tiplerden biri olmuş. Gong-Mae, Ae Shin’i küçüklüğünden hatırlamaktadır. Küçükken ona yardım ettiği için hem minnet duyar hem de “lütfettin” şeklinde bir öfke besler.  
Go Ae-Shin aslında asil bir aileden gelmektedir. Bağımsızlık ordusunda olduğunu ailesi bilmediği için ikili bir hayat yaşamak zorundadır. Henüz kundaktayken işgalciler tarafından ailesi öldürülür. Onu dedesi büyütür ama asıl onun yanından hiç ayrılmayanlar hizmetindeki Ms. Haman(Lee Jung-Eun) ve  Mr. Haengrang(Shin Jung-Keun) ‘dır. Lee Jung-Eun’a ekstra bayılırım. Aklınıza gelebilecek bütün güzel dizilerde kendisine denk gelebilirsiniz. Oh My Ghost , Weightlifting Fairy Kim Bok-Joo, Fight for My Way, Familiar Wife,  When the Camellia Blooms , Law School, Hometown Cha-Cha-Cha, Soundtrack 1, Our Blues… diye oldukça uzun devam edebilirim. Ayrıca burada parantez açıyorum. Go Ae-Shin ailesi kalp kalp kalp. Babası Go Sang-Wan(Jin Goo), annesi ise Kim Hui-Jin(Kim Ji-Won)’dur. Bu çiftimiz “Descendants of the sun” dizisinde severek izlediğimiz ikinci çiftti. Kısacık, geçmişi gösterirken de olsa onları tekrar bir arada görmek şahaneydi. Konuk oyuncunun bile hakkını vermişler. Parantezi kapatıyorum. Soylu bir aileden geldikleri için kendileri gibi soylu başka bir ailenin oğlu ile Ae-Shin’i nişanlamışlardır. Nişanlısı Kim Hui-Seong(Byun Yo-Han) ise okumak için Japonya’ya gitmiş, 10 yılı aşkın bir süredir ise orada kalmış. Ailesinin ısrarları sonucu o da ülkesine geri döner.
Böylece sahne 3 erkek ile tamamlanır. Başta söylediğim 2. kadına gelirsek. Hem Amerika askerinin hem de Japon askerlerinin konaklamasına açık olan tarafsız bölge niteliğinde bir otel mevcut. Otelin sahibi ölünce dul kalan karısı Hina Kudo(Kim Min-Jung) işleri devralarak tek başına dev kadro olmuş. Aslında küçük yaşta babası tarafından zengin bir Japon iş adamına satılan bu güçlü kadın, aslen Koreli olduğu için kocası ölünce hem memleketine dönmü�� hem de kocasının nüfusunu ve parasını kullanarak tarafsız bir alan yaratmış.
Başroldeki Kim Tae-Ri ile ona eşlik eden Lee Byung-Hun arasında 20 yaş fark olmasının izlerken sizi bir kere bile rahatsız etmeyeceğinin garantisini verebilirim. Çünkü dizi fiziksel temasın çok daha ötesinde aşklar anlatıyor. Hem bu kadar yalın hem de bu kadar çok katmanlı bir hikaye anlatmasına rağmen dizi çıktığı dönem çok fazla eleştirilmiş. Bir kısım yakışıklı Ronin’imiz nedeni ile Japonları sevdirmeye çalışılıyor demiş, kimileri Amerika sempatizanlığı yapılıyor demiş. Kimi de tarihi yanlış aktarıyorlar demiş. Ağzı olan konuşmuş. İnanın bütün bu dedikodular, karalamalar dizinin muhteşemliğinden hiçbir şey değiştirmemiş.
Görüntü yönetmeninden sahne dekora, sanat yönetmeninden ışıkçısına kadar herkes dörtdörtlük bir iş çıkarmış. Her bölümün sonunda izleyiciye bir sanat eseri hediye ettiler. Sahne durup müzik girdiği an, ekrandaki görsel şölen inanılmazdı. Her biri screenshot alınıp üzerine saatlerce konuşulabilir anlamlar içeriyordu. Aynı zamanda tablo gibiydiler. Duvarına assan sanat eseri olmadığını kimse söyleyemez. Sinematografisi enfesti. Abartıyormuşum gibi gelebilir ama istisnasız her bölüm mükemmel açılarla ve görsellikle çekilmişti.
3 farklı adamın imkansıza yakın aynı kızı sevmesi ve sizin bile aralarında seçim yapamamanız başarıyı tekrar tekar gözler önüne seriyordu. Ve biz bu 3 adamın bromans’ını izledik. Bence dizinin en güzel sahneleriydi. Üçlünün her seferinde aynı anda içmeye gitmeleri ve aynı masada buluşmaları, hesabın hep Eugene’e kitlenmesi. Dong Mae’nin diğer ikisini öldürmekle tehdit edip sürekli “sizi nasıl keseyim, yatay mı dikey mi” diye sorması. En az aşkları kadar imkansız olan arkadaşlıkları da çok güzeldi.
Konuk oyuncusundan ana kadrosuna kadar o kadar isminden bahsedemediğim kişi var ki… Her birini alkışlıyorum. Ciddi anlamda “bu da gereksiz olmuş” diyebileceğiniz tek bir oyuncu bile yoktu. Bütün karakterler tek tek hikayeye dahil edilmiş, dolu dolu yazılmıştı. Ayrıca bu kadar kaos bir dönemde, bu kadar çok sesli bir ortamı canlandırırken oyuncuların 3 dili de akıcı bir şekilde konuşmaları takdir edilesiydi. Tarih derslerini hiç sevmezdim ama bu dizi küçük bir tarih dersi olmasına rağmen dizinin bu yönünü bile sevdim. O dönem, inanların vatan sevgisi, birlik beraberlikleri, mücadeleleri belki de bu kadar mükemmel yapan şey gerçek olmalarıydı.
Sonuç olarak dizinin sizde çok uzun süre etki bırakacağını bilerek başlayın. Sulu gözlüyseniz daha yarısına gelmeden içiniz çıka çıka ağlayacağınızı, yok ben duygusal insan değilim diyorsanız son 4 bölümde hüngür şakır ağlayacağınızı bilerek başlayın. Bütün karakterlere aşık olacağınızı, kötüleri gördükçe katil iç güdülerinizin bedeninizden çıkmaya çalışacağını bilin.
Tek kelimeyle bir baş yapıt bence. 10 üzerinden 10.
OST:
Baek Ji Young, Richard Yongjae O'Neill  - See You Again
Kim Yuna - Days Without Tears
Raven Melus
BAŞKA NELER VAR ?
FOTOĞRAFLAR
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moonlightsdream · 2 years
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FILMS IN 2022: May 18 (2007) — dir. kim ji hoon
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bahamiansimmer242 · 2 years
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Green Mothers Club [Drama Review][TW: Suicide, Abuse]
Green Mothers Club [Drama Review][TW: Suicide, Abuse]
I know I was supposed to be watching Mystic Pop-Up Bar, but honestly, it wasn’t that interesting (yet, I’ll get back to it) and this one showed up on my list as a recommended drama. Thank you Netflix for this recommendation because I loved it! This drama was advertised as if it were going to be something like SKY Castle – tiger moms, academic battles, etc. It started like that too. Eun Pyo (…)…
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wlwcatalogue · 5 months
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Some WLW (?) Jdrama & Kdrama recommendations!
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Jdramas and Kdramas have a (not-entirely-unearned) reputation for being very straight, but here are a few which are either canonically F/F or which prominently feature a female-female pair-- please enjoy! For those who enjoy following series in real time, Chaser Game W and She Loves to Cook, and She Loves to Eat S2 are both airing this January 2024 :)
As with my post on anime with yuri subtext, since subtext is so subjective, this list only includes series which I’ve actually watched, and so is by no means intended to be comprehensive. Also, it doesn't include any webseries, since those probably deserve a post of their own.
At-a-glance list:
Miss Sherlock (8 episodes, 2018) (subtext)
Night Light (20 episodes, 2016) (subtext)
Tokusatsu Gagaga (7 episodes, 2019) (subtext)
Painter of the Wind (20 episodes, 2008) (canon?)
She Loves to Cook, and She Loves to Eat (10 15-minute episodes and counting, 2022~) (canon)
Sono Toki, Heart wa Nusumareta (5 episodes, 1992) (canon)
Chaser Game W (10? 30-minute episodes, 2024) (canon)
Doctor X (7 seasons and counting, 2012~) (subtext)
Bonus: SKY Castle (20 episodes, 2018) (subtext)
Summaries under the cut!
1. Miss Sherlock / ミス・シャーロック (8 episodes, 2018) (subtext) – MyDramaList | AsianWiki
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The elevator pitch for this show is simple: it’s Sherlock Holmes, but where Holmes and Watson – here named “Sherlock” and Tachibana Wato, and played by Takeuchi Yuko and Kanjiya Shihori, respectively – are both female, and the cases are all set in modern Tokyo. As with other adaptations, mystery-solving and the budding relationship between the two leads takes centre stage, but Miss Sherlock manages to carve out an identity all its own.
There’s a calm beauty to its visuals, which favour sunlight and urban greenery, and the show’s focus on former doctor Wato as she tries out new jobs and goes to therapy means that there’s a surprisingly high number of slice-of-life scenes. It’s also subtly more female-focused than the source material; Sherlock’s gossipy but good-natured landlady Ms. Hatano (Ito Ran) is as much a member of the household as Sherlock and Wato, and the cases often revolve around female characters. But more than anything, it’s just really fun to watch Sherlock and Wato’s relationship bloom as they snip and snipe and are utterly unable to stay out of each other’s space (literally – the body language and blocking is *chef’s kiss*). Their relationship is the heart of the show – watch this one until the end, you won’t regret it!
(CW: psychological abuse, manipulation, and genre-typical murder, violence, and gore)
2. Night Light / 불야성 (20 episodes, 2016) (subtext) - MyDramaList | AsianWiki
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(Note: spoilers for the mid-season twist, but it’s impossible to allude to a good portion of the F/F subtext without doing so, and I think knowing the twist ahead of time doesn’t make it any less enjoyable.)
Night Light is a rather odd show. It’s simple enough on the face of it, a story about  successful but ruthless CEO Seo Yi-kyung (an icy Lee Yo-won) who tries to mold the younger Lee Se-jin (a puppy-eyed Uee) in her own ambitious image, only for her protege to develop the conscience she never had and move to stop her dastardly plans… but upon watching it’s a totally different creature,  thanks to the alchemic reactions of some delightfully contradictory acting choices (Uee’s performance convinces viewers less of Se-jin’s supposed latent desire for power and money, and more of a deep love and devotion for the CEO) and the unintentionally (?) inneundo-laden script (“If I like something once, I never forget it– whether it’s a dress… or a person,” declares the CEO less than ten minutes into the first episode while gazing intently at Se-jin).
Honestly, it’s a wonder this series ever got made, but you certainly won’t see me complaining! The first part is full of boss/subordinate goodness; Se-jin is unable to resist the CEO’s magnetic pull despite her hot-and-cold behaviour, while the CEO cannot bring herself to push Se-jin away completely. And then, when Se-jin makes her mind up to stop the CEO, it morphs into a corporate take on a (subtextual) lovers-on-opposite-sides situation, where it is precisely Se-jin’s feelings for the CEO that motivate her to stop her. In short, it’s a workplace GL fan’s dream.
Note: If you do watch it, skip the corporate politicking cutscenes with the old men, you’ll thank me later. Also, there’s a prominent male character who is the CEO’s ex and who works closely with Se-jin in the second half, but don’t worry, all the M/F romance is in the past (and doesn’t get much screentime)– he and Se-jin aren’t interested in each other at all.
3. Tokusatsu Gagaga / トクサツガガガ (7 episodes, 2019) (subtext) - MyDramaList | AsianWiki
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Nakamura Kano (Koshiba Fuka) lives and breathes tokusatsu shows (think Power Rangers, if you’re not familiar), but keeps it a secret from her work colleagues to avoid being shunned or laughed at. And yet she yearns for connection, so when she sees a woman on the subway bearing a keychain from her favourite show (Yoshida Hisami, played by Kurashina Kana), she is determined to find her again.
Although ostensibly about being a tokusatsu fan as an adult, this show is rife with queer subtext, and not in the usual way. It deals with the difficulties of staying in the closet (regarding being an adult tokusatsu fan), the desire to connect with other queer people adult tokusatsu fans and how one might do so through hints and signals, parental disapproval arising from gendered and social expectations (that tokusatsu shows are for boys, and magical girl shows for girls), intersectionality and finding comradeship with other minorities people who are excluded due to their interests, and even generational gaps wherein younger queers fans may underestimate the obstacles that still exist. Although all that might sound a bit stressful, it isn’t actually! Difficult incidents are handled with sympathy and a dash of wry humour, and the show never loses sight of the fact that it – above all else – is a story about finding queer community in the face of a heteronormative hostile world, told with warmth and the nuance of lived experience.
4. Painter of the Wind / 바람의 화원 (20 episodes, 2008) (canon?) - MyDramaList | AsianWiki
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Adapting the novel of the same name by Lee Jung-myung, Painter of the Wind takes as its protagonist a gender-bent version of real-life Joseon-era painter Shin Yun-bok (Moon Geun-young), whose paintings are used to weave a tale of artistry, political intrigue, and romance, and more than anything else to offer modern-day viewers a glimpse of everyday life in 18th-century Korea.
While it may sound like Dickinson’s boring cousin, apart from having a common preoccupation with reframing historical works, another similarity the two shows share is that Painter of the Wind is also very gay. Starting from the first episode, Yun-bok meets and becomes fascinated by the courtesan Jung-hyang (Moon Chae-won), who despite her initial aloofness is drawn to Yun-bok’s intellect and sensitive demeanour. It’s a real meeting of the minds, their witty repartee in early episodes reminiscent of Twelfth Night’s Viola and Olivia, and their relationship isn’t siloed off from the main plot either: Yun-bok’s infatuation quickly starts causing issues with her academic career, and the two eventually have to contend with Jung-hyang’s precarious position as a courtesan as well.
Unfortunately, all this is undermined in the back half of the show, which tries to gaslight viewers into thinking that Yun-bok’s feelings for Jung-hyang were purely platonic all along and that she totally has romantic feelings for her much older male mentor— but hey, at least it’s an open ending. Despite everything, though, I can’t think of another serious historical TV show which features such a prominent F/F narrative for its main character, even nearly two decades later. (Let me know if you have any others! And no, Gentleman Jack doesn’t count, it’s not exactly traditional in style!)
(CW: period-typical sexism)
5. She Loves to Cook, and She Loves to Eat / 作りたい女と食べたい女 (10 15-minute episodes and counting, 2022~) (canon) - MyDramaList
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Based on Yuzaki Sakaomi’s manga of the same name, this simple but sweet show follows home-cooking extraordinaire Nomoto Yuki (Higa Manami), who yearns to cook large-scale dishes but doesn’t eat enough to justify making them. Luckily for her, her neighbour Kasuga Totoko (Nishino Emi) has a massive appetite!
It’s always lovely to see more grounded stories about working women, especially when they’re as cute as this one. Though it touches upon some slightly more serious issues, such as with regard to gendered expectations surrounding food and cooking, it’s primarily a feel-good slice-of-life show about two women getting to know each other by cooking and eating delicious food together.
Side note: if you’ve started it and think the show doesn’t look cosy enough, stick it out for a few more episodes, the production values improve after the first part! Also, the series was renewed for a second season with double the episode count (for a total of 20 episodes) which will start airing on January 29th this year, so this is the perfect time to jump in!
6. Sono Toki, Heart wa Nusumareta / その時、ハートは盗まれた (5 episodes, 1992) (canon) - MyDramaList
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Sono Heart, as it’s nicknamed, starts off as a typical heteronormative high school romance: bumbling protagonist Shiina Hiroko (Isshiki Sae) is desperate to get closer to her crush Katase Masato (Kimura Takuya), star of the school basketball team and all-round nice dude. However, a spanner in the works comes slouching along in the form of female classmate Aso Saki (Uchida Yuki, in her debut role), a mischievous, short-haired personification of trouble who Katase turns out to have feelings for. One day, Hiroko gets into a fight with Saki, and they end up having to stay together after school as punishment. But that afternoon gives them the opportunity to bond over a heart-to-heart conversation, and things seem to improve… until, just before leaving, Saki kisses Hiroko. And then everything changes.
Or rather, everything changes eventually. What’s great about this show is that it doesn’t take shortcuts: Hiroko doesn’t instantly fall in love with Saki. Instead, what you get is a surprisingly layered portrait of a high school girl whose coming to terms with queerness is merely a natural extension of reckoning with her burgeoning sexuality. And, because Saki is self-destructive in her depression and makes a game of belittling, worrying, and infuriating anyone who cares about her, it’s really a story about what it means to love another person rather than a romantic ideal. A word of warning, though: Katase is actually quite a large character, as he and Hiroko end up becoming friends. Also, the ending is very abrupt and inconclusive, though rest assured that it doesn’t try to roll back Hiroko’s feelings, or pair either girl off with a guy.
(CW: self-harm, attempted suicide, bullying, homophobia, underage drinking)
7. Chaser Game W: Power Harassment Boss Is My Ex-Girlfriend / チェイサーゲームW: パワハラ上司は私の元カノ (10? 30-minute episodes, 2024) (canon) - MyDramaList | AsianWiki
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Probably jumping the gun here as only two episodes have aired as of writing, but I feel honour-bound to recommend this as it’d probably appeal to a lot of people, if only they knew about it! Chaser Game W is a standalone spin-off of Chaser Game, itself an adaptation of a manga of the same name by Matsuyama Hiroshi and Matsushima Yukitarou, but you don’t need to know anything going in.
Protagonist Harumoto Itsuki (former Keyakizaka46 captain Sugai Yuuka) has been assigned a new job: her company has been asked by a Chinese conglomerate to develop a game adaptation of a GL manhua, and she’s been tapped as the project leader. However, what appears to be an exciting prospect soon becomes a terrifying one, as the person sent by the client to supervise turns out to be her ex-girlfriend from university (Lin Dongyu, played by Japanese actress Nakamura Yurika), who is now married to a Chinese man (played by a Japanese actor) and has a child, but remains hell-bent on exacting revenge on Itsuki for their bad breakup. This is a romantic (melo)drama rather than a psychological thriller, though, so you won’t be watching Itsuki getting terrorised the entire time. While she is understandably upset by her ex’s current behaviour, Itsuki can’t forget about their happy days together, and Dongyu herself veers between being a sneering bully and craving Itsuki’s affection.
Do note that the show isn’t without its flaws: it’s very Japanese about the Chinese thing, which is to say it’s filled with comments which range from somewhat offensive to borderline racist, and the script will probably give you a headache if you know even the slightest thing about game development. Your mileage might vary on the ex too, as she can be really quite nasty to Itsuki and her teammates. But if you can overlook those issues, this is a rare prize indeed: a TV drama focusing on a canonical F/F pair, who are specifically exes, and in a workplace setting.
(CW: bullying)
8. Doctor X / ドクターX (7 seasons and counting, 2012~) (subtext) - MyDramaList | AsianWiki
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To be very honest, I was in two minds about including Doctor X on this list. It is, with a few notable exceptions, misogynistic and reductive in its depictions of women (especially in the first two seasons), gives too much screentime to objectively awful and subjectively annoying men, doesn’t respect the work done by medical personnel apart from surgeons, and on the technical front is formulaic, repetitive, and often lazy in its writing and presentation. Unfortunately, the dynamic between the genius surgeon protagonist Daimon Michiko (Yonekura Ryoko) and her anaesthesiologist wife partner friend Jounouchi Hiromi (Uchida Yuki) is almost unparalleled in its excellence.
The premise of the series is basic indeed: Daimon Michiko is a freelance surgeon with a healthy disrespect of rules and authority and, unluckily for her detractors, a cast-iron guarantee that she will succeed in any surgery, no matter how difficult. She’s initially portrayed as a lone wolf who’s dismissive of the entire hospital system and anyone who’s part of it— but her interest is piqued by the anaesthesiologist Jounouchi, who is skilled beyond her peers and chafes against the idiocy of her colleagues. For all its flaws, the first season – which is more serious and edgy in tone compared to the others, and isn’t an ensemble cast like the post-S3 seasons – is a fantastic depiction of two people being perfectly matched in skill, intellect, and outlook, and how they come together despite one being standoffish (Jounouchi) and the other not being used to reaching out to or even respecting other people (Daimon).
The seasons after that sadly ditch the emphasis on Jounouchi being Daimon’s professional equal, but in exchange offer up another rare and unexpected gift: two women in their late thirties / early forties who are partners both at work and in private. Jounouchi is Daimon’s designated anaesthesiologist, assisting with nearly every surgery, and she spends so much time at Daimon’s agency-office-slash-house you’d think she’d moved in. Also, after a point they just start being wonderfully dorky and comfortable with each other, while still being consummate professionals in the operating theatre. Although the show is very much focused on Daimon Michiko as its sole protagonist, Jounouchi is undoubtedly the character most significant to her – even more than Daimon’s father figure, the head of the freelance agency – and this is highlighted in the story from time to time. They are very, very good. I just wish the series was better.
Note: If you’re curious, I would recommend watching the very first episode in full– by the end you should know if you’re invested enough to continue, otherwise drop it and live in the happy knowledge that you dodged a bullet. If you aren’t so lucky, I’d advise skipping the surgery segments when they start to bore, and in general to skip liberally. Also, season 4 is not worth watching as a whole, except for the last two episodes, which absolutely should not be missed. Sigh. I can’t speak to seasons 6 and 7, due to having paused mid-S6.
Side note: If you’ve watched Doctor X already and liked it (or at least like Daimon and Jounouchi), but haven’t tried Miss Sherlock yet, definitely give that a go because there seems to be a big overlap in the fandoms. Maybe it’s because they both feature a genius protagonist, have the two largest female characters being work partners, and domestic vibes…?
(CW: sexism, genre-typical gore)
Bonus: SKY Castle / SKY 캐슬 (20 episodes, 2018) (subtext) - MyDramaList | AsianWiki
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(Note: slight spoilers for the early episodes, but it’s necessary in order to give a more accurate recommendation regarding the F/F subtext, especially as the show is not primarily focused on any one relationship.)
This one’s a bonus because unlike the others on this list, there’s no close relationship between two female characters which could be interpreted in a romantic light. That’s not too surprising as the show is all about the women of a several super-wealthy families trying to get their children into the top Korean universities (equivalent to the Ivy League) whilst supporting their husbands in the rat race: a decidedly heteronormative premise, albeit one that’s executed in an award-winning manner.
So why am I listing it? Well, it’s because somehow, in this series about heteronormative and highly gendered nuclear families, it features possibly the most erotically-charged dynamic I have seen, even taking season 1 of Killing Eve into account. (Though it takes some time to get there, so if you try it out, please watch at least the first four episodes before making a decision!)
That honour goes to the problematic gem that is the relationship between the main character Han Seo-jin (Yum Jung-ah), who is willing to do whatever it takes to get her daughter into Seoul’s top medical school, and star tutor Kim Joo-young (Kim Seo-hyung), who is known for her 100% success rate. It starts off with a mild push-and-pull, when Han Seo-jin wants Coach Kim to take on her daughter, but is wary of the shady rumours surrounding her; the tutor stands firm, and Han eventually has to swallow her pride and accept the risks. Where it really comes into its own, though, is when Coach Kim starts to pose a legitimate threat to everything Han cares for: her daughter, her marriage (or rather, what her husband can give her), her position in the world. It becomes increasingly clear that Han should just walk away, and indeed she tries to do so many a time, only to bend in the end because the coach is key to fulfilling her dearest wish– and so to Han, for all she rages and resents and fears, Coach Kim is nothing less than temptation itself. This is the beating core of the show, and even as the plotting disintegrates and falls into melodrama in the second half, their scenes together still crackle with delicious tension every time. Watch it.
(CW: suicide, psychological abuse, child abuse, bullying, murder)
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badasmuse · 7 months
Text
“She Knows”
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Bada Lee x Reader
Warnings: 18+ (MDNI), language, penetrative and oral sex, bottom!reader, jealous!bada, lowercase intended, jam republic!reader, uhh spit kink
Summary: dancing on kirsten couldn’t rile bada up that bad… right?
Kinda based off “She Knows” by Ne-yo & Juicy J
after mc kang daniel announces that team bebe have won swf, i immediately run ti bada hugging her tight.
we’ve been dating for about a month, meeting on the show obviously and immediately clicking. we kept our relationship a secret since i am on another team, jam republic, and we didn’t want anyone thinking our relationship would get in the way of our performances. like jessi said, this is competition.
i feel eyes on us as i hold onto bada, mumbling congratulations and how i’m so proud of her.
“you guys seem close.” latrice says as she gets closer.
“she’s my girlfriend.” i say caressing bada’s hair. “we’ve been dating for like a month and a half we just didn’t say anything because the competition.”
“I KNEW IT!” kyma yells, “i told you. you all owe me twenty. i’m getting PAID YESSIRRR!!”
“betting on our relationship is insane. anyways, we should celebrate. club anyone?”
a chorus of yeses follow and an hour and a half later we’re all at the club getting drinks and dancing.
“don’t drink too much baby.” bada tells me, cuddling into my side.
“i won’t” i respond. i sit up straight when i hear my song come on. “oh shit kirsten come dance with me!!” i say standing and pulling her to the dance floor.
the look on kirsten’s face is priceless as i start dancing against her.
“what are you doing?” she asks.
“remember when we did angels in tibet? bada texted me when we went back to the rooms all jealous cause you touched on me and i was shaking my ass. it was cute but you know how i went out shopping that day y’all went to record with jungkook? and i came back limping and told you i pulled a muscle? i didn’t pull a muscle..”
“oh she had you like that?” she laughs and i hit her arm.
“anyway, i’m tryna get like that again and you’re gonna help me.” i sip my drink and dance against her as my song plays, moving my hips to the beat of the song.
i look up and make eye contact with bada. her jaw is clenched and she’s bouncing her leg underneath the table. i send her a wink and grab kirsten’s hand putting it on my hip which has bada poking her tongue against her cheek. oh yeah, it’s going my way.
i take another sip of my drink and lean into kirsten as another song comes on, this one sexier than the last, “do me a favor. i’m gonna lean into you i need you to run your hand down my back towards my ass, she’ll come over here before you get to it.”
“don’t get me beat up y/n.” she laughs but obliges, hand traveling from my hair and down my back. she reaches my lower back when i feel another hand on my waist, yanking me away.
“you’re on thin fucking ice y/n.” bada whispers in my ear, “sorry kirsten we have to go.” she doesn’t wait for a response, just pulls me out the door and to her car.
i pout putting on my seatbelt. “always ruining my fun. i just wanted to dance you suck.” i say.
she grips the steering wheel but stays silent.
“you not gon say nothing? you just gon drive like i’m not talking to you?” i roll my eyes. “bada lee i know you hear me talking to you.”
we hit a red light and she turns towards on me, hand immediately going to my neck, applying light pressure and pulling me close to her.
“y/n remember when i told you you’re on thin ice? that shit just broke.” she says letting go and driving off once the light changes.
—————————
“you think it’s funny letting people touch all over you?” bada asks, cuffing my hands to the headboard. “you just love the attention you get huh? and then you have the audacity to just start mouthing off? really? let’s see how much you talk tonight.”
i giggle knowing it’ll piss her off, “i love attention bada you know that.” i let out a squeal when she slaps my thigh.
“that’s fine. you wanna act like a whore? you’ll get treated like one.”
she takes off her shirt and pulls my thong off, leaving the skirt on me, and immediately attaches her lips to my clit. “oh shit.” i breathe out tugging at the handcuffs.
she swirls her tongue around my clit and thrusts two fingers in me off rip. like damn can i get a minute? i moan louder as she curls her long fingers up hitting my spot so easily. took her thirty seconds to find that shit.
“fuck bada i’m gonna cum.” i cry out twisting and turning. tears pricked my eyes. fuck she’s so damn good at this.
she doesn’t stop, obviously, flicking her tongue faster and man that did it. i came on her face and fingers, body jerking slightly. she licks it all up and comes back up to me gripping my face.
“open.” she mumbles and i listen, sticking my tongue out slightly. she leans down and spits my cum into my mouth. “swallow it.”
i listen, swallowing it and sticking my tongue out so she can see.
“good girl.” she walks away from the bed going in her bottom drawer and grabbing her strap. man she’s about to kill me.
she turns me over roughly, pulling my hips up and pushing my head into the pillows. she don’t even give me time before she pushes into me and just starts pounding making me see stars.
“oh shit b-bada slow down.” i stutter gripping the chains on the cuffs.
“nah you wanted attention you’re getting it.” she makes me arch deeper and moves her hips faster.
i let out a scream as she shifts angles to pound into my spot yet again. she laughs as her fingers go to my clit rubbing it slowly.
“bada!” i yell out trying to move away.
“yeah, say my name pretty girl.” she says making me moan loudly. “no one will ever make you feel this good. ever. look at the way you moan for me and clench around my strap like it’s gonna disappear. you definitely belong to me.”
i inhale sharply, “cum..” i whimper out not being able to form the sentence properly.
she stops, pulling out of me and i start sobbing. “bada please i’m so close.”
she ignores me, uncuffing me and flipping me on my back and pushing back into me. my hands fly to her back, nails raking down leaving marks, if not drawing blood.
“oh shit right there bada.” i moan as she goes harder, lips finding my neck leaving marks on me. now that the show is over she can leave them everywhere.
she leans up, pinning my hands to the bed, and pressing on my stomach. that shit had me cumming. my eyes roll back and my legs shake and i let out a scream, tears flowing down my face. she keeps going, helping me ride out my orgasm.
“attagirl. ride it out. cum all over my strap.” she says, not stopping. the air leaves my lungs as her fingers find my clit and i shake my head.
“no no bada i can’t take it.” i cry out, but my fuck ass body betrays me by arching into her touch, pulling her closer.
“seems like you can pretty girl.” she says slowing down her thrusts but keeping the power.
“give me one more.” she whispers speeding up her pace on my clit.
i let out a whine and squirt all over her, falling back onto the bed.
she pulls out eyes wide. “oh shit i didn’t know you could do that!” she exclaims.
i take a few minutes to collect myself and she walks to the bathroom, “no one’s ever made me.. do that before.” i say when she comes back, cleaning me up and kissing my sore wrists.
“nice to know i’m just that talented.” she smiles.
after helping me to the bathroom and changing the sheets (having to put down some towels cause the mattress is wet) bada lays down next to me, pulling me on her chest.
“you know, you don’t have to act like an attention whore to get rough sex.” she says smiling once again. “next time ask for it.”
“girl fuck you. it’s more fun this way.”
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